• Title/Summary/Keyword: Yellow-color

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Dynamics of Air Pollutants during the Yellow Sand Phenomena (黃砂現象의 大氣汚染物質 動態에 關한 硏究)

  • 李敏熙;黃奎浩;金恩植;平井英二;丁子哲治;宮崎元一
    • Journal of Korean Society for Atmospheric Environment
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    • v.6 no.2
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    • pp.183-191
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    • 1990
  • To check the possible transportation of gaseous air pollutants with the particles of yellow sand in the movement of air masses during the Yellow Sand Phenomenon, the concentrations of such air pollutants as TSP, $SO_2, CO, NO_x, O_3 and N-CH_4$, and wind wpeed were measured during the Yellow Sand Phenomenon (April 8 $\sim 10, 1990) and they were compared with those during the normal times in Korea. Meanwhile dust color of the samples during the Yellow Sand Phenomenon was the color of sand, that during the normal times was dark-brown. The concentrations of dusts; water soluble components, and metallic components of soil-originated elements during the Yellow Sand Phenomenon were higher than those during the normal times. While the metallic components in the dusts during the Yellow Sand Phenomenon were from soil-originated elements, those during the normal times were of both soiloriginated and sea-originated elements. The change of hourly concentrations of air pollutants showed bi-modal distribution during the two periods. Generally, the concentration levels of air pollutants during the Yellow Sand Period were higher than those during the normal times. Although similarity was observed in the primary sources, differences were observed in the dynamics of the secondary sources due to chemical reactions of the air pollutants during the two periods.

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A New Yellow Color Grafted Cactus (Chamaecereus silvestrii) Cultivar "Yellow Tree" (접목선인장 황색계 산취 신품종 "옐로우트리" 육성)

  • Cho, Chang-Hui;Nam, Sang-Yong;Lee, Sang-Deok;Park, Heung-Bae
    • Korean Journal of Breeding Science
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    • v.40 no.4
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    • pp.521-524
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    • 2008
  • A new graft cactus (Chamaecereus silvestrii f. variegata) cultivars "Yellow Ttree" was developed at Cactus Research Institute, Gyeonggi-do A.R.E.S. in 2007. GC013001 and GC0110703 were crossed in 2005 and we got 42 seedlings from this combination. After pedigree selection in 2005, one cultivar were finally selected through the test of specific character in 2007 and named as "Yellow Ttree". "Yellow Ttree" has cylindrical shape of yellow color with 13~14 ribs. Formation of its offshoots is concentrated on the lower part of the plant. This cultivar is able to produce 13.9 offsets shoots per plant and its offshoots are hard.

A Research on Dye and Color in Korean Traditional Colors of Clothing (한국(韓國) 전통복색(傳統과 염채(染采)에 관한 연구(硏究))

  • Soh, Hwang-Ok
    • Journal of the Korean Society of Costume
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    • v.6
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    • pp.161-171
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    • 1982
  • The idea of King Hungdok's prohibition of clothing was to restrict the use of chinese-made cloth on the one hand and to compell his people to use Korean-made cloth for their apparel on the other. The prohibition of clothing sprang from King Hungdok's aspiration to restore his dynasty that had been falling due to the repeated drought disaster and luxurious living of the aristocracy. Safflower, Rubeaceae roots and Sapan wood are well known as some of the earliest natural red-dyes, exhibiting beautiful red-color in our anciet cultural tradition. The color yellow was considered from ancient time to the Chosun Dynasty as the central color. Thus, this color became the royal color for the costumes in the palace. Those plants used to make the color yellow are: Gardenia, phellodendron amurense, Turmeric, coptis, safflower, Arthraxon hispidus, Styphnolobium japonicum. Shikon, root of violet plant, is well known as one of the earliest natural days. By repeating the difficult process of making various dyes constantly during many centuries, the Korean people developed the marvelous technique of making natural color.

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Studies on the manufacturing method Korean jelly and caramerization using lycorise (무릇을 이용(利用)한 엿의 제조방법(製造方法)과 cararmel 제법(製法)에 대한 연구(硏究)(식량절약(食糧節約)의 일환책(一環策)으로))

  • Yoo, Gab-Hyun
    • Journal of the Korean Society of Food Science and Nutrition
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    • v.4 no.1
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    • pp.67-70
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    • 1975
  • Lycorine was removed when lycorise was submerged and aciditied and lycorine was removed completely when the yellow spirit added after lycorise was submerged. A sweet tasts was increased when the wheat gluten has been made with the mixture of lycorise and the yellow spirit, and the viscosity was increased. The color of caramel was fixed completely when the yellow spirit and lycorise were used, simultaneously. The decolorization was not good when only the yellow spirit was used and the quantity of heat and time were saved, and the good color was obtained in the wheat gluten than lavamelization. The caramel obtained from the yellow spirit and lycorise was excellent than sugar.

