• 한국화재소방학회논문지
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• 제32권2호
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• pp.67-72
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• 2018

건축물 내부에서 화재가 발생했을 때 화재 또는 연기의 이동을 막기 위해 방화셔터가 설치되며, 재실자의 통과를 위해 출입구가 설치되어 있다. 하지만 현행 방화셔터의 출입구 표시규정은 주위와 다른 색으로 표시하도록만 규정하고 있어 피실험자가 방화셔터의 출입구를 인지하지 못할 위험이 매우 크며, 위험성은 연기상황에서 더욱 증가한다. 이에 본 연구에서는 이러한 문제점을 해결하기 위해 연기가 퍼진 상황에서도 인식이 가능한 방화셔터 출입구의 표시방법을 도출하였다. 이를 위해 사전 설문조사를 통해 방화셔터 출입구 표시방법의 3가지 요소를 도출했다(사인, 문 배경, 테두리) 다음으로 도출한 3가지 요소에 대해 5가지 색상을 조합하여 실험유형을 설정하고 실험을 실시하였다. 실험은 남녀 총 122명의 대상으로 실시했다. 실험결과 연기가 없는 평상 시의 시야상황에서는 노랑 바탕, 빨강 사인, 빨강 테두리가 가장 높은 인지도를 나타냈다. 연기가 있는 화재시의 시야상황에서도 역시 동일했지만, 연기가 짙어져 손으로 더듬어 피난해야할 상황에서는 빨강 바탕, 노랑 사인, 노랑 테두리가 가장 인지도가 높게 나타났다.

• 복식
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• 제20권
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• pp.125-135
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• 1993

The purposes of this research are firstly to define the characteristics of movement on the costume, secondly to demonstrate that fine art, expecially in relation to kinetic art, has become a good motif in modern costume de-sign, and thirdly to examin the characteristics of movement as shown in modern costume de-sign. For this study, we selected and analyzed some costume designs among those introduced in fashion magazines, which are Collections, Fashion-Preview, Fashion Show, Collezioni, and L'Officiel that have been issued since 1988. As this research is carried out only through the analysis of pictures, it is not ac-companied by a study on material itself. The result of this study is that the ex-pression of movement on modern fashion can be shown in two ways, one is the inclusive and subordinate movement expressed on the cloth-ing according to the motion of body when they are worn, and the other is the movement caused by the very designs of clothing. And the latter can be also divided in two ways, the illusionistic movement and the actual move-ment. The expression of actual movement is made through the emphasis of direction, rhythm, and dimension of the costume. And the illusionistic movement is expressed by the de-sign to which the textile pattern or reflection of light is applied so that the movement is larger than the actual movement. A sense of direction expressed on the cos-tume by the actual movement creates a light rhythm and adds interest to the costume. This reflects a part of psychology of modern men who are not accustomed to the statics. In the rapidly changing society of information our modern men seek after movement even in the statics. It is also true in the clothing and they seem to get a psychological rest through the immediated visual change as shown in fashion design. The simple and cheerful rhythm expressed by the illusionistic movement on the costume is attempted in order to overcome the static tediousness caused by simple design. These elements of movement cause the en-largement of visible range and create another enlarged shape other than the real one, so that they come to remove the dullness and monot-ony in costume design and provoke interest in costume, as if kinetic art reveals the various aspects that transcend the closed area of fine art upon the motif of 'movement'. finally, as this paper deals with the ex-pression of movement as shown in the costume design which prevailed after 1988, it is desir-able hereafter to study more about the fashion since 1950 when kinetic art began in earnest, along with the comparative study on the ex-pression of movement in our Korean designer's and foreign designer's works.

• 대한화학회지
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• 제52권3호
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• pp.315-321
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• 2008

포스터는 시각적 이미지와 약간의 언어를 사용하여 자신의 생각을 다른 사람과 의사소통하는 도구이다. 모든 학문 분야에는 독특한 의미로 구성원들 사이에 공유되는 기호가 있다. 따라서 화학자나 화학을 배우는 학생들은 특징적인 화학적 기호(코드)를 통해 의사소통할 것이다. 대한화학회에서는 2004년부터 전국의 학생들을 대상으로 화학 포스터 그리기 대회를 개최하고 있다. 2004년과 2005년에 3000여 점의 포스터가 출품되었고 150여 포스터가 수상작으로 선정되었다. 수상작은 초등학교, 중학교, 고등학교 급별로 구분되었다. 이 연구는 학생들의 포스터에 사용된 화학적 코드를 조사하였다. 포스터의 시각적 요소와 언어적 요소를 분석한 결과, 액체, 실험기구, 눈금, 화학의 언어, 과학자, 지구와 환경, 주변의 사물 등 7가지 화학의 코드를 찾을 수 있었다. 그리고 화학의 코드에 대해 학교급별 차이, 수상작과 비수상작의 차이, 연도별 차이 등을 조사하였다. 또한 이러한 결과에 대한 교육적 함의를 논의했다.

