• 보존과학회지
• /
• 제38권4호
• /
• pp.334-346
• /
• 2022

The manufacturing technique was studied through the structure and material characteristics of the walls and the painting layers of the Avalokitesvara Bodhisattva mural of Geungnakjeon Hall, Daewonsa Temple. The mural is painted and connected to the earthen wall and the Junggit, and the wall is composed of wooden laths as a frame, the first and middle layers, the finishing layer, and the painting layer. The first layer, middle layer, and finishing layer constituting the wall were made by mixing weathered soil and sand. It was confirmed that the first layer had a high content of loess below silt, and the finishing layer had a high content of fine-sand and very fine sand. For the painting layer, a ground layer was prepared using soil-based mineral pigments, and lead white, white clay, atacamite, minium, and cinnabar (or vermilion) pigments were used on top of it. The Avalokitesvara Bodhisattva mural was confirmed to belong to a category similar to the soil-made buddhist mural paintings of Joseon Dynasty. However, it shows characteristics such as a high content of fine sand in the finishing layer and overlapping over other colors. Such material and structural characteristics can constitute important information for future mural conservation status diagnoses and conservation treatment plans.

• 한국조경학회지
• /
• 제30권1호
• /
• pp.44-51
• /
• 2002

The objective of this project is to improve the environment of the estuary dike on the Youngsan-River through Re-landscaping. An estuary dike of the Youngsan-River, the largest in the Orient, was constructed in 1981 and connects Mokpo City and Youngam-Gun province. Twenty years ago, when this dike was completed, this place was one of the famous tourist attractions of Korea. It symbolized the development and growth of Korea. But this dike at present is only a dreary sight as a huge concrete construction element. Therefore, a wall painting on the estuary dike was planned to improve this image. The site, an estuary dike of the Youngsan-River, is located in Mokpo City and its length is about 1,360m. The planning focus of this re-landscaping, which is a proposed improvement design through the analysis of characteristics and problems in conventional facilities, is as follows: (1) Introduction of a wall painting that is a symbol of the sea and river (by the creation of an illusion), (2) Production of the wall painting which is under consideration to create a friendly atmosphere of the circumference view and (3) Preparation of a design to establish an approach to the waterfront. By following these steps, an estuary dike can function as a tourist attractions and can be transformed in to cultural space for civilian. This project is good example of environment design that is completed with the regional residents participation through community input in the planning and initiation of a wall painting. The concept of environment design which involves the residents participation and re-landscaping in Korea has not been established up to now on. However, as this projects has proven, consideration for regional residents is a very important factor for the administrative office and planing specialist to address. In the future, it will have a direct influence on the development of design planning. If the establishment of space that can be accepted by residents with love, affection and self-confidence is possible, environment design in which residents participate actively, can be realized.

• 보존과학회지
• /
• 제35권1호
• /
• pp.91-98
• /
• 2019

The fragments of a wall painting excavated from among the historical remains of Jeseoksa Temple in Iksan. The extent of the damage to the fragments was examined and an analysis of the components of the pigment was conducted. The results of the component analysis of the pigment confirmed that the white pigment consisted of alkali feldspar and mullite. Although the results of the visual inspection revealed differences in color in the red and black pigments, the main component of the two colors was confirmed to be iron oxide. Red and black pigments are found at the same position. Although differences of color is obvious, those are identified as hematite and magnetite of oxidized steel's affiliation. It is judged that Differences of ingredients happened by external environment's factors.

