• 한국농촌건축학회논문집
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• 제3권2호
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• pp.57-70
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• 2001

The spatial composition of Korean traditional houses is based on the relation of spaces in the background of humanism, society, and composition. According to the analysis of it in this study, we make conclusions as follows; 1) Two compositive axises are formed according to age, sex and status which are the main factors of society and culture in the traditional society. 2) The house of '口-shaped' type in the traditional houses concentrates to the interior. To the exterior, it has the closed and conservative system. The wall in the outside of An-Chae intercepts the sight outward and the extension of space, while the wall in the inside is composed of doors and windows which make the sight and space concentrate to the interior. On the contrary, the doors and windows of Sarang-bang and Nu-maru of Sarang-chae open and extend to the exterior. 3) The spatial composition of the traditional houses is composed of geometrical order system and organic order system.

• 패션비즈니스
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• 제7권6호
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• pp.10-20
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• 2003

The object of this research is to develop the designs with aesthetics and function for making the uniforms of specialty restaurants of Korean dishes in pursuit of the image of excellent dignity and its result is as follows: As for designs, this research chose the traditional image as the basic concept and made visual Korean lines, colors, and patterns. As for lines, it made visual the curve of the eaves, the straight line of polls, and the fret of windows and doors represented in architecture and applied them, as for color tones, it chose traditional 'Obangsaek', five direction colors. As for the patterns, it symbolized 4 trigrams( Geon, Gon, Gam, and Yi), the cloud pattern, also it tried to get the formative beauty from traditional patchwork wrapping cloth and windows and doors. The expectant effects on the design of Uniform are as follows: First, it offered basic clothes for male and female employees working in the hall and suggested two kinds of skirt and pants for the latter. It tried to find out both the function of pants and the female beauty of skirts by wrapping on pants to eliminate the feeling of rejection towards the style of them, the use of which have been recognized for man only in spite of many merits of them. Second, it sought for the characteristics of shape on collar, breast-tie, and fold etc. of Korean clothes and designed clothes according to each employee's role and finally emphasized their traditional aesthetics.

• 건축역사연구
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• 제29권2호
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• pp.39-52
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• 2020

Seonjeong-jeon, the semi-great hall in Changdeok Palace, was constructed in a highly formal and conservative style and accommodated official ceremonies. However, the contemporary modification of the building has distorted or eliminated features including the two side doors on the front, the floor coverings, and the throne base (Jwa-tap) that consisted the most significant part of the throne. Seonjeong-jeon originally had three doors that stood between each pair of columns on the front side, respectively. The courtiers accessed the building through the side doors, while the central door was exclusively designated for the king. However, the renovation in 1999 ignored the political context of the architectural form of the building and changed the side doors into windows, damaging the traditional structure inherited from the early Joseon Dynasty. Although the building currently has traditional wooden floor structure (Woomul-maru), it was originally covered with square brick tiles (Bang-jeon) before the Japanese occupation, following the customs of early Joseon Dynasty. The throne was placed to the north of the central door and consisted of the throne base and a decorative roof (Dang-ga). A canvas (Jang-ja), which featured the royal symbolic painting of Sun, Moon, and Five Peaks, was also installed between the two columns that connected the base and the roof. Nevertheless, only the columns and the blank canvas remain nowadays after the removal of the base.

• 한국산학기술학회논문지
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• 제15권12호
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• pp.7331-7339
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• 2014

최근 한스타일이 추진되면서 한옥을 현대화 및 산업화하려는 노력과 기대가 커지고 있다. 이에 따라 정부 주도로 관련 기술 개발을 위한 대규모 장기 연구개발 사업이 진행 중이며, 건축정보모델링 기반 한옥 설계 지원 시스템 개발도 세부 과제 중 하나로 포함되어 있다. 그러나, 이러한 한옥 설계 지원 시스템에서는 한옥의 골조 및 지붕 등 구조 요소에 주안점을 두어 한국 전통건축의 주요 수장 요소 중 하나인 창호가 소흘하게 다루어지고 있다. 따라서 이 연구는 다양한 한옥 요소가 현대 건물에 통합 적용될 수 있도록 하는 접근으로서 한옥 창호의 건축정보모델링 기반 설계 도구를 개발하고자 한다. 이를 위하여 이 연구는 우선 한옥 창호의 위치, 개폐방식, 양식 및 부재 구성 등의 특성을 분석하고 아키캐드 시스템의 변수형 모델링 기능을 활용한 한옥 창호 설계 도구를 개발한다. 개발된 한옥 창호 설계 도구는 실내외구분, 살문양선택, 개폐방식 선택, 치수입력, 재료속성 선택, 도면속성 등 6가지 입력 항목을 포함함으로써 설계 과정에서 원활하게 원하는 창호를 설계할 수 있도록 하였다. 그리고 모의실험을 통하여 개발된 설계도구의 적용성과 효율성을 검증함으로써 한옥 창호를 현대 건물 설계에 손쉽게 적용함과 아울러 향후 한옥 통합 설계 시스템 개발의 가능성을 제시하였다.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2007년도 춘계학술대회논문집
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• pp.1147-1150
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• 2007

Korean traditional houses have been developed in sympathy with natural environment and formed comfortable indoor condition by properly using surrounding natural resources including building layout, space construction and material. Or traditional wooden windows adjusting ambient temperature and humidity have both the functions of window and door, although they are clearly divided in the West. While window paper is attached from the outside in China and Japan, it is attached from the inside in Korea. The opening and closing mode of windows is similar and their dimensions are shown not to be standardized but diverse in terms of the characteristic of wooden furniture and that of components placed between columns. Thus this study is to look into the performance of band-lattice door of a typical traditional one by observing changes in sound insulation characteristics according to difference in thickness and finishing method of window paper and those in sound insulation characteristics with the changed thickness of air layer in traditional windows and doors.

