• 한국조경학회지
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• 제29권5호
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• pp.71-83
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• 2001

The purpose of this study is to find out the characteristics of landscape details in representing symbolic images in memorials on the themes of war, tragedy, and the democratization movement. In considering the characteristics of memorial landscapes, the researcher divided the characteristics of landscape details into 3 analysis categories. They are the symbolic application of landscape elements, the embodiment of landscape details, and the organization of landscape details to represent symbolic images, for example, memory, mourning, reflection, healing, glory, and identity. Among details in 24 memorials designed in or after 1970. 133 symbolic details were selected including 64 items in Korea. The analysis revealed that among 30 elements used by designers for memorialization, walls, ponds, sculptures were used more often than other elements in representing the meaning of mourning, reflection, and healing that are the basic function of memorial. In regard to detail form, the designers used basic shapes like circles, squares and rectangles, horizontal and vertical lines to heighten the symbolic effect of shapes in confined form. Stone and water utilized from nature were also used as main materials because of their materiality meaning of death, eternity, life, and healing. The techniques of using lighting, fire, and sound were introduced to make details more effective. Details were organized in harmony and repetition to represent the flew of time and space in symbolic images. The study identified the following characteristics of memorial landscapes in Korea that were different from other country first, in designing memorials, most designers in Korea have been more focused on the organization of space than the details in memorials, and so, they have been neglecting to deliver symbolic image through detail design, while depending mainly on the introduction of art works. Lastly, because they introduced traditional elements which have little relation with the symbolic image needed, there have been many details which inaccurately represent symbolic meanings.

• Computers and Concrete
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• 제10권4호
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• pp.409-417
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• 2012

The quality of high performance concrete largely depends on water cement ratio, porosity, material composition and mix methods. The uniformity of color, texture and compressive strengths are quality indicators commonly used to assess the overall characteristics of concrete mixes. The homogeneity and share of coarse aggregates play a key role in concrete quality and must be analyzed in a microscopic point of view. This research studies the quality of high performance concrete by taking drilled cores in both horizontal and vertical directions from a 1.0 $m^3$ specimen. The coarse aggregate, expressed in digitized $100{\times}116$ dpi resolution images are processed based on brightness in colors through commercial software converted into text files. With the image converting to text format, the share of coarse aggregate is quantified leading to a satisfactory assessment of homogeneity - a quality index of high performance concrete. The compressive strengths of concrete and the shares of coarse aggregate of the samples are also compared in this research study to illustrate its correlation in concrete quality. It is concluded that a higher homogeneity of aggregate exists in the vertical plane than that of the horizontal planes of the high performance concrete. In addition, the concrete specimen showing denser particle packing has relatively higher compressive strengths. The research methodology provides an easy-to-use, direct measurement of high performance concrete when conducting quality assessment in the construction site.

• 대한방사선기술학회지:방사선기술과학
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• 제40권2호
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• pp.187-195
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• 2017

상안면부 외상(upper facial trauma)의 초기진단에서 standard Water's view (S-Water's)는 여러 구조물의 중첩과 얇은 뼈의 해부학적 특성 때문에 검사 시 적절한 노출조건, 정확한 환자위치잡이, 환자의 도움, 촬영자의 전문성과 숙련도가 필요하다. 본 연구는 엎드린 자세가 불가능한 경우 안와 골절에 대한 진단적 가치를 높이고 자 reverse Water's view (R-Water's)의 적절한 각도를 찾고자 하였다. 인체모형 팬텀를 사용하였고, 촬영조건은 75 kVp, 400 mA, 45 ms, 1 mAs, SID 100 cm였다. 검사방법은 팬텀을 테이블에 똑바로 누운 자세에서 orbito-meatal line (OML)의 각도를 $0^{\circ}$에서 $50^{\circ}$ 범위에서 촬영 각도를 조절하여 영상을 얻었다. R-Water's 영상 평가는 자체 개발한 평가항목을 토대로 분석하였다. 세부항목으로는 상악동(maxillary sinus), 관골궁(zygomatic arch), 추체부(petrous ridge)와 영상왜곡(image distortion)이었다. 통계분석은 Kippendorff's alpha와 kappa를 확장한 Fleiss' kappa를 적용하였다. 각 항목별 총 세 명의 평가자에 대한 일치도는 상악동, 0.957 (0.903, 0.995); 관골궁, 0.939 (0.866, 0.987); 추체부, 0.972 (0.897, 1.000); 영상 왜곡, 0.949 (0.830, 1.000)로 모두 높았다. 측정별 각도 구간을 분석에 대한 high-quality (HI)와 perfect agreement (PA)로 정의하여 각 항목별로 점수화한 결과, 상악동 ($36^{\circ}-44^{\circ}$), 관골궁 ($33^{\circ}-40^{\circ}$), 추체능선 ($32^{\circ}-50^{\circ}$), 영상왜곡 ($44^{\circ}-50^{\circ}$)구간에서 높았다. 본 연구결과 상안면부 외상환자에 있어 똑바로 누운 자세에서의 R-Water's의 적정 각도는 $36^{\circ}-40^{\circ}$로 판단된다. 본 연구결과는 단순촬영을 통한 안면부 골절의 신속한 진단에 도움을 줄 것으로 사료된다.

