• Speech Sciences
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• v.14 no.3
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• pp.127-137
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• 2007

The aim of this study is to examine the influence of vocal training on internal respiration in order to develop an efficient method of singing phonation. Five males trained singers (age:$25.0{\pm}1.4years$, career:$6.8{\pm}1.1\;years$) and five female trained singers (age:$22.0{\pm}1.0years$, career:$5.8{\pm}1.2\;years$) participated in this study. $SaO_2$(Oxi Hemoglobin saturation) was measured by Oxy-Pulse meter while $P_ACO_2$ (Pressure Alveolar $CO_2$) was measured by Quick et $CO_2$ before and after 2-minute, 4-minute and 6-minute vocal training. Result showed that $SaO_2$ was within a normal range after vocal training but $P_ACO_2$ came out lower than the normal range (36-40mmHg) after vocal training which led to Hypocapnia. This caused the singers to experience some headache and dizziness.

• MALSORI
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• v.68
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• pp.1-15
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• 2008

This study investigated the vowel effect on laryngeal DDK (L-DDK) in terms of rate, regularity, and range. Thirteen normal speakers participated in this experiment. Speakers were asked to repeat the vowels /a, e, i, o, u/ for vocal fold adduction DDK, and /ha, he, hi, ho, hul for vocal fold abduction DDK. Acoustic data was analyzed via Motor Speech Profile. There were 6 parameters: DDKavp and DDKavr for rate of L-DDK, DDKcvp and DDKjit for regulariry of L-DDK, and DDKavi and DDKcvi for range of L-DDK. Results of MANOVA and Fredman analysis showed no significant vowel effect on rate and regularity of L-DDK. MANOVA revealed significant effects of vowels and vocal fold ab/adduction on range of L-DDK. DDK peak intensity (DDKavi) in vowel /i/ production was lower than in vowels /a, e, o, u/. Variation of DDK peak intensity (DDKcvi) was significantly greater for /ha/ than for /a/ production. The implication of these findings on voice and speech pathology is discussed.

• 재활복지
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• v.22 no.1
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• pp.157-168
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• 2018

The purpose of this study is to investigate the impact of semi-closed vocal training-based Vocal Aerobic Treatment on the voice improvement of soprano. Study subject was one soprano who appealed to the suffering of her voice problem due to vocal cord nodule. A study method of conducting pre/post acoustic evaluation and subjective voice evaluation to compare the measures was used; Vocal Aerobic Treatment was carried out twice a week for a total of 32 session. In the acoustic evaluation, MDVP (multi-dimensional voice program) and VRP (voice range profile) were used to evaluate the pitch, voice quality, and voice range; in the subjective voice evaluation, SVHI (singing voice handicap index) was used to assess voice satisfaction. As a result of the pitch evaluation, the soprano maintained a proper Fo. As a result of the voice quality evaluation, the jitter, shimmer, and the noise harmonic ratio numbers decreased compared to the numbers shown before the treatment. As a result of the voice range evaluation, the scope of the range was broadened, with the number of semitone increasing from 30 to 35. As for the subjective voice evaluation, the result of the total score obtained after the survey report divided by the number of questions showed a decrease from 3.6 to 0.6. The soprano herself reported of having a minor extent of a voice problem. The summary of the above results reflects that Vocal Aerobic Treatment is useful in the voice improvement of vocalists However, as this study is case research regarding the Vocal Aerobic Treatment effect on one soprano, further research on the treatment effect covering many other vocalists is necessary. Also, there is a need for follow-up studies regarding voice management and voice treatment program on not only the vocalists but also the voice users in many other professions.

• Journal of the Korean Society of Laryngology, Phoniatrics and Logopedics
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• v.14 no.1
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• pp.47-50
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• 2003

The transgender is who has persistent discomfort with his of her sex or sense of inappropriateness in the gender role of that sex. Many transgenders have been undergone trans-sex operations after 1980's. But there were not so much experience of voice surgery for transgenders. Vocal pitch can be elevated by various surgical techniques. Type IV thryoplasty, which one of the cricothyroid approximation methods, increases tension to the vocal folds, thus increasing fundamental frequency and upper pitch range. We treated a transgender (MTF, Male to female) using this technique. Acoustic and aerodynamic measures were obtained both pre- and post-operatively. Clinically significant improvement was achieved in both study; increasing of vocal pitch, widening of pitch range, and improvement of vocal efficiency.

• Speech Sciences
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• v.4 no.2
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• pp.157-177
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• 1998

An electroglottography (EGG) was used to investigate the function of the vocal folds during their vibration. In this study, four Korean native speakers and 10 vocal polyp patients were selected. To investigate the dynamic change of EGG waveforms for the three-way distinction of Korean stops, a DSP-Sona graph model 5500, a Rino- Laryngeal stroboscope, a CSL model 4300B and a Laryngograph were used. An EGG Model 4338 was used to exam the vocal polyp of patients' voices during high, low, comfortable pitch production. The purpose of this study is to investigate the characteristics of Korean stop consonants in relation to pitch and to observe laryngeal movement during vocal fold vibration and speech production. The basic data accumulated during this research can be applied in clinical treatment. The results are as follows: on the Korean stop consonants, the aspirated stop is the highest in the GOT and PC1. On the angle of vowel contour, the angle of lenis is smaller than the angle of heavily aspirated and glottalized stops. The fundamental frequency is lowest at the lenis stop, In vocal polyp patients', the low pitch range is smaller than in normal speakers'. The pitch break and the vocal fry were observed. The jitter and OQ value are higher in vocal polyp patients than in those of normal speakers'.

