• Journal of the Korean Institute of Rural Architecture
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• v.11 no.1
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• pp.25-36
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• 2009

Coastal village and Inland village was village in jeju. This study was cultural elements of stone to village in jeju. Memorial Stone and Stone Monument Street, Shrine, An altar of sarificial site for village tutelary spirits, Bangsatap(pagoda), 25 Bongsu(25 beacon fire stations) and 38 Yeondae(38 signaling sites), Hwanhaejangseong Fortress, Grave wall and Horse pasture walls were included in elements of history and culture to village in jeju. An altar of sarificial rite for village tutelary spirits was generally on the a hill near a village, built of Stone wall. Bangsatap(pagoda) was the kind and the size of stone to a location, that expresses the form and the scale. the form of grave wall was the oval or the rectangle, the latter was frequent. Thatched houses in jeju and facilities in a house, Stone wall, Tongsi(pigsty), Paeng namu and A heights of stone, Spring water and Water collected in a depression, Stone Weir, Horse mill and Dodaebul(Old Lighthouse) were included in elements of life and culture to village in jeju. Stone wall has the multiplicity of the size and the building method in the use, the function and the region. The form of Stone weir was the rectangular figure or the curvilinear figure, the section of that was the right triangle or the rectangular form.

• Journal of the Korean Geographical Society
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• v.47 no.3
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• pp.390-406
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• 2012

Recently, stone walls in Jeju Island have gained more attention as their importance in cultural value and tourism source got recognized. In addition, there are several projects to restore the walls underway at local governments' level. This study was conducted with the idea that it is also necessary to find out the background to build stone walls and its implication. The study mainly investigated the height of 'Uldam' or a stone wall surrounding the property including the house by using wind maps, geological maps and interview with local residents. The study found out that stone walls are more likely to be higher than others when they were built to protect the property against wind and stood against maximum wind and easily catched stone surround house.

• Journal of the Korean housing association
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• v.25 no.6
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• pp.111-121
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• 2014

The purpose of the study is to understand the unique characteristics of decoration style in traditional Javanese houses. Reviewing literature and visiting site were applied as the research method. Javanese House can be divided into three parts; roof, wall and floor. First, the roof of the traditional Javanese House is the most unique and important decorative element. The roofs are covered with roof-tiles and have clay carving ornaments on top. Usually there are no ceilings, just exposed to the oblique shape roof, which are made of wood to enable air ventilation. Joglo roof is the outstanding and representative roof type of Javanese houses. There is artistic and constructive roof structure named as tumpang sari in Joglo roof. The decoration on tumpang sari is the most colorful and symbolic ornaments. Secondly, the most unique element in the wall is the gebyok. Gebyok is made of wood and full of carved ornament, which has an artistic appearance, and also important function. The top part of doors are designed as perforated woodcarving, which give both aesthetic and ventilation purposes. Last, the stratified floor is begin with ground yard, then veranda that made from hardened clay, and main room constituted with a wood scaffold to provide air circulation and remove the humidity of the ground. The decorations of the column stand (umpak) are unique, where usually lotus flower is carved into black stone or lime stone. The outside of the buildings in Java Houses is not decorated by colors or symbols, whereas colors are only used in temples, pavilion or in royal housings. Instead they have carvings and decorations on important structural elements such as columns and beams inside. The ornaments and colors of decorations symbolize their god, ancestors and piece.

• Journal of the Korean Home Economics Association
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• v.38 no.11
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• pp.137-149
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• 2000

The Purpose of this study was to investigate actual condition about the modem adaptation of interior elements(floor, wall, ceiling, door & window) in traditional thatched roof house. The examined objects were interior space of 36 restaurants and cafes in Seoul and Kyung-Ki Do area. 1. Floor: Jang-pan was mostly alternated with linoleum which huts Jang-pan pattem. Wumul-maru was adapted from the original and Jang-maru was alternated with wood or linolium which has western state Jang-maru pattern. Mud was adapted from the original or alternated with slate stone or rough finish cement. 2. Wall: Rice proper was alternated with rice paper book witch has chinese character, paper for parcels or modem wall paper. Plaster-white paint or white handy coat. Mud-mud color paint or bamboo stick witch located in the mud wall orginal. Log-half cut log. Wooden board-without cross bar or irregular form. 3. Ceiling: Yondung-Chongang was mostly adapted from the original and Banja-Chonjang was alternated with rice paper book which has Chinese character or modem wall paper. 4. Door and Window: Ttisal-mun and Panjang-mun were adapted from the original. Wan and A’character door and window were simplified character itself.

