• Korean Institute of Interior Design Journal
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• no.37
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• pp.88-94
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• 2003

In recent years, the direction of the contemporary design paradigm has been shifting from the western to eastern culture; while the western paradigm focuses more on logic and reasons, the eastern paradigm values more on the emotional factors. Today, the interior architecture, in the professional field of design, is gaining its attention from the public due to its rapid development of multi-purpose intelligent buildings which are expected to grow more in coming years. Users are becoming high in demand for the maximum efficiency 8f aesthetical Intoners. While functionality Is the fundamental element In office design, there are increasing request to express uniqueness in the given space such as including the traditional concepts specially when we are living in the era of "globalization". The effect of both WTO policy and the globalization, brought many multinational or foreign companies to expand in Korea. Their request for interior design is to reflect Korean traditions in the office space in order to present the regional characteristics of Korea. Office designs in Korea has been developing rapidly in terms of its advancement in building technology and visual aesthetics. However, the Korean traditional concepts have been expressed very broadly without any boundary or knowledge. Thus, the objective of this study is to analyze the Korean traditions and design elements expressed in various office spaces on case-by-case basis and to provide the typology and the guidelines for the future designs.e designs.

• Proceedings of the Korean Institute of Intelligent Systems Conference
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• 2003.09a
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• pp.78-81
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• 2003

This paper proposes a fuzzy classifier system (FCS) using hyper-cone membership functions (HCMFs) and rule reduction techniques. The FCS can generate excellent rules which have the best number of rules and the best location and shape of membership functions. The HCMF is expressed by a kind of radial basis function, and its fuzzy rule can be flexibly located in input and output spaces. The rule reduction technique adopts a decreasing method by merging the two appropriate rules. We applay the FCS to a tubby rule generation for the inverted pendulum control.

• Korean Institute of Interior Design Journal
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• no.12
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• pp.100-108
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• 1997

A human body can be called the scale of all things and the most perfect and sensual presentation of form. Its beautiful proportion has been used as the most important measure of all the natural organic beings. The attitude of research based on the human scale is so traditional both in East and West, and especially in the field of architecture. It has been the ground of most standards in various buildings and cities from the ancient times. This study aims to examine the way the human body has been investigated in history and to find out how it is applied and expressed as the scale in architecture or interior spaces. It takes a step forward from mere research of proportion by studying even the emotional and psychological relations between space and human beings. It may contribute to the creation of the space for human beings.

• Korean Institute of Interior Design Journal
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• v.14 no.5 s.52
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• pp.3-9
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• 2005

Territoriality and privacy are known to be basic human instincts that have made today's cultural evolution possible. However there are also cultural differences in the expressions and meanings of territorial and privacy behaviors. Currently with the emerge of non-territorial workplaces office workers are deprived from what used to be their territory and force to share with co-workers leading confusion and stress. Therefore many research has be conducted on territorial issues but unfortunately little is known on Korean cultural concept of territoriality and privacy. Eyen though Korean society has been rapidly westernized during the 20th century, traditional culture still is a major influence on Korean's concept and use of space. This study explores and investigates the concept of territoriality and privacy and how they are expressed in traditional Korean housing focused on high level society between 17th and 19th century. Thus hope make a small contribution in designing unique and culture based interior spaces.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2007.05a
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• pp.237-241
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• 2007

Artificial environments and spaces developed in 20th century provided conveniences and comforts and developed spatial thoughts of interior design. But it caused significant environmental estrangement due to environmental disruption and materialism. This caused raising necessity of emotional design in human life spatial design as liberation of human nature is discussed and interest in emotion among human natures is being enhanced. This study manages how emotional design is expressed in basic area of human, residential area. Emotional design is proceeding to the direction designing interface between human and environment considering human physical and psychological characteristics focused on correlation between human and interior space. Therefore through this study, meanings and effects of design considering user emotions are reviewed to materialize expressing factors for combining into actual design.

