• Genomics & Informatics
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• 제12권4호
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• pp.208-215
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• 2014

Recently, new methods have been developed for estimating the current and recent changes in effective population sizes. Based on the methods, the effective population sizes of Korean populations were estimated using data from the Korean Association Resource (KARE) project. The overall changes in the population sizes of the total populations were similar to CHB (Han Chinese in Beijing, China) and JPT (Japanese in Tokyo, Japan) of the HapMap project. There were no differences in past changes in population sizes with a comparison between an urban area and a rural area. Age-dependent current and recent effective population sizes represent the modern history of Korean populations, including the effects of World War II, the Korean War, and urbanization. The oldest age group showed that the population growth of Koreans had already been substantial at least since the end of the 19th century.

• 미술이론과 현장
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• 제9호
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• pp.59-91
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• 2010

The Bauhaus educational method gave the strong influences on Modern Japanese art and design education. In the 1920s and 1930s, Japan allied with Germany and Italy politically and tried to receive German system to be modernized. The reception of the Bauhaus and Moholy-Nagy's photographic theory was one of those activities at that time. Japanese intellectual class went to the Bauhaus and studied there; Ishimoto Kikuchi, Nakata Sadanosuke, Mijutani Takehiko, Yamawaki Iwao and Yamawaki Michiko(Yamawaki Iwao's wife). Especially, Yamawaki Iwao studied about the architecture at the Bauhaus, but his interest moved toward the photography and the photomontage based on Moholy-Nagy's theory. He studied at the photography workshop of the Bauhaus presented by Peterhans irregularly. Even though Yamawaki Iwao was an architect, he wanted to be admitted as an expert for the photomontage that he particularly studied at the Bauahus as a Bauhaus member. He had presented many articles about the photomontage at the photography magazines in Japan in order to introduce it to Japan since he returned in 1933. Thus, Yamawaki Iwao is the important person when we look back the Modern Japanese design and art history. In Japan, the art and design systems are managed by the Bauhaus educational system until now, and it has become a kind of cultural legacy in Modern Japan; The university of Tama and The university of Tsukuba are the representative educational systems which are based on the Bauhaus legacy. However, Yamawaki Iwao had been concealed as a photographer in Japanese design and photography history until the retrospective discuss named by 'Bauhaus syashin(Bauhaus Photographies)' at the photography magazine, Deja-vu in 1995 and the retrospective exhibition titled as 'Bauhaus syashin(bauahustofografie)' in 1997. This study rethinks of Yamawaki Iwao's historical position while looking at the term as 'Bauhaus Syashin(Bauhaus Photographies)' used in Japan. It is very important to bear in mind Moholy-Nagy's wide variety of approaches to photography at the Bauhaus, but it is impossible to name it 'Bauhaus style'. 'Bauhaus style' is the international style in architecture, but that was never a Bauhaus style in photography. Eugene J. Prakapas indicated that the vague term of 'Bauhaus Photographies' in his article in 1985 as well. This study considers the historical background for the mistake of the term of 'Bauhaus Syashin(Bauhaus Photographies)' in Modern Japanese history, while looking at Yamawaki Iwao's photomontage faintly entering on the historical stage again to discuss the reception of the photomontage from him. In particular, Some of Yamawaki Iwao's photomontage presented as the wall photography in Japan during the Second World War, that was related to the propaganda of Japanese government. It had not been known well in the modern Japanese art and design history because it was related to a declaration of the Second World War by Japan. However, the historical position of his photomontage is very important for Japanese history when we rethink of the reception of the Bauhaus and Moholy-Nagys' photographic theory to build up the Japanese modern history. In the result, this study wants to discuss that the mistake of the term of 'Bauhaus syashin(Bauhaus Photographies)' in Japan is related to the interpretation for the the historical position for Yamawaki Iwao's photomontage in the reception of Bauhaus and Moholy-Nagy's photography in Japan.

