• Title/Summary/Keyword: Song-A

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Does the Bush Warbler (Cettia diphone) Defend Its Territory through a Particular Song Mode or a Mode Sequence? (텃새권 방어와 관련된 휘파람새의 Song Mode와 Mode Sequence의 이용)

  • 박대식;박시룡
    • The Korean Journal of Zoology
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    • v.39 no.3
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    • pp.282-291
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    • 1996
  • The song of the bush warbler, Cettia diphone, consists of an introdudory whisde portion and a complex ending syllable portion. In bush warbiers, a song with two or fewer notes in the whistle portion is classified as an a song mode, while a song with three or more notes in the whistle portion as a $\beta$ song mode. Although some variations occur in mode seledion by individuals and populations, the proportion of a mode songs to total songs is 55% (range 51.6-58.7%) on average. The a mode has a higher dominant frequency in the whistle portion than does the $\beta$ mode, but the number of syllables m the complex ending syllable portion is fewer. Bush warbler mode sequences are defined as $\alpha$$\alpha$, $\alpha$$\beta$, $\beta$$\alpha$ and $\beta$$\beta$ mode sequences. In order to test the hypothesis that song modes and mode sequences play a role in the defence of territory in Jeju and Wando populations in the south-coastal geographic song variation group, playback experiments were executed. Mode sequences differed between naturally produced songs and songs produced in response to playback for two populations. In particular, for birds in the Wando populations our results indicate that the use of song modes may be affeded by habitat, singing site and type of territory, and further propose that particular mode sequences may play a more important role than song mode in vocal interadions.

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The Transmission and Changes Of UlsanSoeburi Song (울산쇠부리소리의 전승현황과 변이양상 연구)

  • Kim, Gu-Han
    • (The) Research of the performance art and culture
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    • no.39
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    • pp.133-165
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    • 2019
  • This paper tried an approach of oral literature as the research subject of Soeburi song in Ulsan. First, UlsanSoeburi song is meaningful as materials collected in Ulsan such as Hansil, Dodoekgol, Dudong and Byeongueong. In addition, it is related to regional identity as song native to Ulsan, which has prototype and archetype. And it shows that Ulsan is the city as well as hometown of Soeburi(meaning ' iron manufacture'). The characteristics of lyrics are different between Hansil Soeburi song and Dodeokgol Soeburi song. Jeiman Choi is considered as a good oral literature poet, because he is a performer who is faithful in official structural principal and in original lyrics(archetype) of Soeburi song. Therefore, SoeburiBulmei song of Jeiman Choi signifies aesthetic meaning, having lyrics which make to feel labor's purity and sacred and melody which overcomes labor's difficulty through united action. On the other hand, SoeburiBulmei song of Dalo Kim in Doseokgol shows that he is a extemporaneous performer even though he performs based on official structural principal. In this paper, transmission and changes of UlsanSoeburi song are divided into basic type, frequent shift type and overall type. 'Basic type' originates from Jeiman Choi's Soeburi song in Hansil. 'Frequent shift type' was created by combining SoeburiBulmei song of Dalo Kim in Doseokgol and SoeburiGeumjul song in Ulsan. 'Overall type' is current Soeburi song, which was created by adding Bulmei song for lulling a baby in Byeongueong near Dalcheon region and Seoknyanggan(smithy) Bulmei song. UlsanSoeburi song is being passed down continuously, strengthening the identity as a representative folk song in Ulsan through endless process of transmission and changes.

Hoesimgok (悔心曲, 回心曲, Regretting song) may affect peace of mind through distinct musical interaction

  • Kyung-Ja, Ko;Hyun-Yong, Cho
    • CELLMED
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    • v.13 no.2
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    • pp.1.1-1.5
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    • 2023
  • The purpose of this study is to propose a role as healing music through Hoesimgok's interaction. The song "Hoesimgok (悔心曲, 回心曲, Regretting Song)" means a song that expresses regret. There's nothing more desperate than my parents in a song of regret. Your heart for your late parents must be the thing you regret the most. We always think that we should be filial to my parents, but we can't. We are under a lot of stress due to situations and environments that are unintentionally not filial. Audiences who show self-reflection on their filial piety become emotional identities with those who sing with the lyrics and actions of songs and music. Therefore, Hoesimgok is a song and a prayer. Music exerts a range of powerful biological effects beyond nice sound and furthermore, it is expanding to music therapy. It can also bring about peace of mind by regulating sympathetic nervous system excitation. Our results suggest that Hoesimgok can have the effect of making listeners as well as singers happy.