• 복식문화연구
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• 제9권6호
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• pp.855-871
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• 2001

The purposes of this study were to compare the marketing compose elements of Apgujung and Shinchon branch of Hyundai Department Store and to suggest desirable fashion marketing strategies for other Department Stores and retailing stores. The results were as follows: Two kinds of factor were classified form this study; one was Hardware elements such as Trading Area Site, Store Composition, Scale, and Subsidiary facilities etc., another was Software elements like Store Concept, Image, and Merchandising and so on. The followings were suggested from Hardware elements; 1) Trading Area could be classified'local type'and 'spread type'. 2) Each branch was differentiated from store formation of conventional department store which had food department in basement. There were the most powerful women's fashion brand to lead costumers in second basement. 3) In accordance with the position of subsidiary facilities of Hyundai Department Store,'Water Jet Effect'strategy and'Show Effect'strategy could be usefully applied for other Department Stores and retailing stores. 4) The strategy of approaching easily to the target floor which was located in lower floor, could be applied to various retailing stores. The followings were suggested from Software elements; 1) Stores management coping with poles-apart in costumer could be needed to other Department Store and retailing stores. 2) It also could be needed to find and maintain effective ratio between common brand and differentiated brands in the other Department Stores.

• 대한원격탐사학회:학술대회논문집
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• 대한원격탐사학회 1999년도 Proceedings of International Symposium on Remote Sensing
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• pp.249-255
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• 1999

Water pollution is becoming a serious problem in the populous cities and coastal areas near industrial complex. Sometimes, phytoplankton is considered as the most important element in the coastal environment. Phytoplankton is easily estimated by measuring chlorophyll content in the laboratory. In this study, to build up estimating algorithm of the chlorophyll amount related to the monitoring of coastal environments in Kwangyang bay, the correlationship the respective in situ observed data with Landsat TM and SeaWiFS satellite Image was analyzed. It showed that Landsat TM band 3 image has the highest correlationship with observed data, and based upon this result the monitoring algorithm of chlorophyll in coastal area was extracted. This algorithm will be an important for extracting and controlling environment elements in coastal areas in the future. And it has a significant meaning that it has established a spatial data construction in which satellite image alone could monitor the coastal environment.

• 한국조경학회지
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• 제36권1호
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• pp.90-102
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• 2008

