• 한국실내디자인학회논문집
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• 제26권2호
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• pp.3-12
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• 2017

This study has analyzed the features of attention to spacial composition seen in "Seeing ${\leftrightarrow}$ Seen" Correlation of continuous move in the space. The eye-tracking was employed for collecting the data of attention features to the space so that the correlation between visual perception and space could be estimated through the attention features to the difference between spacial composition and display. First, it was confirmed that the attention features varied according to the structure of shops and the exposure degree of selling space, which revealed that, while causing the customers' less attention to both sides of shops, the vanishing-point structure characteristically made their eyes focused on the central part. Second, their initial observation activities were found to be active at the height of their eyes. Third, 10 images were selected as objects for continuous experiment. There was a concern that the central part of each image would be paid intense attention to during the initial observation, but only two of those were found to be so. Fourth, there had been a study result of eye-tracking experiment that the attention had been concentrated on the central part of the image first seen. This study, however, revealed that such phenomenon is limited to the first image. Accordingly, it is necessary to draw up such method for ensuring reliability in order to use the data acquired from any eye-tracking experiment as exclusion of the initial attention time to the first image or of unemployment of the initial image-experiment to analysis.

• International Journal of Internet, Broadcasting and Communication
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• 제15권1호
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• pp.126-139
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• 2023

At present, naked-eye 3D appears more and more commonly on the facades of urban buildings. It brings an incredible visual experience to the audience by simulating the natural 3D 3D space effect. At the same time, it also creates enormous commercial value for city publicity and commercial advertisements. There is much research on naked-eye 3D visual effects, but for right-angle LED screens. Right-angle LED screen's brand-new expression method that has only become popular in recent years, how to convey a realistic naked-eye 3D effect through two LED screens combined at right angles has become a problem worth exploring. To explore the whole design ideas and production process of the naked-eye 3D impact of the right-angle LED screen, this paper is a preliminary study aimed at understanding the performance principle and expression features. Before the case analysis, first, understand the standard virtual 3D space construction techniques. Combining it with the optical illusion phenomenon, according to the expression principle of the naked-eye 3D effect of the right-angle LED screen, it can be summarized into seven expressions: Shadow, Color contrast, Background structure line, Magnify object, Object out of bounds, Object floating, Fusion of picture and background. By analyzing the optical illusion phenomenon used in the case, we summarized the main performance characteristics of the naked eye 3D effect. The emergence of right-angle LED screens breaks the limitation of a single plane of optical illusion art, perfectly combines building facades with naked-eye 3D visual effects, and provides designers with a brand-new creative platform. Understanding its production principles and main expressive features can help designers enter this innovative platform better.

• 대한전기학회:학술대회논문집
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• 대한전기학회 2015년도 제46회 하계학술대회
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• pp.67-68
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• 2015

This paper describes humanoid eye drive system. The eye drive system has been developed by using more than two motors for operating 2 degree-of-freedom. It needs to accomplish purpose for operating the robot eye like movement of the human eye. However it makes problems that it increases energy consumption and requires relatively large space of operating system. Thus it needs technology to minimize and have high efficiency. This paper introduces the adequacy of perviously eye drive system. And it shows research value of the spherical motor system.

• 한국멀티미디어학회논문지
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• 제21권9호
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• pp.1119-1130
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• 2018

Writing letters or patterns on a virtual space by moving a person's gaze is called "eye writing," which is a promising tool for various human-computer interface applications. This paper investigates the use of conventional eye writing recognition algorithms for the purpose of user-independent recognition of eye-written characters. Two algorithms are presented to build the user-independent system: eye-written region extraction using wavelet coefficients and template generation. The experimental results of the proposed system demonstrated that with dynamic positional warping, an F1 score of 79.61% was achieved for 12 eye-written patterns, thereby indicating the possibility of user-independent use of eye writing.

• 한국실내디자인학회논문집
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• 제21권2호
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• pp.92-100
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• 2012

This study was to examine the pattern of visual interpretation in the process of eye-tracking. I categorized the subjects' observation inclination for analysis so that I could find out which element the user observing the space concentrated and explored. First, for 2 minutes of observation, there occurred 171 times of eye-fixations and 9.8 times of observation frequency on average, which showed that the subject, through this observing fixation, spent 44.5% of the entire time performing the visual activity in order to acquire the "visual understanding" of the lobby-space. Second, I found out that there was a consistent observation type as the time passed. I could categorize the subjects observing the space into 6 concentrating types and 3 discontinuing ones of observation types, which category can be utilized as data for analyzing the subjects' characteristics at space-observation. Third, the type, which was so intensive as to get the visual understanding on the space, was mostly of the case that (1) the subject had a kind of high degree of observation type, exploring the space, again having high degree of the observation type [Type A], (2) the subject repeated the concentration from the early part to the latter [Type C], which can be considered to be the observation type generally shared. Fourth, in the case of observing the space, 45.8% of the subjects showed a high rate of concentration at the time of starting the observation and in less than two minutes. The subjects of type A can be considered to understand the space visually by distinctively repeating the concentration and exploration.

