• 제목/요약/키워드: Traditional wooden Structures

검색결과 39건 처리시간 0.028초

나선형 철물을 사용한 전통 목구조의 장부 보강기법 (Tenon Reinforcement Technique on Tradition Wooden Structures Using Spiral Hardware)

  • 유혜란;권기혁
    • 한국구조물진단유지관리공학회 논문집
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    • 제16권2호
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    • pp.104-112
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    • 2012
  • 전통 목구조는 기둥-보-도리로 가구를 구성하며, 보 장부의 파괴는 전통 목구조의 붕괴로 이어질 수 있다. 장부의 구조성능을 평가하기 위해 장부 두께에 따른 내력과 강성을 평가하고, 상부 구조체를 해체하여야 가능한 기존 보강방안을 보완하여 상부 구조체를 해체하지 않고 보강하는 방안을 제안한다. 효과적인 보강방안을 제안하기 위해 철물 개수 및 간격, 모양 및 삽입깊이를 요인으로 실험을 행하여 비보강 실험체와 내력, 강성을 비교한다. 장부의 전단실험을 통하여 다음과 같은 결론을 도출한다. 장부의 내력과 초기전단강성은 장부 두께가 두꺼워질수록 증가하지만, 장부 두께를 크게 하면 기둥의 사개부분이 약해져 구조적 안전성에 영향을 미친다. 장부의 내력 전단응력 전단강성을 효과적으로 향상시키기 위해서는 철물 3개를 장부의 중앙부에 배치하여 보강하여야 한다. 이를 토대로 기둥-보-도리 등의 접합부에 대한 연구도 진행되어야 할 것이다.

Seismic performance of South Nias traditional timber houses: A priority ranking based condition assessment

  • Sodangi, Mahmoud;Kazmi, Zaheer Abbas
    • Earthquakes and Structures
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    • 제18권6호
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    • pp.731-742
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    • 2020
  • Due to incessant earthquakes, many historic South Nias traditional timber houses have been damaged while some still stand today. As Nias is part of an extremely active tectonic region and the buildings are getting older by day, it is essential that these unique houses are well maintained and functioning well. A post-earthquake condition assessment was conducted on 2 selected buildings; 'Building A' survived the seismic shakings while 'Building B' got severely damaged. The overall condition assessment of "Building A' was found out to be poor and the main structural members were not performing as intended. In 'Building B', the columns were not well anchored to the ground, no tie beams to tie the columns together, and eventually, the timber columns moved in various directions during the earthquake. The frequent earthquakes along with deterioration due to lack of proper maintenance program are responsible for the non-survival of the buildings. Thus, a process guideline for managing the maintenance of these buildings was proposed. This is necessary because managing the maintenance works could help to extend the life of the buildings and seek to avoid the need for potentially expensive and disruptive intervention works, which may damage the cultural significance of the buildings.

신라석탑(新羅石塔)의 발생과 성립과정(成立過程)에 대한 고찰 (A Study on the Creation and Development Process of Silla Stone Pagodas)

  • 신용철
    • 건축역사연구
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    • 제19권4호
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    • pp.35-54
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    • 2010
  • This study aims to examine the development process of the early stone pagodas of Unified Silla. The history of stone pagodas traces back to both Baekje and Silla in the Three Kingdoms period, but the styles and structures of pagodas began differently. In other words, Baekje attempted to recreate the wooden pagoda style, while Silla attempted to recreate China' brick pagoda style. These different stone pagoda cultures, around the unification of Three Kingdoms, underwent new style changes, and after the mid-7th century, some changes in the five-storied stone pagodas in Tapri appeared, and the milestone perfection of Silla's stone pagodas was achieved through those of Gameusa Temple and Goseonsa Temple. After the mid-7th century, Silla's stone pagodas accommodated some of Baekje's wooden pagodas' elements, shifted from the wooden pagoda style and developed into its own stone pagoda style. This is shown in numerous stone pagodas. However, in Silla's stone pagodas, including the three-storied stone pagoda in Hwagboksa Temple in 692, the size of the pagoda became small and underwent sudden changes. In other words, a new direction of Silla stone pagodas was presented in terms of how massive stones could be reduced, but they differed only in the reduced stone amount; the basic developed style of the Gameunsa Temple stone pagoda and the Goseonsa Temple stone pagoda inherited the traditional style. Thus, the construction of these two pagodas is considered to be significant in the Silla's history of stone pagodas.

