• Journal of Korea Multimedia Society
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• v.21 no.7
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• pp.795-801
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• 2018

In these days, various technologies to provide a service of high quality of 360 VR media contents is being studied and developed. However, rendering high-quality of media images is very difficult with the limited resources of HMD (Head Mount Display). In this paper, we designed and implemented a 360 VR Player for high quality 360 tiled video image render to HMD. Furthermore, we developed multi-resolution-based Foveated Rendering technology. By conducting several experiments, We have confirmed that it improved the performance of video rendering far more than existing tiled video rendering technology.

• International Journal of Costume and Fashion
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• v.6 no.2
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• pp.28-42
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• 2006

In present modern society, media contributes more to the constructing of personal identities than any other medium. Music video, a postmodernism branch among a variety of media, offers a complex experience of sounds combined with visual images. In particular. fashion in music video helps conveying contexts effectively and functions as a medium of immediate communication by visual effect. Considering the socio-cultural effects of music video. gender identity represented in fashion in it can be of great importance. Therefore, this study is geared to the reconsidering of gender identity represented through costumes in music video by analyzing fashions in it. Gender identity in socio-cultural category is classified as masculinity, femininity, and the third sex. By examining fashions based on the classification. this study will help to create new design concepts and to understand gender identity in fashion. The results of this study are as follows: First. masculinity in music video fashion was categorized into stereotyped masculinity, sexual masculinity. and metro sexual masculinity. Second, femininity in music video fashion was categorized into stereotyped femininity. sexual femininity, and contra sexual femininity. Third, the third sex in music video fashion was categorized into transvestism, masculinization of female, and feminization of male. This phenomenon is presented into music videos through females in male attire and males in female attire. Through this research, gender identity represented in fashion of music video was demonstrated, and the importance of the relationship between representation of identity through fashion and socio-cultural environment was reconfirmed.

• International Journal of Contents
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• v.18 no.1
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• pp.27-39
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• 2022

Short videos are becoming more popular in mobile Internet age. Not only people's media consumption patterns have been changed by the rise of this new media form, but also it has posed challenges to public psychological well-being. For many netizens, their entertainment needs have been met by watching short videos. However, many side effects, such as addiction and anxiety, reduce users' subjective well-being instead of satisfying the entertainment motivation after watching short videos. Therefore, it has become a significant research problem in short videos to figure out how to get audiences to watch short videos on a regular basis while avoiding side effects like anxiety and addiction and improving audiences' subjective well-being. Based on the theory of Internet addiction, this study analyzed short video users using the 2×2×2 research method and explored the relationship between the length of use, addiction, anxiety, and subjective well-being of short video users. The results showed that short video users with different usage lengths showed significant differences in addiction, anxiety, subjective well-being, and online social support; innovative different short video users showed significant differences in addiction and anxiety, as well as a triadic relational interaction of short video users' anxiety under the interaction with self-efficacy and online social support. This study contributes to the advancement of internet addiction theory research and application, assisting short video users in avoiding addiction and anxiety, and improving the subjective well-being of short video users, thereby promoting the growth of the short video industry.

• Broadcasting and Media Magazine
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• v.24 no.4
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• pp.10-25
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• 2019

본 고는 ISO/IEC MPEG과 ITU-T VCEG이 참여하는 JVET(Joint Video Expert Team)에서 진행되고 있는 비디오 압축 표준 기술인 VVC(Versatile Video Coding)에 대하여 설명하고자 한다.

• Broadcasting and Media Magazine
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• v.26 no.2
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• pp.18-30
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• 2021

본 고에서는 최근 국제표준으로 완성된 MPEG Video-based Point Cloud Compression(V-PCC) 표준 기술에 대해 소개하고자 한다. AR/VR 등 새로운 미디어 응용의 출현과 함께 그 관심이 3D 그래픽 데이터에 더 많이 모아지는 가운데, 지금까지는 효율적인 압축에 관심이 높지 않았던 포인트 클라우드 데이터의 표준 압축 기술로 만들어진 V-PCC 표준의 표준화 현황과 주요 응용분야, 그리고 주요 압축 기술에 대하여 살펴보고자 한다.

• Broadcasting and Media Magazine
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• v.24 no.4
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• pp.102-108
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• 2019

VVC(Versatile Video Coding)는 H.264/AVC(Advanced Video Coding)와 H.265/HEVC(High Efficiency Video Coding)의 엔트로피 코딩 기술로 사용되었던 CABAC(Context-based Adaptive Binary Arithmetic Coding)을 기반으로하여 압축율과 처리율을 향상시킬 수 있는 다양한 기술들이 채택되어 현재 CD(Committee Draft)가 완성되었고 참조 모델인 VTM6.0이 정식으로 배포되었다. 본 논문에서는 VVC Draft 6에 채택된 엔트로피 코딩 관련 기술들과 H.265/HEVC의 엔트로피 코딩의 차이점을 설명하고 엔트로피 코딩의 압축 성능과 엔트로피 코딩의 복잡도를 분석한다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 1999.06a
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• pp.1-10
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• 1999

A new digital media ear started a couple of months ago when 10 major cities in USA first boradcasted the all digital HDTV on the air. Digital video compression has been studied for decades but only recently, it becomes practical and is used in our daily life. We give an overview of the progress of video compression in recent years, particularly, the ones related to international standards. Through examples, we like to introduce this fantastic subject to the readers who were not familiar with it before.

• Asia Marketing Journal
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• v.21 no.3
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• pp.65-82
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• 2019

This study examines the relationship between social media advertisement and customer interest in the context of luxury brands. Further, this study investigates the effective ways to utilize visual types (pictorial advertisement and video advertisement) and contents types (website link and hash-tag) in social media advertising by proposing a time-series model to estimate the long-term effect of social media advertising on social search. We find that the pictorial advertisements are more effective than video advertisements, which provides a different result from previous existing research. In addition, advertisements using hashtags are more effective than web links due to efficiency of the search feature. Finally, since the number of brand fans also have a positive effect on advertising interest, it is essential to utilize social media advertising for the enhancement of customers' interests. Confirming that the effectiveness of social media advertising varies depending on how the visual contents and text are presented, this research can help marketing managers to assess predicted outcomes of using various methods of social media advertising.

• Journal of Broadcast Engineering
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• v.25 no.4
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• pp.620-628
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• 2020

Automatically predicting video highlight is an important task for media industry and streaming platform providers to save time and cost of manual video editing process. We propose a new ensemble model that combines multiple highlight detectors with each focusing on different parts of highlight events. Therefore, our model can capture more information-rich sections of events. Furthermore, the proposed model can extract improved features for highlight detection particularly when the train video set is small. We evaluate our model on e-sports and baseball videos.

• Convergence Security Journal
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• v.11 no.3
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• pp.47-54
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• 2011

To protect SVC(Scalable Video Coding) media, the encryption mechanism need to consider two fundamental issues; First, What is to be encrypted? Second, When encryption is performed with respect to compression? In this paper, we analyze the several encryption approaches with regard to the above issue. And we propose hybrid-based protection mechanism. This mechanism ensures the media scalability, layered access control and reuse protected content. In this experiment the proposed mechanism generates under 3% security overhead against standard scalable video coding.