• Journal of the Korean Wood Science and Technology
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• v.46 no.3
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• pp.241-252
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• 2018

It was estimated that the Imdang-dong site of Gyungsan was constructed in the 2nd to 4th century based on excavated layers and artifacts. This study was carried out to verify the result using the dendrochronological analysis of six wooden pillars excavated at the site. As a result, it was proven that 6 specimens were not cut at the same age because their tree-ring chronologies were not synchronized each other. And more, it was reconfirmed in wiggle matching dating as confirming two of them were dated to A.D. 94-135 and A.D. 224-289, respectively. It was coincided with the above-mentioned estimated age. In wood identification, most of them were identified as Hovenia dulcis Thunb., Tilia spp., Ulmus spp. which grow usually under cool environment. Based on the result, we could conclude that the climate at that time was cooler than the present.

• Korean Journal of Heritage: History & Science
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• v.48 no.3
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• pp.138-153
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• 2015

For preventing the biological damage domestically, insect damage control method using chemical medicine has been applied. However, it is trend to avoid existing chemical medicine such as Methyl bromide because of the problem of being harmful to human body and environment. Therefore, the research for new medicine to replace this has been done and the interest to the physical treatment such as temperature(high & low) treatment, hypoxic treatment, carbon dioxide treatment, and radiation treatment has increased. However the systematic application standard and way has not been established. Therefore, in this research, we are going to organize present condition of domestic cultural asset preventing biological damage after the 1980's. It will also consider the direction through the characteristic of technology, limit, and replacement medicine by examining the past research.

• Journal of the Korean institute of surface engineering
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• v.53 no.6
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• pp.285-292
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• 2020

Ancient cultural heritage made up of wood and organic fibers have been easily disintegrated or decomposed by various microorganisms like bacteria and fungi. Here, we demonstrate the effectiveness of an atmospheric pressure plasma jet (APPJ) system to sterilize the microorganisms in tangible cultural heritage. We collected several specimens from the surface of ancient documents and wooden artifacts. Finally, two bacteria and two fungi were prepared and sterilized using the APPJ treatment. The APPJ system is beneficial to its simple apparatus, quick operation time, and cost-effectiveness. Bacteria were almost sterilized within only 1 min treatment using 15 % O2 and applied bias voltage of 100 V. In case of the fungi, sterilization rate reached over 83 % but difficult to reach over 90 % even 10 min treatment. According to the plasma diagnostics using optical emission spectroscopy, it was found that the reactive oxygen species such as OH groups are critical for sterilization of microorganisms. Although further efforts should be performed, we believe that efficient sterilization could be realized by the simple, quick, and portable APPJ treatment system.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.17 no.12
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• pp.488-495
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• 2016

The purpose of this study is to improve the repair and reinforcement of cultural construction assets made of wood and develop seismic countermeasures. The existing regulations for the earthquake proofing of cultural assets are termed 'Regulations concerning earthquake disasters affecting cultural assets' of the cultural heritage administration, which only specifies the reporting of damage to cultural assets after the occurrence of an earthquake. Since 2013, Korea has been studying the introduction of a seismic evaluation system consisting of experts by referring to the 'Guideline for the diagnosis and reinforcement of important cultural properties in Japan. The earthquake proofing of wooden cultural assets in Japan is assessed by experts using a scoring system similar to the one in Korea, but the system in Japan is managed in three steps, viz. before, during and after the occurrence of the earthquake. In order to extend the existing management system by focusing on the repair of the damage after the occurrence of an earthquake, it is necessary for Korea to cultivate experts for the regular management of cultural assets, establish seismic criteria for them, and introduce a regular management system through a civil organization related to construction. By examining the current status of wooden cultural assets, it is necessary to develop various seismic diagnosis techniques and produce guidelines for the repair and reinforcement of individual wooden cultural construction assets following their identification.

• Journal of the Korea Institute of Building Construction
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• v.13 no.2
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• pp.122-130
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• 2013

One of recent methods to protect wooden cultural assets from fire, there is the flame retardation which is applied directly to wood and it is to prevent fire through securing flame resistance for the material and delaying combustion when failed fire in advance and then to gain time for people in the room to evacuate and it has same goal with the Korean Fire Service Act by protecting life and property. However, in case of spraying flame retardant on the colored surface of the wooden cultural assets, there are continuous problems of decoloration, efflorescence and water absorbtion after sometime and accordingly there increases danger of damages of cultural assets. So when treating with flame retardant on wooden cultural assets, there has to be no problems on dancheong after sometime and securing sustainable methods for flmae retardation should be preceded. Accordingly, this study aims to provide basic sources for selecting proper flame retardation methods by evaluating and analyzing flame retardation capabilities according to types of flame retardants which are frequently used nowadays and spraying them on the dancheong-painted surface and confirming if there is no problem on the dancheong and wood after sometime and if flame retardation effect is sustainable with its quality and capability through precise analysis.