Definition end Function of Two Song Types of the Bush Warbler (Cettia diphone boreoalis)

  • Shi-Ryong Park;Eui-Dong Han;Ha-Cheol Sung
    • Animal cells and systems
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    • v.3 no.2
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    • pp.149-151
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    • 1999
  • It has been suggested that the bush warbler (Cettia diphone borealis) uses different song types in various situations. We analyzed song features and conducted playback experiments in order to reveal the function of songs of the bush warbler. Two song types were identified. The short song type has a shorter song duration than that of normal song types and consists of only one or two syllables. Due to its short syllable and low amplitude of the whistle portion, we were able to discriminate the short song type (S song type). from the normal song type (N song Type). In the playback experiments, bush warblers sang high rates of short song type for the first three minutes after playback. After 6 minutes of playback, males changed to singing normal songs. These results suggest that the short song of the bush warbler may function to threaten or drive off intruding males.

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A Study on the Influence of Song Dynasty Mode upon Clothes and Ornaments of Korea Dynasty -As Regards Women′s Clothing- (宋服飾이 高麗服飾에 미친 影響에 대한 硏究 -女子服飾을 中心으로-)

  • 이순자
    • The Research Journal of the Costume Culture
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    • v.3 no.1
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    • pp.125-155
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    • 1995
  • This research has been studied the influence of Song Dynasty mode upon clothes and ornaments of Korea Dynasty by Seo Gung's (徐競) 『SunWhaBongSa KoryoDoKyung』(宣和奉使高麗圖經) and in Korea Dynasty period, by Buddhist picture. The clothing of the Song Dynasty was quite reserved and conservative, fewer variations and quiter colours thus conveying a feeling of simplicity and naturalness. Their clothings were no more luxurious than the clothing of Dang Dynasty. We had read that when Seo Gung visited Korea for month, and then it is in Emperor Injong's reign(A.D. 1123). Korea women's clothes and ornaments were followed by Song dynasty's clothing pattern as much as the took notice of Korea women's clothing. Korea DoKyung showed Song women's clothing that whal clothing that whal clothing (華衣), Yuansam(圖經) were Korea women's a ceremonial dress and so, Koryo women's clothing were very influenced by Song's mode. The conclusion of the research are as follows found out that Korea women's a ceremonial dresses were similar to Song's.

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Playback Expedments on Bush Warbiers (Cettia diphone): Their Song Recognition of Intra- and Inter-Population (휘파람새의 Intra-and Inter-Population Songs 인식에 관한 Playback실험)

  • 박시룡;박대식;김수일;윤무부
    • The Korean Journal of Zoology
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    • v.38 no.4
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    • pp.443-448
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    • 1995
  • Playback experiments were performed to clarify the degree of song recognition using inter - and intra-populatlon songs of Bush Warbler at Cheongwon, Chungbuk area. Six territorial males were strongly responded to inter- as well as intrapopulation songs. Their responses to the inter- and Intra-population songs were not differed significantly in all measures of latency time, staying time, and closest distance. This result imply that Bush Warbiers in the region did not discriminate the difference between intra- and inter-population songs. It may be the reason that the regional males have little Interactions In song exchange with neighbors by keeping a long Individual distance. In order to investigate the signal value as species recognition releaser, playback of partial songs, prepared from tow distinct regional populations of the spedes were presented to males of the study area. The partial songs presented were made of two portions for each presentation, a whlsde portion only, and a complex syllable portion only. Territorial males responded stronger to the complex syllable portion than the whistle portion of the song. This result indicate that the complex syllable portion conveys more information on the species recognition. As 'releaser' hypothesis suggested formerly, a function of the complex syllable portion In Bush Warbler song is understood In which conveys most spedesIdentifying information. Thus, the result of this playback experiments supports the releaser hypothesis.

