• 한국추진공학회:학술대회논문집
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• 한국추진공학회 2004년도 제22회 춘계학술대회논문집
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• pp.165-172
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• 2004

LE-7A is the main engine of the H-IIA launch vehicle. Under its development, the nozzle suffered from two troubles during startup and shutdown transients of the engine. One is a large side load, which damages the actuator of the nozzle, and the other is damage on regenerative cooling tubes due to high heat load. It has been considered that these problems are caused by a peculiar separation pattern called Restricted Shock Separation (RSS). RSS is observed in several rocket nozzles, for example, LE-7A nozzle, Vulcain nozzle and so on. Their contours are not conventional truncated perfect (TP) nozzle - LE-7A nozzle is a compressed truncated perfect (CTP) nozzle and Vulcain nozzle is a thrust optimized (TO) nozzle. Although it is believed that the occurrence of RSS is affected by the nozzle contour, the mechanisms are not clarified sufficiently yet. In the present paper, a parametric numerical study is carried out to investigate the mechanisms of the occurrence of RSS in CTP nozzles during startup transient. The results show that RSS is caused by the adverse pressure gradient downstream of the Mach disk. The adverse pressure gradient is caused by the interaction of the pressure wave and Mach disk. The method to avoid the occurrence of RSS is also examined. A small step inside the nozzle affects the position of the separation point and prevents RSS. The result shows that the possibility that RSS can be suppressed by controlling the position of the separation point.

• 한국지구과학회지
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• 제21권5호
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• pp.583-594
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• 2000

강원도 영월읍 북부 지역의 영흥리 물암골, 속골 및 삼옥리 일대에는 중기 석탄기의 요봉층이 남북 방향으로 길게 분포한다. 특히, 요봉층 내에는 품위가 높은 석회암이 발달되어 있어 석회석 자원으로 활발히 개발되고 있다. 이 연구는 요봉층내의 석회암의 구성 입자와 조직 및 지화학적 특징, 그리고 석회암의 부존 상태를 규제하는 지질구조를 파악하기 위해 수행되었다. 요봉층의 석회암은 대체로 담회색 또는 담갈색의 세립 팩스톤(packstone)과 와케스톤(wackestone)으로 구성된다. 석회암의 구성 입자는 해백합, 유공충, 방추충, 개형충, 복족류 등의 다양한 생물 파편으로 이루어진다. 연구 지역의 요봉층 내 석회암의 CaO 함량은 48.12${\sim}$59.31% 범위이며, 평균 함량은 54.52%로 높다. MgO, Al$_2$O$_3$, Fe$_2$O$_3$ 및 SiO$_2$의 평균 함량은 0.32%, 0.05%,0.20%) 및 0.05%이다. 화학성분을 고려할 때 요봉층 석회암은 비교적 품위가 높은 석회암이다. 석회암의 Al$_2$O$_3$, Fe$_2$O$_3$및 SiO$_2$의 함량은 석회암의 암상, 층리의 발달 정도, 그리고 셰일층의 협재 등에 따라 변화 양상을 보이는 것이 특징적이다. 일반적으로 연구 지역에서 요봉층 석회암의 CaO 함량은 층의 상부로 갈수록 감소하는 경향을 나타낸다. 연구 지역에 분포하는 요봉층은 적어도 5회의 변형작용을 받은 것으로 밝혀졌으며, 이 중 첫 번째와 네 번째 변형작용 중에 생성된 습곡구조에 의해 요봉석회암의 부존상태가 크게 지배되는 것으로 파악되었다. 첫 번째 변형작용은 등사습곡과 엽리구조를 발달시켰다. 두 번째 변형작용에 의해 형성된 지질구조 요소인 노두 규모의 등사습곡은 조사 지역 전역에 걸쳐 발달되어 있지 않고 오직 요봉층의 녹색 이암 및 밤치층의 암회색 이암에만 발달되어 있다. 세 번째 변형작용에 의해 형성된F$_3$ 횡와습곡과 이와 관련된 S$_3$ 엽리구조 및 네 번째 변형작용 중에 생성된 노두 규모 및 지질도 규모의 F$_4$ 습곡구조, 그리고 다섯 번째 변형작용 중에 형성된 충상단층 및 이와 관련된 습곡구조가 연구 지역 전역에 걸쳐 연속적으로 인지된다.