• Maxillofacial Plastic and Reconstructive Surgery
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• 제22권4호
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• pp.383-396
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• 2000

Before the advent of early plastic or maxillofacial reconstructive surgery, facial features could only be replaced and mimicked by prosthetic, artificial means. Facial deformity or dysfunction, whether congenital or acquired by trauma or mutilating disease, has long been an area of constant research, development and innovation in many cultures of the world. One of the greatest contributors to the need for maxillofacial prosthetics has been physical conflict and warfare. The use of maxillofacial prostheses is not merely the replacement of a missing or disfigured aspect of the face, but the rehabilitation of that individual back into the society from which they originate. Rehabilitation includes the restoration of the person's self worth and confidence, not just physically but psychologically. In sixteenth century, Ambroise Pare, French military surgeon, first have tried many maxillofacial prosthetics for injured war soldiers with papier-mache, silver, gold and copper. According to patient's demand who lost their maxillofacial figures, maxillofacial personnel have increased and prosthetic's skill have been advanced all of the world. Over the last decade, there has been a very rapid development in technical possibilities to provide patients with facial prostheses retained by skin penetrating implants. This article will present overall history of maxillofacial prostheses and some background information on the materials used from the old world. And to overcome still many limitation of prosthetic, new minds and new ideas for technique and materials should be developed.

• 건축역사연구
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• 제7권1호
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• pp.81-92
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• 1998

According to Post-modernists including deconstructivists, as Modernism is changed into Post-modernism, the paradigm is shifted from consciousness to language. The paradigm of consciousness corresponds to representational language, and the paradigm of language to self-referential one. In post-modern age most of architects are wandering what kind of language architecture is. Some theorists contend that architecture is representational, and others that it is self-referential. Allan Colquhoun, who is known as one of the best architectural theorists inUnited States, accepts both the former and the latter, but fails to reveal the meaning and the limitation, of the two languages. Although he believes that the representational language of architecture ('figure') is the source of self-referential language of architecture('form'), he never clearly answers what kind of language architecture. In order to overcome the limitation and the meaning of Colquhoun's figure and form, and synthesize the two language, this essay appropriates Martin Heidegger's some concepts, 'ready-to-hand,' 'present-at-hand' and 'being-in-the-world' to make a theoretical framework for 'image' which prevails over and synthesizes 'form' and 'figure.' Since Image is based upon both 'being-in-the world' and 'ready-to-hand,' it is the source of 'form' and 'figure.' When 'image' is fragmented, the former and the latter emerge. Image is therefore both the former and the latter because it represents and self-refers a world as a reality.

• 건축역사연구
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• 제21권1호
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• pp.27-46
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• 2012

The core idea of the critical regionalism could be summarized as a self-conscious synthesis between universal civilization and world culture. After World War II, it has been applied to architecture for overcoming the problem of Industrial Capitalism and uniformity of 20th century Modern Architecture. Naturally, religious architecture cannot also be an exception in this cultural trend, thus we can also apply the critical regionalism to the Korean Catholic Church Architecture with the basic premise that the Traditional Western and Modern Style Church Architecture should be regarded as universal civilization, and the Traditional Korean Architecture and endemicity as one of world culture. In the context, this article attempts to analyze the regionality of Korean Modern Catholic Church Architecture constructed between the 19th century and 1980's, and how it has been differently transformed with the view of the critical regionalism. Its analysis will be carried out within three types; transformation of the Traditional Korean Architecture and the influence of Japanese Modern Architecture, representation of the Traditional Korean Architecture, and abstraction of the Traditional Korean Architecture with each advantages and disadvantages.

