• 제목/요약/키워드: Subject matter of expression

검색결과 31건 처리시간 0.024초

EBS 방영 TV 유아동 애니메이션 캐릭터 표현소재의 융합유형 분석연구 (An Analysis Study on Convergence type of Character's Subject Matter of Expression in Broadcasting Kids TV Animation on EBS)

  • 김석래;정진헌
    • 디지털융복합연구
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    • 제13권4호
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    • pp.319-328
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    • 2015
  • 지상파TV를 중심으로 꾸준히 제작, 성장해온 국내 유아동 애니메이션은 오락적 가치에 교육적 가치를 더함으로서, 국내 애니메이션 산업의 핵심 콘텐츠로서 자리를 잡았다고 할 수 있으며, 특히 캐릭터는 유아동 애니메이션의 핵심적 시각요소로서 다양한 역할을 담당하고 있다고 할 수 있다. 본 연구는 이처럼 중요한 역할을 하는 캐릭터의 표현소재에 대한 분석연구이다. 이를 위해 캐릭터에 적용된 표현소재의 세부유형을 분류할 수 있는 기준툴을 확립하여, 현재 EBS에서 방영되고 있는 애니메이션 작품들의 캐릭터들을 선정, 이를 기준툴에 적용하고 그 결과를 분석하는 일련의 과정을 통하여, 표현소재에 따른 캐릭터 융합유형의 현황 파악과 함께, 유아동을 대상으로 하는 캐릭터 제작 시, 활용할 수 있는 또 다른 디자인 창작지표를 제시하는 것에 연구의 목적과 의의가 있다.

초등학교 수학에서 취급하는 식의 정의와 분류에 관한 연구 (A Study on Definition and Classification of Expressions Dealt with in Elementary Mathematics)

  • 고준석;김지원;박교식
    • 대한수학교육학회지:학교수학
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    • 제16권2호
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    • pp.303-315
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    • 2014
  • 우리나라 초등학교 수학에서 다양한 식을 취급하고 있음에도 불구하고, 식 지도 내용의 체계화는 아직 미흡하다. 이것은 기본적으로 초등학교 수학에서 취급하는 식의 정체를 명확하게 드러내지 못하고 있기 때문이다. 본 논문에서는 이 상황을 개선하기 위한 기초 작업으로, 식에 ${\square}$, ${\triangle}$ 등과 단어 또는 연어(連語)와 같은 과도기적 기호를 사용하는 초등학교 수학을 고려하는 입장에서, 먼저 식을 구성하는 요소로서의 기호를 분류하고, 그것에 바탕을 두어 식을 정의하고 분류하였다. 이러한 정의와 분류를 통해 초등학교 수학에서의 식 지도 내용의 체계화를 도모하는데 도움을 줄 수 있는 다음 네 가지 판단이 가능하다는 것을 결론으로 제시할 수 있다. 첫째, 식의 정체를 명확히 함으로써, 어떠한 표현이 식인지 아닌지 판별할 수 있다. 둘째, 식의 양태를 파악할 수 있다. 셋째, 식 지도 내용을 체계적으로 파악할 수 있다. 넷째, 식 지도 내용 사이의 위계를 파악할 수 있다.

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크리스 랜드레스의 3D 단편 애니메이션 빙고(Bingo)에 나타난 부조리극 표현 분석 (Analysis on the Expression of Theatre of the Absurd in Chris Landreth's 3D Short, Bingo)

  • 김치훈
    • 한국콘텐츠학회논문지
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    • 제9권1호
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    • pp.215-222
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    • 2009
  • 3D 애니메이션은 사실의 완벽한 재현이라는 큰 특징으로 종래에 불가능했던 이미지의 완성을 가능하게하며 보다 큰 환상을 창출한다. 사실의 모방에서 진일보한 창의적인 이미지의 제작은 내용의 중요성을 강조한다. 크리스 랜드레스는 이러한 기술적 만족도와 내용적 우수성 그리고 충격에 가까운 참신함으로 차별화된 3D 애니메이션을 제작한다. 그의 1998년도 작품인 빙고(Bingo)에서 매스미디어의 근원적 아이로니와 인간의 존재론적 고민을 부조리극 표현으로 풀어냄으로써 인간의 상황에 통찰력을 갖게 한다. 크리스 랜드레스의 3D 애니메이션은 이러한 점에서 미술사와 연극사를 넘나드는 폭넓은 포용과 테크놀로지의 확장으로 3D 애니메이션의 새로운 가능성을 보여주고 있다.

