• 제목/요약/키워드: Vocal Tract

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녹음 환경의 차이에 따른 화자의 음원 특성 비교: 발성유형지수 k를 중심으로 (Comparison of Speaker's Source Characteristics in Different Recording Environments by Using Phonation Type Index k)

  • 이후동;강선미;박한상;장문수
    • 음성과학
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    • 제10권3호
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    • pp.213-224
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    • 2003
  • Spoken sound includes not only speaker's source but the characteristics of vocal tract and speech radiation. This paper is based on the theory of Park[1], who proposes the Phonation Type Index k; a variable that shows the characteristic of speaker's source excluding those of speaker's vocal tract and speech radiation. With Park's theory, we collect data by changing recording environments and expanding experimental data, and analyze the data collected to see whether or not the PTI k shows good discriminating power as a variable for speaker recognition. In the experiment, we repeatedly record 8 sentences ten times for each of 5 males in the environment of a recording room and an office, extract PTI k for each speaker, and measure the discriminating power for each speaker by using the value of PTI k. The result shows that PTI k has the excellent discriminating power of speakers. We also confirm that, even if the recording environment is changed, PTI k shows similar results.

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음성 변환을 사용한 감정 변화에 강인한 음성 인식 (Emotion Robust Speech Recognition using Speech Transformation)

  • 김원구
    • 한국지능시스템학회논문지
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    • 제20권5호
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    • pp.683-687
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    • 2010
  • 본 논문에서는 인간의 감정 변화에 강인한 음성 인식 시스템을 구현하기 위하여 음성 변환 방법 중의 한가지인 주파수 와핑 방법을 사용한 연구를 수행하였다. 이러한 목표를 위하여 다양한 감정이 포함된 음성 데이터베이스를 사용하여 감정의 변화에 따라 음성의 스펙트럼이 변화한다는 것과 이러한 변화는 음성 인식 시스템의 성능을 저하시키는 원인 중의 하나임을 관찰하였다. 본 논문에서는 이러한 음성의 변화를 감소시키는 방법으로 주파수 와핑을 학습 과정에 사용하는 방법을 제안하여 감정 변화에 강인한 음성 인식 시스템을 구현하였고 성도 길이 정규화 방법을 사용한 방법과 성능을 비교하였다. HMM을 사용한 단독음 인식 실험에서 제안된 학습 방법은 사용하면 감정이 포함된 데이터에 대한 인식 오차가 기존 방법보다 감소되었다.

인후두 역류 질환: 진단 및 치료 (Laryngopharyngeal Reflux Disease: Diagnosis and Treatment in 2021)

  • 강정욱;은영규
    • 대한후두음성언어의학회지
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    • 제32권2호
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    • pp.56-63
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    • 2021
  • Laryngopharyngeal reflux disease (LPRD) is an inflammatory condition of the upper aerodigestive tract mucosa induced by reflux content from stomach. Some of vocal cord diseases are associated with laryngopharyngeal reflux. Because of the pathophysiological features, proton pump inhibitor shows therapeutic effect on some vocal cord diseases. As like that, the gastric reflux contents can make macroscopic or microscopic morphological changes in the upper aerodigestive tract mucosa. Although the pathophysiology of LPRD is relatively clear, clinical diagnosis is still difficult. The diagnosis of LPRD includes objective tests such as 24-hours multichannel intraluminal impedance-pH metry and subjective tests such as questionnaire method. However, the objective verification of reflux is difficult due to invasiveness of the method, and the questionnaire methods have limitations because many symptoms are not specific for LPRD. Moreover, most methods are not fully standardized until now. Despite these limitations, many researchers are struggling to standardize diagnosis and treatment of LPRD, and there are several new achievements recently. Therefore, the purpose of this article is to review the recent literature on the clinical presentation, diagnosis, and treatment of LPRD, and to systematize our knowledge.

