• The Journal of the Korea Contents Association
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• v.9 no.4
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• pp.364-371
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• 2009

We analyzed romance of the three kingdoms written by Luo Guanzhong by using complex network to compare its properties with those of social network. The three kingdom network has a scale free and hierarchical network properties. Human-human interaction networks are dramatically changing in response to time and space. Due to lack of the dynamic interacting data, the researches only focus to analysis for properties of the statical networks. The romance of the three kingdoms is a Chinese historical novel based upon events from the end of the Han Dynasty, the Three Kingdoms era of China, and the reunification of the land. There are over a thousand characters, over a three thousand human-human interactions, and the dynamic changed in human-human interactions in the historical novel. Here, we introduce that a possible method for analyzing about dynamic changing of the complex network.

• Journal of Conservation Science
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• v.2 no.2 s.2
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• pp.3-14
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• 1993

This study was carried out to identify the species of wooden coffins excavated from ancient kings' tombs of Nakrang and Pro-Three-Kingdoms to the beginning period of the Three Kingdoms, and the private tombs of the middle stage at the Yi dynasty. The species of wooden coffins were identified as three softwoods(Thxus cuspidata, Sciodopitys verticillata, Pinus densiflora) and six hardswoods(Quercus acutissima, Quercus serrata, Zelkova serrata, Platycarya strobilarea, Alnus japonica and Morns spp.). Thxus cuspidata, wooden coffins of Nakrang kings' tombs, is distributed through Korea. However in previous examination it was known as Cunninghania lanceolata, native species in south China. Sciodopitys verticillata used as a wooden coffin of King Muryung's tomb was native to Japan. It was a material evidence proving the cultural exchange between Paekche Kingdoms and Japan in those days. Pinus densiflora was the species of wooden coffins excavated from private tombs in Yi dynasty, which was not found out from Pro-Three-Kingdoms and Three-Kingdoms. Quercus accutissima was used for making a trough shape wooden coffins at Daho-ri ancient tombs and Quercus serrata was used a outer wooden coffin of Nakrang kings' tombs. An adamant iron mongery might be used to manufacturing a trough shape wooden coffin. This indicates that a developed iron-manufacturing technics existed in Korea at that time. Zelkova serrata was used for making wooden coffins of Imdang and Kaya ancient tombs, Chunma and Hwangnam king tombs. Platycarya strobizacea was used for making wooden coffin of Daegok-ri, Alnus japonica for Daho-ri coffins and Morus spp. for Imdang coffins.

• Journal of the Korean Home Economics Association
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• v.36 no.2
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• pp.61-76
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• 1998

This is a result of the comparative study for the dress and ornaments of Cheonsuguk Mandara Sujang(天壽國曼茶羅繡帳, a folding screen of Japan in the 7th century) with that of the era of the Three Kingdoms of the ancient Korea. The style of dress, and a way of wearing dress and ornaments for female and male appeared in Cheonsuguk Mandara Sujang were same as that of the era of the Three Kingdoms of the ancient Korea. The formula of wearing dress in a two-pieces were also identical with that of Korean. Many Japanese scholars also do not deny that the dress and ornaments of Cheonsuguk Mandara Sujang were affected by that of Korean peninsula which had an important effect on cultural and ethnic customs fo Japan. Therefore, it is concluded that the dresses in Cheonsuguk Mandara Sujang are Korean clothes which was imparted to Japanese by Korean lived in the era of the Three Kingdoms.

• Korean Journal of Veterinary Research
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• v.8 no.2
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• pp.147-149
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• 1968

1. Of the three kingdoms, Koguryo is believed to have had nomadic life, so the livestock husbandry was vigour, but, in Silla and Paikche, only the horse production as military purpose and cattle production as a mean of cultivation had been improved. 2. In the three Kingdoms, the methods of superstition and Shamanism had been used as the mean of curing animals before Haeza, a saintly priest, A. D 590. and after that, shamanism and veterinary science seemed to be combined. We believed that Haeza is to be an initiator of veterinary science in Korea.

• (The)Study of the Eastern Classic
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• no.48
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• pp.7-39
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• 2012

This study is prepared to understand the filial story's communicative meaning from the aspects of Character's behavior. The filial story have typically didactic theme and it is not have enough room for another interpretations. But if we carefully analyze the filial story from the point of view of (1)the target of the filial duty[father/ mother]. (2) the actor of the filial duty[son/ daughter]. (3) the evaluator of the filial duty[witness/ recorder], we can understand the filial story's connotation. In "三國遺事"(Memorabilia of the Three Kingdoms) and "三國史記"(Historical Records of the Three Kingdoms), the target of the filial duty plays an important part and communicates with the actor of the filial duty but there's no more communication in "高麗史"(History of Corea). As the character's communication is lessened, the meaning of edification is emphasized.

