• 한국가구학회지
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• 제27권2호
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• pp.69-79
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• 2016

This paper explores the inlaying technique of Geum-Cheol Kim, a joiner has made the traditional Korean furniture mostly popular in Tong Yeong in Gyeongnam province in Korea. He has adopted the technique in creating his furniture since he started learning and working the furniture making at sixteen years old. So he is only the cabinet maker with the technique in Tong Yeong GN. Samhojang, Seongtaenoemun, Gwuinoemun, and so on are the techniques inlaid in the furniture like Jang, Nong, Beoseonjang, Mungap and so on. The Tong-yeong techniques are even more difficult and take longer time than other ordinary inlays to be created, but they are very secured and last longer. And the techniques are very beautiful but today they are not well-known and used in Korea. Hence, the succession and preservation of the techniques are needed from the joiner to younger generation. Futhermore, the development on the easier and shorter process to create them is needed to be popular throughout Korea in order to be useful for contemporary furniture.

• 한국가구학회지
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• 제18권4호
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• pp.337-344
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• 2007

This study explored contemporary furniture theory and practice in Postmodernism mentioned as one of a kind furniture based on ideas from the tradition since Modernism. Qualitative conceptual analysis as the principal methodology was used to explore the postmodern furniture adopting or reflecting ornament from the tradition presented as postmodern furniture designers' point of view differently and variously. Thus, the examples about one of a kind or one-off furniture were dealt with Postmodern ideas appeared in the doubt over Modernism, Post-Modern furniture ideas from the traditional and Modern architecture, ornamental ism, Postmodern theorists, Postmodern furniture and the criteria. As a result, although one of a kind furniture design appealed newly from and based on the ornament of the tradition has been identified as new design like one of a kind furniture which shows lack of function, the piece with the meaningful ornament makes people happier in their daily life. Hence, one of a kind furniture, a work of art, has been required as striking a balance both function or comfort and aesthetics or beauty which makes the people more enjoyable.

• 한국가구학회지
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• 제28권1호
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• pp.27-35
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• 2017

Wooden artifacts are generally manufactured by lacal materials with cultural characteristics. Bamboo crafts province In recent years, production decreased due to products using resin and new materials, and in particularm the traditional bamboo craftsmanship is in a situation of extinction. Among the techniques of bamboo craftsmanship, Lamtae lacquer technique which lacquers on bamboo crafts made of piece bamboo and weaving pattern is applied to wooden craft, and the purpose of this study was to develop the products that can be utilzed in the modern residential space, and to make the skill of wood crafts using bamboo be developed and spread the prototype was made of traditional bamboo acts and crafts, furniture made of piece bamboo and weaving pattern, and wooden artifacts such as stationary goods and lighting.

• 한국가구학회지
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• 제12권1호
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• pp.69-79
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• 2001

The purpose of this study is to examine the characteristics of Arne Jacobsen's chair design. He was one of the few creators who inscribed his name in both the history of architecture and furniture design. His works reflected a form of "Regional Modernism" in which traditional techniques collide with functionalist beliefs. This grafting of ideas generated a person aesthetics which he used to establish a suitability of scale, detail an program for each design. In the material aspect, he had enjoyed using the plasticity of the plywood, polyurethane, tubular steel and in the formative aspect, organic form is combined with minimalization of material and simplicity. To sum up what is unique about Arne Jacobsen's chair design, it is that it is distinguished by a clear understanding and expression of beauty from nature, a complete understanding of the material used and the melding of traditional and functional techniques to generate organic form.anic form.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2005년도 추계 학술발표대회 논문집
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• pp.72-73
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• 2005

• 한국콘텐츠학회논문지
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• 제20권8호
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• pp.522-537
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• 2020

조선 왕조는 명나라, 청나라와 여러 차원의 긴밀한 교류를 가졌으며, 가구 조형 디자인의 발전 과정에서 같은 문화적 원천과 상호 왕래, 동일한 요소들이 서로의 가구 조형에서 나타나고 있다. 본 논문은 '조선시대 후기 가구'와 '명식(明式) 가구'를 연구 주제로 탁자(卓子)류 가구를 구체적인 연구 대상으로 삼아 양국 교류사의 연구를 결합한 '유사성'의 시각에서, 전체적 디자인과 부분적 디자인 두 가지 측면에서 양국 전통 가구의 조형 디자인을 검토했다. 구체적인 사례 분석에서 조선시대 소반(小盤), 경상(經床), 연상(硯床) 등의 탁자(卓子)류 가구는 명청시대의 항탁(炕桌), 방탁(方卓), 주탁(酒桌) 등 탁자(卓子)류 가구와 전체적인 조형 디자인에서 유사성을 나타냈다. 부분적인 디자인은 비슷한 두 나라의 가구의 안면(案面), 운각(雲角), 두루마리(卷筒), 다리(足) 등에서 유사성을 잘 보여주고 있다. 본 논문은 '풍혈(風穴)' 조형물의 연원(淵源)을 추정함으로써 한국 전통가구 문화에 대한 연구의 폭을 넓히고자 했다. 한중간에 다방면에 걸친 교류가 확대되고 있는 현실을 감안할 때, 전통가구에서 유사성을 탐색하는 것은 양국의 문화교류 과정을 분석하고 교류를 활성화하는 일에 도움이 될 것이다.

