• KSII Transactions on Internet and Information Systems (TIIS)
• /
• v.11 no.2
• /
• pp.1019-1031
• /
• 2017

In this study, we propose a new method for simulating water responding to human motion. Motion data obtained from motion-capture devices are represented as a jointed skeleton, which interacts with the velocity field in the water simulation. To integrate the motion data into the water simulation space, it is necessary to establish a mapping relationship between two fields with different properties. However, there can be severe numerical instability if the mapping breaks down, with the realism of the human-water interaction being adversely affected. To address this problem, our method extends the joint velocity mapped to each grid point to neighboring nodes. We refine these extended velocities to enable increased robustness in the water solver. Our experimental results demonstrate that water animation can be made to respond to human motions such as walking and jumping.

• The Journal of the Korea Contents Association
• /
• v.8 no.4
• /
• pp.17-29
• /
• 2008

In Computer Graphics, fluid dynamics is used for animating and expressing the various special effects of water. As the hardware performance is getting higher, the several algorithms for fluid dynamics become to be executed in real time. However, it still requires a lot of computational time to get the realistic and detailed results. Therefore, there are many researches on the techniques of balancing between performance and quality. It must give priority to the executive performance preserving the visual reality even though sacrificing the physical reality, specially in applications with the game context which need to express the interaction between 3D objects and the surface of the water such as the sea or a lake. In this paper, we propose a method for the realtime animation of interactions between 3D objects and the surface of the water using the linear convolution of height fields and the bounding spheres of object.

• The Journal of the Korea Contents Association
• /
• v.19 no.9
• /
• pp.144-151
• /
• 2019

The expression of natural backgrounds in a digital clip such as forest, water and sky break new ground and evolve. The process of arriving at a certain background style and designing belongs to the pre-production stage of animation produuction. Due to the advancement of CG technology, the production and consumption of animation has accelerated and so in an effort to reduce production time, the natural background has increasingly becomme normalised. For the distinction in contents, narrative and characters are emphasized in pre-production since it is believed that the background design will simply be a still image. However, there is a need to focus on background design as it is a tool that can effectively emphasize the narrative. This research is an analysis of the background design's role in forest background in productions such as "Alice's Adventures in Wonderland"(1951) and "Princess Mononoke"(1997). It details how appropriate each background forest was for the artist's intent using the 7 types of forest landscapes according to dendrology.

• Proceedings of the Korea Contents Association Conference
• /
• 2007.11a
• /
• pp.708-712
• /
• 2007

In computer graphics, fluid dynamics are used for animating and expressing the various special effects of water. Although the algorithms that were impossible through the hardware at that time become to be possible in real time, it still requires a lot of time to achieve the realistic and detailed expressions. Therefore, there are many researches on the techniques of balancing between performance and quality. Specially in environments with the game context which express the interaction between water surface and 3D objects in the wide area such as sea or lake according to user's request, it must give priority to the executive performance preserving the visual reality even though physical reality is sacrificed. In this paper, we propose a method for the realtime animation of interaction between water surface and 3D objects using the linear convolution of height fields and the bounding spheres of objects.

• Proceedings of the Korean Information Science Society Conference
• /
• 2003.04c
• /
• pp.280-282
• /
• 2003

본 논문에서는 가상현실 환경에서 인체 모델의 애니메이션을 위하여 얼굴의 표정 변화에 영향을 주는 해부학에 기반한 18개의 근육군쌍을 바탕으로 하여 얼굴 표정 애니메이션을 위한 근육의 움직임을 조합할 수 있도록 하였다. 개인의 이미지에 맞춰 메쉬를 변형하여 표준 모델을 만든 다음, 사실감을 높이기 위해 개인 얼굴의 정면과 측면 2 장의 이미지를 이용하여 메쉬에 매핑하였다. 얼굴의 표정 생성을 애니메이션 할 수 있는 원동력이 되는 근육 모델은 Waters의 근육 모델을 수정하여 사용하였다.