• Journal of the Korean Institute of Rural Architecture
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• v.14 no.3
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• pp.69-76
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• 2012

This study aims to investigate the mechanism that analysis of the layout-structure of the Traditional Village Oeam. It can identify through the division of area, the properties of layout residential type, the relationship between buildings and roads and location of buildings and a gate. Traditional Folk Village is our precious cultural heritage. However, now is time for our disappearing heritage due to the indiscriminate development. This study will good references for residential Complex in modern society. As a result of this study road in the center of village is divided into two areas. The road and stream plays an important role in the housing layout and composition of the village. Oeam village houses are separated by scale as large, middle, small scale housing. The courty yard is formed widely through a various of housing plan. So that ventilation and light is favorable even if the main house is high. Each house has the individuality with avoiding the village roads and using the byroads and stone wall. Therefore, each house can protect the privacy of houses.

• KIEAE Journal
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• v.13 no.6
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• pp.29-37
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• 2013

The modern town houses in Philippines has been changed through Spanish colonization over 300years and American military administration in 20C. Especially Cebu, the first contemporary capital of colonized Philippines by Spain, has various cultural characteristics and historical remains including old houses. By the economy condition in Cebu growing up, Bahay na bato, stone and wood house, has been settled for the elite or middle class of Cebu around 19C influenced by Spanish or Europe and Philippines native house called bahay kubo. Bahay na bato shows a common features, as revealed in this study, which all of them has a two stories with cut stone curtain wall and wooden beam and lintel, fronting the main street by approaching directly from street. And spatial separating also shown by setting living space to upper level instead of using storage or entrance hall called zaguan in lower level. Bahay na bato studied here shows a particular appearances in elevation, having volada and elaborate geometric or floral window pattern, also playing a role for ventilation with vetanilas below volada and main window in section. They have a rectangular plan with caida, sala, comedo, azotea almost similar to Spanish and ealier colonial Mexico style mixed with Philippines traditional style showing the strong spatial separation functionally and space wideness for party occasionally.

• Journal of Environmental Health Sciences
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• v.47 no.5
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• pp.425-431
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• 2021

Background: This study evaluated the radon contribution rate through an evaluation of the exhalation rate of radon from building materials. Objectives: This study compared and evaluated the computation of the radon contribution rate based on each different exhalation rate in a building. Methods: The six demonstration houses that are the subject of this study are wall structures or Rahmen structures, and include demonstration houses similar to general residential environments and non-finishing houses with some walls exposed. Results: The highest exhalation rate was found at 62.98 Bq/m² per day from the non-finishing floor, and the second highest exhalation rate was from stone materials at 58.76 Bq/m² per day. Based on this result, investigating the contribution rate of building materials derived from building materials among indoor radon concentrations, house three was the highest at 81.7%, and house one was confirmed to be 33.96%. Conclusions: It can be judged that the effect of exposed concrete and stone is high, and that it is possible to reduce radon emitted from indoor building structures by controlling the indoor materials.

• Journal of the Korean association of regional geographers
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• v.7 no.3
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• pp.29-43
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• 2001

This paper examined characteristics of folk houses related to climate in Cheju island using climate data, documents and field survey data. Precipitation and humidity affect characteristics of folk houses in the southern parts of the island during summer while in winter, northern parts are mainly affected by wind. Chuck-gub has been shown through all over Cheju island due to the characteristics of precipitation. Jaechangmoon exists in southern parts of the island and these parts are experienced high humidity in summer The double-row room houses, the low eaves, gentle slop roof and stone wall are distributed through Cheju island and is related to wind. The double door is common in the northern parts because of strong winter monsoon, and Yimoonkan exists in the coastal area of the northern parts. Outer wall, Pung-Che and Gorangche are affected by winter monsoon and abundant precipitation. Gorangche has shown through both the northern parts and southeastern parts. Folk houses in the southern parts are more open than in northern parts. Folk houses in the northern parts are divided into the coastal type and the piedmont type. In the southern parts, they are subdivided the eastern type and the western type by the appearance of Gorangche.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.34 no.4
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• pp.37-50
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• 2016