• 한국가구학회지
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• 제28권2호
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• pp.95-102
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• 2017

In the process of changing from modern society to contemporary society, innovation of various fields is considered as important with rapid social change and one of the consequences of this changing movement is the innovation of living space. In this paper, based on this motive, we will study a modular shelf that can create a private space, and serve function like role of partition that delimits space in the one-room. Modular shelves can provide openness, closeness, and autonomy to individual spaces in a one-room space without space divisions. In a small one-room for residential purpose, it is able to function effectively to show the atmosphere of personal space and display small items reflecting personal taste in addition to the function of storing books and items. In addition, a modular shelves considering disassembly and movement are proposed in order to take advantage of one-room that can make different space configurations as needed. It is aim to suggest a basic modular shelves structure that used traditional Chinese wood-joints during which techniques was sturdy while reducing the use of timber. Futhermore, the purpose of this study is to study the design of shelf furniture that can add individuality.

• 한국가구학회지
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• 제28권2호
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• pp.126-134
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• 2017

This study explores PyeongSang, a piece of traditional Korean furniture, in order to make people know the details about what the piece is in the first paper. And based on the paper, PyeongSang will be developed as moulded multi-useful beds and sofas adapting the joint and ornament from the structure and pattern of the piece in the next paper. As the result, it appeared as two styles such as bed types mentioned as SalPyeongSang and ttulmaru in Korean. The pieces have been used from the three Kingdoms period in Korean history. The styles appeared as the structure of four parts with the lower fences called as nangan, the seats jointed by thin wood pieces, the wind hole, and the legs of foot types. The parts were beautifully carved with the ornament such as lattice patterns like geokjamun and manjamun, flower patterns like dangchomun, elephant eyes patterns like ansangmun from the Korean tradition. And the legs showed various shapes such as supports transformed from horse foots, tiger legs and bamboo, and board types carved with elephant eyes and geometric patterns. Hence, in the next paper based on this paper, PyeongSang will be developed as moulded multi-useful beds and sofas adapting the joints and ornaments from the structure and patterns of the piece.

• 한국가구학회지
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• 제15권2호
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• pp.41-51
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• 2004

Since Cubists represented a way of expressing image moving away from traditional illusion effect, new realities represented by collage and assemblage. Furthermore, Marcel Duchamp, a French Dadaist, suggested the concept of ready-made that everyday objects exhibited in an odd way in a gallery. These early fine art cases highly influenced to furniture design in the second half of the twentieth century. The use of objects in contemporary furniture is closely related to the emergence of Pop Art in the late 1950s and that of Postmodernism. After the 1970s the use of found objects were frequently utilized in furniture design of all over the countries. As an ecological issue became a new consideration to furniture designers, found objects also gave a chance to use recycled materials. Even in studio furniture area which is considered wood as a major material at the early stage, many studio furniture designers began to adapt found objects in their designs as a new source of Inspiration after the 1970s. This study explored various examples of found objects in furniture design and examined the meaning of the use in different designers and regions.

• 한국전자통신학회논문지
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• 제9권12호
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• pp.1389-1396
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• 2014

본 논문에서는 전통적인 짜맞춤 기법을 숙련된 기술 없이 앱 상에서 부재의 사이즈와 장부의 개수만 결정하면 전통 가구를 제작할 수 있도록 하였다. 그동안 전문 기술자들에 의해 수작업으로 이루어지던 가구의 설계도면을 CAD를 사용하여 생성함으로써 효율적이며, 융통성 있는 가구의 제작이 가능하게 하였다. 또한 CNC 설계 도면과 3D 모델링된 56종의 STL파일들은 앱을 통해 서비스되며 수시로 업데이트가 가능하도록 하기 위해 하이브리드앱을 사용하였다.