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A Study on Synthesis and Crystallization of a Benzimidazolone Pigment (Benzimidazolone계 안료의 합성 및 용매 결정화에 관한 연구)

  • Kim, Song Hyuk;Kim, Jae Hwan;Yang, Seok Won;Lee, Won-Ki;Jin, Young Eup;Park, Seong Soo
    • Applied Chemistry for Engineering
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    • v.26 no.2
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    • pp.159-164
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    • 2015
  • Pigment yellow 180 (P.Y.180), a kind of benzimidazolone, has been widely used in various industrial fields of ink, paint, plastics, toner, and color filter, etc. This is a high performing pigment that is a greenish yellow shade with excellent properties such as heat resistance, solvent resistance, acid resistance and alkali resistance. In this study, pigment compounds were synthesized using various coupling reaction temperature condition. The properties of samples crystallized under various solvents and temperature conditions using autoclave pressurizer were also investigated. The pigment crystallized using DMSO solvent treatment showed the improvements such as the increase of X-ray intensity ratios and particle size, high color strength, and enhanced dispersibility.

Brain Waves Evoked by the Changes of Background Pastel Colors with a Pattern of Achromatic Color (무채색 무늬가 포함된 배경색의 파스텔색상에 따른 뇌파반응)

  • Lee, Heeran;Kim, Soyoung;Kim, Kiseong;Hong, Kyunghi
    • Fashion & Textile Research Journal
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    • v.19 no.5
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    • pp.653-660
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    • 2017
  • Recently, consumers' evaluation and purchase of online design has been increasing due to the popularization of designing through personal computers, but there has not been enough studies on consumers' brain wave responses depending on the change of PC monitor's color. Therefore, this study investigated how brain waves changed when different background colors with gray patterns were presented through PC monitors. Six background colors with same tone of slightly low saturation were selected, including ivory, yellow, pink, green, blue and pure white as a base color. The brightness and characteristics of color used were analyzed using the luminance meter and color scales. Brain wave was measured by EEG measurement equipment. Brain wave measurement was carried out with 9 subjects at 6 points: F3, F4, T3, T4, O1, and O2. Stimuli were shown for 15 seconds each and black screens were displayed for 15 seconds between each stimulus. As results, the brain waves at O1 responded sensitively by different background colors, followed by F4 and T4. Brain index such as 'RT', 'RA', 'RG', 'RSA', and 'RAHB' showed significant differences depending on the background color at O1, whereas 'RST' differed at F4. Yellow and blue backgrounds pair was the only stimuli that showed significant differences in six brain indices mentioned. Yellow background had higher value of 'RG' at O1 and higher 'RST' at F4, indicating yellow background enhanced concentration. Blue background activated 'RT', 'RA', 'RSA', 'RAHB' at O1, meaning blue background induced calm and stable state.

A Study on the Color and Texture of Fashion Fabrics (패션 소재의 색채 이미지와 질감에 관한 연구)

  • 추선형;김영인
    • Journal of the Korean Society of Clothing and Textiles
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    • v.26 no.2
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    • pp.193-204
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    • 2002
  • Many fashion forecasting companies propose the fashion colors in every season. Modern fashion consumer respond to fashionable trends with utmost sensitivity. Therefore to satisfy the consumer with an trendy image, the fashion design must be found first, as image matters, followed by an analysis of each design element's effect on the total image composition. In previous studies of fashion image, has been discussed the positive correlation between fashion design elements of color, fabric, and form as the central issue. In this thesis, two of the fashion design elements, color and fabric are simultaneously considered to classify the image of fabric in fashion. For the color variables, 10 hues are selected from Munsell's system of color notation, and 12 tones from PCCS color notation., which are currently used in the domestic fashion industry. Texture variables used in this survey are classified by luster, prominence-depression of surface, thickness, and density of fabric. Graduate students from 20 to 50 years old and the specialists in fashion companies participated in the survey. The results of this survey are as follows: 1. The fashion fabric image is classified as 5 main images: 'elegant', 'comfortable', 'characteristic', 'light'and 'simple'. 2. The influence of hue, tone and texture is significant to the fashion fabric image. Following colors, yellow-red, red hues and light grayish, dark grayish tones convey the elegant image. The texture property for the elegant image is luster, thin and low density. Properties of fabric conveying the comfortable image are yellow-red and green-yellow hue, soft, light tones, matte and high density. Furthermore, hue turned out to be a insignificant variables for the unique image, whereas dark grayish, grayish tone, luster and prominent texture convey a unique image. For light image, properties of fabric are blue-green, purple hues, light, bright tones with thin, low density texture. Properties of fabric conveying the simple image are blue-green, purple-blue, green-yellow hues, and strong, vivid tones, with luster and flat texture.

