• 한국주거학회논문집
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• 제27권6호
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• pp.85-93
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• 2016

The spaces have a variety of sizes dependent upon their function and significance as well as their geometric shape. An architect Adolf Loos (1870-1933) had incorporated a correlation between the unconstrained formation of space into design. He had noticeably revealed the features of space that are unconstrained and mutually related with each other, for the space compositions among modern architects. This study is about to analyze the feature of space structure for houses of Adolf Loos through Space syntax which is the quantitative space analyzing method for the subject of his detached houses. These houses were emphasized for functional aspects of space without unnecessary decorations. Le Corbusier's Villa Savoye was analysed along with it to review a comparative point of view of his house's characteristic. Based on this, the features of the spatial structure of Loos' house were examined in conjunction with his views space as essence. A J-Graph and VGA for Adolf Loos' detached house revealed the structure's spatial characteristics in which the interior space is located deeply removed from exterior yet it is integrated as a whole. Also, it revealed that the experiments of the various spatial structures shown in Adolf Loos' detached house and European rationalist architects like Le Corbusier affected each other at the same time.

• 한국농촌건축학회논문집
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• 제22권3호
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• pp.25-32
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• 2020

The purpose of this study is to understand what Le Corbuiser has intended on a panoramic landscape view through his modern architectural design. This paper is willing to improve that he considered both natural and local landscape scenery, when he designed architecture with drawing images. He designed various ways to see outside scenery and community culture through ribbon windows, piloti, architectural promenade, picture frame, and rooftop garden as the angle of view inside the building, 'designed landscape panorama' from his architecture. Therefore the contents of the study include the analysis of the local landscapes shown through his architecture by photograph, drawing of a real scenery, and his sketches with biology to find what he has intended. The following conclusions have three points. First, Le Corbuiser has a basic idea to bear a natural and local scenery from his architecture through five points of new architecture. Second, pilotis, ribbon windows, and roof garden with picture frame and architectural promenade are pathways of his architecture to see 'designed landscape panorama'. Third, it comes from his early architecture like Villa Savoye in 1920s to Couvent de Sainte Marie de la Tourette in 1950s, but Ronchamp church converts his idea on previous thoughts.

• 건축역사연구
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• 제19권2호
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• pp.133-152
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• 2010

Through the 20th century architectural theory of rational thinking and the principles according to the statement of the firm, Le Corbusier's early works by analyzing the language of architecture, including his architectural concepts and helps the understanding of modern architecture. Masters of modern architecture as a place among the works of Le Corbusier in the 1920s, 'Le Corbusier's White Period' homes to target by age, and that his initial concept of the formation process of clarifying, further the construction of his golden age will be the key to understand. I selected housings from Maison Citrohan to villa Savoye, the category of architectural elements by considering the development process, he examines developments of the concept of modern architectural space. In analysis process, First of all, I am focused on between each element in the development process to review and explicate the integration process. The advent of the machine which he lived, because of its incredible potential reorganization of human society, as well as to celebrate the start of a new lifestyle. His architectural language of the times in the machinism could achieve progress and modern art, which is a new interpretation of the natural world.

• 한국실내디자인학회논문집
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• 제15권5호
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• pp.306-313
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• 2006

Digital simulation which was introduced to the architectural field due to the rapid growth of computer graphics, gave birth to a new type of contents called 'virtual reality', led by the interaction with the users and real time processing. The public attention is drawn to the virtual reality's potential as a next generational space simulation it, having the unique characteristics of 'simulation', 'interactivity', 'tole-presence', and 'immersion', is capable of taking a virtual tour of a space with a size equivalent to that of a real space, as well as proceeding with the design progress. Nonetheless, many problems impeding CPU's real time processing of an excessively loaded architectural model data have been pinpointed over the time. Yet such GPU based game engines as 'DirectX' and 'OpenGL', developed to deal with these impediments, have not been easily applied to the architectural simulation in the design process, due to the high license cost and the specific technical requirements for the system. The virtual reality has been developed and distributed centering around the gaming field, and game developers recently show a greater tendency to include level editors in the package for the expandability purpose. Thus, we plan to propose architecture simulation which utilizes level editors in this study. In addition, the compatibility of the game engine based level editors of Quake and Unreal which form the standards for the open source FPS games, based on VRML, the standard format for the virtual reality, was compared and analyzed. Taking the example of Villa Savoye of Le Corbusier, its application possibility as an architecture simulation was assessed, by measuring the extent to which the performance of such characteristic features of the virtual reality as interactivity, immersion, and tele-presence, was improved.