한국어 모음에서 연령증가에 따른 제2음형대의 변화양상 ($F_2$ Formant Frequency Characteristics of the Aging Male and Female Speakers)

  • 김찬우;차흥억;장일환;김선태;오승철;석윤식;이영숙
    • 대한후두음성언어의학회지
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    • 제10권2호
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    • pp.119-123
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    • 1999
  • Background and Objectives : Conditions such as muscle atrophy, stretching of strap muscles, and continued craniofacial growth factors have been cited as contributing to the changes observed in the vocal tract structure and function in elderly speakers. The purpose of the present study is to compare F$_1$ and F$_2$ frequency levels in elderly and young adult male and female speakers producing a series of vowels ranging from high-front to low-back placement. Material and Methods : The subjects were two groups of young adults(10 males, 10 females, mean age 21 years old range 19-24 years) and two groups of elderly speakers(10 males, 10 females, mean age 67 years : range 60-84 years). Each subject participated in speech pathologist to be a speaker of unimpared standard Korean. The headphone was positioned 2 cm from the speakers lips. Each speaker sustained the five vowels for 5 s. Formant frequency measures were obtained from an analysis of linear predictive coding in CSL model 4300B(Kay co). Results : Repeated measure AVOVA procedures were completed on the $F_1$ and $F_2$ data for the male and female speakers. $F_2$ formant frequency levels were proven to be significantly lower fir elderly speakers. Conclusions : We presume $F_2$ vocal cavity(from the point of tongue constriction to lip) lengthening in elderly speakers. The research designed to observe dynamic speech production more directly will be needed.

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THE USE OF THE TECHNIQUE IN BOTH CLASSICAL AND FOLK SONG IN OCCIDENTAL SINGING

  • Naidich, Susana
    • 대한후두음성언어의학회지
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    • 제2권1호
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    • pp.15-19
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    • 1986
  • Our report refers to occidental vocal techniques from Greece until today. It is remarkable that even with poor anatomy knowledge, there were advices on styles given from very early periods, for both church and secular singing. During the 18th century, the names of "vox pectoris", "vox guturris" and "vox capitis" appear, nominations that somehow remain nowadays with great confusion about source of sound production and results of resonance. Vocal occidental styles developed different kinds of requirements from the singers, that had to adapt their vocal Possibilities to them. The same happened with "pop" song. Nowadays, all kinds of singers must have a conscious knowledge of its voice management to prevent vocal disturbances. We consider that the technique is the same, even when the singer has to sing Wagner, Debussy, Sconberg, Piazzola or Gershwin. The big changes occured at resonance levels, and because these different use of the vocal resonators the effects are quite different. In summary, the big differences on classical the effects are quite different. In summary, the big differences on classical and pop song are done on the different use of the resonators and its effects on the vocal tract. "Pop" singers, men and women, should be taught to use both registers, "modal" and "falsetto" to be able to reach the complete range of their songs without any harm to their larynxes. In our opinion, a good singing technique means that it could be adapted to every stylistic need. The same technique is adapted to the popular singer as well. The main difference lays on the use of resonators, pretty strong in the classic singer, weaken in the popular singer, on the volume and on the total extension of the voice. Breathing control, effortless emission and the use of "passage" at the right point should be taught to all singers, regardless of their style. (omitted)

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발성방법에 따른 소프라노 성악도의 음성 특성 (The characteristics of soprano students' voice related to the vocal methods)

  • 김정택;성철재
    • 말소리와 음성과학
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    • 제9권3호
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    • pp.75-83
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    • 2017
  • The purpose of this study is to find clues to the risk of voice disorders in soprano students. The subjects of the study were 17 soprano students and 18 general students (women). The phonation of vowels /a/, /i/, and /u/ with C4 and F4 notes in each group were recorded. Then, only soprano students were made to record their classical vocalization containing vibrato. Formant, formant energy, bandwidth, VAI (vowel area index), VSA (vowel space area) and L/H ratio were analyzed. There was significant difference in F3 such that the singers' note was measured around 3 kHz which seems to be 400 Hz higher than one from general students. But, There was no significant difference in L/H ratio between soprano student and the general student. There was a significant difference in F3 in the comparison of the soprano students' two vocalization methods. Classical vocalization was measured at 200Hz higher than sustained phonation in F3. Vocal tract adjustment was made and vowel space changed, but there was no significant difference in F3 energy, which is the index of singers' formant according to the phonation method. The L/H ratio, which can be a direct indicator of vocal effort, has no difference in phonation method and is lowered in all phonation methods as the pitch increases. C4 and F4 pitches are lower than the singing range of the soprano. When the pitch changes, vocal effort increases like a general student which will be an indicator of the risk of vocalization. This will be a clue to the vocalization of the immature soprano student.