• Phonetics and Speech Sciences
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• v.4 no.1
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• pp.91-98
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• 2012

The purposes of this paper is to study the characteristics of compared to the speakers voice without depression and speakers with depression, and to propose a objective method for the measurement of the therapeutic effects as well as for diagnostics of depression based on the characteristics. The voice samples obtained from 11 female speakers with depression, aged from 20 to 40, diagnosed as having major depressive disorder by an psychiatrist were compared with those from 12 normal controls with matched sex, age, height, weight, education, smoking, and drinking. The voice samples are taken by a portable digital recorder(TASCAM DR-07, Japan) and analysed using the MDVP(Multi-Dimentional Voice Program) software module from CSL(Computerized Speech Lab, kay elemetrics, co, model 4100). The result of the investigation are as following. First, the average speaking fundamental frequency and loudness range of the speakers with depression group was statistically significantly lower than that of the control group. The pitch range of the control group was rather higher than that of the speakers with depression group, but without statistical significance. Overall speech rates have no statistical difference between two groups. Second, the average speaking fundamental frequency and loudness range have statistically significant negative correlation with Beck Depression Inventory, i. e. more severe depression exhibits lower average speaking fundamental frequency and loudness range. Other vocal parameters such as pitch range and overall speech rate have no statistically meaningful correlations with Beck Depression Inventory.

• Journal of Sensor Science and Technology
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• v.24 no.4
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• pp.247-251
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• 2015

In this study, electroglottographic spectral tilt (EST) was investigated for characterization of vocal cords vibration. EST was analyzed from the power spectrum of electroglottographic signals by dividing frequency analysis range as full range (0~4 octave), low range (0~2 octave), and high range (2~4 octave). EST of all ranges in female were greater than those in male. In female and male groups, EST of high range was higher than that of low range. This result suggests that EST has at least two components and dividing frequency range in analysis of EST is effective for investigating characteristics of vocal cords vibration.

• Phonetics and Speech Sciences
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• v.2 no.2
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• pp.27-36
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• 2010

The purpose of this study is to investigate the features of Korean infants' vocalizations according to the stages models. A total 88 infants, whose ages range from 1 to 18 months, participated in this study. This age is a critical period for vocal development. However, the study of infants' vocalizations has typically focused on children over the age of two. Because of restrictions related to the study of younger infants, from birth to the age of two, it is usually difficult to investigate what are the major features of their vocal development. Therefore, this study provides documentation and analysis of the features of infant vocalization and their vocal development stages. The results shows that the stages model of Oller & Lynch (1992) might be adapted for Korean infants' vocal development. Furthermore, the features of the infants' vocalization are not linearly appeared one stage to the next stage, but are overlapped (Koopmans-van Beinum & van der Stelt, 1986; Nathani et al., 2006; Oller, 1980; Stark, 1980; Vihman, 1996).

• Phonetics and Speech Sciences
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• v.10 no.4
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• pp.163-171
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• 2018

A mixed dysarthria with combinations of hypokinetic, ataxic, and spastic components is a common clinical feature of multiple system atrophy (MSA). Due to the rapid progress of dysarthria after diagnosis, people with MSA experience difficulty with verbal communication, which eventually affects their quality of life negatively. In this study, SPEAK $OUT!^{(R)}$, an intensive 1:1 treatment of dysarthria for improving functional communicative ability, was provided to twelve people with MSA. To evaluate the efficacy of SPEAK $OUT!^{(R)}$ in people with MSA, aerodynamic, acoustic, and perceptual analyses were conducted. Pre-and post-therapy data included maximum phonation time, vocal intensity, and fundamental frequency during /a/ sustained phonation and passage reading; frequency range between high /a/ and low /a/ phonation; jitter, shimmer, and HNR for vocal quality; speech rate during passage reading; and perceptual evaluation scores for articulation precision and intonation. The participants achieved statistically significant improvement in vocal intensity, pitch range, vocal quality, speech rate, and speech intelligibility. In conclusion, SPEAK $OUT!^{(R)}$ is a feasible treatment for people with MSA to efficaciously improve their speech ability.

• Journal of the Korean Society of Laryngology, Phoniatrics and Logopedics
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• v.17 no.1
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• pp.14-16
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• 2006

Background and Objectives: The purpose of this study is to investigate the change of vocal tract length according to the level of the pitch by the singers. Materials and Methods: Fifteen tenors were asked to produce successive /a/ sound in G4(382Hz) for the head register, C3(131Hz) for the chest register and usual speaking sound. The control group consisted of 15 males of an similar age who are not professional singers. The length of vocal tract was calculated by applying the formula of Fn=(2n-1) c/4L(F : formant frequency, c : the speed of sound in the vocal tract(350m/sec), L : length of vocal tract, $n=1,2,3,4,{\ldots}{\infty}$). Results: In singer's group, there showed no significant statistical difference of length among head and chest register and usual speaking sound. However in the control group, there showed statistically significant difference of length. Comparison of the absolute difference in the length of vocal tract by changing level of pitch in phonation, between the control group and the singers group. Changing from G4 phonation to C3 phonation and C3 phonation to usual speaking sound showed statistically difference of vocal tract length was less in the singers group than the control group. Conclusion: The change of vocal tract length, in either speaking or singing, was less in singers than the control group. We could assume that the singers maintain their larynx position constantly throughout the pitch range when phonation.