• 한국농촌건축학회논문집
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• 제11권1호
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• pp.25-36
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• 2009

Coastal village and Inland village was village in jeju. This study was cultural elements of stone to village in jeju. Memorial Stone and Stone Monument Street, Shrine, An altar of sarificial site for village tutelary spirits, Bangsatap(pagoda), 25 Bongsu(25 beacon fire stations) and 38 Yeondae(38 signaling sites), Hwanhaejangseong Fortress, Grave wall and Horse pasture walls were included in elements of history and culture to village in jeju. An altar of sarificial rite for village tutelary spirits was generally on the a hill near a village, built of Stone wall. Bangsatap(pagoda) was the kind and the size of stone to a location, that expresses the form and the scale. the form of grave wall was the oval or the rectangle, the latter was frequent. Thatched houses in jeju and facilities in a house, Stone wall, Tongsi(pigsty), Paeng namu and A heights of stone, Spring water and Water collected in a depression, Stone Weir, Horse mill and Dodaebul(Old Lighthouse) were included in elements of life and culture to village in jeju. Stone wall has the multiplicity of the size and the building method in the use, the function and the region. The form of Stone weir was the rectangular figure or the curvilinear figure, the section of that was the right triangle or the rectangular form.

• 대한지리학회지
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• 제47권3호
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• pp.390-406
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• 2012

제주도 돌담은 최근 들어 문화유적, 관광자원 등으로 주목받으며 지방자치단체 차원에서 다양한 복원사업이 추진되고 있다. 본 연구는 돌담의 물리적인 복원과 함께 돌담의 형성 배경과 의미를 밝히는 것 역시 중요한 일이라 생각되어 진행하였다. 집주변에 울타리를 형성하고 있는 돌담인 울담의 높이를 중심으로 조사를 하였고 바람지도, 지질도, 주민 인터뷰를 활용하여 연구를 하였다. 연구결과, 제주도 해안마을에서는 돌을 쉽게 구할 수 있고, 주민들이 방풍 역할을 주목적 기능으로 울담을 세운 마을의 경우에 최대 풍속이 큰 곳에서 울담이 높게 나타나는 경향이 있다는 것을 확인할 수 있었다.

• 한국주거학회논문집
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• 제25권6호
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• pp.111-121
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• 2014

The purpose of the study is to understand the unique characteristics of decoration style in traditional Javanese houses. Reviewing literature and visiting site were applied as the research method. Javanese House can be divided into three parts; roof, wall and floor. First, the roof of the traditional Javanese House is the most unique and important decorative element. The roofs are covered with roof-tiles and have clay carving ornaments on top. Usually there are no ceilings, just exposed to the oblique shape roof, which are made of wood to enable air ventilation. Joglo roof is the outstanding and representative roof type of Javanese houses. There is artistic and constructive roof structure named as tumpang sari in Joglo roof. The decoration on tumpang sari is the most colorful and symbolic ornaments. Secondly, the most unique element in the wall is the gebyok. Gebyok is made of wood and full of carved ornament, which has an artistic appearance, and also important function. The top part of doors are designed as perforated woodcarving, which give both aesthetic and ventilation purposes. Last, the stratified floor is begin with ground yard, then veranda that made from hardened clay, and main room constituted with a wood scaffold to provide air circulation and remove the humidity of the ground. The decorations of the column stand (umpak) are unique, where usually lotus flower is carved into black stone or lime stone. The outside of the buildings in Java Houses is not decorated by colors or symbols, whereas colors are only used in temples, pavilion or in royal housings. Instead they have carvings and decorations on important structural elements such as columns and beams inside. The ornaments and colors of decorations symbolize their god, ancestors and piece.

• 대한가정학회지
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• 제38권11호
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• pp.137-149
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• 2000

The Purpose of this study was to investigate actual condition about the modem adaptation of interior elements(floor, wall, ceiling, door & window) in traditional thatched roof house. The examined objects were interior space of 36 restaurants and cafes in Seoul and Kyung-Ki Do area. 1. Floor: Jang-pan was mostly alternated with linoleum which huts Jang-pan pattem. Wumul-maru was adapted from the original and Jang-maru was alternated with wood or linolium which has western state Jang-maru pattern. Mud was adapted from the original or alternated with slate stone or rough finish cement. 2. Wall: Rice proper was alternated with rice paper book witch has chinese character, paper for parcels or modem wall paper. Plaster-white paint or white handy coat. Mud-mud color paint or bamboo stick witch located in the mud wall orginal. Log-half cut log. Wooden board-without cross bar or irregular form. 3. Ceiling: Yondung-Chongang was mostly adapted from the original and Banja-Chonjang was alternated with rice paper book which has Chinese character or modem wall paper. 4. Door and Window: Ttisal-mun and Panjang-mun were adapted from the original. Wan and A’character door and window were simplified character itself.