釉上彩色料에 關한 硏究 (Studies on Overglaze Stain)

  • 이종근;박용완
    • 대한화학회지
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    • 제4권1호
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    • pp.27-37
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    • 1957
  • High-fire stain is influenced by the conditions of glaze, firing atmosphere, etc. On the contrary, low fire stain is not influenced by those conditions but obtainable in arbitrary colors and it is indispensable for pottery decoration. It is difficult for us to study into the color in the sphere of result publication method and expression of color. Looking over the literature on this subject, I have been confronted with much difficulties, accordingly, I made a basic and systematic experiment as to six low-firing stains (blue, green, blue-green, brown black and yellow) and made it proper to be applied in these studies. On pigment, I confirmed the influence of the assistant coloring matter by mixing up the coloring matter and the assistant coloring matter in various proportions. On flux, I measured the melting point by making PbO-$SiO_2$ system and PbO-$B_2O_3-SiO_2$ system and decided the range of usage. Also I checked the coloring by making the pigment on laze with pigment and flux manufactured, and concluded the pigment and flux adaptation to it.

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현대 실내디자인에 나타나는 한국성의 공간적 표현특성에 관한 연구 (A Study on the Spacial Expression Characteristics of Koreaness in Contemporary Interior Design)

  • 이주혜
    • 한국실내디자인학회논문집
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    • 제34호
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    • pp.20-28
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    • 2002
  • Tradition is defined as cultural qualities of a regional social group a race, which is transmitted from generation to generation through history. Its contents include human behavior as well as the outcomes from the human behavior and a culture is materialized by means of fullfil fundamental aspiration, in order to co-exist human being and society.This research has considered an architectural space which both show a Korean traditional architecture and modern architectural space, incliding Korean nature under a sort of cultural expression.Also, expressive qualities which are shown within a space as a medium, there is more consideration of method to embody Korean nature into an interior space.There is a subject related to traditional expression of what the real essence of tradition is. In addition, it is a matter of what the method of expression is in order to accomodate, inherit and express the pulse of tradition.

Exploring the Formal Language of Contemporary Meticulous Figure Painting

  • Wan Guo Long
    • International Journal of Advanced Culture Technology
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    • 제11권1호
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    • pp.212-220
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    • 2023
  • The meticulous figure painting is one of the wonders of traditional Chinese painting and has blossomed in art history with its unique and interesting style. The period from the Warring States period to the Song and Yuan dynasties was a glorious period in its history, after which it tended to decline due to changes in painting materials and many socio-historical reasons. The extensive cultural exchanges in the world today, the penetration of Western values and the expansion of information technology have brought a huge impact on Chinese meticulous figure painting, which has developed an active way of thinking and expression after absorbing certain elements of Western culture and thought on the basis of inherited tradition. Contemporary Realistic Figure painters continue to explore new developments in meticulous figure painting in the contemporary context, and give contemporary meticulous figure painting a new cultural and ideological connotation, forming a new look that meets the requirements of the times, with richer and more lively content, subject matter and formal language. Traditional meticulous figure painting is characterised by a highly refined use of line and coloring composition. Contemporary meticulous figure painting focuses on the use of purely formal language and the expression of the personality of the creative subject, with a new outlook on the world of painting. In the contemporary multicultural context, new formal language and methods of expression are constantly being explored to create a new look. In the process of development, contemporary meticulous figure painting has merged the best qualities of traditional and contemporary culture, making it an art with a subtle language, rich in meaning and with the charm of the times and oriental characteristics. The author in the form of contemporary fine brushwork figure painting language as the research object, explore new form of fine brushwork figure painting, and in the contemporary society and multicultural context factors. Innovation, enrich and develop new forms of art language of contemporary social form and aesthetic temperament and interest.

전통문양의 활용에 관한 기존연구 분석 - 의류학 분야를 중심으로 - (Analysis of Previous Study of Traditional Pattern - Focused on Textile & Clothing related Part -)

