• 제목/요약/키워드: Value-pluralism

검색결과 41건 처리시간 0.022초

디자인 호텔 실내공간의 감성적 표현 특성에 관한 연구 (A Study on the Emotional Expressions of Design Hotel Interior Space)

  • 김명선;김주연
    • 한국실내디자인학회논문집
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    • 제13권4호
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    • pp.74-82
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    • 2004
  • Urbanization created by modernization and industrialization has brought tremendous growth of hotel demand with city ' development such as population’s centralization, living environment changes, consumption emphasis, and internationalization. Moreover, the hotel industry has been developed in two ways. First, it has been diversified and popularized by hotel culture. Second, the hotel industry has been upgraded form focusing oh its specific targets. In the view of Hotel design, Hotel was shown as a social and cultural value. Customer can experience the space, not normal big sizes, but being new and reflecting trends regardless of any purposes or locations. The hotels that were resulted in development of American economy and construction since the 1980 had new design concepts. These hotels were one of the examples showing pluralism requiring on modern society. In the case of Korea, Korean Architect Company have built in copying or repacked western hotel without considering Korean local conditions. Korean company just tried to make large scales, high-story buildings, and chain hotels. Nevertheless, it is the current trend to understand the customer's sensitivity and viewpoint by introducing a new style of hotel management that requires variety and different characteristics of hotel design. Therefore, the purpose of this study presents a direction of the future hotel architecture by analyzing design characters of domestic and international hotels, by collecting various consumer's requests.

SANAA의 뮤지엄 공간구성에서 나타나는 '새로운 위계성'의 표현 특성 (A Study on the Characteristics of Representation on 'The new hierarchy' that Appear in the SANAA's Space Configuration of Museum)

  • 신소명;윤상영;윤재은
    • 한국실내디자인학회논문집
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    • 제22권4호
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    • pp.149-157
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    • 2013
  • As a period of pluralism, today's museum architecture has been expanding social and cultural meaning. So, Various expressions are appearing in museum architecture. Accordingly, the museum must be very reproducible and comply with aesthetic requirements. At the same time, museum construction in urban design and features must satisfy professional requirements. SANAA is one of contemporary architects has been decisively deleted existing fixed and functional layout type of program through 'The new hierarchy'. Thus, the experience of the space will vary. Now, museum space is urgently needed than ever before crustal movements. Thus, this study aims to contribute an alternative to the museum space configuration according to the trend of the times through 'The new hierarchy' of SANAA. This paper is limited to the cases of the SANAA's museum architecture. We analyze the characteristics of representation on 'The new hierarchy' appear in the museum space configuration and then, examine the value of the spatial. SANAA's 'New Hierarchy' is going to set the cognitive boundary by expression targeting plane and the surface. It is completely different than the previous boundaries. Characteristics of the expression represents non-centrality, decentrally, non-oriented, uncertainty, non-territorialization, uniformity. It is steady that identity of Space, Human, Environment in Museum. They have a relationship each concept of Independence, autonomy, equality.

포스트모더니즘과 간호의 이슈 (Postmodernism and the Issue of Nursing)

  • 공병혜
    • 대한간호학회지
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    • 제34권3호
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    • pp.389-399
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    • 2004
  • Purpose: The purpose of this study was to illustrate the main stream of postmodernism which has influenced theory and research in the nursing science, and then to consider the meaning and value of what the postmodern perspective has meant to nursing science in the 21st century. Method: Derrida and Foucaults philosophical thoughts that characterized postmodernism through the interpretation of their major literature was studied. Based on their philosophy, it was shownhow Derrida's idea could be applied in de constructing the core paradigm in modern nursing science. In terms of Foucault's post-structuralism, reinterpretation of the nursing science in relation to power/knowledge was completed. Result: Postmodernism created multiple and diverse paradigms of nursing theory as well as nursing research. This was accomplished by de constructing the modernism of nursing science which was based on the positivism and medical-cure centralism. Specifically, the post-structuralist perspective revealed issuesaround the relationship of power and knowledge, which dominated and produced modern nursing science. Contemporary nursing science accepts pluralism and needs no unitary meta-paradigm, which can reintegrate multiple and diverse paradigms. Conclusion: In considering the issue of nursing science in postmodernism, it can be summarized as follows: the postmodern thinking discovers and reveals diverse and potential nursing values which were veiled by the domination of western modem nursing science. These were motivated to create nursing knowledge by conversation in interpersonal relationships, which can contribute to practical utilities for the caring-healing situation.