• 보존과학회지
• /
• 제38권1호
• /
• pp.45-54
• /
• 2022

This study examined the production technique of bracket murals in Daeungjeon Hall, Gaeamsa Temple by conducting a analysis of their wall structure, material characteristics, and painting layers. Wall was a single-branch structure with support layer, middle layer, finishing layer, and painting layer. The support layer, middle layer and finishing layer, were produced by mixing sand (quartz, feldspars etc.), and loess. The ratio of above medium sand to below fine sand was approximately 0.7 : 9.3 in the support layer, 4 : 6 in the middle layer and 6 : 4 in the finishing layer, which had a more percentage of above medium sand than the support layer. The analysis of the painting layer showed that natural soil pigment was used to establish a relatively ground layer of up to 50 ㎛, and pigments such as Lead sulfate, atacamite and mercury sulfide were painted on top of the layer. This study's results confirmed that the bracket mural paintings in Gaeamsa Temple are within the category of the production style of murals during the Joseon period. However, the points that the middle layer was formed several times, the significant difference in particle size distribution between the wall, and the absence of chopped straw in the support layer are a feature of bracket mural paintings in Gaeamsa Temple. These properties of murals as material and structure may be viewed for correlation with the degree of damage to wall structure of mural painting and would serve as an important reference to diagnosis the conservation conditions of murals or prepare conservation treatments.

• 보존과학연구
• /
• 통권29호
• /
• pp.255-278
• /
• 2008

Considering the physical quality of the wall body in this study we tried to select a replenishing that is proper for filling the cracked part of the painting wall layer and apply the natural adhesives that have traditionally been used, investigating whether it is possible to substitute those for the chemical adhesive which is used at present time. The result of this study showed the red algae adhesive was, in a weathering environment, as safe as the synthetic resin originated from the polyvinyl acetate which is used generally on the present spot, and it was concluded that although the starch adhesive displayed its superiority in enhancing the strength of the earth mortar and its work disposition, it seemed proper for it to be used as a filling adhesive for the first or midterm layer because it showed a surface hardening phenomenon. And also the glue and fish glue were judged they were not qualified as a filling adhesive due to mold occurring in a environment of high moisture that is a biological problem, showing at same time a weak physical feature in a weathering environment. Therefore it would be possible to use the red algae adhesive or starch one substituting them for the original one sold on the present market, if among natural adhesives the weak points of the them were to be corrected.

• 한국디지털건축인테리어학회논문집
• /
• 제5권1호
• /
• pp.40-47
• /
• 2005

As we know usually architecture of Korea landscape painting inside, pavilion(Jung-ja) and many-storied building(Ru-gak) have painted mainly. But besides general building that home, mountain fortress wall, temple, royal palace was expressed by a real view landscape painting. The main purpose of this research is to enhance the basis that can understand well tradition architecture by korea landscape painting. To achieve this goal, Even if it is same kind of building, a lot of differences become by material of roof, position of building, expenditure of building. Division of inside and outside is precious data that can know life physiognomy of general peoples. In Structural side, Expression of fabrication and value as data that can know composition and arrangement of plane are important.

• 보존과학회지
• /
• 제34권6호
• /
• pp.557-568
• /
• 2018

내소사 대웅보전 포벽화에 대한 벽체 구조 및 재질특성 그리고 채색층에 대한 정밀분석을 통해 제작기법을 연구하였다. 벽체 골조는 외가지 구조이며, 벽체층과 마감층 그리고 채색층의 세 층위로 구성되어있다. 벽체를 구성하는 벽체층 및 마감층은 석영과 장석류 등 모래와 황토를 혼합하여 제작하였다. 벽체층은 중립사 이상 크기와 세립사 이하 크기가 약 0.8:9.2 비율이고, 내 외부 마감층은 각각 약 6:4 비율로 벽체층보다 중립사 이상의 모래 비율이 상대적으로 높게 나타났다. 채색층 정밀분석 결과, 뇌록을 사용하여 최대 $456.15{\mu}m$로 비교적 두꺼운 바탕칠층을 마련하였으며 그 위로 녹염동광 및 백토 그리고 산화철 계통의 안료를 사용하여 채색하였다. 연구결과, 토벽체와 채색층 제작기법은 현재까지 연구된 조선시대 사찰벽화 제작양식 범주에 속하는 것으로 확인되었다. 그러나 마감층 모래 함량이 높고 중벽층과 짚여물이 확인되지 않는 점 등은 내소사 대웅보전 포벽화 벽체가 지닌 구조 및 재질특성으로서, 이와 같은 결과는 향후 벽화 보존상태 평가 또는 보존처리 방안 마련에 주요 정보가 될 수 있다.