• 한국농촌건축학회논문집
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• 제14권3호
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• pp.69-76
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• 2012

This study aims to investigate the mechanism that analysis of the layout-structure of the Traditional Village Oeam. It can identify through the division of area, the properties of layout residential type, the relationship between buildings and roads and location of buildings and a gate. Traditional Folk Village is our precious cultural heritage. However, now is time for our disappearing heritage due to the indiscriminate development. This study will good references for residential Complex in modern society. As a result of this study road in the center of village is divided into two areas. The road and stream plays an important role in the housing layout and composition of the village. Oeam village houses are separated by scale as large, middle, small scale housing. The courty yard is formed widely through a various of housing plan. So that ventilation and light is favorable even if the main house is high. Each house has the individuality with avoiding the village roads and using the byroads and stone wall. Therefore, each house can protect the privacy of houses.

• KIEAE Journal
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• 제13권6호
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• pp.29-37
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• 2013

The modern town houses in Philippines has been changed through Spanish colonization over 300years and American military administration in 20C. Especially Cebu, the first contemporary capital of colonized Philippines by Spain, has various cultural characteristics and historical remains including old houses. By the economy condition in Cebu growing up, Bahay na bato, stone and wood house, has been settled for the elite or middle class of Cebu around 19C influenced by Spanish or Europe and Philippines native house called bahay kubo. Bahay na bato shows a common features, as revealed in this study, which all of them has a two stories with cut stone curtain wall and wooden beam and lintel, fronting the main street by approaching directly from street. And spatial separating also shown by setting living space to upper level instead of using storage or entrance hall called zaguan in lower level. Bahay na bato studied here shows a particular appearances in elevation, having volada and elaborate geometric or floral window pattern, also playing a role for ventilation with vetanilas below volada and main window in section. They have a rectangular plan with caida, sala, comedo, azotea almost similar to Spanish and ealier colonial Mexico style mixed with Philippines traditional style showing the strong spatial separation functionally and space wideness for party occasionally.

• 한국환경보건학회지
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• 제47권5호
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• pp.425-431
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• 2021

Background: This study evaluated the radon contribution rate through an evaluation of the exhalation rate of radon from building materials. Objectives: This study compared and evaluated the computation of the radon contribution rate based on each different exhalation rate in a building. Methods: The six demonstration houses that are the subject of this study are wall structures or Rahmen structures, and include demonstration houses similar to general residential environments and non-finishing houses with some walls exposed. Results: The highest exhalation rate was found at 62.98 Bq/m² per day from the non-finishing floor, and the second highest exhalation rate was from stone materials at 58.76 Bq/m² per day. Based on this result, investigating the contribution rate of building materials derived from building materials among indoor radon concentrations, house three was the highest at 81.7%, and house one was confirmed to be 33.96%. Conclusions: It can be judged that the effect of exposed concrete and stone is high, and that it is possible to reduce radon emitted from indoor building structures by controlling the indoor materials.

• 한국지역지리학회지
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• 제7권3호
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• pp.29-43
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• 2001

본 논문에서는 제주도의 기후 자료와 문헌 자료, 현지 답사 자료를 분석하여, 기후 특성과 관련된 제주도의 민가 특성을 파악하고자 하였다. 여름철의 강수와 습도는 한라산 남쪽의 민가에, 겨울철의 바람은 한라산의 북쪽 민가에 영향을 미쳤다. 축굽은 강수와 관련이 있으며 제주도 전역에 분포한다. 재창문은 여름철 습도가 높은 한라산의 남쪽에 분포한다. 겹집 구조와 낮은 처마, 완만한 경사의 지붕, 돌담 등은 제주도 전역에 분포하며, 강한 바람과 관련 있다. 겨울 계절풍이 강한 한라산 북쪽에는 이중문이 보편적이며, 북쪽 해안지역에서는 이문간이 추가된다. 외벽, 풍채, ㄱ랑채 등은 강한 바람과 동시에 많은 강수에 대비한 것이다. ㄱ랑채는 한라산 북쪽 전지역과 한라산의 남동쪽에 분포한다. 한라산 남쪽의 민가가 한라산 북쪽의 것보다 개방적이다. 한라산 북쪽의 민가는 이문간의 유무에 의해 해안형과 중산간형으로 구분할 수 있으며, 한라산 남쪽에서는 ㄱ랑채 시설의 빈도에 의해 동부형과 서부형으로 구분된다.

