• 한국실내디자인학회논문집
• /
• 제16권4호
• /
• pp.12-20
• /
• 2007

This study, as discussed herein, tries to understand how modern commercial buildings occur and develop in certain type of social and cultural conditions. There are many words standing for modern society, of which the most remarkable one is 'commercial society'. Commercial society is where goods are manufactured to one's taste and consumption is a way of communication and a way of discriminating one from the others by using different code. Nowadays, architecture gets more and more popular and becomes commercial object which is intended to the sign of the social meaning. So, the sign of commercial buildings varies according to the social and cultural backgrounds and kitsch is applicable to it. The original meaning of kitsch, which usually is considered an inferior copy of an existing style, is examined and applied to architecture in order for comprehension. Throughout this study, the types of commercial buildings are selected and immanent meaning to the psychology of consumers as applicable to commercial buildings is considered. Also, the trend of kitsch in commercial buildings is analyzed by classifying the image and code of a building's shape. In a conclusion of the study, two major points can be found; commercial building has a significant meaning in terms of design, and commercial building is the conceptual result of a continuous change in the relationship between society and art.

• 한국산학기술학회논문지
• /
• 제19권12호
• /
• pp.432-440
• /
• 2018

본 연구는 중년기의 사회적지지, 자아존중감, 내재적 종교지향성, 희망, 영성 및 생의 의미의 정도를 확인하고 이들 변수간의 관계를 파악하여 생의 의미에 영향을 미치는 요인을 규명하기 위한 서술적 조사연구이다. 연구대상자는 부산시, 울산시, 양산시, 포항시에 거주하고 있는 중년성인을 대상으로 2014년 09월 20일에서 10월 31일까지 자료를 수집한 자료 중 196부를 사용하였다. 수집된 자료는 빈도와 백분율, independent t-test, one-way ANOVA, $Scheff{\acute{e}}$ test, Cronbach's alpha 계수, Pearson's correlation coefficient 및 multiple regression으로 분석하였다. 연구결과 대상자의 사회적 지지는 5점 만점에 평균 3.94점, 자아존중감 3.32점, 내재적 종교지향성 3.54점, 희망 3.64점, 영성 3.59점, 생의 의미 점수는 3.82점이었다. 대상자의 일반적 특성에 따른 생의 의미 수준은 종교생활의 중요성(p<.001), 인지된 경제적 상태(p<.001)에 따라 차이가 있었다. 대상자의 생의 의미는 사회적지지(p<.001), 자아존중감(p<.001), 내재적 종교지향성(p<.001), 희망(p<.001)과 영성(p<.001)에 유의한 양적 상관관계를 보였다. 대상자의 생의 의미에 영향을 미치는 요인은 희망, 종교생활의 중요성, 영성과 유의하였고, 이중 희망이 43%로 가장 큰 영향력을 미쳤으며, 전체 설명력은 49%였다. 따라서 희망, 종교생활의 중요성, 영성은 생의 의미에 밀접한 관련성이 있으며, 긍정적인 영향을 미치는 요인임을 확인하였기에 중년기의 삶의 질 향상과 행복을 위한 전략 개발에 이 변인들을 높이는 전략이 고려되어야할 것으로 사료된다.

• 한국사회복지학
• /
• 제65권4호
• /
• pp.195-220
• /
• 2013

이 연구의 목적은 사회복지사들이 경험한 이직의 맥락과 패턴을 파악하고자 하는 것이다. 이러한 목적을 달성하기 위하여, 연구자들은 7명의 사회복지사들을 대상으로 한 면접을 통해 자료를 수집하고, 수집된 자료를 가지고 맥락-패턴 분석을 실시하였다. 분석과 연구결과는 사례별 맥락-패턴 분석과 전체 사례에 대한 통합 맥락-패턴 분석으로 구성되었다. 개별 사례에 대한 맥락-패턴 분석은 시간(이직 이전/이직 과정/이직 이후) 차원과 수준(경험된 현상/경험의 의미/현상과 의미들이 연결된 맥락) 차원을 교차하여 각 사례의 이직 이전 맥락과 이직 과정의 맥락, 이직 이후의 맥락을 분석하였으며, 전체 과정에서 나타난 패턴을 파악하여 유형화하였다. 또한 각 사례의 맥락과 패턴, 거기에 연결된 현상과 의미들을 통합하여 하나의 맥락-패턴 구조를 구성하였다. 통합된 맥락-패턴 구조는 네 개의 영역들로 구성되었다. 즉, 첫째는 이직 전의 조직, 둘째는 이직 후의 조직, 셋째는 이직 당사자인 사회복지사, 넷째는 사회복지사의 관계망이다. 이러한 연구결과를 토대로 사회복지사의 이직과 관련하여 사회복지조직들이 고려해야 할 사회복지행정의 지침들을 구체적으로 제언하였다.