• 대한건축학회논문집:계획계
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• 제35권7호
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• pp.89-99
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• 2019

The purpose of this study is to reveal the meaning of Le Corbusier's works focused on Maison Guiette. This House was completed in 1926, 4 year later than the work of the Citrohan and also, this house is the only remaining mixed use Dwelling in Belgium. It offers a fine example of the early architectural concepts of Le Corbusier's. Despite these important facts, the meanings of the ideas of this house have not been paid attention as much as other houses constructed at the same period, such as Maison La Roche, Maison Stein de Monzie, Villa Savoye, etc. In his book, 'Oeuvre Complete 1910-1929', Le Corbusier mentioned as follows: "A special solution imposed by Belgian housing developments characterized by a dimension of 6 meters of frontage and a very great depth. The staircase serving the various floors is like the ladder of Jacob climbs Charlie Chaplin in the "Kid" and This house is an architectural experiments of his ideas. And this study aims at analysing the relationship between Maison Guiette and spaces on the basic of Le Corbusier's 'Five Points of a New Architecture' which had a great effects on architectural history and became a fundamental elements for the change into the Modern housing. By analysing the points in regard with the Features of Architectural Concept Applied in Maison Guiette, The Five Points are the background of the interpenetration of the interior and the exterior. To attain this, this research appraises each points in detail in regards with Maison Guiette. The study of Maison Guiette will be an important architectural subject to clarify the meaning of his later works and ideas.

• 한국산학기술학회논문지
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• 제19권11호
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• pp.583-593
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• 2018

퓨리즘 시기의 르 코르뷔지에는 백색을 주로 사용하는 건축가로 알려져 있다. 그러나 이 시기에 실제 그는 다채색을 많이 사용하였고, 이렇게 다채색을 많이 사용한 것에 비해서는 그의 다채색 사용의 원리들이 그다지 잘 정리되어 있지 않다. 이 원리들을 밝히기 위하여, 우리는 건축물의 외부에 다채색을 드러내어 많이 사용한 뻬삭 프로젝트의 분석을 통해 그가 어떤 방법으로 다채색을 사용하였는지 그리고 그 의도와 원칙이 무엇인지 알고자 하였다. 또한 이 분석과정에서 뻬삭 프로젝트가 그의 건축언어를 정립하기 위한 실험실이었을 뿐만 아니라 동시에 다채색 사용의 방법을 구축하기 위한 실험실이었는지도 알아보고자 하였다. 그 결과로 우리는 그가 백색을 바탕으로 다채색을 이용하여 공간을 변화시키고 또한 물체를 분류한 것을 확인할 수 있었다. 그리고 그는 우리의 감성과 연계되고 경험이나 습관에서 기인하는 심리생리학적인 경험을 바탕으로 색상을 선정하여 현장이 가지고 있는 건축공간과 형태 상의 여러 문제점을 보완하기 위하여 고안해낸 색체를 활용한 위장술, 착시, 선물 상자 기법, 볼륨의 해체방법, 등 다양한 방법들을 활용하였고 이러한 방법들은 뻬삭 이후의 프로젝트들에도 응용된 것을 확인할 수 있었으며, 다채색은 결국 그의 건축언어를 보다 강조하기 위한 수단으로 사용한 것을 알 수 있었다.