• 한국도서관정보학회지
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• 제9권
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• pp.115-144
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• 1982

In ordinary modern wester expression 'the Renaissance' was used to denote the impact made by dead Hellenism civilization in western Christendom, particularly Italian literary and artistic movement at Northern and central Italy in the late medieval period. However, A.J. Toynbee examined the renaissance from the different aspect of view. In his great work "A Study of History" in vol. IX, he succeeded in establishing the theory of historic civilization encounters in space and in time; and in time, civilization of the present and the past or between dead and infant successor contacts on the analogy of parenthood and sonship in the relation of A n.0, pparentation-and-Affiliation. The distinguished his view of 'Renaissance' was illustrated in the sense of encounters between a grown-up civilization and the 'ghost' of its long-dead predecessor. The renaissances (by the process of evocation of ghost of its parent society) has not only one single aspect of literary and artistic field but also in politics, law, science and philosophy, languages and literatures and visual arts, and religion. The main theme of this study is to examine the development of libraries and its historical meaning through Toynbee's literary renaissance. His renaissance of Languages and Literatures has three typical steps: They are: 1st step-to restive the dead literature's remains: 2nd step-to remaster their meaning: 3rd step-to reproduce them in counterfeits... Through its first and second steps, collecting and editing, annotating by compiling an anthology, thesaurus, lexicon or encyclopedia, and in its third step publishing mostly imitation of classics took place. Toynbee depicted the five outstanding eminent representatives of literary renaissance who had a n.0, ppeared on the state of history down to the time of writing. They are: Assurbanipal, Constantine prophyrogenitus, Yung Lo, K'ang Hsi, and Ch'ien Lung and the last four had all been emperors of imperia rediviva. As the result of the examination of these five emperors with three steps of literary renaissance, the common result may be summarized as follows: 1. Those emperors of imperia rediviva interested in intellectual work and study, they also were deeply involved in collecting classics in an ostensible reason. 2. There were strong political intention of collecting materials as an a n.0, ppeasement policy of civilization by transferring scholars energies to an intellectual field. 3. Under the rulers of a resuscitated universal state, the literary renaissance were a product of political plane and that the total size of collection and work were huge. 4. Since there were strong exercise of sovereign power, an active censorship by distortion and elimination was inevitable. 5. There existed newly developed strained atmosphere between grown-up and long-dead parent civilization, whenever the book collection movement had occurred. 6. Over adhesion to the parent civilization caused imitation of classic work and the creative activities were stagnated.stagnated.

• 대한한의학원전학회지
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• 제23권4호
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• pp.103-153
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• 2010

"Sanghanjeonsaengjip(傷寒全生集)" is a classic medical work, written by the outstanding physician Dohwa(陶華) in the Ming Dynasty. The characteristic of "SangHanJeonSaengJip" is that this book succeeded to the spirit of pattern identification and treatment of Treatise on Cold Damage Diseases, newly changed a table of contents by symptoms, and together with this indicated the prescriptions in accordance with diswase-pattern at "YujeunghwalInseo(類證活人書)", "Hwajegookbang(和劑局方)" etc. Also because this kept the existing ephedra decoction, cinnamom twig decoction, minor decoction of bupleurum, decoction for reinforcing middle-energizer and replenishing qi etc.'s name on and unlikely indicated the medicine composition, it caused confusion, but at the later ages "Euhakipmun(醫學入門)" the so-called 'Doci(陶氏)' was added to the prescription name, so we are able to distinguish. Together with this, this book dose not indicate the dosage of medicine and indicates the first, the second, and the third classes[上中下] below medicine. As this dose not mean the three grades of quality"good, fair, and poor[上中下] of "Shennong's Classic of Materia Medica" but expresses the sovereign medicinal as the first class[上], minister medicinal as the second class[中] and assistant and courier medicinal as the third class[下], doctors can voluntarily decide the dosage of medicine in accordance with the degree of disease. At this thesis, I single out ten chapters in contents of 2nd volume named Hyeong(亨) corresponding to the details, among "Sanghanjeonsaengjip(傷寒全生集)". I discussed superficial fever types of exogenous febrile disease in chapter 1, aversion to cold types of exogenous febrile disease in chapter 2, syndrome caused un-sufficient sweating in chapter 3, organic fever types of exogenous febrile disease in chapter 4, aversion to wind types of exogenous febrile disease in chapter 5, Tidal fever types of exogenous febrile disease in chapter 6, Alternative attacts of chills and fever in chapter 7, Dysphoria with smothery sensation in chapter 8, Fidgetiness of exogenous febrile disease in chapter 9, and Headache of exogenous febrile disease in chapter 10, and together with this I discussed, in detail, which influence the prescriptions which are listed on each chapter have caused on future generations In accordance with this, I think that the above-mentioned symptoms and prescriptions are important when I research cold damage and warm disease study. So I orderly research revision, annotation, rendering and an investigation.

• 한국철학논집
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• 제56호
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• pp.181-208
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• 2018

이 논문은 상박초간 "주역" 감괘(欽卦)를 중심으로 중국고대 점복문화를 살펴보고 이를 바탕으로 점서였던 "주역"의 경문을 유가가 어떻게 유가 윤리로 만들어갔는가를 밝히고자 하는 것이다. 상박초간 "주역" 감괘는 현행본의 함괘(咸卦)에 해당하며 '감(感)'의 뜻으로, 괘 전체의 주제는 남녀 간의 육체적 사랑과 결혼이다. 청화간(淸華簡) "서법(筮法)" 등 고대의 점술에 남녀 간의 결혼을 점친 예는 상당히 많은데 이런 자료들도 감괘가 단순히 사랑과 결혼에 대한 점술이었다는 것을 증명한다. 상박초간 "주역"과 마왕퇴백서 "주역"의 감괘 효사 및 현행본 함괘 효사를 비교분석해보면 상박초간본 ${\rightarrow}$ 마왕퇴본 ${\rightarrow}$ 현행본으로 변해가는 모습을 찾아볼 수 있다. 이는 "주역" 텍스트가 많은 변화를 거쳐 현재의 모습으로 이루어졌음을 보여주는 증거다. 한편 "순자" "대략(大略)"편, 현행본 "주역" "단전(彖傳)"은 함괘의 주제를 남녀 간의 사랑과 결혼에서 추상화하여 부부의 도, 나아가 음양 '이기(二氣)'의 철학으로 확대한다. 이러한 확대는 결국 자연철학 방면으로는 세계, 우주를 구성하는 '이기'의 감응에 의한 만물생성론을, 인간사회 방면으로는 성인의 감화를 통한 천하화평을 주장하는 데에까지 나아간다. "서괘전"도 함괘를 '부부의 도리'로 보고 이에 기초하여 부자, 군신, 상하, 예의로까지 확대시킨다. "서괘전"이 함괘를 서술할 때 '남녀'가 아닌 '하늘과 땅'으로 시작하고 있는 것은 "단전"의 논의를 바탕에 두고 있기 때문이다. 이처럼 우주적 질서에서 시작하여 인간의 예의로 귀결을 맺는 것은 철저한 유가적 사유로, 따라서 "서괘전"이 만들어진 시점에서 "주역"의 유교경전화는 이미 완성되어 있었다고 생각된다.