• 한국생활과학회지
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• 제17권2호
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• pp.355-366
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• 2008

The purpose of this study is to investigate the effects of eye shadow color(brown, purple), lipstick color(red, red purple, and yellow red), and lipstick tone(vivid, light, dull, and dark) and clothing tone(vivid, light, dull, and dark) on image formation. Sets of stimulus and response scales(7 point semantic) were used as experimental materials. The stimuli consisted of 64 color photos manipulated with the combination of eye shadow color, lipstick color, lipstick tone, and clothing tone using computer simulation. The subjects were 384 female undergraduates living in Gyeongnam Province. Image factor of the stimulus was composed of 4 different components: attractiveness, visibility, cuteness, and stability. Eye shadow color, lipstick tone and clothing tone independently influenced on visibility, cuteness, and stability. Lipstick color independently influenced on the stability. In color coordination of clothing and makeup of the same hue, 1) visibility image can be created by the coordination of eye shadow color with lipstick color or clothing tone, or lipstick color with lipstick tone. 2) Cuteness image can be produced by the coordination of eye shadow color with lipstick or clothing tone, lipstick color with lipstick or clothing tone. 3) Stability image can be showed by the coordination of eye shadow color with lipstick tone.

• 한국전자통신학회논문지
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• 제5권3호
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• pp.251-255
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• 2010

본 연구에서는 단일 주파수에서의 선행음과 후속음이 음원의 방향지각에 미치는 영향을 조사하였다. 실험은 자극간격 시간과 레벨차를 가진 1kHz 순음을 사용하였으며 기준음의 제시시간은 10ms로 하였다. 좌우 귀에 도달하는 시간차는 0.5ms로 두었다. 하나의 자극간격 시간에 대하여 4종류의 레벨차를 두었으며 제시음이 제시된 후 음이 좌에서 들리는지 우에서 들리는지를 판단하도록 하였다. 그 결과 후속음보다는 선행음이 음상정위에 미치는 영향이 크다는 것을 알 수 있었다.

• 복식문화연구
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• 제13권5호
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• pp.804-818
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• 2005

The purpose of this study is to investigate the effect of tone-on-tone coloration on the visual images of traditional Korean dress. The materials in the experiment developed for this study were made up of various stimuli and the response scales for each stimulus. The stimuli were 48 color pictures with various combination of colors, in which the tones of jackets and skirts were manipulated by computer drawing. 24 bi-polar adjectives, each of which was graded into seven in its degree, were used to evaluate each image. The subjects were 576 female students in Jinju City. This experiment was based on the $3{\times}4{\times}4$ factorial designs: color (red, yellow and green), jacket tone (vivid, light, dull and dark) and skirt tone (vivid, light, dull and dark). The results of the study can be summarized as follows; Impression factor of the stimuli consisted of the 5 different dimensions - youthfullness and activity, attractiveness, gracefullness, visibility, and tenderness. The colors and the tone of jackets and skirts used in this experiment influenced 5 impression dimension by interaction of two valuables or working independently. Yellow and green with vivid or light tone had an effect on the formation of youth and activity image, and dark-light combination had an effect on the formation of attractiveness image. In case of green color, light tone of a jacket and vivid or dull tone of a skirt affected gracefulness, while yellow has no impact on visibility image regardless of skirt tone. Red and yellow with vivid or light tone were a factor to decide tenderness.

• 인간행동과 음악연구
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• 제2권2호
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• pp.69-79
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• 2005

This study was purported to examine the definition of tone deafness, various factors for the cause based on literature review of research findings, and to examine therapeutic application of music for treatment of tone deafness. With research, it was found that there can be three different kinds of tone deafness; amusia, agnosia, and asonia. Literature review showed that tone deafness has been frequently dealt in many research in order to verify the causal factors, such as gender, age, and environments. With time, the research trend on tone deafness has shifted towards neurological approach closely examining brain activity, presenting the statement that the brain's capacity to perceive modest pitch changes may be congenitally impaired. Also physiological factors contribute to tone deafness called diplacusis, which is a phenomenon wherein a given tone is heard as different pitches by the two ears, resulting in conflicting bilateral perception of pitch. Music can be used for treatment of various factors causing tone deafness. The most efficient intervention was singing program. Pitch-matching training can be effective training using operant conditioning procedure. Successive approximation or reinforcement of correct response alone was more efficient procedure in helping uncertain singers to sing on pitch. Also progressive breathing exercises helped the training the pitch-matching where one had to coordinate hearing and voice.