• Journal of the Korean Society of Costume
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• v.51 no.3
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• pp.155-170
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• 2001

This study is about investigation of the historical value of Wanghoido(王會圖) and Bungekipjodo(蕃客入朝圖) and examination of the costumes of the Envoys from the Three Kingdoms drawn in the paintings above. Wanghoido(王會圖) is presumed to be painted around early 7th century. This is a colored picture on silk on which twenty-six Envoys from twenty-four Kingdoms are painted. Bungekipjodo(蕃客入朝圖) is presumed to be painted in the early 10th century. This is drawn on paper with only black brush line, no color. There are thirty-five Envoys from thirty-one Kingdoms in the painting. Wanghoido(王會圖) and Bungekipjodo(蕃客入朝圖) are the important materials which are useful to understand the original Liangjlkgongdo(梁職貢圖). From the records about interchange of the Envoys in the early 6th century, the characters and costumes painted in Wanghoido(王會圖) and Bungekipjodo(蕃客入朝圖), the copy of the original Liangjikgongdo(梁職貢圖), get the reality. The Envoys from Koguryo(高句麗), Paekche(百濟), and Shilla(新羅) painted in the two paintings above are all wearing Jangyu or Yu(장유 or 유; an upper garment), Go(袴:trousers), Kwanmo(冠帽:headdress), Dae(帶뿔:belt), and Hwa(靴:shoes). But they differ in some aspects. For example, the shape of the Kwanmo(冠帽), hair style and patterns on the costumes, etc.

• Journal of National Security and Military Science
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• s.4
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• pp.211-240
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• 2006

King Taejo, Wang Gun had succeeded in bringing order out of chaos of the Later Three Kingdoms and establishing a new unified dynasty, Koryo. Why can he gain the victory against the king of Later Baekje, GyunHwon? What is the his leadership? These are his leadership. (1) He had the peserverance. in 927 Wang Gun had broken by Gyun Hwon's army at Gong San. Nevertheless He didn't dissapoint and trained troops for battle steadily. Therefore in 930 he gained a great victory against Gyun Hwon at An Dong. (2) He use the command rights justically. (3)His soldiers are obedient to his orders involuntarily. (4) He always cooperateed with other’s commanders. (5)He efforted to gain victory without battle. (6)He had a high and great plan. (7) He took advantage of land configuration. (8) He made the enemy to fall into internal disarray. With these leadership, Wang Gun unified Later Three Kingdoms. Regarding himself as the success or to Goguryo, he pursued a policy of expansion to the north. Therefore he extended his borders to Chongchon River. At the same time he broke the chains of the bone-rank system which had shackled Shil1a's society.

• Journal of the Korean Society of Costume
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• v.55 no.1 s.91
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• pp.113-128
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• 2005

To find our own individuality, there must be an active study on jeogori which is an unexplored field. Therefore, the purpose of this study is to consider artistic beauty and predominance of jeogori and recognize it as a precious culture, and also encourage interest about traditions. The range of this study is ancient times to Chosun dynasty, and in this study which will be the first part, the range is till the era of the Three Kingdoms. The study about jeogori is based on mural paintings of Goguryeo burial mounds, clay dolls and remains during Shilla, Beakjae, and United-shilla era. The contents of this study is 1. research the origin of jeogori's detail structures and changes of the form, 2. analyze the form and structure of the jeogori in each era, and therefore 3. find the predominance of Goguryeo costume by considering functional and design aspects. Therefore the conclusion of this study about the era of the Three Kingdoms are First, jeogori of the three kingdom era were developed from ancient times caftan style which Korea, China and Japan wore all together. Second, the structure of the jeogori during the Three Kingdom are ryeongeum, gil, somae and seon. Third, there is a special line that starts from the neckline and ends at the hem line which should be called ryeongeum in my opinion. Forth, while researching Goguryeo murals there were both left and right sided open jeogori. therefore, I would like to set up a new theory that during the ancient times to Three Kingdom era, not did China's clothing effected the Korean costume but the costume in east asia shared their forms all together.

• The Bulletin of The Korean Astronomical Society
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• v.31 no.2
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• pp.24.1-24.1
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• 2006

• KOMUNHWA
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• no.36
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• pp.47-49
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• 1990