This paper has aimed to determine how the Suwon Palkyong(水原八景: eight scenic wonders) were formed and the implicature of landscape, such as implicit intention and symbolic significance. For this, the significance and symbolic meaning of the Suwon Palkyong from the time of the 'Hwaseong Chunchu Palgyeong(華城春 秋入景)' have been investigated in order to determine the political and social arguments in Suwon Palkyong that surrounded the formation process and meaning. The 'Hwaseong Chunchu Palkyong' contains a variety of significant elements and factors of Pungmul(Korean drum & dance) as well as formative elements such as a castle. Plantings for beautiful scenery and water use for flood control have also been major elements in the development of Hwaseong. Therefore, it seems that the 'Hwaseong Chunchu Palkyong' is a catchphrase for the future image of the urban landscape. Most Suwon Palkyong sites such as Paldalsan, Namje, Yungneung, Manseokgeo, Chukmanje, Hwahongmun, and Yongji(a pond in Banghwa Suryujeong) are related to the 'Hwaseong Chunchu Palkyong'. 'Gwanggyo Jeokseol(光敎積雪: the landmark mountain, Mt. Gwanggyo with snow)' and 'Paldal Cheongnam(八達晴嵐: Mt. Paldal with shimmering air)' have also been added to Suwon Palkyong. Suwon Palkyong is either directly or indirectly related with water including the origin of Suwoncheon(水原川), an artificial reservoir for flood control and irrigation and Bibopungsu in Yungneung(隆陵), as well as the source of water for rituals after the death of King Jeongjo(正祖大王). Based on Suwon Palkyong, therefore, it can be said that water is a decisive medium in connecting old Suwon with Hwaseong New Town and essential element in the natural landscape. In conclusion, while Hwaseong is a 'Designed Landscape' that was created with a specific intention during the reign of King Jeongjo, the 'Hwaseong Chunchu Palkyong is a 'Desired Landscape' that envisioned a future landscape while Suwon Palkyong is an 'Evolved Landscape' related to the business affairs of the citizens. To completely restore Hwaseong, whose value and importance have been recognized internationally, therefore, the fundamental restoration of a cultural landscape as well as the restoration of the original form of the Hwaseong landscape including Suwon Palkyong is essential.

• 한국환경과학회지
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• 제24권11호
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• pp.1417-1430
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• 2015

In this study we were to explore the seasonal variation of water temperature distributions before and after weir construction at Gumi, Chilgok, Gangjung(Goryung), Dalsung in the Nakdong River using Landsat satellite images. Relationship between in-situ water temperature and radiance values of Landsat-5, 7, 8 satellite images showed high correlation. Seasonal variation of water temperature in Nakdong River showed that the fluctuation ranges of water temperature before weir construction were larger than those after weir construction. This indicated that the variation of water temperature is due to the difference of heat storage volume by weir construction and dredging work. In particular, the water temperature after weirs construction in autumn was 4-8 times lower than that before weirs construction. Water temperature after weir construction decreased in spring and summer at the downstream of Gumi weir and Gangjung(Goryung) weir, and the upstream of Dalsung weir. In autumn and winter, the water temperature after weir construction increased in the upstream and downstream of the whole weirs except upstream of Gumi weir. Relationship between water temperature and meteorological elements (air temperature, wind speed, sunshine, radiation) showed high correlation of above 94% in air temperature, and then radiation was high correlation before and after 65%.

• 한국연극학
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• 제48호
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• pp.261-288
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• 2012

This paper attempts to research on the new language in the directing of Ara Kim. She was cranky on working on the stage to experiment with her own style since the 1980s and so opened a new dawn in modern Korean theatre. She leaded the Korean experimental theatre. The background of this experiment is her idea on theatre. And here, we have to look the subject that she setted for the work in Chuksan: Ritual Past, Ritual Present. To her, the theatre has the function of ritual and fest. The theatre suggests universal tragedy given to human as natural life force and has its own agenda to drive people to healing. For it, Ara Kim explores archetypal forms and languages before the fragmentation of genres of art. Her theatre shows the results of experiments in which such languages are recreated with modernized sensibilities. We here, for example by outdoor performance in Chuksan Human Lear, try to interpret the aesthetic principles that body out her ritual theatre. And what we looked at though, is the base of the 'complex-genre-music-theatre', the methode to 'compose' the stage elements and put it all together. The directing of Ara Kim has, in terms of the composition of the stage elements, much of the indisputable artistic value. Her theatre is, so to speak, theatre of image, and it is theatre of imagination that completed by the audience's imagination. Human Lear which has its own characteristic in image fragments, convert the original Lear into a simple tale. It serves as background of the modern ritual that shows the most basic human instincts. We meet in Human Lear a ritual tale with some list of image for the human instincts. The arrangement of image, the montage of scene shows the performance as a kind of artistic space. In Human Lear the space is the natural one. It centers around the arena stage. The objects installed in the space changes it into the laboratory for 'seeing' the happening. The spectators see the performance and at the same time see themselves in the nature laboratory. They see, and equally, they are visible objects. They see the performance and us in the space in which the performance takes place. That is what Ara Kim with her modern ritual really aims. That aim is to this days still in effect. It is a major driver of her experiments to extend the boundary of the theatre. The ritualistic site-specific performance in Akor Wat, Cambodia, A Song of Mandala is the latest great product from her experiments. On the other hand, she continues on her way to experiment with pure stage elements. The 'Station' series(Station of Water, The Station of Sand, The Station of Wind) she recently showed are the non-verbal performance with all the stage elements: movement, sound, body, light, colour, objects and so on.