• 음성과학
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• 제7권1호
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• pp.143-169
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• 2000

This chapter presents an overview of Korean intonational structure and proposes a revised version of K -ToBI (Korean TOnes and Break Indices), a prosodic transcription convention for Seoul Korean. In the new version of K-ToBI, a tone tier is separated into two tiers: a phonological tone tier and a phonetic tone tier. A phonological tone tier labels tones marking the prosodic structure of an utterance, and a phonetic tone tier labels individual tones of an AP and an IP conforming to the surface pitch contour. Labelling surface tonal patterns will provide us data to test the underlying tonal patterns and to build phonetic implementation rules.

• 한국인쇄학회지
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• 제10권1호
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• pp.15-22
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• 1992

This paper proposed correction tone density eq. and dot area eq. for perdict tone reproduction when dot gain is constant, and these are based on Yule & Nielson`s tone density equation. The experimental results show that proposed coreaction tone density eq. and dot area eq. are useful and valid for perdict tone reproduction of a half-tone image.

• 음성과학
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• 제11권3호
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• pp.37-54
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• 2004

The main goal of this study is to examine the current issue of the deletion of high tone vs. the downstep or upstep of high tone in North Kyungsang Korean (NKK). In this phonetic experiment, five native speakers of North Kyungsang Korean participated and two categories, such as compounds and two-word phrases were included as a test material. This experiment shows that when the first word belongs to the nonfinal class, the high tone of the second word is overwhelmingly deleted. When the first word belongs to the final class, the high tone of it is also overwhelmingly deleted. It is thus concluded that when two words are combined into a phrase, the peak of one word retains, whereas the peak of the other is deleted. It is confirmed that a single high tone prominence in a phonological phrase in NKK is not due to the processes of down step or upstep but the deletion process.

• 말소리와 음성과학
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• 제2권3호
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• pp.91-99
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• 2010

This paper reports on an identification test where KFL learners identified the Korean three-way laryngeal contrast in the phrase-initial position, when the phrase-initial tone was systematically manipulated. It turns out that heritage learners have some sensitivity to phrase-initial tone and show a plain-aspirated alternation in their identification according to the phrase-initial tone, as native speakers do, whereas non-heritage students do not show such tone sensitivity. However, after a weekly prosody training, second-year non-heritage students have shown a significant improvement in their performance. This paper clearly shows that the phrase-initial tone plays a critical role in distinguishing laryngeal features of Korean obstruents, and also suggests that prosody including the tone-segment correlation should be incorporated in the KFL curriculum.

• 복식
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• 제57권5호
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• pp.183-195
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• 2007

The purpose of the study was to investigate the harmony range and the disharmony range by evaluating the degrees of harmony in terms of types of coloration in men's shirts and neckties. In addition, the study aimed to examine perceptional differences between male and female towards degrees of harmony affected by types of coloration; tone on tone coloration(64), tone in tone coloration(96), contrast coloration(128), achromatic-chromatic coloration(96), and achromatic-achromatic coloration(16). The 4,032 male and 4,032 female college students, were participated in this study. The results are as follows. For five types of coloration, the harmony range and disharmony range were identified. Tone on tone and achromatic-chromatic coloration had a more wide range than tone in tone and contrast coloration from both male and female students. The male students had a more wide range of harmony on all coloration.

• 한국의상디자인학회지
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• 제8권2호
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• pp.1-16
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• 2006

The purpose of this study was to find out the various impressions that tone-on-tone coloration of shirts and ties gives. This experiment was based on the $2{\times}4{\times}4{\times}2$ factorial design: colors(red and blue), shirt tones(vivid, light, dull, and dark); tie tones(vivid, light, dull, and dark) and perceivers' gender(male and female). The materials in the experiment developed for this study were composed of 32 upper body photographs which were color printed and 27 bi-polar adjectives, each of which was graded into seven in its degree, were used to evaluate the impression. We unified those colors of shirts and neckties, and then made shirt and necktie tone different. The subjects of this research were 192 male and 192 female college students in Gyeongnam province including Jinju City The data was analyzed by using SPSS program. Analyzing methods were one-way ANOVA and LSD test. The items of the adjectives were classified into 5 impression dimensions - potency, activity, attractiveness, visibility and tenderness. All the image by the match of shirt and tie could be possible to make various images by the color, the shirt tone and the tie tone. Blue was given more effective potent image, vivid or light tone shirt in blue was the active image. As shirt and tie had different tone, regarded as the attractive image. Vivid tone tie was evaluated the visible image, light tone shirt is the tend image.