• Science of Emotion and Sensibility
• /
• v.1 no.1
• /
• pp.25-31
• /
• 1998

컴퓨터 하드웨어 기술과 멀티미디어 기술의 발달로 멀티미디어 입출력 장치를 이용한 고급 인터메이스의 필요성이 대두되었다. 친근감 있는 사용자 인터페이스를 제공하기 위해 실감 있는 얼굴 애니메이션에 대한 요구가 증대되고 있다. 본 논문에서는 사람의 내적 상태를 잘 표현하는 얼굴의 표정을 3차원 모델을 이용하여 애니메이션을 수행한다. 애니메이션에 실재감을 더하기 위해 실제 얼굴 영상을 사용하여 3차원의 얼굴 모델을 변형하고, 여러 방향에서 얻은 얼굴 영상을 이용하여 텍스터 매핑을 한다. 변형된 3차원 모델을 이용하여 얼굴 표정을 애니메이션 하기 위해서 해부학에 기반한 Waters의 근육 모델을 수정하여 사용한다. 그리고, Ekman이 제안한 대표적인 6가지 표정들을 합성한다.

• Proceedings of the Korea Contents Association Conference
• /
• 2009.05a
• /
• pp.1020-1025
• /
• 2009

The five elements theory that people in the world objective theory is earned by a long-term observation. The key to the world and everything in the neck. The core content of this theroy is summed up in the world all things wood, fire, earth, gold, water-five material form. In the theory, the chracter's appearance, feature the five elements face is content. And the chracter's appearance, personality chracterisics and features of chracters and abstract nature of the mutual response plan which was formed way. Based on the number of world-famous cartoon chracter design analysis, special features and art theroy point the five elements the nature of man, who looks and chracter design by comparing the response of theroy and research and has the five elements. The analysis of theory and research the five elements art and people who find the nature of the systematic correlation to the future of animation, chracter design is applied.

• Journal of Korean Society of Coastal and Ocean Engineers
• /
• v.5 no.1
• /
• pp.19-24
• /
• 1993

With the use of Supercomputer and engineering workstations, high quality computer graphic representation of the modeling of marine process is feasible. In this wort major tsunami events occurred during recent years were simulated by numerical models and the computed water levels were viewed as three-dimensional surfaces in an animated sequence. Photorealistic images are constructed by advanced rendering technique with light reflection and shadows. It has demonstrated that video animation of numerical results reproduced the behaviour of propagation of real tsunami events remarkably well.

• KIPS Transactions on Software and Data Engineering
• /
• v.6 no.12
• /
• pp.581-586
• /
• 2017

This paper proposes a GPU based water surface animation and rendering technique for interactive applications such as games. On the water surface, a lot of physical phenomenon occurs including reflection and refraction depending on the viewing direction. When we represent the water surface, not only showing them in real time, but also make them adjusted automatically. In our implementation, we are able to capture the reflection and refraction through render-to-texture technique and then modify the texture coordinates for applying separate DU/DV map. Also, we make the amount of ratio between reflection and refraction change automatically based on Fresnel formula. All proposed method are implemented using OpenGL 3D graphics API.

• Journal of the Korea Computer Graphics Society
• /
• v.25 no.5
• /
• pp.21-30
• /
• 2019

We propose a physical simulation method based on the shallow water equation(SWE) to represent water surface effectively. In this paper, the water which can be represented has a much larger width compared to the depth does not have a large vertical direction flow. In order to calculate the water flow efficiently, we start with the shallow water equation as the governing equation, which is a simplified version of the Navier-Stokes equation. In order to numerically calculate the advection term of the SWE, we introduce a new conservtive USCIP(CUSCIP) method which improves the Constrained Interpolation Profile (CIP) method to preserve the physical quantity while increasing the numerical accuracy. The proposed method is based on Kim et. al.'s Unsplit Semi-lagrangian CIP[9], and calculates advection term with additional constraints on term that consider integral values. The experimental results show that the CUSCIP method is robust to the loss of physical quantity due to numerical dissipation, which improves wave detail and persistence.