• 복식
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• 제47권
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• pp.19-32
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• 1999

The results from the consideration of this are as follows. 1. Dan dynasty has been 10-parts dancer and musician group for courtesy ceremonial meetings of ancient china. 2. Except ceremonial dance and music common dance and musics performed it in front of common peaples meetings. 3. After unification of Dang dynasty many commercial men and artist come frome western of China threfore influenced their costume habbits and behabiers from royal families costumes and common peaples costume without concern of that one's social position. 4. As the people who lived in thewest areas of old china there characterestics of the costumes are open breast jacked breast laped long skirt long scarf long boots narrow sleeve jackets patterend textilles(for womens) round neck narrow sleeved one-pies dress belt, long boots. patterend textiles(for mens). 5. Dancer's Costumes mode are as follows: 1) For females : high hair style, Twin 'high hair style. jewrery decorated hat bird's hair decorated cap. ribons. 2) For mens: Bok-doo. Hokongdu 6. Except traditional old china dancer dress they have many interested dancer dress for instance dang dynasty's 'Ye-sang woo yui dnace' dancer dress is very elegant and interested hip level jacket has peacoak wing shaped sleeves and long skirt has try angles shape attached apron this dancer dress begins wi-jin nam·book-dynasty. 7. Men dancer dress is just head cap bok doo long narrow sleeved one-pies dress.

• Clinics in Shoulder and Elbow
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• 제26권3호
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• pp.302-305
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• 2023

The authors present a case of transient postoperative inferior subluxation of the shoulder after arthroscopic surgical stabilization for recurrent anterior dislocation. The patient was a 61-year-old woman with myasthenia gravis (MG). The first anterior shoulder dislocation occurred because of a fall to the ground. Despite a successful closed reduction, two more dislocations occurred in 3 weeks. Magnetic resonance imaging revealed an anterior labroligamentous periosteal sleeve avulsion (ALPSA) lesion, an engaging Hill-Sachs lesion, and large tears of the supraspinatus and infraspinatus tendons. The patient underwent arthroscopic rotator cuff repair and ALPSA repair with a remplissage procedure. Intraoperatively, no tendency for instability was found; however, a widened glenohumeral joint space and inferior subluxation of the humeral head without functional compromise was observed on the day after surgery and disappeared spontaneously on radiographs 2 weeks later. To the authors' knowledge, this is the first report documenting the occurrence of transient postoperative inferior subluxation of the shoulder in a patient with MG.

• Applied Microscopy
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• 제31권4호
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• pp.333-345
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• 2001

두족류 3종(Octopus minor, Octopus ocellatus, Todarodes pacificus)의 성숙정자를 전자현미경을 통해 관찰한 결과 다음과 같았다. 팔완류인 서해박지와 주꾸미의 성숙정자 전체 길이는 각각 $390{\mu}m$와 $125\sim130{\mu}m$정도였고, 십완류인 살오징어의 길이는 $35{\mu}m$정도로 매우 짧았다. 서해낙지는 나선형의 첨체와 약간 굽은 바나나 모양의 머리를 소지하고 있었으며, 주꾸미는 꼬인 첨체와 막대 모양의 긴 머리를 가지고 있었다. 이들 침체 내강에는 규칙적 구조(periodic structure)인 많은 가로무늬가 관찰되었고, 머리의 내강에는 치밀전 (dense plug)을 형성하였다. 그러나 살오징어의 첨체는 전자밀도가 낮은 둥근 모자 모양이 였으며, 머리는 길쪽한 장타원형을 나타내었다. 특히 첨체 하단부에는 2개의 작은 강(cavity)이 관찰되었고, 이들 내강에는 전자밀도가 높은 물질들(juxtanuclear acrosomal materials)로 채워져 있었다. 3종의 성숙정자 중편은 서해낙지와 주꾸미에서 미토콘드리아가 mitochondrial sleeve를 형성하였지만, 두 종간 미토콘드리아의 수는 각각 $11\sim12$개와 $8\sim9$개로 관찰되어 수의 차이를 보였다. 반면, 살오징어는 미토콘드리아가 축사와 분리되어 mitochondrial spur를 형성하였고, 이들 spur내에는 $10\sim13$개의 미토콘드리아와 전자밀도가 높은 물질들이 밀집되어 있었다. 서해낙지, 주꾸미, 그리고 살오징어의 축사는 공히 9+2구조에 9개의 금은섬유가 둘러싸고 있었고, 살오징어의 축삭내에서만 작은 입자형의 글리코겐이 관찰되었다. 금은섬유들은 서해낙지와 살오징어에서는 꼬리의 주편까지만 관찰되었으나, 주꾸미에서는 단편에서도 관찰되었다.