Synthesis of SnO2-TiO2-V2O5 System Yellow Pigment (SnO2-TiO2-V2O5계의 노랑안료 합성)

  • Joo, In-Don;Hwang, Dong-Ha;Lee, Hyun-Soo;Park, Joo-Seok;Lee, Byung-Ha
    • Journal of the Korean Ceramic Society
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    • v.46 no.6
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    • pp.639-642
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    • 2009
  • The research was performed to find out the optimum firing condition for the $SnO_2-TiO_2-V_2O_5$ system yellow pigment. The pigment based on $SnO_2-V_2O_5$ system showed very intense yellow color and it was used widely in ceramics industry. Synthesized pigment, with partial substitutions of $SnO_2\;by\;TiO_2$, was fired at $1300{^{\circ}C}$ soaking 1h and it showed bright yellow color. $SnO_2-TiO_2-V_2O_5$ system was very more intensive changes in yellow color by colorimetric value $b^*$ than $SnO_2-V_2O_5$ system. Synthesized yellow pigments were characterized by X-ray diffraction (XRD), FT-IR, and UV-vis spectroscopy. The best composition for yellow pigment was 93:7:0.5(mole%) for $SnO_2-V_2O_5-TiO_2$. The measurement of CIE $L^*a^*b^*$ of pigment was $L^*(78.82),\;a^*(-4.88)\;and\;b^*$(59.25).

The Study of Color Images in the Eastern and the Western Culture -A Comparison between Early 20th Century Clothes and the Reinterpretation in Modern Film Costumes- (20세기 전반 동.서양의 시대색에 관한 비교 연구 -시대 복식과 현대 영화 의상에서의 재현비교를 통해-)

  • Yun Ji-Young;Ro Ju-Hyun
    • Journal of the Korean Society of Costume
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    • v.56 no.4 s.103
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    • pp.108-123
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    • 2006
  • This Study is about the color images oi clothes in the early 20th century in the Eastern and Western culture and the recreation of this color images through modern costume design in film. The aim of this study is to show how early 20th century color has born reinterpreted through present film costumes and how different cultural perspectives can influence color images. For the purposes of this study, 30 pictures of clothing, representative of the early 20th century, as well as films which have been internationally recognized for their costume design and strong cultural identity('Farewell M) 'Concubine', 'Raise the Red Lantern', 'Chicago' and 'The English Patient') were chosen and analyzed. The color image of these photographs and scenes from the movies were divided by Pantone Solid Chips and categorized by color groups such as red, orange, yellow, green, blue, violet, neutral and metallic. The analysis results of the color images in the early 20th century showed that the red group was used a lot in both cultures and the orange group was more often used in the West. In regards to the yellow group, goldish yellow were commonly used in the West but pale yellow was preferred in the East. The green group more used In the West but the blue group appears more in the East. Also, there were differences in color combination, texture and technique which demonstrates different cultural color recognition and association. In the case of film color image, present color image was added to past color image. In the West, color was used as a tool for visualizing the state of characters' mind and the mood of movies' story but in the East color image was intended to make the character stand out by changing the value and chroma. By comparing the color image of clothes from the early 20th century and color image from film in the West and the East, it is possible to analyze the cultural symbolic image of color. This study is one of first trials to analyze the cultural differences in rotor images and their symbolic meaning. Thus, further studies should persue to find out the influence of culture on the rotor image in terms of specific quantity and quality.

Seed Color Classification Method for Common Bean (Phaseolus vulgaris L.) Using Imagery Data and an HTML Color Chart (이미지 데이터와 HTML 색도표를 이용한 강낭콩(Phaseolus vulgaris L.)의 종피색 분포확인 및 그 응용방법 모색)

  • Lee, Sookyeong;Lee, Chaewon;Kim, Younguk;BAEK, Jeongho;Han, Gyung Deok;Kang, Manjung
    • KOREAN JOURNAL OF CROP SCIENCE
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    • v.66 no.4
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    • pp.350-357
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    • 2021
  • In the present study, the seed color of 200 common bean genetic resources was analyzed and located on the HTML color chart to classify these resources according to color characteristics. This classification method predicts the components of seed and may serve as a new method for efficiently using secured genetic resources. The imagary data of common bean exhibiting various seed colors were expressed using the HTML color chart. According to the proposed classification method, the seed color was distributed in seven categories: yellow-green, yellow, brown, red, white, gray, and indigo. In addition, the distribution of each seed color was according to its concentration. The distribution by concentration was the highest for red, whereas the distribution of gray and yellow-green was not concentration-dependent. As the dominant pigments based on color distribution, chlorophylls in yellow-green; carotenoids in yellow; and anthocyanins in brown, red, white, gray, and indigo significantly affected seed color. When expressed objectively, seed colors can be applied to the systematic management, breeding, and cultivation of genetic resources and can be useful for marketing or developing products of desired colors. This method can also be applied to other crops.