• Proceedings of the Korean Institute of Interior Design Conference
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• 1999.04a
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• pp.102-105
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• 1999

The purpose of this study is to analyze the meanings and expressional characteristics of space-time concept in modern architecture. As the architecture spaces reflect and represent the characteristics of times, the meaning and modern expression of space-time concept was studied in the developmental process of space concept on the base of the background of philosophy, science and psychology. At the late 19th century, space concept was changed with relative time-space in philosophy and science and the theory of visual perception. In the beginning of 20th century, space-time concept that combined space with time in the process of image open space expanded movement was developed. In modern architecture, it was expressed as the freedom of movement by open space expanded infinitely and/or abstract space without spacial measure, multiple view point by superimposed and/or polyhedric space and kinetic vision by dynamic and/or continuous space.

• Journal of the Korean Home Economics Association
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• v.35 no.3
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• pp.89-100
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• 1997

The formal constructions of deconstructive architecture in the contemporary fashion expressed as intertexruality, difference and trace and the working of DIS and DE, and intertextuality in deconstructive has manifested itself as the intertextuality of material, hybridization of items, the blending of modes and the bi-sexuality of sexes. And the difference and trace found in fashion are fantastic and playful and come to exist as historicity. DIS and DE in fashion shows the retrogression of gravity through non-structural silhouette. Their disentring expression emerged as construction through mixture and repetition as well as overlapping of planes or spaces. And their disjuctive representation appeared in the form of mutual juxtaposition and substitution with the double-side of formal construction in fuctional terms.

• Wind and Structures
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• v.3 no.4
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• pp.221-241
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• 2000

Structural dynamics usually applies modal transformation rules aimed at de-coupling and/or minimizing the equations of motion. Proper orthogonal decomposition provides mathematical and conceptual tools to define suitable transformed spaces where a multi-variate and/or multi-dimensional random process is represented as a linear combination of one-variate and one-dimensional uncorrelated processes. Double modal transformation is the joint application of modal analysis and proper orthogonal decomposition applied to the loading process. By adopting this method the structural response is expressed as a double series expansion in which structural and loading mode contributions are superimposed. The simultaneous use of the structural modal truncation, the loading modal truncation and the cross-modal orthogonality property leads to efficient solutions that take into account only a few structural and loading modes. In addition the physical mechanisms of the dynamic response are clarified and interpreted.

• Journal of The Korea Institute of Healthcare Architecture
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• v.15 no.2
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• pp.39-50
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• 2009

The purpose of this study is a presentation of long term strategies for hereafter hospital's remodeling and new constructions with grabbing in the characters of various spaces and ways of remodeling on wards which have been remodeled according to periods(the opening, before remodeling, after remodeling, new construction). The targets are three remodeled hospitals and four resent hospitals. And also the hospitals are divided as beds, additional hospital facilities, day room, doctor's and staff dining room, public space(corridor, core, duct) etc. The analEis of this study explains changes of wards through the characters expressed by remodeling on the specific functions (beds, additional hospital facilities, day room, doctor's and staff dining room, public space etc.) Following the research, the study has kept going to understanding of problems and limitations of improvement on remodeling wards. Finally, this researcher looked for suggestions on the planning of wards.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2005.10a
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• pp.176-179
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• 2005

'Boundaries' are divided in various types and expressed in diverse ways. Since the progress of socio-cultural, scientific, technological and ideological changes has been so fast, spaces, including cities and their architecture, are also changing rapidly. It is really hard to catch the general flow of modern architectural situations and the logic behind them since they are very complicated and diverse. It is even more complicated to determine which architectural phases represent the same period and how to provide the accompanying characteristics. Therefore, in this study, the boundary has infinite possibilities. By how to provide the accompanying characteristics. Therefore, in this study, the boundary has infinite possibilities. By reorganizing the structure of the ambiguous boundary and what the ambiguous boundary means itself in the process of thinking of creative designers as well as encompassing spatial design. This study will suggest a formative possibility that can be applied as space.