• 보존과학연구
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• 통권24호
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• pp.131-152
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• 2003

In ancient times, many kinds of different inorganic pigments were used as colorants for making objects. These pigments are still evidentin well known objects such as Danchung, mural painting and Buddhist painting. This study discusses the results obtained from an analysis of the pigments used on the Buddha pigments. The results can be briefly summarized as below; Firstly, the microcrystalline structures revealed on the cross section of analyzed pigments, samples of which were taken from various parts of Buddha pigments show that different sizes and shapes of pigment particle were used for different purposes such as coloring, toning of the pigments. The arrangement of pigments and their usages are varied according to the owner temples and the place where it was created. Secondly, a result of the analysis on the composition and structure of the pigments shows that the main components in their composition are: Red pigments - Red lead($Pb_3O_4$) and Cinnabar(HgS)Green pigments - Malachite[$CuCO_3$.$Cu(OH)_2$] and Prussian Blue[$Fe4(Fe(CN)_6)_2$]Gold pigments - pure gold(Au)Yellow pigments - Orpiment($A_s2S_3)White pigments - Lead Cyanamide[$Pb_3(CO_3)_2(OH)_2]Ultramarine pigments - Azulite[$Cu_3(CO_3)_2(OH)_2]Especially, we knew that pigments used on the Ssanggye temple not repaired to the artificial synthetic pigment

• 한국도서관정보학회지
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• 제28권
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• pp.415-445
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• 1998

This study attempts at the engraving place of wood-printing plates held in the Haein Temple(해인사), which were famous for playing the significant role in the understanding of publishing activities of both the Koryo and Choson Dynasty. Following the common way the bibliographic elements of the books were analyzed namely according to the publication place and the publisher. The findings derived from the analysis are summarized as follows; In the Haeinsa the wood-printing plates books are preserved moved from 17 temples such as Bongso-Sa(봉서사), Hago-Sa(하고사), Soksuam(석수암), Inhung-Sa(인흥사), Wonkwang-Sa(월광사), Sinha-Sa(신하사), Gunsyaeng-Sa(군생사), Jangsu-Sa(장수사), Yongtong-Sa(영통사), Wonjok-Sa(원적사), Unjin(은진) SSanggye-Sa(쌍계사), Songsan(성산) SSanggye-Sa(쌍계사), Hungyul-Sa(흥률사), Jongwon-Sa(정원사), Yon-Sa(연사), Gamro-Sa(감로사), Yongguam(영귀암) besides the publications of temples, there are publications of local branches of gangyengdogam(간경도감) such as Jinju(진주), Sangju(진주), Sangju(상주), Andong(안동), of local public agencies such as Gaelimbu(계림부), Dalsunggwan(달성관), and of private families of which 8 titles in the Koryo Dynasty and 13 titles of the Choson Dynasty. Among the "SSanggyae-Sa(쌍계사) publication" held in the Haeinsa, 9 titles including Chimungyonghun(치문경훈) are recklesaly preserved with dividing both in Gap temple(갑사) and in Haeinsa as the same publication. It is possible that other scattered present publications or remaining publications might have been remaining publication from those partly burnt ones of the complete publications. By means of the investigation on the catalogs of publications, 5 titles such as <> <> <> <> <> which are now kept in the Haeinsa moved from the Taegubu(대구부) or Yongyon-Sa(용연사) were newly identified.

• 보존과학회지
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• 제27권3호
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• pp.269-276
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• 2011

이 연구에서는 안료층에 대한 X-선의 투과깊이를 산출하여 벽화안료의 효과적인 P-XRF 분석기법을 제안하였다. 실험결과, P-XRF에서 발생한 X-선은 안료의 1.17mm까지 투과가 가능한 것으로 산출되었다. X-선의 투과깊이와 특성을 활용하여 논산 쌍계사 대웅전 벽화에 채색된 8가지 색상의 안료를 분석한 결과, 대부분의 안료는 전통안료를 사용한 것으로 확인되었다. 그러나 근대에 복원한 벽화는 원래의 벽화와 색상은 유사하지만 현대안료를 사용한 것으로 나타났다.