20세기 패션에 나타난 모더니즘과 포스트모더니즘에 대한 연구(II)-반미학(Anti-Aesthetics), 열린 패션(Open-Fashion)을 중심으로- (A Study on Modernism and Postmodernism depicted on the 20th Century of Fashion-Focused on Anti-Aesthetics and Open Fashion-)

  • 김민자
    • 복식
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    • 제38권
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    • pp.369-392
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    • 1998
  • In order to identify and describe the central core of fashion desire, the concept of“anti-aesthetics”and“open fashion”were analyzed based on the discourses of postmodernism dis-cussed in the field of sociology, culture, art and philosophy. In this paper, first, the new perspectives of fashion related to modernism and postmodernism were proposed, open concept, anti-aesthet-ics which is ephemerality but eternal ideology. Key principles of postmodernism as anti-aess-thetics mean the philosophy of nihilism proposed by Nietzsche indeterminency, the endd of original art(the death of art), the sublimity provided by Lyotard, and the pluralism to release human from the closed way of thinking, value, ideology. Second, the old and classical definition of fashion,“the differentiation of class”proposed by Veblen and Simmel has been changed into the“differentiation of taste”in postmodern condition. Third, the dichotomous system, that is, ration vs emotion, soul vs body, male vs female, culture vs nature, and so on has been deconstructed and disolved in the postmodern fashion phenomenon using the technique of anti-formalism, such as pastich, parody, bricolage an kitsch for the expression of sublimity and freedom of human.

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현대복식에 나타난 매너리즘(Mannerism)적 경향에 관한연구 (A study on the Mannerism tendencies in the Contemporary Costume)

  • 안선경
    • 복식
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    • 제33권
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    • pp.157-173
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    • 1997
  • The Mannerism which was born on Italy in 16th century was the critical trend of art influencing the political economical and psychological trends and was the first mo-dality which respected the individual sense of artist. The cultural situation of that time es-pecially the alienation of men is similar to the pluralism of value the coexistency of conflict the acceptance of heterogeneity and uncer-tainty I modern century. This paper analysed the pattern of change in the trend of Mannerism in modern costume by comparing current trend from the past focus-ing th fact that the over-all situation in this century is similar to that of Mannerism in 16th century. In this paper the author suggests the Defor-mation Ambiguity and Irreglarity as the character of manneristic trend which has re-solved the sense of alienation of men by paradoxic expression. The results of comparing the characteristic of mannerism to the modern costume is followd; 1. The Deformation in modern costume is grossly subdivided to the transfrmation of morphology the transformation of scale and the breakdown of equilibrium 2. The ambiguity in the modern costume can be subdivided to the eclecticistic expression and the ambiguity of spatial concept(between inner and outer garments). 3. The illogiclities in modern costume are the technique of illusion structural illogicality and the collage technique.

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Alexander McQueen 컬렉션에 표현된 메이크업의 도상학적 해석 (Iconological Interpretation of Makeup depicted in Alexander McQueen's Collection)

  • 김현미;김숙현;장애란
    • 복식
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    • 제60권10호
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    • pp.118-132
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    • 2010
  • The purpose of the research is to develop a systematic model to interpret makeup signs through a case analysis of makeup shown in Alexander McQueen's ready-to-wear collections from 2001 to 2010 and to prove an importance of makeup as a communication medium to deliver social and cultural values. This research employed Panofsky's Iconology theory to analyze data. This theory consists of three steps to interpret the meaning of a work: (1) pre-iconographical description, (2) iconographical analysis, and (3) iconological interpretation. Alexander McQueen's makeup was analyzed with the three steps in order. As a result of the pre-iconographical description step, makeup styles (icons) in his collections are identified which are Egyptian style, Gothic style, Androgynous style, Victorian style, Fantasia style, and Futuristic variant style. The iconographical analysis step identified that the elements used in his makeup are inspired by his identity and life. In the final step of iconological interpretation, the researcher concluded that Alexander McQueen's makeup expresses social, cultural, and aesthetical value of the time period when the collection was created. His makeup shows postmodernism that accepts a diversity of views (the pluralism) and humanism, romantic narcissism that is his personality trait, and avant-garde that pursues a new, creative aesthetics.

A study of Fashion art Illustration employing Matisse Painting

  • Kang, Heemyung
    • 패션비즈니스
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    • 제16권6호
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    • pp.63-79
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    • 2012
  • Modern art is getting more comprehensive and diversified regardless of genre in many forms due to the pluralism and anti-aesthetic trend of the time which is impacted by post modernism. This atmosphere is also applied to fashion illustration which creates synergy effect in cooperation with many different genres. This study selected Matisse' paper cut-out as the subject which would reflect the minimalism and ionism of modern plasticity. By taking this as the motive for fashion illustration, I made seven illustration works with the subject of minimalism of form and color. The conclusion of this study is as following. First, Matisse's paper cut out has controlled plasticity related to the modern ionism and it well fits the modern trend and sensibility which is appropriate for motive of fashion illustration. Second, by upgrading the technique of Matisse' paper cut-out in a modern way such as combination of hand drawing and computer graphic using Photoshop, I was able to make originative and creative illustration works with background and patterns that were closely connected with each other. Third, applying the fashion illustration to other various products is being well received now and I made my illustrations that could lead to follow up studies to apply the fashion illustration to other different products. Matisse' paper cut-our has forms, colors and patterns that can contain both commercial and artistic value. Therefore it is quite feasible for follow up research to apply into many different areas.