• 한국멀티미디어학회논문지
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• 제15권5호
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• pp.672-676
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• 2012

본 연구는 한옥의 내부기류 분석을 통한 자료를 근거로 열손실이 가장 크게 나타나는 창호에 대해 기존 창호의 아름다음을 훼손하지 않으면서도 대류에 의한 열손실을 최소화 할 수 있는 방안을 제안한다. 이를 위해서 한옥 창호 격자문의 구조에 대한 기하학적 최적화 작업을 통해 동절기의 열손실을 최소화하기 위한 격자문 구조를 제안하는 것을 목적으로 한다. 즉, 실외를 향한 창호 격자 구조를 대류 열전달의 손실을 최소화하기 위한 구조로, 동절기의 외부 냉기를 효과적으로 차단하기 위한 창호의 배열을 정의한다. 전산해석을 통해 창호 격자의 종횡비, 창호 격자 틀 돌출 길이의 격자 면적 비 등, 외부로의 열 손실을 최소화할 수 있는 구체적인 구조를 제안하고 이에 대한 타당성을 검증한다.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2006년도 추계학술대회논문집
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• pp.17-20
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• 2006

Korean traditional houses have been developed in sympathy with natural environment and formed comfortable indoor condition by properly using surrounding natural resources including building layout, space construction and material our traditional wooden windows adjusting ambient temperature and humidity have both the functions of window and door, although they are clearly divided in the West. While window paper is attached from the outside in China and Japan, it is attached from the inside in Korea. The opening and closing mode of windows is similar and their dimensions are shown not to he standardized but diverse in terms of the characteristic of wooden furniture and that of components placed between columns. Thus this study is to look into the performance of band-lattice door of a typical traditional one by observing changes in sound absorption characteristics according to difference in thickness and finishing method of window paper and those in sound absorption characteristics with the changed thickness of air layer in traditional windows and doors.

• 한국실내디자인학회논문집
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• 제21권4호
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• pp.163-171
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• 2012

The objective of this study was to analyze the characteristics of traditionality expressions at modernized Chinese restaurant in Hong Kong. As a case study, the study examined 12 modernized Chinese restaurants in Hong Kong. The gathered data were categorized and examined according to the ways of traditionality expressions, which included reproduction, transformation, and reinterpretation of traditional components. Each of the components was measured for the amount of traditional or modernity expression on a five-point scale. The five-point scoring system put an emphasis on heritage; 1 point was given to principal modernity(modernity: 90-100% + tradition: 0-10%), 2 points were given to principal modernity + auxiliary tradition(modernity: 70-90% + tradition: 10-30%), 3 points were given to the same ratio between tradition and modernity(modernity: 40-60% + tradition: 40-60%), 4 points were given to principal tradition + auxiliary modernity(modernity: 10-30% + tradition: 70-90%), and 5 points were given to principal tradition(modernity: 0-10% + tradition: 90-100%). The analysis performed according to those criteria and methodologies led to the following findings and conclusions: Traditional components were most reproduced in the ornaments placed all over the restaurant and applied to the chirography of the restaurant logos, walls, and windows/doors in a big number. The methodology of transforming tradition was evenly applied to each of the spatial components. With the most transformations occurring to the lattices, there were many different ways to transform tradition including the partition, chirography, pattern, red lantern, furniture and ornament, and traditional materials that were turned into modern ones. Few examples of reinterpreting tradition were observed in the restaurant titles, inside floors, and ceilings, but plenty of examples were found in the walls, windows/doors, lighting, and furniture in a range of ways. Most of them reinterpreted the traditional forms and added altered patterns to them to remind customers of tradition. In short, all of the three ways of expressing tradition were actively applied to each component in an array of ways.

• 한국실내디자인학회논문집
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• 제41호
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• pp.11-18
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• 2003

This study was carried out to find the cases of change in the Anglican Church including its rectory in Onsuri, Gangwha island, which was built in Korean traditional architecture style. The materials used for the study were published books, old photos taken before the change, drawings, and field survey. The result are as followings. 1) Painting concealed natural wooden grain should be removed as well as carpet on the wooden floor. The way of ceiling finishing is to be restored as traditional way. 2) Refer to the rectory, it needs to be restored totally, since it has been changed many times through partial renovation. It lacks unification of design in entire elevation, windows and door. The practical spaces such as indoor flush toilet and boiler room are desirable not to be revealed or designed in harmony with other spaces. 3) Stript flooring in the rectory are to be restored to frame flooring, room finishing including vinyl flooring, vinyl wall paper and moulding along the cornice to the traditional paper finish. Lattice patterns of windows and doors are recommended to be restored according to the traditional design.

• 한국실내디자인학회논문집
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• 제28호
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• pp.25-32
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• 2001

The purpose of this study is to investigate the types and meanings of the motives shown in the traditional houses. Research methods to achieve this purpose are review of literature, field survey, and contents analysis. Traditional houses were divided into 3 parts such as architectural elements, interior elements and decoration elements, and total of 163 motives were collected out of it. As a result, it was founded that roof of the architectural element, and doors and windows of the interior elements are shown the most of the motives. Motives were divided into two types, realistic motives and imaginative motives, and both types are shown evenly. Meanings of the motives are classified into 'protection', 'good-luck', 'long-life', 'ideology', and 'decoration', and the motives of meaning of good-luck showed the most variety.