• Journal of Broadcast Engineering
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• v.16 no.5
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• pp.811-823
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• 2011

This paper proposes an efficient transmission method for the panoramic multimedia contents. The panoramic video provides wide sight and various view-point to the user. The traditional methods of the panoramic multimedia content transmission has several limitations, as follow; A client suffers a long initial delay time to play a panoramic video when it is transmitted through a limited bandwidth network, because the panoramic video has larger data size than a general video. And if a client's display device has limited resolution, such as mobile phone, laptop PC monitor, etc. it can not display the entire panoramic video that has a wide view video sequence. So, in order to overcome the obstacles, this paper proposes an efficient transmission of panoramic multimedia contents. This method will increase the transmission efficiency throughout the technique of the scene description in MPEG-4 system. Also we demonstrated the efficiency of the proposed method by comparison with existing methods.

• Journal of Broadcast Engineering
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• v.18 no.2
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• pp.249-260
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• 2013

Recently, High-Efficiency Video Coding (HEVC) has been developed as a new video coding standard mainly focusing on the coding of ultra high definition (UHD) videos as the high resolution and high quality videos are getting more popular. Furthermore, the scalable extension of HEVC is being standardized for more efficient provision of HD and UHD services in the communications-broadcasting convergence environment. In this paper, we propose an improved scalable video coding method of H.264/AVC to achieve high coding efficiency particularly for UHD and HD videos. The basic idea is to allow large block size in H.264/AVC SVC, which results in more efficient inter-layer prediction and syntax elements coding. The experimental results show that it achieves an average 4.53% reduction in BD-rate relative to H.264/AVC SVC.

• Journal of Broadcast Engineering
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• v.26 no.5
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• pp.621-642
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• 2021

In this paper, the subjective video quality assessment of the content quality was to examine by the assessors about the three content quality of HD, Up-scaling UHD, 4K UHD Native that is currently broadcasted. The comparative assessment was conducted using three types of TV sets, 55, 65, 75 inches, at a distance of 2.5 meters which is the distance of watching TV in general households. Among the participants who took part in the video quality evaluating experiment and the questionnaire survey, the answering data of the final 169 persons were adopted after removing the data of 4 persons who answered inadequately in the evaluation of the video quality. The effects of gender, preference of program genre, size of TV sets were analyzed statistically using SPSS 25.0 analysis package. In addition to these, the objective video quality assessment through the measuring instrument was performed, and compared with the results of subjective video quality assessment.

• Journal of Digital Convergence
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• v.17 no.4
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• pp.319-325
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• 2019

The purpose of this study is to suggest ways to improve the competence and performance of teenage creators through the behavioral comparison. With the recent growth of video streaming services, the number of teenage creators is rapidly increasing. However, research on the video production behavior of teenagers is still limited. Therefore, in this study, we examined the video production behaviors of teenagers and assessed difficulties in each step. This study was conducted with the case study and the empirical study which interviewed the enthusiasts group and the creators group. Experimental results indicated that the editing stage was the most important but the lowest in both groups. In particular, the interest group had a greater burden on the editorial stage than the creator group. Therefore, in order to encourage teenage video production activities, it will be necessary to train them in editing programs or provide easy editing functions.

• Smart Media Journal
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• v.12 no.11
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• pp.145-153
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• 2023

In a P2P-based distributed storage system where peers frequently join and leave, it is essential to guarantee not only data availability but also playback quality comparable to that provided by local storage devices when playing back video files with real-time constraints. In addition, cloud storage services based on distributed storage systems provide each user with the functionality to share their files with other users, so when multiple users request playback of the same video file at the same time, all playback should be supported seamlessly in real time. Therefore, in this paper, we propose a scheme that process multiple simultaneous playback requests for each video file in real time as well as data availability in a P2P-based distributed storage system that supports file sharing. This scheme can support real-time simultaneous playback and efficiently use storage space by adjusting the amount of redundant data encoded through erasure coding according to the number of concurrent playback requests for each video file.

• International journal of advanced smart convergence
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• v.8 no.2
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• pp.56-67
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• 2019

The aim of this study is to develop Artificial Intelligence (AI) based business models of media firms. We define AI and discuss 'AI activity model'. The practices of the efficiency model are home equipment-based personalization and media content recommendation. The practices of the expert model are media content commissioning, content rights negotiation, copyright infringement, and promotion. The practices of the effectiveness model are photo & video auto-tagging and auto subtitling & simultaneous translation. The practices of the innovation model are content script creation and metadata management. The related use cases from 2012 to 2017 are introduced along the four activity models of AI. In conclusion, we propose for media companies to fully utilize the AI for transforming from traditional to successful digital media firms.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2004.10a
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• pp.47-65
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• 2004

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2003.06a
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• pp.159-189
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• 2003

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2009.01a
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• pp.423-423
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• 2009

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2001.05a
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• pp.289-312
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• 2001