• Journal of KIISE:Computing Practices and Letters
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• v.14 no.2
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• pp.181-185
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• 2008

Layered video multicast such as RLM Receiver-driven layered multicast) is a premising technique for delivering streaming video to a set of heterogeneous receivers over ALM(Application Layer Multicast) as well as over IP multicast. However, this approach may suffer from unnecessary fluctuation of video quality due to overlapped and failed join-experiments. Though a shared teaming scheme was introduced to resolve these problems, it may cause high control overhead and slow convergence problem when used with ALM. In this paper, we propose a new shared learning scheme for ALM-based layered video multicast which reduces control overhead and convergence latency while keeping the number of fluctuation reasonably small. The simulation results show that the proposed scheme performs better than an ALM-based layered video multicast with shared learning in terms of control overhead and convergence latency.

• Journal of Satellite, Information and Communications
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• v.7 no.2
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• pp.8-12
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• 2012

Area-based stereo matchng algorithms are widely used for image analysis for stereo vision. SAD (Sum of Absolute Difference) algorithm is one of well known area-based stereo matchng algorithms with the characteristics of data intensive computing application. Therefore, it requires very high computation capabilities and its processing speed becomes very slow with software realization. This paper proposes a fast SAD algorithm utilizing SSE (Streaming SIMD Extensions) instructions based on SIMD (Single Instruction Multiple Data) parallism. CPU supporing SSE instructions has 16 XMM registers with 128 bits. For the performance evaluation of the proposed scheme, we compare the processing speed between SAD with/without SSE instructions. The proposed scheme achieves four times performance improvement over the general SAD, which shows the possibility of the software realization of real time SAD algorithm.

• ETRI Journal
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• v.32 no.6
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• pp.854-862
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• 2010

One-way delay variation (OWDV) has become increasingly of interest to researchers as a way to evaluate network state and service quality, especially for real-time and streaming services such as voice-over-Internet-protocol (VoIP) and video. Many schemes for OWDV measurement require clock synchronization through the global-positioning system (GPS) or network time protocol. In clock-synchronized approaches, the accuracy of OWDV measurement depends on the accuracy of the clock synchronization. GPS provides highly accurate clock synchronization. However, the deployment of GPS on legacy network equipment might be slow and costly. This paper proposes a method for measuring OWDV that dispenses with clock synchronization. The clock synchronization problem is mainly caused by clock skew. The proposed approach is based on the measurement of inter-packet delay and accumulated OWDV. This paper shows the performance of the proposed scheme via simulations and through experiments in a VoIP network. The presented simulation and measurement results indicate that clock skew can be efficiently measured and removed and that OWDV can be measured without requiring clock synchronization.

• Journal of Digital Contents Society
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• v.18 no.6
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• pp.1025-1032
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• 2017

Recently the domestic popular song market has been growing mainly in digital sound sources. As a result of analyzing the top 100 music charts from 2012 to 2016 through digital sound sources and musical scores, the average annual BPM has fallen by 11.26 over five years. Every year, The style of music has diversified every year, and the proportion of Hip-hop has doubled from 8.5% in 2012 to 17.8% in 2015. Dance music and ballads have a high preference rate, but the relationship is inversely proportional. Singer composition was inversely proportional to the ratio of female solo to male group. Especially, the relationship between BPM and the Major/Minor key is that 81.42% for slow tempo songs is Major key and 53.85% for fast tempo songs is minor key. In the case of TV drama OST, the solo singer 's music was preferred, the music style was 80% pop and 20% ballad.