통일신라건축 목조결구기법에 관한 연구 (The Study on the Jointing Method of Wooden Members at Unified Silla Architecture)

  • 황세옥;허범팔
    • 건축역사연구
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    • 제18권1호
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    • pp.7-29
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    • 2009
  • In understranding the essence of the Korea traditional Architecture, it is important to consider the jointing methods of architectural members, architectural technologies, etc. Especially the purpose of this study is understanding on the Jointing Method of Wooden Members in the period of Unified Silla Architecture. It's conclusion is summarized as follows. 1. A section of column has very close to do with the foundation stone. The structures of foundation stone and column are generally concluded by butt joint, arrow-head joint, housed joint by Grang-e method. Judu is structured by arrow-head joint And, in general, beam is structured by Sagaematchum Chumcha and sagaljudu of Don direction. At the head of Pyungju and the body of Goju, Changbang is structed by Jangbumachum with arrow-head joint or by jumukchang-machum. Also, it is surmised that Gyisoseum and Anssolim methods had been applied to columns from former ages. The example can be found at Bagjae Mireuksaji stone pagoda. Bagjae Mireuksaji stone pagoda taking wooden-pagoda form adopts Gyisoseum and Anssolim methods. We can also find such a sort of methods from other stone constructions like Budo, etc. 2. Injahwaban is structured by short Changbumachum with arrowed-head joint at upper members, and by Anjangmachum at the lower part. This sort of Gongpo style can be seen in the mural painting of tomb of Koguryo and in Buplyungsa, Buplyunsa, Bupkisa-located in Japan, which are influenced by Bakjae or Unified Silla. It is considered that at the end of the late United Silla, Injawhaban had been replaced with Chumcha and Soro on the Pyungbang under influence of Dapo style from China.

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한국 문양을 활용한 직물 구조 디자인 개발 - 떡살무늬를 중심으로 - (Development study of New Weaving Structures by Korean Traditional Patterns - Focus on Tteoksal Patterns -)

  • 유현아
    • 한국콘텐츠학회논문지
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    • 제8권12호
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    • pp.190-197
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    • 2008
  • 기계적 명령어인 정경 (Threading)과, 트레들링(Treadlings)을 토대로 디자인해야 하는 직조 디자인은 표현의 한계성이 강한 것이 특징이다. 때문에 연구되어진 많은 한국 전통문양 자료들 중에서도 특히 떡살에 의해 한계 지어지는 떡살문양의 표현이 서로의 접목을 용이하게 하여 떡살문양을 선택하여 디자인의 컨셉을 잡았다. 특히, 문자문양과 기하학문양은 문양의 일반적 특징인 아름다움의 추구보다는 자연에 대한 인간의 두려움과 경이로움을 토대로 하여 생겨난 종교적 갈망과 기원을 담고 있어 이러한 이미지들을 토대로 트윌(Twill)기법, 특히 그 안에서도 형태적 표현이 용이한 샐리낼슨(Sally Nielsen)의 로즈펫(Rosepath)의 정경을 중심으로 활용하여 한국적 문양을 직조구조로 디자인하였다. 이 연구를 통해 세계의 위버(weaver)들에게 우리의 문양을 소개하는 계기가 되고 우리나라 산업에서는 이러한 직물디자인이 산업체에서 활발하게 활용되어 고부가가치의 자산을 획득하고 우리의 우수한 문화를 상품화 하고 문화산업을 발전시키는데 도움이 되기를 희망한다.