• 해양환경안전학회지
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• 제28권7호
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• pp.1222-1230
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• 2022

로터 블레이드는 조류발전 터빈의 매우 중요한 구성 요소로서, 해수의 높은 밀도로 인해 큰 추력(Trust force)와 하중(Load)의 영향을 받는다. 따라서 블레이드의 형상 및 구조 설계를 통한 성능과 복합소재를 적용한 블레이드의 구조적 안전성을 반드시 확보해야 한다. 본 연구에서는 블레이드 설계 기법인 BEM(Blade Element Momentum) 이론을 이용해 1MW급 대형 터빈 블레이드를 설계하였으며, 터빈 블레이드의 재료는 강화섬유 중의 하나인 GFRP(Glass Fiber Reinforced Plastics)를 기본으로 CFRP(Carbon Fiber Reinforced Plastics)를 샌드위치 구조에 적용해 블레이드 단면을 적층(Lay-up)하였다. 또한 유동의 변화에 따른 구조적 안전성을 평가하기 위해 유체-구조 연성해석(Fluid-Structure Interactive Analysis, FSI) 기법을 이용한 선형적 탄성범위 안의 정적 하중해석을 수행하였으며, 블레이드의 팁 변형량, 변형률, 파손지수를 분석해 구조적 안전성을 평가하였다. 결과적으로, CFRP가 적용된 Model-B의 경우 팁 변형량과 블레이드의 중량을 감소시켰으며, 파손지수 IRF(Inverse Reserce Factor)가 Model-A의 3.0^*V_r를 제외한 모든 하중 영역에서 1.0 이하를 지시해 안전성을 확보할 수 있었다. 향후 블레이드의 재료변경과 적층 패턴의 재설계뿐 아니라 다양한 파손이론을 적용해 구조건전성을 평가할 예정이다.

• 복식문화연구
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• 제3권2호
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• pp.241-260
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• 1995

The Maori's traditional clothing materials, basic forms of dress, and the pattern and technique of tatoo were examined in the present study in order to deepen the appreciation of the cultural heritage of the Maori. The research method employed was the analysis of written materials. And a fild-trip was also made for the study. The study was limitted to the traditional culture of body adornment of the Maori including the clothing which is preserved and practicing by them at the present day, and the origin and the process of the historical development of those are not included in the scope of the present study. Followings are the results of the study: (1) By far the most widely used fiber for Maori clothing is abtained from what is commonly called New Zealand Flax. The fiber of kiekie(Freycinetia baueriana) and cabbage trees(Cordyline spp.) may also be used. The strong, long-lasting fiber of toi(cordyline indivisa) is used for a prestige warrior's cloak. Flat strips of ti kauka(Cordyline australi) are also used as thatch on rain cloaks. (2) Regardless of technique used, Maori weaving is always worked horizontally from left to right. Traditionally the work was suspended between two upright turuturu or weaving sticks. As the work progressed a second pair of uprights was used to keep the work off the ground. These uprights were moved forward as required. Because the weaver sat on the ground, the working edge was kept at a height that was comfortable to reach. No weaving tools are used, the wefts(aho) being manipulated by the fingers. The two main Maori weaving techniques are whatu aho patahi(single-pair twining) and whatu aho rua(double-pair twining). (3) The Maori wore two basic garments - a waist met and a cloak. The cloth of commoners were of plain manufacture, while those of people of rank were superior, sometimes being decorated with feather or dyed tags and decorated borders. Children ran more-or-less naked until puberty, being dressed only for special events. Some working dress consisted of nothing more than belts with leaves thrust under them. Chiefs and commoners usually went barefoot, using rough sandals on journeys over rough country (4) The adornment of men and women of rank was an important matter of tribal concern as it was in chiefly persons that prestige of the group was centred, The durable items of Maori persons adornment were either worn or carried. Ornaments of various kinds were draped about the neck or suspended from pierced earlobes. Combs decorated the head. Personal decorations not only enhanced the appearance of men and women, but many had protective magical function. The most evident personal ornament was the hei-tiki made of jade or other material. Maori weapons were treasured by their owners. They served on bottle and were also personal regalia. A man of rank was not fully dressed without a weapon in hand. Also weapons were essential to effective oratory. (5) No man or woman of rank went without some tattoo adornment except in extremely rare instances when a person was too sacred to have any blood shed. The untattooed were marked as beeing commoners of no social standing. This indelible mark of rank was begun, with appropriate rite and ritual, at puberty. And tattoo marked the person as being of a marriageable age. Maori tattoo was unlike most traditional tattoo in that its main line were 'engraved' on the face with deep cuts made by miniature bone chisels. The fill-in areas were not tattooed with cuts but with the multiple pricks of small bone 'combs' that only lightly penetrated the skin surface. The instrument of tattoo consisted of small pots of pumice or wood into which was placed a wetted black pigment made from burnt kauri gum, burnt vegetable caterpillars or other sooty materials. A bird bone chisel or comb set at right angles on a short wooden handle was dipped into the gigment, that a rod or stick was used to tap head of this miniature adze, causing penetration of the skin surface. Black pigment lodged under the skin took on a bluish tinge. A full made facial tattoo consisted of major spirals with smaller spirals on each side of the nose and sweeping curved lines radiating out from between the brows over the forehead and from the nose to the chin. The major patterns were cut deep, while the secondary koru patterns were lightly pricked into the skin.