• 종양간호연구
• /
• 제6권2호
• /
• pp.104-110
• /
• 2006

Purpose: This study was to investigate the satisfaction for voluntary activity and the meaning of life in hospice volunteers. Method: Data were obtained by self-reported questionnaire from 102 volunteers and were analyzed using a t-test, ANOVA and Pearson's correlation. Result: The mean score of the satisfaction for hospice volunteer activity was $2.48{\pm}0.38$. Of the domains of the satisfaction, the experience domain had the highest mean score $(2.93{\pm}0.53)$, and the social exchange domain had the lowest mean score $(1.65{\pm}0.63)$. The mean score of the meaning of life was $3.20{\pm}0.33$. The score of satisfaction was significantly different by economic status, and volunteering time per week. The score of meaning of life was statically different by financial status. There was a positive correlation between satisfaction for voluntary activity and the meaning of life. Conclusion: Satisfaction for hospice volunteer activity was significantly related to their meaning of life. In order to increase the satisfaction of volunteers, it is important to consider their financial aspect and the volunteering time.

• 한국연극학
• /
• 제49호
• /
• pp.133-169
• /
• 2013

Reexamining Brecht's theoretical hypotheses in terms of cognitive science, this essay arrived at several temporary interpretations. Cognitive science implies that empathy can precede the rational understanding in Verfremdungseffekt. The spectator tends to simulate the unfamiliar incident and character and feels the consequential embodied emotion that leads to the cognitive understanding. The similar situation can be found in social gestus. According to cognitive science, gesture(social gestus) is simulated in the mirror-neuron of spectator, arousing consequently the embodied emotion that triggers the succeeding understanding. The spectator apts to experience and feel physically the moving gesture before decoding it as a social signification. Brecht's intention that attempts to reveal the duality of actor and character by eliminating the fourth wall is negated by cognitive science. According to the theory of conceptual blending, the spectator under the eliminated fourth wall mixes actor and character, and simulates this blending image so that he experiences it imaginatively. As such, another kind of illusion can be formed when a fourth wall is collapsed. Meanwhile, the critical thinking of spectator Brecht wanted can be hard to occur during the performance. It is necessary for the spectator to recollect the bygone dialogue and action in terms of social context as if he presses the pause, stopping the playback while watching a play in video. In this respect the social meaning Brecht intended can be achieved more effectively by the stop motion like tableau. It would not only give the time for the spectator to consider the implied social signification, but also make him possible to decode a semiotic meaning as if interpreting a still picture. Or it can be delivered by the dialogue that expresses the playwright's critical judgement. In this case, the subject of critical thinking is not the spectator but the author. The alternative explanation that the cognitive science suggests illuminates theoretically the reasons why Brecht's theory fails to be realized in practice. In a sense, Brecht's theory is nothing but a theoretical hypothesis. It takes the premise that the emotion hinders the rational thinking, understanding emotion and reason oppositively like Plato. This assumption is negated easily by the recent cognitive science that sees the reason as a by-product of physical experience including emotion. The rational understanding, in this sense, begins from the embodied emotion. As such the cognitive science denies the dichotomy of emotion and reason that Brecht adopted. The theoretical hypothesis of cognitive science makes us recognize again the importance of bodily experience in theatre. In theatre the spectator tends to experience physically before decoding the intellectual meaning. The spectator Brecht wanted, therefore, is far from the reality. The spectator usually experiences and reacts physically before decoding the meaning critically. Thus Brecht's intention can be realized by the embodied emotion resulted from simulation. This tentative interpretation suggests that we need to pay more attention to the empirical study of spectatorship, not remaining in a speculative study.

• 건축사
• /
• 통권619호
• /
• pp.170-173
• /
• 2020

• 조형예술학연구
• /
• 제6권
• /
• pp.33-59
• /
• 2004

The purpose of this study is to analyze the symbolic meaning of the Tiger in Korean Folk Paintings, Minhwa, (hereafter, Minhwa) connected to its social contexts in Joseon period. Thinking of the Tiger Minhwa as a 'visual language' and regard the Tiger as a 'visual signifier' as well as the united-signifiers such as a Korean magpie, pine tree and so on in Minhwa. This research is to analyze these signifieds, 'Signified', what we say in this paper, have composed its symbolic meaning related to the social 'ideological complexes' and collective consciousness during Joseon period. In a word, the characteristic of the Tiger signifier has changed and spread out from the ideal trend to a worldly one. Since the late Joseon period, the change of the social contexts was, because of the civil classes who recognized the limitation of the Sung Confucianism(the doctrines of $Chi-Tz\={u}$), the predominated ideology of that time. To get rid of their uneasiness, they brought the Shamanism, Taoism and Buddhism at the front which were usually the lower class ideology or belief and tried to construct the collective consciousness and safety of their real lives. Therefore, the trend of this 'common conceptualization' show us the positiveness and flexibility to the Tiger signifier through the variation, appropriation and producing signifier. Moreover, even to the same Tiger, there were various meanings and most of them were concentrated in the meanings as follows ; Beoksa(in Korean term is to drive away evil spirits) and Gilsang, which is the good omen of a luck. All these were based on the value of 'this world'. In conclusion, through this research, the concept of the Tiger as a apotheosis has lowered its statutes and being secularized.