고려(高麗) 금동탑(金銅塔)을 통해 본 법주사(法主寺) 팔상전(捌相殿)의 구조형식계통(構造形式系統) (The Structural Lineage of Palsangjeon in Pubjoo Temple Analyzed through Gilt-bronze Pagoda in the Koryo Period)

  • 김경표
    • 건축역사연구
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    • 제14권1호
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    • pp.89-105
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    • 2005
  • The central aim of this thesis is to see if the structure of Palsangjeon(捌相殿) in Pubjoo Temple(法住寺), a five sto wooden pagoda in Chosen(朝鮮) Dynasty, was handed down from the ancient and middle ages. This study was performed through an analysis of Gilt-Bronze Pagoda built in Koryo(高麗) period. In other words, it is aimed at analyzing which lineage the structure of Palsangjeonbelongs to as a wooden pagoda. In analyzing the structure of Palsangjeon, I attempted to find out its source from the remains of Koryo period prior to the Chosen Dynasty. Examples are the Gilt-Bronze Pagoda, built during the Koryo period. I have also examined its relationship with other existing wooden pagodas and remains. The analysis of Palsangjeon, a five story wooden pagoda in Chosen Dynasty, focuses on the following: First, I explored the possibilities of whether the structure of Palsangjeon was newly invented in Chosen Dynasty, or if it had been derived from the wooden pagodas in the Koryo period. Secondly, I tried to find out if the stable vertical planes, with a great successive diminution ratio, were derived from the middle age, i.e. Koryo period. The results of the study of Palsangjeon through Gilt-Bronze Pagoda analysis are as follows: 1. The structure of Gilt-Bronze Pagoda, a wooden pagoda from the Koryo period, is roughly classified into the accumulation type, using pipe pillars, and the one story type using whole pillars. In the accumulation type, stories are connected in either a flat format or an intervening format. The Gilt-Bronze Pagoda is mainly composed of pipe pillars, with some whole pillars. However, the central pillar was omitted in the building structure. Generally, the upper and lower stories are connected by pipe pillars in a crutch format. All the pillars, whether they are pipe pillars or whole pillars, used Naiten(內轉) technology. The Eave supporter has the Haang type(下昻) and the Muhaang type(無下昻). In most cases, high balustrades are furnished, but few tables of high balustrades have been found. The slanting roof formats have been handed down from Paekche(百濟), Silla(新羅), or Koryo(高麗). However, the structure of the octagon is assumed to be derived from Koguryo(高句麗). The structure of the Gilt-Bronze Pagoda from the Koryo period is mainly composed of accumulated flat squares, with some spire types. intervening format, the structure of Palsangjeon used whole pillars in a half story format in which upper level side pillars are installed on the lower level tie beam. From the Bronze Pagoda from the Koryo period, we can assume that the half story format of wooden pagodas that has stable vertical planes with a great successive diminution ratio was created during the mid-Koryo period at the latest and had been idly developed by the time of the Chosen Dynasty. 3. The whole pillars in Palsangjeon are also found in Gilt-Bronze Pagodas from the Koryo period. Hence, all of the pillars in Palsangjeon seem to have been handed down from the ancient construction technology. They were also used in the construction of wooden pagodas from the Koryo period. Therefore, it is assumed that Palsangjeon was constructed using the construction technology of the Chosen Dynasty that had been developed from the wooden pagoda construction technology of the Koryo period. The stable vertical planes with a great successive diminution ratio in Palsangjeon are derived from ancient Korean wooden pagodas, which have developed into indigenous Korean wooden pagodas with fairly stable vertical planes and a great design, in the half story format of Koryo and Chosen Dynasty. Therefore, it is assumed that the structure of Palsangjeon has a systematic relationship with traditional Korean wooden pagodas and is one of the indigenous Korean wooden pagoda structures. 4. In China, the intervening format has been mainly used between stories in multi-story architecture since the ancient days. At the same time, the flat format as also used in ancient and middle ages. However, the flat format was replaced by whole pillars during the Ming(明) and Manchu(淸) Dynasties, in favor of simple and compact construction. The half-story format, in which upper level side pillars are installed on tie beams, has been found in some cases, but it doesn't seem to have been the primary construction technology. Few traces of the half-story format have been found in multi-story architecture in Japan, and it has not been used as a general construction format. By contrast, the half-story format, which seems to have been derived from the Koryo period, was used as a general construction format in multi-story architecture of the Chosen Dynasty. The construction technology of multi-story architecture is related to that of multi-story wooden pagodas, but they have different production technologies. It seems that the structure of Palsangjeon did not just adopt the construction technology of multi-story architecture in the Chosen Dynasty, but it was developed from wooden pagodas in the Koryo period, including the Gilt-Bronze Pagoda. 5. Since the ancient days, most Chinese and Japanese wooden pagodas have adopted an accumulation type of structure using pipe pillars, with accumulated pointed towers. On the other hand, though most Korean wooden pagodas have also adopted an accumulation type of structure from the ancientdays, one story type using whole pillars was created in the Koryo and Chosen Dynasties. The wooden pagoda structure of Palsangjeon, with stable vertical planes in a half story format, is a unique Korean construction technology, different from the construction technologies of Chinese and Japanese wooden pagodas. This thesis clearly determined the structural characteristics of Palsangjeon. However, various remains have yet to be analyzed in depth, to establish an accurate construction technology system. In the beginning of this thesis, I had difficulty in precisely interpreting the internal structure of the Gilt-Bronze Pagoda from its appearance. However, in the process of study, the more serious problem was that there are few remains or ruins of multi-story architecture in ancient and the middle ages of Korea. Therefore, it is urgent to discover various remains in the future. This thesis succeeded in determining the structural characteristics of Palsangjeon. However, it fell short of clarifying the structural lineage of the stable vertical planes, although they show indigenous Korean architectural taste, representing the unique national emotion, and the construction format of multi-story wooden pagodas in Korea. I hope this is clarified in the future research.

