• 한국건설관리학회논문집
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• 제4권4호
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• pp.137-144
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• 2003

Recently, the interest in a complex building increases rapidly in Korea. High-rise complex is not simply the combination of a residential apartment and a business office as previous but a building with the object of the convenience of the residents familiar with city-life style through adapting the high class life style and new residential culture to the business space, and the efficiency in using the limited building site in the town. This study presents an exploratory analysis focusing the structural system with the help of the extensive survey of the construction site in Korea, and aims a guideline for the structural design and construction of high rise complex. Through the survey, change and development in the design and the construction can be seen as the height and size of the complex grow. It is almost indispensable to design a structural system against lateral forces like earthquake or wind, which is usually measured by story drift ratio or story displacement. Improvement of the structural materials and their usages is also included for the efficiency of the structural system. Useful slab-beam system contributing to the decrease of the story height is still a concern.

• 복합신소재구조학회 논문집
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• 제4권3호
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• pp.7-12
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• 2013

The demand for the structural system of reduction of story height increases because buildings are getting higher. The existing structural systems are not efficiency. Thus, it is hard to reduce the story height and existing methods cannot secure economics as expected. This study aims at developing the partially concrete-filled new type composite beam, which can efficiently resist against the end negative moment and central positive moment, also reduce deflection of beams. Through case studies on loading of concentrated load and uniformly distributed load to fixed beam, we could find the most efficient ratio of moment of inertia and the ratio ${\alpha}$(end beam length to span). The gap space between middle and end beam can be used as facilities installation, consequently the suggested Omega beam system is expected to get the effect of reduction in story height as well as reduction of quantity.

• Structural Engineering and Mechanics
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• 제10권6호
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• pp.517-532
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• 2000

A direct output feedback control scheme was recently proposed by the authors for single-story building structures resting on flexible soil body. In this paper, the control scheme is extended to mitigate the seismic responses of multi-story buildings. Soil-structure interaction is taken into account in two parts: input at the soil-structure interface/foundation and control algorithm. The former reflects the effect on ground motions and is monitored in real time with accelerometers at foundation. The latter includes the effect on the dynamic characteristics of structures, which is formulated by modifying the classical linear quadratic regulator based on the fundamental mode shape of the soil-structure system. Numerical result on the study of a $\frac{1}{4}$-scale three-story structure, supported by a viscoelastic half-space of soil mass, have demonstrated that the proposed algorithm is robust and very effective in suppressing the earthquake-induced vibration in building structures even supported on a flexible soil mass. Parametric studies are performed to understand how soil damping and flexibility affect the effectiveness of active tendon control. The selection of weighting matrix and effect of soil property uncertainty are investigated in detail for practical applications.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 추계학술발표대회 논문집
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• pp.84-88
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• 2007

Movie has a light, colors, and texture in the space and a design. Movie is a ovation of the 3-dimensional reality with time and space. Just like a movie, a space can also express time, personality of characters and background stories. Symbolization of a space tells philosophy and emotions, making meaning of the space abundant and consistency in entire composition of the space. Expression of beauty through order of space inside proves meaning of space. Think that can do and present to production methodology of space design to universalize ureas through symbolic productions that is based on story.

• 고전문학과교육
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• 제37호
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• pp.217-252
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• 2018

조선 후기의 판소리계 소설인 <토끼전>은 "삼국사기(三國史記)"의 <구토지설(龜兎之說)>을 근원설화로 갖는데, 이 <구토지설>은 또한 인도 설화의 동점(東漸)으로 이루어졌다. 본고에서는 이러한 '인도설화 - <구토지설> - <토끼전>'의 서사적 변화에 대해 검토하여 짤막한 우화가 <토끼전>과 같이 풍요로운 이본을 가진 이야기로 나아간 과정을 살펴보고자 하였다. 쟈타카의 <악본생>, "판챠탄트라"의 <원숭이와 악어>, "생경"의 <불설별미후경>, "삼국사기"의 <구토지설>, <토끼전>의 세 가지 이본을 두루 살핀 결과, 다섯 종류의 이야기들은 모두 '물속 동물의 육지 동물에 대한 위협과 음모', '대리자의 육지 동물 유혹', '육지 동물의 꾀를 통한 탈출' 이라는 공통적인 서사의 전개를 가지고 있었고, '육지 동물', '대리자', '물속 동물'이라는 공통적인 기능을 수행하는 인물을 가지고 있었다. 그러나 원형적인 이야기에서 <토끼전>으로 올수록 등장 인물의 재조직이 일어나 행위의 설득력이 강화되고, 사건을 재편하는 것으로 갈등의 규모를 확장하고, 공간을 대비적으로 활용하는 것으로 서사 내 담지된 주제 의식이 다변화되는 변화들이 일어나는 것을 확인할 수 있었다. 이러한 논의를 통해 소위 매력적인 이야기, 좋은 이야기는 어느 특정 이야기에서 그 성과가 일궈진 것이 아닌, 많은 이야기와 그만큼의 많은 사람들이 모여서 이루어낸 크고 작은 서사적 도약들이 적층됨으로써 만들어지는 것이라는 논의의 의의를 이끌어 낼 수 있었다.