• The Journal of Korean Physical Therapy
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• 제15권3호
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• pp.295-345
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• 2003

This study investigated activation of cerebral cortex in patients with hemiplegia that was caused by neural damage. Key-point control movement therapy of Bobath was performed for 9 weeks in 3 subjects with hemiplegia and fMRI was used to compare and analyze activated degree of cerebral cortex in these subjects. fMRI was conducted using the blood oxygen level-dependent(BOLD) technique at 3.0T MR scanner with a standard head coil. The motor activation task consisted of finger flexion-extension exercise in six cycles(one half-cycles = 8 scans = $3\;sec{\times}\;8\;=\;24\;sec$). Subjects performed this task according to visual stimulus that sign of right hand or left hand twinkled(500ms on, 500ms off). After mapping activation of cerebral motor cortex on hand motor function, below results were obtained. 1. Activation decreased in primary motor area, whereas it increased in supplementary motor area and visual association area(p<.001). 2. Activation was observed in bilateral medial frontal gyrus, middle frontal gyrus of left cerebrum, inferior frontal gyrus, inter-hemispheric, fusiform gyrus of right cerebrum, superior parietal lobule of parietal lobe and precuneus in subjedt 1, parahippocampal gyrus of limbic lobe and cingulate gyrus in subject 2, and inferior frontal gyrus of right frontal lobe, middle frontal gyrus, and inferior parietal lobule of left cerebrum in subject 3 (p<.001). 3. Activation cluster extended in declive of right cellebellum posterior lobe in subject 1, culmen of anterior lobe and declive of posterior lobe in subject 2, and dentate gyrus of anterior lobe, culmen and tuber of posterior lobe in subject 3 (p<.001). In conclusion, these data showed that Key-point control movement therapy of Bobath after stroke affect cerebral cortex activation by increasing efficiency of cortical networks. Therefore mapping of brain neural network activation is useful for plasticity and reorganization of cerebral cortex and cortico-spinal tract of motor recovery mechanisms after stroke.

• 문화기술의 융합
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• 제6권1호
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• pp.163-169
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• 2020

2025년 초고령 사회 진입이 예상되는 한국은 노인 중심의 사회가 될 것임을 시사하며(통계청, 2018), 노인들이 주로 이용하는 공공시설에 노인의 시각적 특성을 고려한 환경이 구성될 필요가 있다. 본 연구는 한국의 부산시에서 노인인구 비율이 가장 높은 지역에 위치한 근린공원의 환경색채를 Color Universal Design(CUD, CUD 권장색 세트 가이드북, 2013)에 근거하여 노인의 시각 특성을 고려한 환경인지 알아보는 것을 목적으로 한다. 부산시에 위치한 도보권 근린공원으로 5곳을 선정하여 분광측색기(Minolta CM-2600d)와 웹 컬러 조사로 환경색채를 측정하였으며, 측색범위는 바닥포장, 공공시설물(사인, 벤치, 화장실), 체육시설물로 한정하였다. 연구결과는 다음과 같다. 전반적으로 Y색상계열이 우세하게 나타났으며, 유사한 색상 사용과 명도, 채도가 비슷한 수치를 보였다. 이는 Color Universal Design(CUD, CUD 권장색 세트 가이드북, 2013) 이론에 근거하여 분석한 결과, 노인의 시각특성을 고려하지 않았다는 것을 시사하며 부산시에 위치한 근린공원은 시각특성을 배려한 환경색채가 미흡한 것으로 나타났다. 또한 본 연구는 노인의 색채 지각 및 인지 특성을 반영한 사회 환경 색채에 적용할 수 있는 기초연구로서 활동될 수 있을 것이다.

• 인문언어
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• 제2권2호
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• pp.143-161
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• 2002

This essay explores the theories of Italian poet and filmmaker Pier Paolo Pasolini on the language of cinema. In essays such as "The Cinema of Poetry" and "The Written Language of Reality" composed during the 1960s, Pasolini argues for the special status of film language as "pre-grammatical" and links it to visual signifying processes such as dreams and memories. He also views cinema as the inroads towards a general semiotics of reality since, for him, the basic unit of film language is not the shot but those objects of reality that constitute the mise-en-scene of the shot, hence cinema is posited as the written language of reality whose minimal units of articulation are the very objects of reality itself. Accused by semioticians such as Umberto Eco of semiotic ingenuousness in trying to reduce the facts of culture to nature, Pasolini responded by arguing that he was trying to do the opposite, that is to say, to culturalize nature by examining it as a language. Against the constructed naturalism of both commercial and neorealist films, Pasolini argued for the creation of a poetic cinema able to exploit its constitutional pre grammatical, oneiric and sacred relationship with the world. The essay concludes with an analysis of the film Medea in which Pasolini′s attempt to restore a sacred vision of reality merges with his concerns over the cultural genocide of traditional and emarginated peoples at the hands of neocapitalist homologation.