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Function and Utility of Musical Action Songs - Focoused on the Musical (뮤지컬 '액션송' 기능과 효용성 연구 - 뮤지컬 <공포의 꽃가게>를 중심으로 -)

  • Shin, Dong-A;Kim, Hak-Min
    • Journal of Korea Entertainment Industry Association
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    • v.14 no.8
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    • pp.49-62
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    • 2020
  • Musicals are plays in which songs and dances are closely aligned with the plot development of the play, and songs and dances develop specific situations and a series of events. In particular, songs perform a fuction of causing the significant changes and emotional ventilation and amplification in the play by specifically capturing the goals and actions the characters are aiming for. This paper focuses on the song that takes on the function of the plot deployment, defines songs that embody actions and stories on stage' as 'action songs' and highlights their role and importance. Action Song is not a clearly defined or prescribed term in Musical. However, 'Action Song' is a song about how a character's desire or motivation for action, given as a 'character song' inserted at the beginning of an integrated musical play, provides a conflict that is a central event of action. In other words, 'action song' means a song that organically combines music and narrative by conveying the action on the stage as a song with lyrics. In addition, it is a song that moves the plot forward and contains a series of events or actions that are the material of the plot. This paper is intended to summarize the concept of'Action song which is not well known to us, and to lay the foundation of the stud, learned the concept, function and efficiency by the analyses of script and music of the musical . As a result, action songs accumulate and amplify tension caused by conflicts and induce the audience to immerse in their emotions. At the same time, the action song multiplies fun and interest of the play while the audience's expectation increased for the next scene after the action song and the progression of the play with single action makes the contents of the drama to be understood clearly.

A Song Transition among the Geographic Populations of Bush Warbler (Cettia diphone) (휘파람새(Cettia Diphone)개체군간 song 변이의 방향)

  • Park, Dae Sik;Sooil Kim;Shi-Ryong Park
    • The Korean Journal of Ecology
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    • v.19 no.2
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    • pp.141-149
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    • 1996
  • This study was to examine the occurrence of geographic song variation and its pattern of transitional direction among bush warbler populations distributed in Korea and Japan, Bush warbler songs (n=283) of 25 males from Cheongwon and Jeju, Korea, and from Chiba, Japan were analyzed. Chiba individuals had more song types and had the higher dominant frequency and longer duration of the introductory whistle portion than Cheongwon and Jeju individuals. In measure of eight song parameters, the parameters constantly showed a decreasing or increasing tendency. The constant tendency showed direction related with the geographic location from Chiba to Cheongwon. The difference in song parameters between Cheongwon and Chiba populations was the greatest in comparison to that of other sets of geographic populations. The degree of discrimination among the three populations was 92.00%. These results indicate that there is a geographic song variation between bush warblers of Japan and Korea, and that the song transition has been directed from Chiba (Japan) through Jeju to Cheongwon (Korea).

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Environmental Performance Evaluation for Song-do City Constructions by using Green Building Certification Criteria (친환경건축물(親環境建築物) 인증기준(認證基準)을 이용(利用)한 송도국제도시(松島國際都市) 건축물(建築物)의 친환경성(親環境性) 평가(評價))

  • Park, Tae-Bum;Kim, Yong-Shik
    • Journal of the Korean Solar Energy Society
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    • v.26 no.3
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    • pp.111-117
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    • 2006
  • Song-do City is a newly constructed city built on land reclaimed from the seaside and the surrounding area. Its development involved a long process since the basic plans for reclamation of the publicly owned seaside area in Song-do were drawn up in September 1979. However, if we take a look at the overall status of the project as it is carried on at present, it is hard to deny that the project is trapped inside the same legal restrictions as are all other existing cities, which permits Song-do City to meet only very minimum standards. This study intends to analyze and assess the Song-do City's environmentally friendly construction and to rate its current development status, exposing any problems and offering alternative solutions. In this paper, the current state of constructions in Song-do City were reviewed. Then a quantitative analysis and assessment for the Song-do City constructions of apartments, complex buildings, office buildings, and school facilities were conducted by using green building certification criteria. Finally the synthetic results of environmental performance evaluation for Song-do city constructions and follow-up suggestions were described.