• 한국농촌건축학회논문집
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• 제26권2호
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• pp.35-40
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• 2024

This study examines the classification and typical characteristics of 148 owner shop houses existing in the historical city center of Cheongju. First, they can be classified into single-story, middle-story, and divided types according to the distribution of residential and commercial functions. The single-story(36) has 'ㅡ', 'ㄱ', and 'narrow and deep'-shaped arrangement, with stores on the front and houses on the rear. The middle-story second floor(89) is divided into a first-story store and a second-story house, and the third floor(23) has different functions for each floor, but more than half of them have houses on the second and third floors. Among the total, there are also 16 cases in which the division type is taken with different construction times and structures. Second, in the position of the stairs connected to the upper floor among the middle-floor types(112), the outer stair type(52) to separate from the living space while making the most of the stores on the first floor accounts for 47%, but the biggest feature is that the inner staircase type(34) with privacy reaches 30%. The rear stair room type(26) entering through alleyways or private yards is also 23%. Third, the front pillar spacing varies from 1bay to 4bay in appearance, but the 2bay type on the 2nd floor and the 1bay type on the 3rd floor occupy the largest proportion. This exterior type is a characteristic of a owner shop house that can measure the range of personal ownership. Despite the conflicting functions of stores and houses, 35~40% of the cases are in which the opening positions of the upper and lower floors are unified.

• 한국실내디자인학회논문집
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• 제25권4호
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• pp.23-34
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• 2016

The purpose of this study was to investigate the influential factors of space marketing, and then to empirically analyze how they were reflected on the facade elements of sports stores. In order to achieve such a purpose, the research was firstly based on the perspective of space marketing to extract various features into 4 types of factors, namely sensuous factors, differentiated external appearance factors, image-associating factors and story-creating factors. Secondly, this study extracted the elements of facade design for sports stores including architectural elements, visual elements and display elements. Thirdly, it clarified the correlation of the influential factors of space marketing with the external space elements of sports stores. Fourthly, the qualitative analysis method was applied to analyze eight selected cases in Busan and eight selected cases in Fukuoka, Japan in order to explore the various different methods of expression of facade design. Lastly, the study found that the stores in Busan mostly take advantage of contrasting effects to deliver a strong visual impression to customers in the sensuous factors. Besides, the facade shapes in Busan were designed to be straight in order to enhance the main doors with its distinguished formative features to maximize the effective expression of the differentiated external factors, along with other expression methods of the image associating and story creating factors. This was done to associate with the brand identity in comparison with the stores in Fukuoka.

• 고전문학과교육
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• 제33호
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• pp.5-44
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• 2016

