• 한국수학사학회지
• /
• 제28권3호
• /
• pp.119-132
• /
• 2015

This survey is the second part of the history of science of Song and Yuan dynasties and will covers the period from Jin to Yuan. Following the first part, we look at the calendrical astronomy, mathematics and medicine. In this survey we again follow Yabuuchi's work on the history of science of Song and Yuan period and Du Shiran's work on the history of science of China. We start from the sciences and mathematics of Jin which inherited those of Northern Song and see how they influenced the whole China including Yuan and Southern Song. As a conclusion the tendency to practical usages in the Southern Song as well as the suppression of Han people in Yuan prevented developments of theoretical sciences in Yuan and Ming later.

• 복식문화연구
• /
• 제3권2호
• /
• pp.215-240
• /
• 1995

Costumes of Song Dynasty developed after the patterns of the Tang. The rise of idealist philosophy in the Song Dynasty had a great impact on the life of the people, Under the influence of this ideology, people's views on aesthetics changed considerable. In architecture, for example, white washed walls and black tiles came into fashion. balustrades, pillars and roof beams were left unpainted so as to retain the true colour of he wood. In painting, also, simplicity and delicacy were valued, and the preferred medium was ink or light colours. The desire for simplicity was even more evidently reflected in clothing and related adornment, as public opinion was against excessive display in dress. Consequently, the clothing of the Song Dynasty was quite reserved and conservative, with fewer variations and quieter colours, thus conveying a feeling of simplicity and naturalness. Compared with the dress of Tang, the dress of the Song Dynasty had other variations. Therefore women's dress of Song was also reserved and conservative, with fewer variations and quieter colours, simplicity and naturaliness.

• Animal cells and systems
• /
• 제9권2호
• /
• pp.47-55
• /
• 2005

Avian vocalization has been main topics in studying animal communication. The structure and usage as well as development and function of vocalization vary enormously among species and even among populations, and thus we reviewed the general patterns of song learning and the consequences of song communication in birds at the behavioural level: first, we compared the different learning phenomena between non-songbird and songbird, and we investigated the learning process of songbird both in the field and in the lab, which are needed to fully understand vocal communication. Second, we discussed a recent trend of sexual selection hypothesis explaining the structural and functional diversity of song in songbirds with repertoire and presented how the repertoire is actually used between neighbours based on individual recognition.

• Animal cells and systems
• /
• 제13권1호
• /
• pp.91-96
• /
• 2009

The size of song repertoires mainly provides evidence for explaining sexual selection for female choice as well as male-male competition. We investigated the role of oriental great reed warbler songs (Acrocephalus orientalis) of breeding territorial males. Early arrived males possessed larger song repertoires, paired earlier, and tended to become polygynous. No correlation was found between arrival date and territory size, but polygynous males significantly occupied larger territories than non polygynous males. Song sharing was low among males and the degree of similarity did not relate with spatial distance. Our results suggest that song repertoire of the oriental great reed warbler males play a role in female choice, where territory quality may affect male pairing success.

• 건축역사연구
• /
• 제25권3호
• /
• pp.47-62
• /
• 2016

The purpose of this study is to clarify the characteristics of Zen Buddhist temple's building composition of the Northern Song dynasty, through the analysis of literature historical material, such as Seonwon chenggyu(禪苑淸規), Cham cheontae odaesan gi(參天台五臺山記) and so on. The building composition method of Zen Buddhist temple in Northern Song dynasty, which grasped from the Seonwon chenggyu, reflects the actual situation of the temples in that time. And it was ascertained that, the Zen Buddhist temple's building composition of the Northern Song dynasty was basically same to that of Southern Song dynasty. And the comparative analysis was attempted between Zen Buddhist temples and that of other Buddhism sect described in Cham cheontae odaesan gi. From this analysis, the common features as Buddhism temple and the characteristics of building composition as Zen Buddhist temple was clarified.

• 한국약용작물학회지
• /
• 제7권4호
• /
• pp.314-315
• /
• 1999

• 한국동물학회지
• /
• 제36권4호
• /
• pp.476-486
• /
• 1993

From a population in Kang-Nae, Cheong-won, Chung-Buk, acoustic behaviours of Gray-headed Bunting (Emberizo fucata) were obsenred. The singing of males was classified into two major types, stereotyped song and squeaky song. The stereotyped songs of eight territorial males were recorded Intraindividual and individually distinctive features were studied. Individuals produced their song in distinctive ways in terms of song duration and the number of syllables. Gray-headed Buntings sang various syllable types. We found that a male produced more constant syllables in anterior group than those in posterior group. Males sang distinctive syllables among them. Some syllable types which were frequently appeared in an anterior group. In these analyses, we suggest that the anterior groups in songs of a Gray-headed Bunting express the constant information and the posterior groups contribute to situational communication.