• 대한가정학회지
• /
• 제33권6호
• /
• pp.115-136
• /
• 1995

The exploratory purpose of this study was to investigate the Honsu trend and to examine the relationships between the Honsu, marriage exchange resources and marital satisfaction from general group and also explore the differences in Honsu expenditure between the general group and the aimed group. the explanatory purpose of this study was to prove the social meaning of the Honsu as a 'productive exchange resources' using Emerson's exchange network theory. The data was collected from 800 men and women of general group and 72 men and women of aimed group within 5 years of marital duration through the questionnaire method. Major findings of the study from the general group were as follows : in general group 1. The bridegroom group expended more Honsu than bride group. Bridegroom's primary expenditure item was house expenditure, and bride's primary one was newlywed life goods. 2. The bridegroom's Honsu were influenced positively by parents'SES, bridegroom & bride's education level and bride's parents'SES. Bride's Honsu were influenced positively by parents' SES and bridegroom & bride's education level. 3. Bridegroom's marital satisfaction were influenced positively by bride's marriage need, bridegroom's marriage need, bride's physical attraction and bridegroom & bride's education level. Bride's marital satisfaction were influenced positively by bride's marriage need, bridegroom's physical attraction, bridegroom & bride's education level, bridegroom's marriage need, bridegroom's future possibilities and bridegroom's Honsu. 4. The social meaning of the Honsu was a 'productive exchange resource'. 1. The bridegrooms of aimed group expended more housing expenditure and also Honsu than the brides but there's no statistically significant differences in Honsu expenditure between the bridegrooms and the brides of aimed group. 2. The bridegrooms of aimed group expended about 3 times more money for wedding present for spouse and abut 1.2 times more for Honsu than the bridegrooms of general group. The bride of aimed group expended about 4.6 times more money for general group. the bride of aimed group expended abut 4.6 times more money about 4 times more for housing expenditure and about 3 times more for total Honsu than the brides of general group.

• 한국사회복지학
• /
• 제64권1호
• /
• pp.5-30
• /
• 2012

본 연구는 지역사회복지관의 주민조직 활동에서 지역주민이 구성한 언어를 토대로 주민조직과 참여자의 변화과정을 살펴봄으로써 근린지역사회조직화모델의 효과를 이해하기 위해 수행되었다. 연구결과 주민조직의 조직적, 개인적 차원에서의 변화과정을 확인할 수 있었다. 먼저 주민조직차원의 변화과정을 살펴보면 참여자들은 문제의 발견과 주민조직을 거쳐 조직의 목표를 설정하고 조직의 질적, 양적 변화의 의미를 구성한다. 개인적 차원에서 참여자들은 '갇힌 세계로부터의 탈출'을 거쳐 가치 있는 일을 통한 '나의 재구성'단계를 거치게 된다. 다음으로 참여자는 가족을 통해, 자신을 자랑스러운 존재로 재규정하고 있고 또한 이웃을 통해, '이웃은 곧 나'라는 새로운 의미를 구성한다. 마지막으로 연구결과를 토대로, 근린지역사회조직화모델의 효과를 높이기 위한 실천적 제언을 했다.

• 패션비즈니스
• /
• 제21권1호
• /
• pp.12-31
• /
• 2017

Korean commercial-organized girl groups were remarkable in the late 1990's. However, by the late 2000's, girl groups had an even more profound effect on Korean popular music compare to past influences. This study aimed to analyze the social-cultural meaning of the changing appearance of girl group between the first and second-generations. For this purpose, this study analyzed media image and text, based on a social-cultural context, about 13 girl groups. The results are as follows. First, while the first -generation girl group tended to maintain girlish/sexy images trying to the male desire, the second -generation girl group strategically showed various sexual identities such as femininity, masculinity, masculinity and androgyny along with contextual sexual images. The reason why girl groups increased the number of strategic images featuring various sexual identities was in order to appeal to a wide, diverse audience. Second, the second generation girl groups had - slim bodies with great athleticism, basically due to trainee system. Because of this, their semiotic body images have been commercially used to promote the consumption. Third, the second generation girl groups - were the bigger stars than first generation girl groups - because the members worked in many different fields. Therefore, the group members' images were successful consumed directly and then reproduced symbolically. Fourth, each member of the second -generation girl groups characterized by appearing in diverse, yet familiar images, through various media sources. Although the intention of this was to have recognition and popularity, it became difficult for them to change their image once one particular image was deemed popular.