• 복식문화연구
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• 제12권5호
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• pp.859-879
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• 2004

As a result of research, the characteristics of the general costumes from the king Young-Cho period to the king Jung-Cho period in Genre Paintings of Mung-Hyun Oho, Yong Yun, In-Sang Lee, Hee-Eon Kang follows. First, the typical man wore his hair in a topknot(sangtu), and put on 'Bung-gu-ji', 'Lip', or a scarf on his head. The length of the 'Jeogori'(Korean traditional jacket) was long enough to cover the waist. Dress for work had side slits, and had half length sleeve Jeogori, and short pants looked like 'Jam-bang-i'. They went barefoot and wore 'Jipsin'(Korean traditional straw shoes). Dress for outdoor was 'Po' that knot at front of chest by band. 'Baji'(slacks) were with knot below knee, worn 'Hang-jun'(ankle band) and the width of slacks was suitable. They were 'Beoseon'(Korean traditional socks) and shoes. Second those in the upperc1ass and those in the military put on 'Mang-geon', 'Gat', 'Sa-bang-gan', 'Tang-geon', 'Bok-geon' on their head on a topknot. Most of them wore 'So-chang-i', 'Jung-chi-mag' or 'Do-po'. The length of Jeogori covered the waist or the hip and were tied with 'Go-rum'(ribbon). Baji was tied with Hang-jun and 'Dae-nim'. The waist of the slacks were tied with a dark colored waist-band and folded down their waist of slacks. They wore white color Beoseon and 'Hye' or dark color leather shoes. They wore 'Sup'(assistant of arm) for bow. It showed the lifestyle of the 18C with fan, 'Be-ru', 'Mug', 'Yun-jug', teacup, pot, etc. Third, child's hair was short or knotted to the back of the head. The length of Jeogori reached waist line, Git of Jeogori was 'Dunggurai-Kit'(shape of round) and other style Jeogori, which reached the hip line, had side-slit. Baji was tied with Dae-nim, and the width of the slacks is suitable. They hang 'Yum-nang'(Pocket). Final, most women worked outdoors wearing their hair in a high twisted style, or covered it with scarf. They wore Jeogori and 'Chima'(Korean traditional skirts), Bagi. They folded up the sleeves of the Jeogori. And they folded the 'Jambang-i-styled' pants to just above the knees, fastening at the waist. When they wore skirts, they also wore underpants under the skirt that went down to the knees. Most of them went barefoot and wore straw shoes, Jipsin. Through genre paintings, we can understand the ways and forms of our ancestor's clothing. And with our understanding, interest, and passion, we can be familiar with Hanbok in our daily life by succeeding and creating its peculiar style. And then we can promote the globalization of Hanbok.

• Applied Microscopy
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• 제31권3호
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• pp.223-233
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• 2001

우리나라 서해안에서 채집된 서해낙지(Octopus minor)의 정자 완성과정을 전자현미경을 통해 관찰한 결과 다음과 같았다. 서해낙지의 정자 완성 과정은 초기 중기 후기 정세포 그리고 성숙정자 등 4단계로 나눌 수 있었다. 초기 정세포는 구형의 세포로서 전자밀도가 낮아 밝게 보였으며 핵의 상단부 골지체로부터 형성된 첨체는 전자밀도가 높아서 어둡게 관찰되었다. 핵의 하단 근위 중심소체에서 유도된 것으로 보이는 extra-nuclear rod(enr)는 처음에는 구형에서 타원형으로 변모되면서 핵의 상단부위까지 신장되었으며, 원위중심소체로부터는 축삭이 형성되는 모습도 관찰되었다. 핵막 주위에서 많은 수의 미세소관으로 형성된 만췌트(manchette)도 관찰되었다. 중기 정세포는 핵내 염색질이 가는 실모양으로 응축 되었고, 이 시기에서도 만췌트가 핵막의 주위에서 관찰되었다. 특히 구형의 첨체는 긴 타원형으로 변모되면서 많은 수의 가로무늬를 형성하였고 전자밀도는 중등도로 나타났다. 후기 정세포는 핵내 염색질이 굵고 짧게 응축되었고, 중편에서는 미토콘드리아가 축삭을 감싸고 있는 mitochondrial sleeve를 형성하였다. 축삭은 전형적인 9+2 구조를 보였으며 축삭 주위에서는 9개의 금은 섬유(coarse fibres)도 관찰되었다. 성숙정자의 첨체 내강에서도 가로무늬가 관찰되었는데 특이하게도 가로무늬 사이에서 일정한 간격의 돌기물들이 관찰되었다. 성숙정자의 전체 길이는 약 $390{\mu}m$였으며 첨체는 나선형으로 꼬여 있었으나 머리부위는 꼬여 있지 않고 바나나 모양으로 약간 휘어져 있었다. 또한 정자의 중편에는 $11\sim12$개의 미토콘드리아가 굵은 섬유들을 둘러싸고 있었으며, 이 금은 섬유들은 꼬리의 주편 (main piece)까지만 연결되고 단편 (end piece)에서는 9+2구조의 축삭만이 관찰되었다.