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SOME ASPECTS OF THE CANADIAN CULTURE OF GINSENG (PANAX QUINQUEFOLIUS L.), PARTICULARLY THE GROWING ENVIRONMENT

  • Proctor J.T.A
    • 고려인삼학회:학술대회논문집
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    • 고려인삼학회 1980년도 학술대회지
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    • pp.39-47
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    • 1980
  • The harvesting and export of Canadian ginseng from the cool, shady hardwood forests of southern Canada can be traced to 1796. Because of its high dollar value and diminishing woodland supplies it was decided in 1896 that it should be cultivated under wood lath screens. Present day economics dictate changes in production techniques to allow for a decreasing supply of expensive labour. Traditional wooden lath screens have a surface area of wood of 70 per cent and permit light penetration of only about 18 per cent. Experimental woven black polypropylene shade has an estimated surface area of 72 per cent and permits light pentration of about 28 per cent. While differences in air and leaf temperatures under the two shade structures can be measured it is doubtful if these are great enough to cause differences in plant growth under the two structures. Shade grown ginseng had a low fresh and dry weight and total chlorophyll content (ratio of a to b was 3 to 1) comparable to other shade species. There was no differences in fresh and dry weight and chlorophyll content of leaves from plants grown under the two shade structures. Maximum net photosynthesis of leaves was 0.175 g $CO_2\;m^{-2}\;hr^{-1}$ and light saturation level was about $200{\mu}E\;m^{-2}\;s^{-1},$ or about 10 per cent of full sunlight.

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가스소화설비를 이용한 목조 문화재 적심부 화재진압 방법에 관한 연구 (A Study on a Method for Fire Suppression in a Central Area inside the Roof of a Wooden Cultural Property using a Gas Extinguishing Apparatus)