• 한국조경학회지
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• 제47권1호
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• pp.26-38
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• 2019

본 연구는 수변경관의 특성을 겸재 정선의 진경산수화를 바탕으로 분석한 연구이다. 최근 주거, 상업 및 여가공간의 확충을 위해 수변의 개발이 많이 이루어지고 있다. 수변 개발 시에는 도심과 다른 수변공간에 적합한 디자인의 적용이 필요하다. 본 연구에서는 수변공간의 자연스러운 풍경상을 진경산수화에서 찾고, 그 풍경을 구성하는 주요 경관요소들을 분석하였다. 연구를 위해 수변 경관의 분석이 가능한 겸재 정선의 진경산수화 105엽을 선정하였다. 105엽을 하천지형학적 분류에 따라 산간계류, 상류, 중류, 하류, 해(海)로 분류하였고, 수변경관을 구성하는 주요 미지형 요소인 수형상 13가지, 점경요소 13가지의 특성을 분석하였다. 주요 미지형요소 수형상은 선형, 면형, 변형으로 구분되며, 장폭, 단폭, 다단폭, 선류, 곡류, 다곡류, 담, 수면, 유수면, 탄파면, 기암변, 토파변, 토사변 등 13가지이다. 점경요소는 자연 인문 요소로 구분되며, 송림, 소나무, 전나무, 대나무, 버들, 잡수, 기암, 마을, 집, 누정, 배, 다리, 사람 등 13가지이다. 하천 구역별 수변 미지형 경관의 특징을 수형상과 점경요소들로 설명하였으며, 수형상과 점경요소들의 하천 구역별 변화 양상을 분석하였다. 105엽은 산간계류 35엽, 상류 9엽, 중류 5엽, 하류 35엽, 해(海) 21엽으로 분류되었다. 하천 구역별로 수형상과 점경요소가 표현되는 양상을 분석한 결과, 5가지의 하경양식과 해안의 풍경 특징을 종합할 수 있었다. 겸재 정선의 진경산수화에서 수변 미지형 경관 특성을 중심으로 분석한 하경양식은 다음과 같다. 산간계류에서는 심산속 폭포 풍경을 그린 장폭심산형, 수림지내 곡류를 유람하는 풍경인 다곡수림형이 대표적인 하경양식으로 나타났다. 중상류에서는 수변을 유람하거나, 누정이 있는 풍경인 수면누정형, 하류에서는 하류 특유의 모래톱과 누정이 있는 풍경인 토사누정형과 하류에서의 인간활동이 부각된 생활풍경인 토파나루형이 대표적인 하경양식으로 나타났다. 해안 풍경의 특징은 바닷가의 기암절경이 주 풍경을 이루는 탄파기암형으로 나타났다. 본 연구는 겸재 정선의 진경산수화를 소재로 산수화와 경관 분야에서 아직 연구되지 않은 수변공간의 구성요소들과 수변 풍경 유형을 분석하였다.

• 한국실내디자인학회논문집
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• 제36호
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• pp.14-21
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• 2003

The Propose of this research was to consider how the New Media Architecture was applied to contemporary architecture according to the analysis of the design method process of Toyo Ito. Sendai Mediatheque by Toyo Ito stands as one of the most symbolic statement In New Media architecture. The four principal architectural elements of the Mediatheque are the digital image, the continuous space, the tube, and the skin facade. The digital image express forms of communication, person-to-person and person-to-thing, and they vary according to the media utilized on each level. The three skin elements of the Mediatheque are a double skin of MPG, skin of louvers, skin of fine-floor decking. The tubes act as columns while enveloping light, air, water, electricity the passage of people, as well as the means of transferring material. The thirteen tubes of different sizes prevent the erection of wall and suggest places instead of rooms. Instead of being limited to certain specified actions in clearly defined rooms, people are free to choose places for their actions in the continuous space.