• 대한한의학회지
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• 제23권3호
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• pp.119-133
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• 2002

Objectives : This study was designed to investigate significant differences between the first attack and reattack groups to form fundamental data for decreasing recurrence and secondary prevention of stroke. Methods : I studied 204 patients admitted within 7 days of onset, after the diagnosis of stroke, in the Oriental Medical Hospital of Dongeui University from February to July in 2001.compared the reattack group with the first attack group for risk factors, clinical symptoms and progress, average mark and degree of improvement in Activity Index. Results : 1. Meaningful risk factors associated with the reattack group were male sex, a past history of hypertension and transient ischemic attack, and a family history of stroke. 2. The reattack group had conscious or cognitive disorder in early stage of onset, dysphagia, constipation, urinary incontinence, visual field defect in acute stage, high blood pressure and tachycardia in abnormalvital sign in acute stage, neuropsychosis, shoulder pain and rigidity, and pneumonia in complications more than the first attack group. 3. In Activity Index, the average mark of reattack group was lower than that of the first stroke group and improvement of the reattack group was delayed compared with the first attack group. Conclusions : The reattack group had more severe symptoms and clinical progress than the first attack group.

• 한국실내디자인학회논문집
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• 제17권6호
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• pp.120-127
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• 2008

Korean space design image is a kind of writing as well as one of the sign that dissembles itself as a direct transcript of what it represents. Moreover it is pictorial representation and notions such as mental and perceptual imaginary. Significance of Iconology lies in how we transform image and the imagination that produces it into power of trust and respect. From this point of view, the process of this study is illustrated as follows: At first, this study search out concept of archetype, collective unconsciousness and collective representation that found principles on basic theory for interpretation of korean space icon. Secondly, it mentions theoretical background of iconological contents and structure. And it clarifies Iconology as a method that is applicable logic for Korean space design. Finally, as an analysis of korean space design, this study analyse in three steps that are pre-iconological description, iconological analysis, iconological interpretation each in terms of modernization at regional korean space design. In the step of the pre-iconological description, it describe visual representative style based on era and place. In the step of the iconological analysis, the typical structure is classified in status, vernacular, ethnic, traditional. In the step of the iconological interpretation, connotation is categorized into allegory, multivalence, potential. Through this process, this study suggest that iconology is an appropriate analysis system of Korean space design images that represent symbols combined with our collective emotion.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.270-274
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• 2007

Clearing trace of symbol which was gone with a series of pre-modern architecture history since the modern architecture (pursuing true nature from tradition which is repeated and imitated unconsciously). That is, What is the course of deconstruction? In the early part of the 20th century, We still accept the necessity of decoration in spite of its existence at one time being threaten. This means, even though symbolism in architecture has relative importance by situation of Times, it plays an important role to add the past to current style through 'Symbol'. The history of Times, a carrier which reflects Present on New Futures, makes memory by gathering data but we can not amplify our historical imagination with only data. Data is a past memory and evidence but we can not substitute that for historical experience. And it is difficult for future generations who don't live through that history to change their historical recognition with recollecting memories. They have to draw history with data but it is very limited in itself. However, They can collect historical memory through symbol in architecture. In this study, We pay attention to the symbolism of a memorial hall architecture. So We'll analyze dichotomy concept of Barthes's signifiant and signifie, visual sign and course of symbolic meaning on basis of Daniel Libeskind's Jewish Museum.

• 한국농공학회지
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• 제32권E호
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• pp.67-73
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• 1990

Many distress mechanisms in pavement are known to be caused by the poor mechanical properties of bituminous concretes. Among many mechanical properties, tensile strength is one of the more important indicates that represent the resistance of pavement to traffic loading. However, there has been no relationship established between the strength and distress mechanisms. Therefore, this study was conducted to evaluate a correlation between the tensile strength value and the intensity of distress in bituminous concrete. Distress data were collected from an extensive field investigation over 77km of a four-lane highway in South Carolina, USA, and from laboratory prepared specimens in two phases of study. Strength data were obtained from a total of more than 400 field cores taken from the same highway and from 640marshall specimens of surface course mixture prepared in the laboratory. These data were analyzed using statistical test techniques. It was found from statistical analyses that the tensile strength of bituminous concrete had a strong relation with the pavement condition in the field. In the analysis of rutting and stripping, low strength concrete showed a higher distress rate in the mixture, and mixtures under distress in the field showed obviously reduced strength values. Stripping was found to be the most significant distress mechanism that was correlated with low strength bituminous concrete. Rutting appeared more frequently in a low strength pavement section of the highway as a sign of failure due to traffic loading.