이 연구에서는 만화가 고우영(1939-2005)을 고전에 대환 자신의 이해와 해석을 동시대인들에게 확산시킨 창조적 수용자라고 보고, 일련의 고전소설을 개작한 그의 작업 중 흥부전의 개작인 <놀부뎐>(1988)을 대상으로 서사변용 양상을 살피고 이를 가능하게 한 흥부전의 수용문화를 고찰하였다. 특히 고우영의 작품은 '어떻게 하면 과거의 문학을 현재의 고전으로서 살아있게 할 수 있는가?'하는 질문에 좋은 참조가 된다. 기존의 흥부전과 다른 특징을 드러내는 데 초점을 맞추어 사건 구성과 인물형상화, 시공간적 배경에서 작품의 서사 변용 양상을 살펴보았다. 우선이 작품은 흥부와 놀부가 태어나게 된 사연으로부터 시작하여 가족 관계 속에서 둘의 성격 형성 과정을 서사화하는 '앞이야기 이어붙이기' 방식을 취하고 있다. 이는 이 작품이 성격과 성향이 다른 형제 간의 갈등을 서사의 중심 문제로 취하고 있음을 말해 준다. 한편, 결말 처리에 있어서는 모호성과 다양한 해석 가능성을 보여주는데 이는 권선징악의 주제를 구현하던 흥부전에 대한 대화적 답변이라 할 수 있다. 인물형상화 면에서는 새로운 인물의 삽입과 기존 인물에 대한 재해석이 어떻게 이루어지는지 분석하였다. 새로운 인물인 놀순이와 연생원은 각기 자기 사연과 개성을 가진 인물로 등장하여 놀부와 흥부의 성격 형성과 인생행로에 영향을 미치면서, 형제의 서로 다른 성격을 매개적으로 드러내었다. 또한 긍정적인 요소와 부정적인 요소를 함께 갖춘 흥부와 놀부의 성격형상화를 통해 <놀부뎐>은 기존의 흥부전이 보여주는 선악관, 인간관에 대해 의문을 드러내며 겉모습으로 사람의 선악을 쉽게 판단하는 세태를 비판할 수 있었다. <놀부뎐>의 시공간을 이해할 때, 작품의 시공간적 배경은 흥부와 놀부가 살고 있는 서사세계와 작자와 독자가 살고 있는 당대가 혼융되어 있다고 할 수 있다. 흥부, 놀부의 외면은 전승되는 서사세계에서 가져왔으되, 그들이 사유 방식과 감성 구조는 현대적인 것이며, 이를 표현하기 위해서 이질적인 시공간에 속한 사물과 이와 연관된 사건들이 필요했던 것이다. 이런 시공간의 혼융은 흥부전이 옛날이야기가 아니라 동시대에 진행되는 현재의 이야기로 받아들이게 하면서 <놀부뎐>이 현재의 삶을 빗댄 이야기임을 재확인하게 한다.

• 한국실내디자인학회논문집
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• 제27권2호
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• pp.143-153
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• 2018

The exhibition space is a concept that is used to extract only the function of exhibition in an art museum combined with various cultural facilities. It mediates works, audience, and space. Therefore, it is considered that the exhibition space will not only judge the space by the form of the building, but also the true meaning will appear when the exhibition, the space and the environment coexist. His exhibition space has a story from the outside to the inside and the exhibition. In this study, we try to understand the characteristics of his space by analyzing the way of organizing exhibition and exhibition in his exhibition space. As a result of analyzing the cases suggested on this thesis through this point of view, Ando Tadao represented characteristics of his own exhibition space by harmonizing the demand of each exhibition space with his architecture language. His exhibition space provides the experiential space in the harmony of the nature and artificiality as inpouring the nature into the complex traffic line. And, the exhibition is constituted as a result of fully considering the overall situation of the space environment. He tries uniting the space and art by interpreting the work in the space rather than arranging the works. Consequently, It gives visitors the direct space experience through the intentional traffic line and is becoming an exhibition space that can express the exhibition only in that space as constituting it differently in accordance with the character of work.

• 한국조경학회지
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• 제29권5호
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• pp.51-59
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• 2001

This paper presents a design of the Dasan Children\`s Park which is located Shindang- dong, lung-gu, Seoul which has an area of about 3,678$m^2$. Objectives for the design were to make nature-friendly space, learning space, interesting play space, space for every child, adventure play space, traditional play space, sense of place, and recycle space. For the space compositions a children\`s garden, a traditional play space, and a science play space were located around the S shaped main route. Facilities relating nature, science, culture. environment and adventure play were arranged in the 3 main spaces. The Children\`s Garden is a green space for learning and playing with natural elements. It is composed of a ecological learning space, a children\`s story garden, a children\`s song road, an environmental labyrinth, and a pall space leer handicap children. The Science Play Place is a place space for learning scientific theories through plays to which scientific theories were applied. It is composed of a total play structure, a math experience playground, a \"Keojunggi\" play space, a sound reflecting experience space, arid an infant playground. The Traditional Play Madang(space) is a space for traditional plays. It is composed of a traditional play pattern, a sun dial, and a floor fountain. The Recycle Road is a dragon shaped road fort learning about resource recycling and conservation. It is composed of a dragon head, body, tail space and a dragon bead(cint mani).int mani).