• 수산해양기술연구
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• 제21권2호
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• pp.157-166
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• 1985

가변 압축비 기관(C. F. R.)에 ionization gap probe를 피스톤 및 실린터 헤드 sleeve에 설치하여 화염거동에 대하여 실험한 결과는 다음과 같다. 1) 혼합연료에서 화염전파속도는 메타놀 함량에 따라 증가한다. 2) 혼합연료에서 메타놀 percent가 증가하면 에너지 소모비 (Btu/HP-hr)가 감소하여 열효율은 증가한다. 3) 당량비가 일정하면 평균유효압력은 메타놀 량이 증가할수록 감소한다. 4) 순수한 가솔린 및 혼합연료는 점화진각이 클수록 NO 하(X) 방출량은 증가하고 희박 혼합기 영역에서 NO 하(X) 방출량은 최대가 된다. 또 RG50/M40/THF10/W1의 연료에서는 당량비가 0.95이하에서는 당양비가 낮을수록, 점화진각이 높을수록 NO 하(X) 방출량은 증가하고, 0.95 이상에서는 당량비와 점화진각이 클수록 방출량은 감소한다. 5) CO, HC의 최소값은 메타놀 함유량이 높을수록 감소한다.

• 대한두개안면성형외과학회지
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• 제20권1호
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• pp.37-43
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• 2019

Background: Tongue reconstruction is challenging with the unique function and anatomy. Goals for reconstruction differ depending on the extent of reconstruction. Thin and pliable flaps are useful for tongue tip reconstruction, for appearance and mobility. This study reports lateral arm free flap (LAFF) as a safe and optimal option for hemi-tongue reconstruction, especially for tongue tip after hemiglossectomy. Methods: Thirteen LAFFs were performed for hemi-tongue reconstruction after hemiglossectomy from 1995 to 2018. Of the 13 patients, seven were male and six were female, age varying from 24 to 64 years. Results: All flaps healed uneventfully without complications. Donor sites were closed primarily. The recipient vessels for microvascular anastomosis were mainly superior thyroidal artery, external jugular vein. All patients returned to normal diet, with no complaints regarding reconstructed tongue and donor site. Conclusion: The LAFF is hairless, thin (especially with lateral epicondyle approach), and potentially sensate. They are advantageous features for tongue tip and hemi-tongue reconstruction. Donor site sacrifices the inessential posterior radial collateral artery, and the scar is hidden under short sleeve shirts. We believe that LAFF can be considered as the first choice flap for hemitongue reconstruction, over radial forearm free flaps.

• 복식
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• 제28권
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• pp.65-84
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• 1996

