• 한국강구조학회 논문집
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• 제12권5호통권48호
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• pp.527-535
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• 2000

철골 구조물의 접합부는 전통적으로 강접 혹은 단순 접합으로 이상화하여 설계되어 졌으나 많은 연구를 통해 이러한 모델링이 불합리할 수 있음이 밝혀져 왔다. 골조의 정확한 해석을 위해 부재의 2차효과($P-{\delta}$효과) 및 구조물 전체의 2차효과($P-{\Delta}$효과)의 고려가 필수적이고, 무엇보다도 접합부의 고유한 강성을 부여하는 것이 중요하다. 즉 실험을 통해 얻은 접합부의 모멘트-회전각을 골조 해석시 있는 그대로 반영할 수 있어야 한다. 이러기 위해 모멘트-회전각을 표현할 수 있는 단일 수식의 개발이 필요하며 지금까지 다양한 수식이 개발되어 보고되고 있다. 본 논문은 기하학적효과 및 접합부 강성을 고려할 수 있도록 이론을 통해 유도한 접합부의 강성행렬에 모멘트-회전각 관계를 표현하는 수정지수 함수 모델, 멱함수 모델 그리고 제안한 로그함수 모델을 사용하여 골조 해석을 실시하고, 그 결과를 통해 유도된 강성행렬의 적용가능성을 알아보고, 제안한 로그함수의 유효성을 밝히고자 한다.

• Ocean Systems Engineering
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• 제7권3호
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• pp.179-193
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• 2017

Dynamic response analysis of offshore triceratops with stiffened buoyant legs under impact and non-impact waves is presented. Triceratops is relatively new-generation complaint platform being explored in the recent past for its suitability in ultra-deep waters. Buoyant legs support the deck through ball joints, which partially isolate the deck by not transferring rotation from legs to the deck. Buoyant legs are interconnected using equally spaced stiffeners, inducing more integral action in dispersing the encountered wave loads. Two typical nonlinear waves under very high sea state are used to simulate impact and non-impact waves. Parameters of JONSWAP spectrum are chosen to produce waves with high vertical and horizontal asymmetries. Impact waves are simulated by steep, front asymmetric waves while non-impact waves are simulated using Stokes nonlinear irregular waves. Based on the numerical analyses presented, it is seen that the platform experiences both steady state (springing) and transient response (ringing) of high amplitudes. Response of the deck shows significant reduction in rotational degrees-of-freedom due to isolation offered by ball joints. Weak-asymmetric waves, resulting in non-impact waves cause steady state response. Beat phenomenon is noticed in almost all degrees-of-freedom but values in sway, roll and yaw are considerably low as angle of incidence is zero degrees. Impact waves cause response in higher frequencies; bursting nature of pitch response is a clear manifestation of the effect of impact waves on buoyant legs. Non-impact waves cause response similar to that of a beating phenomenon in all active degrees-of-freedom, which otherwise would not be present under normal loading. Power spectral density plots show energy content of response for a wide bandwidth of frequencies, indicating an alarming behaviour apart from being highly nonlinear. Heave, being one of the stiff degrees-of-freedom is triggered under non-impact waves, which resulted in tether tension variation under non-impact waves as well. Reduced deck response aids functional requirements of triceratops even under impact and non-impact waves. Stiffened group of buoyant legs enable a monolithic behaviour, enhancing stiffness in vertical plane.

• 영어영문학
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• 제56권2호
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• pp.329-356
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• 2010

Coleridge's fame as a poet rests on the achievement of the mystery poems, "The Anceint Mariner," "Kubla Khan," and "Christabel." Coleridge's achievement in "Christabel" goes far beyond what previous critics have imagined. Coleridge is one of a handful of great writers who are included as representatives of androgyny. Throughout his life, Coleridge was accustomed to point out feminine qualities within himself. "Christabel" exemplifies the kind of writing contemporary feminist theories call l'écriture féminine. L'écriture féminine is not necessarily the creation of women but may rather be the works of those who refuse to identify with the father and the laws of paternal discourse. "Christabel" becomes Coleridge's most daring symbolic story. "Christabel" appears in its full significance as a vehicle for some profound insights into the dynamics of relationships between men and women, fathers and daughters. Through her deformity, Geraldine is actually the casualty of her father's hatred of women, and is the embodiment of all its anti-virtual aspects. The poem shows no bitterness against women, only compassion and remorse. Coleridge is sympathetically presenting Christabel's suffering as a woman at the hands of an overmastering man. Also, "Christabel" demonstrates woman power as well. In fact, the one person whose tales have any real effect within this narrative is the ambiguous Geraldine. Geraldine excels at story-telling, at making words act for her. Perhaps, despite the appearance of the surface, in which men hold all the cards, it is in fact women, or the feminine, so necessary to procreation and creativity, who hold sway here. This apparent dominion of the feminine derives at least partly from Coleridge's use of the conventions of that feminine genre, the Gothic romance. L'écriture féminine is a concept defined by its divergence from a dominant cultural norm. One may speculate that the fragmentary state of "Christabel" and "Kubla Khan" is in fact congruent with this mode of writing. If these poems imply a theoretical écriture féminine, they are by definition "incomplete," for completeness is a standard of patriarchal language and culture. More perplexing even than the other "mystery poems," "Christabel" is the true fragment of the three.