• 동굴
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• 제92호
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• pp.1-7
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• 2009

세계동굴벽화로서 스페인의 알타미라 동굴벽화(Altamira Cave), 프랑스 라스코 동굴벽화 (Grotte de Lascaux), 프랑스 쇼베 동굴(The Chauvet Cave)에 대해서 논하고 한국의 고분벽화인 쌍영총과 청룡도에 대해서 논한다. 이 논문은 발견된 동굴 예술 중 Chamorro 문화와 조상 숭배에 우세하게 관계하는 것으로 북부 메리애나 군도의 동굴 예술의 개관을 제공하고, 몇 세기에 걸쳐 서양에서는 "선사 시대" 사람들인 메리애나 군도의 Chamorro 고대 주민으로 분류했다. 기록역사 없는 사람들인 북부 매리애나 군도의 동굴 예술 소개 제공 이외에, 이 논문은 고대 Chamorros 문화의 기록 역사가 있었고, 연대순 기록이 그들이 새긴 동굴 조각 및 상형문자에서 존재한다는 사실을 강조하고 있다.

• 항공우주의학회지
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• 제30권1호
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• pp.18-24
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• 2020

In 2019, the Aerospace Medical Association of Korea celebrated its 30th anniversary. On the other side of the world, it was also the 62nd anniversary of Russian launch Sputnik 1 of the world's first artificial satellite on October 4, 1957. In additionally, the world, especially the United States was shocked, when on November 3, 1957, Sputnik 2 blasted into Earth orbit with a dog named "Laika"; it was the role of veterinarian's activities for aerospace medical research and exploration. Veterinarians (Vets) are responsible for the health of all the animals for aerospace medicine whether on the ground or in space. Vets can enhance animal and public health and this knowledge of Vets and astronauts can extend their mission durations, go to nearby Earth Asteroids, Mars and other heavenly bodies to study their living and non-living characteristics. This review article is the brief history of the original growth of the veterinarian's activities for the aerospace medical research, in order to stimulate future strategies for improvements in the space life sciences and exploration.

• 한국교육논총
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• 제38권1호
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• pp.17-28
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• 2017

현재 세계의 거의 모든 국가들은 자국사를 학교 교육과정 속에 편성하고, 이를 가르치고 있다. 과목의 편제 방식은 나라마다 차이가 있겠으나, 자국사 교육이 중요하다는 인식은 누구나 공통적으로 가지고 있다. 이는 국사가 국어와 함께 자기 정체성의 핵심이고, 통합의 중추가 된다는 사실에 모두가 공감하기 때문이다. 우리나라에서 국사과목은 일시적으로 교육과정상 선택과목에 편제되었던 적도 있었고, 최근까지 수능에서 선택과목으로 편제되어 사실상 학생들이 관심을 갖지 않았던 시기도 있었다. 그러나, 이러한 국사교육에 대한 홀대가 상당기간 지속되었음에도 불구하고 국민정서는 언제나 국사를 소홀히 다뤄서는 안 된다는 것이었고, 이러한 범국민적 공감대의 형성이 결국 한국사 수능 필수화 조치로 나타나게 되었다. 국사 교육의 필요성이 이처럼 강조되어 왔음에도 불구하고 그 동안 국사 교육은 언제나 '위기', '난항'이라는 단어와 함께 언급되었다. 이는 물론 수능에서 굳이 선택하지 않아도 되는 국사를 학생들이 공부할 이유가 없다는 현실이 근본적인 배경이었지만, 국사 교과서의 방대한 분량과 그 내용 구성이 적절하지 않다는 점에도 원인이 있었다. 이 글에서는 한국사 교육과정 및 교과서 내용구성상의 핵심 쟁점에 대해 살펴보았다.

• 전기저널
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• 5호통권89호
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• pp.56-59
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• 1984

지난해 본지 10월호를 끝으로 10회에 걸친 연재가 일단 중단된 $\lceil$한국의 등화사$\rfloor$는 끝을 맺기위해 이번호부터 다시 연재된다. 지난회로 고려시대까지를 끝내고 이번11회부터는 근세 조선조의 등화사가 전개된다.

• 여성건강간호학회지
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• 제26권3호
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• pp.202-204
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• 2020