• Korean Journal of Heritage: History & Science
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• v.54 no.4
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• pp.4-21
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• 2021

The purpose of this study is to examine the names and types of walls constructed in the late Joseon Dynasty in YeonggeonUigwe, a record of construction works of the Joseon Dynasty, and to examine the current status and name of walls constructed in the main hall and the Yeongnyeongjeon Hall of Jongmyo Shrine. The results of the study are as follows. First, the name of the wall can be divided into four types depending on the characteristics, including direction, location, shape, function, material, and complexity, and was used as a compound word in front of the wall. Second, some of the wall types related to the material were found to have differences in the timing of theypes of walls. Since the 18th century, the use of earthen walls has been reduced, and the use of wooden walls and paper walls are often used. Third, the walls of the Jongmyo Shrine were composed of a mud wall and a fireproof wall. A fireproof wall was installed in the main hall, including a pillar, while the Yeongnyeongjeon Hall was installed only between the pillar and the pillar. Fourth, the Gap Wall can be defined as the "wall constructed at the upper part of the chamber used in the construction of the building in Jongmyo." This study is meaningful in that it attempted to clarify the definition of a wall in the late Joseon Dynasty by examining the names and examples of walls used in the late Joseon Dynasty, focusing on walls that lacked research in familiarity.

• Journal of Conservation Science
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• v.37 no.5
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• pp.536-544
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• 2021

In the present study, safe management and value improvement of bamboo sunblind, which is an item of cultural heritage, were performed by adopting stable conservation treatment methods. The bamboo sunblind used in the present study was excavated from No. 1 catchment site in Baesanseongji, Busan. It was determined that the main material used to make the sunblind was bamboo, and herbal plants were used to weave the bamboo using lacquer as an adhesive agent. All contaminants and soil adhered to the sunblind was removed. Thereafter, the sunblind, which was recovered in the form of blocks, was washed separately after fixing it to a temporary plaster frame and to avoid the blocks from breaking during washing. Then, polyethylene glycol (PEG) impregnation was utilized for the reinforcement treatment. Based on the preliminary test results, the shape of the sunblind was fixed using a stainless-steel frame to prevent physical damage that may occur during the drying process. Thereafter, the bamboo sunblind was vacuum freeze-dried. PEG 20% (in ethyl alcohol) was applied as a surface treatment agent for stabilization the sunblind. After the surface treatment, the bamboo sunblind were joined together to fit the maximum width, and the rectangular shape of the sunblind was restored-as best as possible-while filling in the missing parts by maximizing the use of unknown members such as in the disturbed layers below bamboo sunblind surface. The conservation treatment was completed by fixing the bamboo sunblind into the fabricated frame.

• Korean Journal of Heritage: History & Science
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• v.34
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• pp.4-18
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• 2001

Paekche black potteries are earthenwares begun to be produced at the beginning of Paekche Dynasty, around 3-century. They have typical Paekche style. Representative Paekche earthenwares are burnished black pottery, long oval shaped pots and shoulder pots. Among these, burnished black potteries are limited to Paekche in the occurrence site and age. Their numbers are a few. To reproduce black pottery, their compositions were analyzed. As a result of X-Ray analysis, quarts, feldspar, illite, muscovite, and anorthite were found on their surfaces and imsides spinel and vermiculite were found on their surfaces. Since same constituent minerals were found on surfaces and their insides, special other materials were not added to make surface black. With the showing vermiculite, they were made higher than $800^{\circ}C$. As a result of analysis, fine grained clay bad been influenced by the black smoke. Its luster was appeared by polishing with a big flat wooden spoon. The black color was made of smoking when the hot pot taken off from burning oven was covered with the wet pine leaves.

• Korean Journal of Heritage: History & Science
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• v.36
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• pp.181-226
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• 2003

In archeological aspects the 4th-6th centuries of the Silla kingdom has been callded the era of wooden chamber tombs with pebble and earth mounds(jeokseokmokwakbun). Moreover, the era is also regarded the age of the traditional and 'primitive' Korean religion which originated from inside the Korean Peninsula or the kingdom. However, the tombs and their burial accessories reveal that it is Taoism, not shamanism, that prevailed throughout the silla kingdom and its people during the jeokseokmokwakbun period. Above all things, almost all of the tombs excavated up to date yield in great quantities cinnabar and mica, which have been considered the best elixir of life in the Taoist world. Moreover the instruments to make the medicine for the deceased has been founded inside a tomb. The jeokseokmokwakbun tombs are famous for their great amount of buried articles and their grand scale. The tombs also have a large amount of gold, silver and beads, which are all thought to be the other cure-alls in taoism. Then why the silla people made the tombs and buried those elixirs of life for the deceased? The best answer we can imagine is this : for eternal living! In other words, cinnabar and mica are for the everlasting life of the deceased, the tombs were desingned as the 'eternal house' where the dead are living a immortal life. Needless to say, immortal living, even after he or she dies, is the ultimate purpose of taoism.

• Journal of Conservation Science
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• v.38 no.4
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• pp.334-346
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• 2022

The manufacturing technique was studied through the structure and material characteristics of the walls and the painting layers of the Avalokitesvara Bodhisattva mural of Geungnakjeon Hall, Daewonsa Temple. The mural is painted and connected to the earthen wall and the Junggit, and the wall is composed of wooden laths as a frame, the first and middle layers, the finishing layer, and the painting layer. The first layer, middle layer, and finishing layer constituting the wall were made by mixing weathered soil and sand. It was confirmed that the first layer had a high content of loess below silt, and the finishing layer had a high content of fine-sand and very fine sand. For the painting layer, a ground layer was prepared using soil-based mineral pigments, and lead white, white clay, atacamite, minium, and cinnabar (or vermilion) pigments were used on top of it. The Avalokitesvara Bodhisattva mural was confirmed to belong to a category similar to the soil-made buddhist mural paintings of Joseon Dynasty. However, it shows characteristics such as a high content of fine sand in the finishing layer and overlapping over other colors. Such material and structural characteristics can constitute important information for future mural conservation status diagnoses and conservation treatment plans.