  • 강민정;조진숙
    • 패션비즈니스
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    • 제15권5호
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    • pp.1-14
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    • 2011
  • This study analyzed the "research trends and the design processes" of the traditional patterns by examining the previous researches on the application of the traditional patterns. For this purpose, 96 studies which include master's and doctoral theses and research papers published in 8 Korean academic journals on Clothing from 2000 to 2010 were chosen. The findings of this study are as follows: First, when the previous researches on the application of the traditional patterns were classified according to their subject matter, they were classified into: research on clothing design, research on textile design, research on the design of cultural commodities, and research on mixed design. Second, the researches that were classified according to their subject matter were re-classified according to their year of publication. It was shown that the most active research was on the clothing design. The research on textile design, when compared with clothing design, alternated an increase and an decrease in every other year. Also, research on the design of cultural commodities were fewer than the research on clothing design or textile design although it is on the increase from 2008. Third, when classified according to the types of design, it was found that the designs based on a flora were most common. Fourth, in most cases, in the process of the designs, the designswere dispensed with the original form or were simplified. The choice of the tone of color, in most cases, were based on the concept selected by the designer. The most common method for the expression of the designs was based on the printing. Also, when it came to the presentation of the designs, the original work greatly outnumbered an imaginary work. Based on this study, it is hoped that there will be more active research on the application of the traditional designs which, in turn, can popularize the aesthetic beauty of Korea.

꽃의 이미지를 형상화한 헤어 아트 디자인 연구 (A Study on Hair Art Design Shaped Flower Image)

  • 진용미;김성남
    • 한국패션뷰티학회지
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    • 제5권1호
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    • pp.51-55
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    • 2007
  • These days, hair design is recognized as a kind of molding arts which peform expression skill to create personal self as well as practical skill. Recently, the efforts to express hair design sublimating it to art works have continued. For these reasons, this study had purposes as follows; First, it developed creative and original design producing works to shape the flower image that was an important material of hair design. Second, it presented the possibility to express the field of hair design with art. In the flow of age, nature has provided design with unlimited creative motive. Flowers, among various materials, show the nature's change, combination and order and impose diverse symbolic meanings. Therefore, flowers are good materials to express the works. Through the process of decolorizing and dyeing with hair, five works of nature's fragrance, hope, reed flowers, windflower, magnolia blossom had been produced. The results of the process were as follows; First, the transformation of shape through the simple process taking the image of shaping flower as subject matter could be a motive of new hair design art. Second, if the various images of flowers were expressed as hair art with three-dimensional shape, it could be works with value of beauty. Through the process of this study, it was proved that nature could be endless subject matter for art. Therefore, with continuous studies, it can be motive of developing designs in producing work activities of many hair designers. In addition, academic development will be achieved through wide and diverse studies.

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애니메이션에 나타난 그로테스크 표현방법 추이 연구 (A Study on the Transition of the Grotesque Expression Method in Animation)

  • 이종한
    • 디자인학연구
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    • 제17권3호
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    • pp.51-60
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    • 2004
  • 그로테스크의 미학과 그 오락적 가치는 애니메이션이라는 표현매체가 갖는 특징과 그 속성에서 많은 공통점을 지니고 있으며 이러한 애니메이션에 나타난 그로테스크한 이미지 표현 방식은 현대 이미지 디지털화 기술이 발전하면서 그 표현 영역이 확대되었다. 실사와 애니메이션의 합성, 오브제 애니메이션으로 표현되던 그로테스크 이미지는 Full 3D 애니메이션의 기술, 그리고 모션캡쳐로 인한 가상캐릭터에 대한 현실감 있는 움직임 부여로 좀 더 사실감 있게 그 부조화성을 발전시키고 있다. 그 소재 또한 현대 과학문명의 발달과 더불어 다양해 졌다. 그 한 예가 사이보그 캐릭터의 등장이며 이러한 그로테스크한 이미지는 현대에 이르러 그 여러 특징 중에 인간소외를 다루는 애니메이션에서 주로 등장하기 시작한다. 그리고 이러한 그로테스크 이미지 표현방식의 변화는 향후 영상기술의 발달과 더불어 방법적 양식을 달리하여 VR 형태, 인터랙티브한 영상으로 그 표현매체를 옮기면서 그로테스크한 이미지와 성향은 비인간성을 강조하는 영상장르로 대변되어 갈 것으로 본다

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The Patentability of a Computer Program as a Function of Its Relational Characteristic with Hardware

  • Lee, Sang-Mu
    • ETRI Journal
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    • 제20권1호
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    • pp.96-112
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    • 1998
  • The patentability of computer program has been discussed because of its deviation from the traditional definition of a patent. The relativities of computer programs to hardware are classified to measure the relative patentability of computer programs in this paper. It can be seen through the patentability analysis that the change in patentability basically follows an exponent part of the function is a damping factor that determines a patentability degree or trend. The basic patentability of computer programs is revealed when the damping factor value is 1, and a statistical patent specification, an appropriate expression of applicability and substantiality of computer programs is needed to acquire a patent right.

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