• 디자인학연구
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• 제15권2호
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• pp.81-90
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• 2002

디자이너는 디자인과정에서 디자인에 도움이 될만한 시각적 정보를 취득함으로서 이 정보를 활용해 새로운 대안을 창출해내고 있다. 이때 디자인할 제품과 직접적인 이미지를 활용하는 것이 보다 세련되고 멋있는 디자인이 될까 아니면 간접적인 이미지를 취득하는 것이 더 효과적일까\ulcorner 본 연구에서는 이와같은 목적으로 시각정보의 특성에 따른 디자인대안의 특성을 밝히고자 하였다. 이에 A집단에게는 시각정보로서 직접적인 이미지를 제시하여 시각적 심상을 형성하도록 조작하였고 B집단에게는 간접적인 이미지를 제시하였다. 그리고 이 두집단에게 전화기를 디자인하시오 라는 과제를 주었다. 이 두집단에서 행한 디자인은 차별성, 세련성이라는 척도로 이루어진 설문을 통해 C집단에 의해 평가되었다. 실험결과 차별성 및 세련성 모두 두 집단간의 통계적 차이가 유의미한 것으로 밝혀졌다. 그러나 세련성은 통계적 차이는 유의미했지만 연구가설과는 반대의 결과를 보였다. 이 두가지의 실험결과로 기존제품과 차별되는 디자인개발을 위해서는 간접적인 이미지가 효과적이며, 세련된 디자인이 되기 위해서는 디자이너의 인지적 집중이 중요한 것으로 밝혀졌다. 이러한 두 실험을 통해서 디자인 프로세스에서 새로운 유형의 디자인을 도출하기 위해서는 간접적인 이미지가, 새로운 스타일의 디자인을 도출하기 위해서는 직접적인 이미지가 효과적임을 제시한다.

• 한국실내디자인학회논문집
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• 제19호
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• pp.53-58
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• 1999

The goal of this paper is to understand the visual information process and the characteristics of behaviour of the architectural design process using visual protocol analysis through the actual experiment by the architect. The visual protocol analysis is developed on the basis of the theories of the visual information processing model and visual mental image, which can explain visual representation in architectural design process. A protocol study is reported in which the experimental data by architect is analyzed through the protocol analysis method. The whole design process is divided into the stage of 9 tasks which are classified into 18 visual representatiov. The results about visual cognition in cognitive science are reviewed and summarized, and these findings will help understand the architectural design nature.

• 한국중재학회지:중재연구
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• 제26권1호
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• pp.53-72
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• 2016

The importance of design is emphasized in many industries. It began to earn recognition as part of industry rather than the arts. In particular, utilization of visual information design including moving images, packaging, advertisement, publication, editorial and visual information processing is higher than others in the design field. However, disputes relating to intellectual property rights have been also increasing as it became known. Therefore, now is the time to consider and establish an effective dispute settlement system for the design industry. In this view, arbitration will be a suitable method for dispute settlement in visual information design because of characteristics such as confidentiality, professionalism, efficiency, economy and flexibility. However, Arbitration system is not well known to the people who work in this industry. Thus, in order to aggressively advertise the arbitration system, an arbitration institution has to appoint design experts as new arbitrators for domestic and international arbitration. Next, an arbitration institution needs to prepare the new and expediting rules with design field characterization. Finally, it has to plan to cooperate with all of the institutions and schools concerned.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2004년도 춘계 학술발표대회 논문집
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• pp.184-185
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• 2004

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 1999년도 추계 학술발표대회 논문집
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• pp.14-15
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• 1999

디자인은 일반적으로 목적지향의 창의적인 문제해결 과정으로 볼 수 있으며, 그 결과로 구체적인 대상이 세상에 존재하게 되는 것이다. 즉 무형적인 컨셉트를 가시적인 대상으로 전환시키는 산업 디자인분야에서 시각심상의 표현을 통한 조형성과 창의성은 디자이너의 중요한 소양중의 하나가 된다. (중략)

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2001년도 디자인학연구 2001 봄 학술발표회 논문집
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• pp.134-135
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• 2001

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2004년도 추계 학술발표대회 논문집
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• pp.50-51
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• 2004

• 한국실내디자인학회논문집
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• 제15권5호
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• pp.104-111
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• 2006

Digital media changed not only our lifestyle and sense of value but also art and space design, and development of technology will accelerate the alteration. It provided limitless possibility and inspiration to art, architecture and design. In this 'image' era, media communicate with us mostly in visual method, which gets to he realized by visual interface. The purpose of this study is to analyze the tendency of visual interface of contemporary interior design cases in the standpoint of digital media characteristics and suggest directions for future space design. The characteristics of digital media and interface are defined, and how the concept unfolded in art, design is also discussed. In interior design, the concepts come out as various types of visual interface, showing the characteristics of composition of material and immaterial, interaction between visual information and space users and among users, realization of cyberspace and simultaneous coexistence of multiple space-time multi-layer.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2004년도 춘계 학술발표대회 논문집
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• pp.62-63
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• 2004

• 한국실내디자인학회논문집
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• 제19권1호
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• pp.75-84
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• 2010

This study will establish the transformal characteristics of architectural visual information by investigating: how contemporary architects perceive and process multifaceted architectural information via the expression media since 1970s. The purposes and results of this study are summarized as follows: This study established the contemporary transformal characteristics by comparing the expression methods of traditional architects with the transformal characteristics of visual information derived from the contemporary architectural expression media. In a pluralistic information society, the expression methods of the past, which recognize space as a stationary, unidimensional visual point on a drawing surface, is now changing to the mixed, multidimensional expression methods that connect various visual points on a limited drawing surface. Furthermore, the rapid advancement of digital media is changing, from a method which simply arranges visual information, to a flexible visual tool which can process architecture sequentially and simultaneously. As the communication structure of architecture is moving toward an individual-centered two-way communication type, the information delivery method is used to visualize conceptual, inferential information, rather than visualizing realistic information which simply records facts. In the past, multidimensional, non-linear forms could not be processed by the conventional design processes and sketch work, but now they can be expressed via digital media.