• 대한건축학회논문집:계획계
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• 제34권6호
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• pp.23-30
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• 2018

Gordon Cullen, who tried to understand urban landscapes in terms of visual attention, introduced a concept called 'Space and Infinity' in his book 'Townscape'. According to him, urban images like infinity spreading across the sky are more effectively created when we happen to see an open space while walking along a ground-level street than when we look at the sky. This study aims to quantitatively examine if urban observers pay more attention to spaces like pilotis on the bottom of a building. Thus, this study collected observers on actual urban landscape images and partially-edited images and conducted an experiment by adopting Eye-movement Tracking to find out if they actually pay more visual attention to a space like pilotis. This study selected a total of 50 people as research subjects and divided them into two groups. Image 1 was shown to one group, and Image 2 with the pilotis space edited was shown to the other group. As an experiment to find objective evidences on Gordon Cullen's 'Space and Infinity', this study analyzed difference between Image 1 and Image 2, and it was found that the domain of pilotis showed a value five times higher than the average visual attention since it attracted much visual attention although it was very small in area. That is, it has objectively clarified that people get most fascinated with a place with infinite images in the background like a pilotis space out of all the urban landscapes as Gordon Cullen's theory. In addition, the differences in visual concentration of pilotis space by sex, by subject was examined, and there was no significant difference in visual concentration of pilotis space by gender. As a result of examining the difference of visual concentration by classifying the subjects into architectural related major, the major group showed higher frequency of viewing than the non - major group.

• 한국지능시스템학회:학술대회논문집
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• 한국퍼지및지능시스템학회 2003년도 ISIS 2003
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• pp.122-125
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• 2003

Aged people are increasing, and IT gap is also expanding. In order to solve the problem, we composed the intelligent space and eye contact communication. Intelligent space can pursue by getting a color from the camera

• 천문학회보
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• 제46권1호
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• pp.58.3-58.3
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• 2021

극한환경에서 작동 가능한 고분해능, 고정밀 대형 광학계 관측 플랫폼 시제품 (Super Eye Bridge) 인 태양 망원경 개발을 위한 광학 및 광기계 설계를 수행하였다. 차폐가 없으며 고속 팁-틸트 기능을 부여하여 이미지를 보정하고, 태양열로 인한 열적 성능저하를 방지하는 가능을 구현할 수 있도록 광학설계를 진행하였다. 광기계 설계는 극한 환경에 적용이 가능한 반사경의 경량화 및 지지 구조의 최적화를 진행하였으며 제작성을 고려한 SiC 신소재를 사용하고, 정렬을 위한 부반사경 조절부를 채용하였다. 본 연구에서는 SEB 태양망원경의 광학 및 광기계 설계 결과를 발표할 것이다.

• 터널과지하공간
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• 제28권5호
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• pp.387-399
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• 2018

광해방지사업은 인간의 과거 광산 활동과 현재의 삶(환경)과 밀접하게 관련되어 있다. 이는 광산지역이 국가적 관리가 필요한 이유 중 하나이다. 광해방지사업의 효율적 시행을 위해서는 폐광산 지하공간에 대한 정밀한 조사 및 분석이 필요하다. 한국광해관리공단은 지하공동을 실측하고 조사하는 실용화 기술을 개발해오고 있다. MIRECO EYE 시스템은 지하공동의 3차원 수치화 및 형상화 조사장비이다. 레이저, 소나 및 영상측정 기술이 융복합되어 있으며, 접근이 불가능하였던 지하공동에 대한 정보를 획득하고, 광산 지역의 침하 위험관리에 사용되고 있으며, 최근에는 도심지 싱크홀 분야 등 다양한 목적으로도 활용되고 있다. 본 연구는 MIRECO EYE 시스템을 통해 획득된 정밀 수치정보 및 형상정보의 분석에 관한 연구이다.

• 대한건축학회논문집:구조계
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• 제36권3호
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• pp.159-167
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• 2020

For modern people who spend most of their time indoors, the indoor environment is very important. The efficiency of work depends on the amenity level of the occupants who use the office space. Therefore, the experiment was conducted to derive the proper illuminance according to the amenity level of the occupants. The experiment was conducted in an office in Chilgok County for 6 days. The illuminance of the indoor was changed every day, the feeling brightness of the occupants was measured every 10 minutes, the eye fatigue was measured every 30 minutes, and the overall illuminance and the work surface illuminance were measured every hour. Experimental results show that the feeling brightness is different depending on the position of the occupants. Also, it was found that the brightness survey preferred by the occupants required more proper illuminance than the brightness. In addition, it is considered that there is a correlation with indoor temperature and humidity as the eye fatigue of occupants. Brightness preference by time of day was analysis from feeling brightness of occupants and preference brightness of occupants, and then it was analyzed like eye fatigue to derive proper illuminance per hour. Based on these results, it can be utilized for improvement of eye amenity existing office space.