Recognizing the problem of fallacy in geographical name of Changokbyeong(蒼玉屛), assumption has been made on the location of Changokbyeong through literature research on antique maps, ancient paintings, and old prose, through field survey on rock inscriptions and landscape characteristics, and through interviews with local people. Furthermore, Baegyeonwa, the Cuckoo Hut, and Iyangjung(二養亭), an annex to the cottage, both of which were managed by Saahm Park Soon(思菴 朴淳), the Subject of Jouissance, were studied in depth with emphasis on the spatial structure as well as special features of the area as a garden. The major findings are as follows: Changokbyeong is a spatial threshold that imparts a sense of unity with Okbyeng seowon(玉屛書院) and indeed Changokbyeong is presumed to have been the frontal river terrace of Okbyeng seowon according to the analysis of antique maps and rock inscriptions. This ancient location and the Ogari Stone Wall, the present day Changokbyeong, are only 460m away so that both areas are considered as falling under the influence of Changokbyeong landscape. The expression "Changokbyeong Geupsangeum(蒼玉屛及散襟)" written in an old prose tells us that the high rock wall with Sangeumdae inscribed on the rock might be the rock wall of Changokbyeong. In addition, while not a single rock inscription has been found on the Ogari Stone Wall, 11 rock inscriptions designed and ordered by Saahm Park Soon, the Subject of Jouissance, are found on every corner of the high rock wall standing in front of Okbyeng seowon, 8 of those 11 being place names and recitative poems(known as Jeyeongsi: 題詠詩) in close formation resembling the handwritings in a little notebook. This provides a strong evidence for assuming the location of Changokbyeong to be the frontal river terrace of Okbyeng seowon. The "Songgyun Jeoljo Suwol Jeongshin(松筠節調 水月精神)" rock inscription on Changokbyeong should be considered as the stamping ground and as the symbolic language of Changokbyeong that bears the high character and nobility of the Subject of Jouissance, Saahm Park Soon. The inscription should also be recognized as the handwritings of Wooahm Song Si-Yeol(尤庵 宋時烈) correcting the misconceptions that persisted until today. Meanwhile, the garden remains of Saahm's Changokbyeong are composed of four sites: Sangeumdae-Sugyeongdae-Cheonghakdae-Baekhakdae from the left. At the back of Sangeumdae, there is the original house, the Baegyeonwa(拜鵑窩), and on the fantastically shaped stone wall at the left of Baekhakdae, there is the annex, the Iyangjung, together creating a landscape composition that overlooks the splendor of the Ogari Stone Wall. The Iyangjung is located on the highest spot to the left of the four sites, and it is believed to have been a little outhouse and library for Saahm which remains to the present day as a place where Saahm's character can be felt. The drinking plates[窪樽] made of rock that are affectionately arranged on the broad flat rock in front of Iyangjung is part of the garden remains that reflects the artistic taste of Saahm regarding the drinking culture at the time.

• Journal of architectural history
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• v.12 no.3
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• pp.19-38
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• 2003

The purpose of this study is to analyze the architectural character of the upper risen architecture(高床式 建築) in Japan. There are few upper risen architecture and architectural remains in Korea. Until now most of Korean researcher recognized that the upper risen architecture is southern regions' form. But there are a few numbers of upper risen buildings in northern regions of Korea and China. Therefore we need to compare northern and southern regions' upper risen architecture. The scope of this study is architectural remains, sites and present buildings about upper risen architecture in Japan. The period of this study is from third to eighth century. The method of this study is the analyses of site plan(the ratio of front and side length) and construction about Japanese Architecture. And then this study compare Japanese with other countries in Korean and Chinese upper risen architecture. Results of the study are below. 1. In Japan, upper risen architecture was introduced into southern regions(southern China and southeast Asia) with rice farming culture. 2. After introduced upper risen architecture, they were influenced many architectural technique of Korean and Chinese. 3. There were many technical improvement(such as foundation stone standing method, high technical wooden frame structure and adaptable triangle frame wall at moisture) the Japanese upper risen architecture in Nara Period(奈良時代). 4. As the results, I found out that there were many similarity Korea and Japan in upper risen architecture. I think that we will try continuous to study another regions' upper risen architecture in order to define conclusion.