• 한국안광학회지
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• 제21권3호
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• pp.259-264
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• 2016

목적: 유발된 난시성 흐림이 정적균형을 유지시키는 다른 감각기관들에 미치는 영향을 분석하여 신체 안정성을 감소시키는 원인을 규명하고자 하였다. 방법: 평균 나이 $23.40{\pm}2.70$세의 20명을 대상으로 하였다. 근시성 단성난시를 유발하기 위해 (+)원주렌즈의 축을 양안에 $180^{\circ}$(직난시), $90^{\circ}$(도난시), 그리고 $45^{\circ}$(사난시) 방향으로 위치시켰으며, 각각의 방향에 +0.50 D, +1.00 D, +1.50 D, +2.00 D, +3.00 D, +4.00 D, 그리고 +5.00 D의 원주렌즈를 이용해 각 난시유형별로 난시성 흐림을 증가시켰다. TETRAX biofeedback system을 이용하여 각 조건에 따른 안정성 지수(ST)와 각 감각기관에 해당하는 4가지 주파수의 흔들림 강도(SP)를 측정하였다. 결과: 난시성 흐림이 커질수록 유발된 모든 난시유형에서 ST는 완전교정상태와 비교해 증가하였지만, 유발된 사난시에서만 유의한 차이를 보였다. 난시성 흐림이 증가함에 따른 ST의 증가와 각 주파수별 SP간의 상관분석결과, 유발된 사난시에서 신체 안정성을 저하시키는 원인으로 체성계(중 고주파수), 중추신경계(고주파수), 말초전정계(중 저주파수), 그리고 시각계(저주파수)의 영향 순으로 높은 상관성을 보였다. 결론: 미교정된 사난시로 인한 시각정보는 신체균형을 유지시키는 모든 감각기관의 정상적인 기능을 방해하여 신체 안정성을 감소시킬 수 있다. 따라서 최적의 난시교정은 신체균형의 불안정성을 제거시키는 중요한 요인이 될 수 있다.

• 복식문화연구
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• 제8권3호
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• pp.387-410
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• 2000

The purpose of this study was to approach to the internal meanings included in the Happening and the culture of hippies, by analysing the basic mental conditions in the process of the Happening. And this study was composed of the concept and the development of Happening, the characteristics of the hippies that related in the midst of the happening's background, and the formativeness between these factors and hippies'fashion. Since the happening a genre of fine arts expression attended the New School for social research in New York in 1954, Allan Kaprow direct-influenced by John Cage used the word 'Hapening'first, practicing '18 Happenings in 6 parts'at the Rueben gallery in 1959. Kaprow's 18 Happenings was one of the earliest opportunities for a wider public to attend the live events that several artists had performed more privately for various friends. Despite the very different sensibilities and structures of artist's works, artists were all thrown together by the press under the general heading of 'Happening', following Kaprow's 18 Happenings. Being considered as the root of the Happening 'Expression of Sound'of John Cage was the discovery of the exisiting thing- the Happening. Most artists were to be deeply influenced by Cage's theories and attitudes-that is, his sympathy for Zen Buddihism and oriental philosophy-and by reports of the Black Mountain events. These events would directly reflect contemporary painting and stemmed from the Futurists, Dadaists and Surrealists. And Happening's development background was based on the culture of hippies. Swinging London had been under the sway of psychedelic drugs and utopian visions of 'hippie'wave sweeping in from Califonia. This wave, which affected solid middle-class youth first and formost, began in Haight Ashbury in San Francisco. Without dwelling on the hippie movement here, it is worth nothing that it resulted from the convergence of several undercurrents : consciousness-expending drugs, the anti-Vietnam war developments, the impact of English pop groups on American music and the rise of protest songs, and finally the beatnik tradition of non-conformism. Hippie culture and its pursuit of love, peace and psychedelia was the antitheses of 1960s main street fashion. The media gave everyone with long hair the label of 'hippie', but it was always a very loose collage of attitudes and styles. The rejection of sexual taboos was conveyed by the hippie's refusal to wear. Although the bold exposure of body raised controversies because it went against the existing moral values, it has a significant implications. Psychedelics brought mind-expansion and the possibillity that modern technology (light show, synthesized electronic sounds), new fabrics or colors, and LSD could be utilized to provide an escape route from the dreariness of modern life. During the 1960s, traditional costumes, many of which had never been seen outside their native regions, became sought after and adopted in the West, initially by the young, who wanted to demonstrate their solidarity with cultures uncontaminated by mass industry. The most ardent proponents of such folk costumes were the hippies. Hippies dress was sometimes decribed as 'anti-fashion', produced by a patchwork of ragged cast-offs and flamboyant accessories, of outmoded Western dress and time-honored ethnic garments all combined, modified and permutated into variety of personal statements. 'Flower Power'became a reality. From the results of this study, we can see the expanding trend of the influence and the concept of the sew art genre 'Happening'in the formativeness as well as the fine arts field.