• 대한가정학회지
• /
• 제18권4호
• /
• pp.41-45
• /
• 1980

We must identify the forms of dress devised throughout ages, when we wtudy, interpret and analyze the numerous resource material of costume. The study which depends on reference to actual artifacts is necessarily limited. Whereas items of contemporary dress are readily available, much from earlier eras has been destroyed or has deteriorated through time. Such as cottons, linens, silks, wools, leathers and furs are perishable organic materials. Few garments dated earlier than seventeenth century has survived except armor, jewelry. We have many sources of the information are available to study on costume of earlier eras. These sources are wall paintings, sculptures, painting, monumental brasses, manuscript illustration ceramics, coins, medals, mosaics, archives, literature. Wall painting and frescoes provided an useful source for costume study. Many wall paintings and frescoes were destroyed, were changed in color. It si advisable to interpret the dress detail, form color carefully. Sculpture would be useful to see the back and side views of dress. One of the most important points which should be made abut the use of sculpture as a source for costume study in early periods is that the sculptor's style will often change the character of a costume. As the painting si two-dimensional evidence for a three-dimensional costume, paintings must be accurately studied. What we must do, as far as we can, is to look at all visual representations in the light of other contemporary evidence in order to interpret the information correctly.

• 박물관보존과학
• /
• 제4권
• /
• pp.1-16
• /
• 2003

용산 새 박물관에 전시될 중앙아시아 벽화의 보존처리를 위해 이들 벽화의 채색 안료 성분 분석과 벽체에 포함된 지푸라기의 식물종 식별을 위한 조사를 실시하였다. 또한 1916년 우리 박물관에 반입되기 이전에 일본에서 시행된 보존처리 재료 및 방법을 검토하기 위하여 나무 보호틀의 목재수종 및 종이의 재질을 분석하였다. 조사결과 본4075, 4078의 검은색 안료는 carbon(C), 바탕의 흰색은 gypsum[Ca(SO)₄(H₂O)₂], 적색 계통은 lead oxide(Pb₃O₄, PbO)와 hematite(Fe₂O₃), 녹색은 Cu, As, O 화합물 등을 채색 안료로 사용하였다. 또한 벽체를 조성할 때 흙벽이 갈라지는 것을 방지하기 위해 섞어 넣은 지푸라기는 밀짚 또는 귀리짚 종류인 것으로 조사되었다. 또한 현재 벽화를 둘러싸고 있는 나무 보호틀은 버드나무속, 사시나무속, 삼나무, 그리고 소나무 중 적송류로 만들어진 것으로 밝혀졌으며 벽화(본4054, 4097)의 보호틀 내부에서 발견된 종이는 뽕나무 껍질로 만든 것으로 조사되었다.

• 보존과학회지
• /
• 제38권4호
• /
• pp.314-326
• /
• 2022

Investigation of conservation status, optical survey, infrared thermography, and ultrasonic examination were performed on Avalokitesvara Bodhisattva mural and Buddhist Monk Bodhidharma mural to determine the conservation status and physical properties. As a result of investigation of conservation status, the types of damage are largely divided into the wall and finishing layer damage, painting layer degradation, damage due to restoration materials, stains and contamination, and biological damage. As a result of the optical survey, drawing, stains, and repainted site were confirmed. Result of the infrared thermography, the delamination of the finishing layer was confirmed, and some locations and shapes of the wooden lath inside the wall were identified. The result of the 3D scanning, the deviation, and the separation of the wall was confirmed. As a result of ultrasonic examination, it was confirmed that the physical properties of the mural were identified and the ultrasonic speed was relatively low due to physical damage such as delamination and exfoliation of the finishing layer and cracking. Ultrasonic speed values were also high in some wall cracks or delamination, and it was confirmed by the infrared thermography results that the wooden lath inside the wall was located in those parts. It was possible to understand that the wooden lath inside the walls affects the ultrasonic speed during the ultrasonic examination. Therefore, management through periodic inspection of the relevant elements is necessary, and a countermeasure for damage that may occur in the future should be prepared along with intensive monitoring of the major damage identified in this diagnosis result.