Comparison of the Democratic Concepts of the People in Mainland China and Taiwan: Support and Understanding

  • Wu, Hsin-Che;Xiao, Long
    • Asian Journal for Public Opinion Research
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    • 제9권1호
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    • pp.3-24
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    • 2021
  • Through an empirical comparative analysis, we found that people in mainland China and Taiwan demonstrate strong similarities in their support for democracy, based on democratic suitability, efficiency, preference, and priority. There are also differences in beliefs about democratic values. Compared to people in mainland China, the Taiwanese have a deeper and more widely shared belief in the principles of participation and pluralism, while the differences between their beliefs in the principles of equality, freedom, and checks and balances are narrow. Furthermore, people in mainland China and Taiwan have a strong similarity in their understanding of democracy, that is, they all present a mixed democratic understanding based on substantive bias. Overall, although the differences between mainland China and Taiwan's democratic practices are reflected in the level of value identification from the perspective of democratic support and democratic understanding, the popular democratic political culture in mainland China and Taiwan still has a relatively broad consensus. Thus, the integration and development of cross-strait relations not only has an increasingly profound social and economic foundation but also considerable consensus and mass support on the political and cultural level.

실용주의 환경론과 근본주의 생태론의 접점 모색 (Toward Shared Grounds Between Environmental Pragmatism and Foundationalist Ecology)

  • 강용기
    • 영어영문학
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    • 제56권1호
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    • pp.47-64
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    • 2010
  • It is unfair that environmental pragmatism has been regarded as a mouthpiece for industrial expediency and business boosterism. John Dewey's radical pragmatism known as 'Instrumentalism' has provoked ecological fundamentalists' criticism more vehemently than any other pragmatic philosophies. However, most of the presumptive misunderstandings of such critics as Holmes Rolston, J. Baird Calliott, Erich Katz, C. A. Bowers and many others come from their limited or reduced reading of Deweyan pragmatism. The following three aspects of Deweyan pragmatism can work out in opening up a dialogical space with those eco-centrist thinkers mentioned above. First, the concept of Dewey's 'primary experience' can articulate the foundationalist view of nature, which is often found in aboriginal cultures. Second, as Andrew Light points out, ecological essentialism can share its metaphilosophical position with the pragmatist epistemology. While Anthony Weston pursues pluralism, admitting that the foundationalism might be one of the efficient approaches to nature, Eric Katz is also clearly attracted to the metaphilosophical element in Weston's argument that anyone who attempts to claim the 'inherent value' of non-human nature never possibly avoids a pitfall of anthropomorphism. Lastly, in a more comprehensive perspective, Dewey's pragmatism shows a philosophical complexity, what Larry A. Hickman calls 'post-postmodernism.' a dynamic interaction between modernism and postmodernism. Significantly enough, the environmental version of this complexity can procure a meeting ground between foundationalist ecology and the pragmatic view of nature.

중국의 평화적 부상과 동아시아 지역협력 연구 (A Study of Chinese Peaceful Rise and East Asian Regional Cooperation)

  • 송일호;이계영
    • 통상정보연구
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    • 제14권3호
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    • pp.75-96
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    • 2012
  • 2050년경 중국이 21세기의 글로벌 가버넌스를 바꾸게 될 전망이다. 중국의 부상은 다른 개도국들에게 중국식 발전모델을 제공할 것으로 예측된다. 중국의 '평화적 부상'전략에는 긍정적 요소와 장애적 요소가 동시에 존재한다. 중국부상의 긍정적 요인으로는 개혁개방 정책의 성공과 경제적 상호의존의 심화로 구축된 중국경제의 세계화, 공산당의 통치 이데올로기 수정과 문화 민족주의의 적절한 이용으로 달성된 중국정권의 안정성, 그리고 유교사상의 활용과 인적자본의 강화를 기반으로 한 소프트 파워의 제고를 들 수 있다. 중국의 대국부상은 동아시아에서의 강대국 지위를 회복하는 것으로 시작된다. 중국에게 동아시아는 지속적 성장을 담보하는 생존권역(lebensraum)이다. 이를 위해 지역 경제협력의 제도화에 관심을 보이고 있다. ASEAN이 추구하는 동아시아 공동체의 핵심가치는 상호존중, 공동번영과 평등주의, 조화로운 공존을 추구하는 다원주의(pluralism)인데 중국의 정책인 조화로운 세계, 평화공존과 가치관이 일치함을 알 수 있다. 이 공통된 가치를 통해서 동아시아 지역의 긴장해소를 달성할 수 있을 것이다. 경제적인 성공과 소프트 파워를 앞세운 지역패권 전략으로 과거의 영광스러운 지위를 되찾으려 할 것이다. "동아시아에 근거를 두고 세계로 나아간다"는 동아시아 전략의 성공을 기반으로 세계규칙의 조정자가 될 수 있을 것이다. 한국을 비롯한 주변국은 중국의 '평화적 부상'전략의 최대 수혜국이 될 것이다. 중국의 부상이 주변국, 특히 우리나라에 미치는 영향은 심대한데, 현재보다 상품 이동, 노동력 이동과 양국간 자본이동의 규모가 훨씬 더 커져 육상, 해상에서 국경을 마주하고 있는 우리나라와 중국은 지역무역협정 체결으로 상호의존도가 높아질 것이다.

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