  • 김현성;김병선;조원철;임윤묵
    • 한국재난관리표준학회지
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    • 제3권2호
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    • pp.65-71
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    • 2010
  • 본 연구는 우리 조상의 소중한 목조 문화재가 화재로 인해 소멸되는 것을 방지하기 위하여 화재진압 방법 중 하나인 가스소화설비를 이용하여 목조문화재 적심부의 화재진압 방법에 관한 것이다. 목조문화재는 적심부로 연소 전이시 진압이 매우 곤란하기 때문에 적심부 연소시 파괴를 수반하지 않는 화재 진압은 불가능하다. 스프링클러설비 등과 같이 현대 건축물에 설치되는 소방시설은 소화효과는 높은 반면에 설치와 작동에 따른 문화재 손상의 우려가 높아 목조문화재에 대한 적용성이 낮으므로 이러한 문제점을 최소화하면서 소화효과를 거둘 수 있는 소화설비 개발의 필요성을 제기하였고 타당성이 입증된 시험결과를 토대로 설치방안의 필요성을 제시하였으며, 적심부는 한국 고유의 건축방식으로 외국에 유사사례를 찾아 볼 수 없어 고정소화장치 개발을 통한 화재진압의 신속성과 효율성을 제고한 가스계 소화설비 소화방법을 개발하여 문화재의 손상을 최소화하면서 효용성을 검증하기 위한 실험을 연구하였다. 연구내용으로는 연구 실험 모형틀을 제작하여 소화방법을 수립, 소화시설을 설치하여 1차로 개판 천공 주수공 설치의 화재진압 효과성을 실험하였고 2차로 개판 천공 소화가스 주입구 설치의 화재 진압 효과성을 실험하였으며 그에 따라 숭례문과 유사한 목조 문화재의 경우 지붕의 적심부가 화재진압의 성패를 결정함으로 향후 유사사건의 발생시 신속하고 효율적인 화재진압을 위하여 소화방법에 관한 의견을 제시하였으며 그에 따라 목조 건축물(문화재) 진압대책 수립을 위한 객관적 데이터를 확보하였고 가스계 고정소화설비의 설치를 통한 문화재 방화대책 효과의 과학적 검증을 제시하였다.

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집성재의 접착층수에 따른 치수안정성 (Dimension Stability by Bonding Layers of Glulam)

  • 황권환;박주생
    • Journal of the Korean Wood Science and Technology
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    • 제36권6호
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    • pp.88-95
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    • 2008
  • 내구성과 관련하여 구조부재의 수축문제가 목구조에서는 커다란 관심사가 되고 있다. 특히, 목재 소재를 적극 활용하는 전통공법에서는 짜맞춤 부위, 부재와 벽 등에서 발생하는 건조수축에 의한 갈라짐 등의 결함이 더욱 문제시되고 있다. 또한, 최근 기둥-보 공법에서 많이 사용되고 있는 국내산 낙엽송 집성재의 이용에 있어서도 함수율변화로 인한 수축과 팽윤에 대한 검토를 행할 필요성이 제기되고 있다. 낙엽송 소재와 접착층수를 달리한 낙엽송 집성재의 시험편에 대해 다양한 함수율상태에서의 치수변화율을 살펴보았다. 건조수축에 의한 치수변화 억제효과는 3층 이상의 접착층을 가지는 시험편에서 그 효과가 현저함을 알 수 있었다. 그리하여, 소재를 사용할 경우 최종사용조건에 맞추어 건조를 충분히 행하거나, 구조부재로 집성재를 이용함으로써 건조수축 문제를 어느 정도 해결할 수 있는 것으로 판명되었다.

소나무재의 단면치수에 따른 수축률 특성 (Effect of Cross-Sectional Dimension on the Shrinkage Property of Korean Red-Pine Wood)

  • 황권환;박병수
    • Journal of the Korean Wood Science and Technology
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    • 제37권3호
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    • pp.231-238
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    • 2009
  • 우리나라에서 전통주택(한옥) 및 목조건축 문화재의 구조부재로 많이 이용되는 소나무는 천연건조가 일반적이어서 건조에 많은 시간이 소요되고 건조가 불충분하면 수축에 의한 갈라짐 및 변형 등의 결함을 일으킬 수 있다. 소나무 소시험편과 대단면 시험편을 제작하여 함수율상태에 따른 수축률변화를 검토하였다. 특정 함수율 상태에서의 체적수축률을 예측할 경우, 생재상태에서 기건상태, 기건상태에서 전건상태까지의 구간으로 나누어 적용하는 것이 정밀도가 높았다. 변재의 체적수축률은 단면크기에는 상관성이 없으며, 심재는 단면이 커질수록 체적수축률이 감소하는 것으로 나타났다.