• 한국전통조경학회지
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• 제34권4호
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• pp.37-50
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• 2016

창옥병의 지명 오류에 대한 문제의식을 바탕으로 고지도, 옛시문, 옛그림 등의 문헌자료조사와 암각 및 조망특성에 대한 현장조사 그리고 인터뷰를 통해 창옥병의 위치를 비정하고, 이곳의 향유주체인 사암 박순과 그가 경영한 배견와 및 별업 이양정의 공간 구조와 정원적 면모를 고찰한 결과는 다음과 같다. 창옥병은 옥병서원과 일체감을 갖는 공간역으로 옛그림과 고지도 그리고 암각문의 존재로 볼 때 옥병서원 바로 앞의 석벽임을 추정할 수 있다. 이 지역과 현재 창옥병으로 알려진 오가리석벽과는 직선거리로 불과 약 460m거리에 위치하고 있어 광의의 창옥병 경관영향권으로 볼 수 있다. 시문에 등장하는 "창옥병급산금(蒼玉屛及散襟)"이란 표현에서도 산금대라 암각된 병풍바위가 바로 협의의 창옥병임이 유추된다. 또한 오가리석벽에서는 단 1점의 암각도 확인되지 않는 반면 옥병서원 전면부 암벽 도처에는 사암 박순이 명명하고 주문하여 새긴 11개소의 암각 중 8개의 경물명과 제영시가 필첩(筆帖)처럼 밀집되어 있음은 옥병서원 앞의 강벽(江壁)이 의심할 여지없는 창옥병인 것으로 비정된다. '수월정신송균절조(水月精神松筠節調)'암각은 창옥병의 향유주체였던 사암의 고매한 인격과 덕행을 함축하는 창옥병의 상징언어이자 이곳의 장소 요체(要諦)로, 기존 알려진 것과는 달리 우암 송시열의 필적으로 바로잡아야 한다. 한편 사암의 정원유적 창옥병은 왼쪽으로부터 산금대-수경대-청학대-백학대의 4개 대로 구성되어 있다. 산금대 후면에는 본제인 배견와를, 백학대 좌측의 기암석벽 위에는 별업 이양정을 조성하여 멀리 오가리석벽의 장관(壯觀)을 관망하는 조망구도를 갖도록 계획되었다. 사대(四臺)) 좌측 가장 높은 곳에 입지한 이양정은 사암의 별업이자 독서처이자 장구지소(杖屨之所)이며 그 앞 너럭바위에 존재하는 와준(窪樽)은 사암의 술풍류를 반영한 정원시설로 비정된다.

• 건축역사연구
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• 제12권3호
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• pp.19-38
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• 2003

The purpose of this study is to analyze the architectural character of the upper risen architecture(高床式 建築) in Japan. There are few upper risen architecture and architectural remains in Korea. Until now most of Korean researcher recognized that the upper risen architecture is southern regions' form. But there are a few numbers of upper risen buildings in northern regions of Korea and China. Therefore we need to compare northern and southern regions' upper risen architecture. The scope of this study is architectural remains, sites and present buildings about upper risen architecture in Japan. The period of this study is from third to eighth century. The method of this study is the analyses of site plan(the ratio of front and side length) and construction about Japanese Architecture. And then this study compare Japanese with other countries in Korean and Chinese upper risen architecture. Results of the study are below. 1. In Japan, upper risen architecture was introduced into southern regions(southern China and southeast Asia) with rice farming culture. 2. After introduced upper risen architecture, they were influenced many architectural technique of Korean and Chinese. 3. There were many technical improvement(such as foundation stone standing method, high technical wooden frame structure and adaptable triangle frame wall at moisture) the Japanese upper risen architecture in Nara Period(奈良時代). 4. As the results, I found out that there were many similarity Korea and Japan in upper risen architecture. I think that we will try continuous to study another regions' upper risen architecture in order to define conclusion.