훈민정음 음성학(I): 중성자(홀소리) 제자해에 대한 음성언어의학적 고찰 (Hunminjeongeum Phonetics (I): Phonetic and Phoniatric Consideration for Explanation of Designs of Middle Vowel Letters)

  • 최홍식
    • 대한후두음성언어의학회지
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    • 제33권2호
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    • pp.77-82
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    • 2022
  • Hunminjeongeum was made by the Great King Sejong, and composed of 17 consonant and 11 vowel letters. All the 28 letters were made according to the shape of vocal organ or space at the point of articulation for each letters. This review article focused on phonetic and phoniatric consideration for explanation of the designs of the middle vowel letters, especially three main vowel letters [ • (天, heaven), ㅡ (地, earth), ㅣ (人, human)] using video-fluoroscopic evaluation as well as computed tomography scanning, etc. During articulating / • / sound, a ball-like space at frontal portion of the oral cavity was found, tongue was contracted, and sound was deep (舌縮而聲深). During /ㅡ/ sound, a flat air space between oral tongue and hard palate was created. Tongue was slightly contacted neither deep nor shallow (舌小縮而聲不深不淺). During /ㅣ/ sound, tongue was not contacted and Sound is light (舌不縮而聲淺). Tongue was moved forward making longitudinal oro-pharyngeal air space. So, I'd like to suggest that we had better change the explanation drawing from a philosophical modeling to a more scientific modeling from real vocal tract space modeling during articulating middle vowels of Hunminjeongeum.

성문특성이 제거된 성도특성 추출에 관한 연구 (A Study on Extract of Vocal Tract Characteristic after Concealing the Vocal Cord Property)

  • 민소연;강은영;배명진
    • 대한전자공학회:학술대회논문집
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    • 대한전자공학회 2000년도 추계종합학술대회 논문집(4)
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    • pp.203-206
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    • 2000
  • Since the amplitude of voiced fall off at about -20dB/decade, dynamic range is often compressed prior to spectral analysis so that details at weak, high frequencies may be visible. Preemphasizing the speech, either by differentiating the analog speech s$\sub$a(t) prior to A/D conversion or by differencing the discrete-time s(n)=s$\sub$a(nT), compensating for falloff at high frequencies. The most common form of preemphasis is y(n)=s(n)-As(n-1), where A typically lies between 0.9 and 1.0 and reflects the degree of pre-emphasis. In This paper, we proposed that A is adjusted at each time by measuring the slope of envelope in frequency domain.

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Sound Spectrographic Analysis of the Voice of Patients with Recurrent Larngeal Nerve Paralysis

  • Kim, Kwang-Moon;Yuki Kakita;Minoru Hirano
    • 대한음성언어의학회:학술대회논문집
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    • 대한음성언어의학회 1995년도 제4회 학술대회 심포지움 및 워크샵
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    • pp.128-136
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    • 1995
  • Diagnostic evaluation for voice disorders requires a multidimensional approach : physiological examination of the larynx and the vocal tract, aerodynamic studies, examinations of vocal fold vibrations, psychoacoustic evaluations, acoustical analyses, and so on. Previous studies with the use of a computer system suggested that the acoustic evaluation is quite promising for differentiating some causative diseases of voice disorders(Hiki et al., 1975a, b, 1976 ; Kakita et al., 1980). However, a well-equipped computer system for acoustic analysis is very expensive and not available in most voice clinics. A sound spectrograph is available in many voice clinics. (omitted)

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후두질환에 대한 술전 술후 음성의 음향적 특성비교 분석 (Analysis and Comparisons of Acoustical Characteristics of Pathologic Voice before and after Surgery)

  • 김대현;조철우;백무진;왕수건
    • 음성과학
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    • 제7권3호
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    • pp.285-294
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    • 2000
  • In this paper the acoustic characteristics of pathological voice, which are measured before and after surgical operation, are compared. This experiment is conducted for the purpose of predicting patients' speech after operation. The voices are recorded from the same patients. Jitter, shimmer and other parameters are. computed and their statistical characteristics are compared. Also spectral changes, such as formant frequency shift and spectral slope change, are compared. From the experimental results, it is verified that not only source characteristics but also vocal tract components vary. And this indicates that the modification of source parameters are not enough for the prediction. Also the result indicates that the operation causes change to both the physical shape of vocal folds and the manner of articulation.

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