• 셀메드
• /
• 제9권1호
• /
• pp.4.1-4.2
• /
• 2019

The aims of this article is to argue that the effect of catharsis through satire and humor in Korean music, Saseolnanongga. This song is a cheerful song of four beats and the representative rap music of Korean traditional music. This song is a folk song that reveals satire and humor such as curse to the person who left me and compassion and self-absorption. The lyrics harmonize with cheerful rhythm and create laughter and the lyrics of the song itself alone cause music therapy. The contents of the lyrics of the song are already refreshing. It means that you will be able to satisfy your surrogacy through the explicit lyrics. In this way, author thinks emotional expression through singing lyrics is an alternative solution. There has been a cathartic element in many twentieth-century approaches to psychological healing. The author thinks developmental criticism leads society to health, and satirical criticism reflects and heals individuals through catharsis.

• Journal of Multimedia Information System
• /
• 제9권1호
• /
• pp.69-72
• /
• 2022

Extraction of a salient chromagram is utmost important for cover song identification. Cover song refers to a live performance, a remix, or a new recording of a previously recorded track. This paper utilizes the Savitzky-Golay filters in chromagram extraction for suppressing timber-related components of a music signal, which is not preserved while generating cover songs. By removing the timber-related components, the discriminative tonal components, which are conducive for cover song identification, are emphasized in chromagram. Experiments on cover song identification over two datasets show that the Savitzky-Golay filters are more effective in reducing timber effects in chromagram than other types of filters.

• 공연문화연구
• /
• 제37호
• /
• pp.157-186
• /
• 2018

울산 쇠부리소리는 1981년 8월 달천철장의 마지막 불매대장인 고(故) 최재만(1987년 별세)의 구술과 소리를 바탕으로 1980년대에 재연된 소리이다. 본 고는 1981년 영상 등 총 13종의 자료를 바탕으로 쇠부리소리를 음악적 측면에서 분석하고, 전승 과정에서의 변화 양상을 확인하는데 목적을 둔 논문이다. 도출된 결과를 정리하면 다음과 같다. 2017년 쇠부리소리 자료를 살펴본 결과, 풍물패는 상쇠, 부쇠, 징2, 북4, 장구4, 태평소1로 구성되어 있고, 장단은 질굿, 자진모리, 다드래기, 덧배기, 자진덧배기의 5종을 친다. 가창곡은 3소박 4박자의 덧배기 자진덧배기 장단에 맞추어, 또는 무장단으로 부른다. 구성음은 대부분 Mi-La-do의 3음 또는 Mi-La-do-re의 4음으로, 음역은 1옥타브를 넘지 않는다. 종지음은 모두 La로 동일하다. 1981년 발굴 이후 오늘날까지의 쇠부리소리 연행을 살펴본 결과, 크게 4가지의 변화를 발견할 수 있었다. 먼저 악곡의 구성이 '긴-자진'으로 분화되고, <금줄소리>, <애기 어르는 소리>, <성냥간 불매소리>가 첨가되었다. 둘째 가창 방식은 1980년대 재연 이후 '1인 선창자+다인 후창자'를 기본으로, 1인 후창자를 별도로 지정하기도 하였다. 더불어 2013년 연행된 <자진불매소리>는 <성냥간 불매소리>의 토대가 되었다. 셋째 <긴-자진 불매소리>의 선율적 변화가 관찰되었다. 박자구조는 모두 3소박 4박자이나, 속도가 느려지고, Mi-La-do의 3음을 골격으로 높은 re와 낮은 Sol이 첨삭되어 메나리토리의 특성이 명확히 드러난다. 마지막으로 풍물 악기는 꽹과리, 징, 장구, 북의 사물이 주로 쓰이며, 공연에 따라 소고, 태평소, 요령 등을 첨가하기도 한다. 장단은 자진모리, 다드래기, 덧배기, 자진덧배기 장단을 처음부터 연주했으며, 이후 질굿 장단이 추가되었다. 이와 같은 결과를 통하여 최초 발굴 당시, <애기 어르는 소리>와 같은 단순한 형태의 <불매소리>가 남성 노동요로 목적이 바뀌고 연희성이 강해지며 하나의 공연 예술로 변화되었음을 확인하였다.