The purpose of this study is to analyze the relation between the beauty of human body and the fashion illustration in each period And I attained my object through the investigation of features and changes of illustration which is given a vivid description of the features and development of ideal humam body beauty. By various methods I studied this subject. Frist I refered to sundry records Secondly I investiated the fashion illustrations which are included in Vogue. On the basis of this data I grasped the ideal types of human body beauty which is founded during the social change in each 10 years. And I analyzed the relation be-tween the ideal type and fashion illustration which show the change of fashion. The summary of result is as follows. 1. In the early part of the 20th century the beauty of human body is represented with the figure of large-sized beauty which emphasize shoulder and bust. And fashion ikllustration show 9 life-size broad shoulder full bust lim waist and hourglass silhouette. 2, In the 1910s the swell of strength vanishes gradually and shoulder and sleeve are straight type. And fashion illustration show 7 life-size high waist line. And that is tublar sil-houette of high waist and streamline shape in which bust and hip are not emphasized. 3. In the 1920s the ideal type of human body beauty is straight type which shows flat bust and unexaggerate hip. And fashion illus-tration is about 8 life-size tublar silhouette of low waist and lunger and slimmer and young style in which bust and hip are not emph-asized. 4. In the 1930s the ideal is womamly slim and long style. Fashion illustration is about 8 life-size and slim & long silhouette in which waist line is emphasized and bust and hip line come out. 5. In the 1940s the ideal type is womamly style which has narrow shoulder rich bast and slim waist. And fashion illustration is about 7 life-size and hourglass silhouette which has unartificial shoulder slim waist and empha-sized bust. 6. In the 1950s the ideal type is that of ro-bust health which emphasize build and muscu-lar system. And fashion illustration is 8.5 life-size and show full bust and made waist slimmer. That is sheath silhouette. 7. In the child who has full face with large eyeball slender and long leg: narrow and immatured body comparatively big head. And fashion illus-tration is 7 life-size and show slim and long neck flat bust long and slim limbs and big head. That is H type silhouette. 8. In the 1970s the ideal type is high stat-ure flat breast small hip and wide shoulders. And fashion illustration is wide shoulders and slim waist as 11 life-size and straight sil-houete. 9. In the 1980s the ideal type is extremely emphasized breadth of shoulder because healthy body and muscle are recognized as the symbol of ideal attractiveness. And fashion il-lustration is about 8.5 life-size and show mus-cular slim type that is slim silhouette. 10 At the present time the ideal type is slim and tall type which is empasized healthy beauty. And fashion illustration is 12 life-size which has healthy body and skin So that is slim and long type.

• 한국의류산업학회지
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• 제14권5호
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• pp.766-777
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• 2012

The 13 genre paintings by Junkeun Kim in the book "Korean Games(by Stewart Culin 1858~1929)" were used to study the late $19^{th}$ century's basic costumes and Games style in Korea. The people who appear in the paintings are 26 adult males, 2 minor males, 2 adult females and 3 kisaengs. Typical men wore 'Jeogori' which had various colors and white linings with a reached hip line, and knotted with a 'go-rum' on the right side. They also wore, white colored 'Baji' with colorful sash that were knot below knee or ankle together with 'Hang-jun' or 'Daenim'. They wore 'Beoseon'. Some men wore 'Po' whose colors were blue, green, indigo, white. The general women wore 'Jeogori' in deep green and light pink, indigo, green, red, and they matched with colors for 'Kit' and, 'Go-rum', 'Kut-dong' and its 'Go-rum' was short and narrow. It was so fit and short with narrow sleeve. It had 'Dunggun-kit'(round head collar) with white 'Dong-jung' and so it fit at neck. They wore 'Chi-ma' whose color was red, light green, or light indigo. It contrasted with 'Jeogori'. The width of 'Chi-ma' was big enough. Then white inner slacks came out under the skirt. Traditional Korean games can be classified according to age and gender. Then the games can be further classified into three categories : men's games, women's games, and games for all. The games for adult are an archery practice, hunting, shovel work with a karae, making a bow, drawing Jongkung-chart, Korean chess, playing paduk, and the Korean card game. A swing is a game for women. Games for both men and women are dice play, and domino game. Games for both adult and minor males are sledge, and tightrope walking. Through genre paintings in the $19^{th}$ century, I reached a conclusion that basic costumes are similar to 'Hanbok' at the present time and the method of wearing them has not changed much. It appears that the originality of traditional costumes has been maintained.

• 한국건축시공학회지
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• 제16권5호
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• pp.429-436
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• 2016

최근 인건비 상승 및 노동인력의 고령화로 인한 건설인력의 부족, 초고층 건물의 공기단축과 같은 문제들이 대두되면서 PC공법에 대한 연구가 활발히 진행되고 있다. 하지만 대부분의 연구는 PC공법에 대한 개발과 구조적 해석을 목적으로 하고 있으며, 공사관리 측면의 연구들이 부족한 실정이다. 이에 본 연구는 '중공 PC기둥 복합공법(이하 HPC공법)' 에 대한 공사관리 측면의 연구로서, HPC공법의 계층분석적 의사결정(AHP)을 이용한 편익-비용 분석을 목적으로 하였다. 이를 위해 기존 문헌과 연구 자료를 조사하여 HPC공법의 비교대상 공법을 선정하고, PC복합화 공법의 시공절차와 전문가 면담을 기반으로 한 차이점 분석을 통해서 평가기준을 선정하였다. 편익측면과 비용측면의 평가요소 및 평가항목에 대한 쌍대비교를 위해서 설문조사를 실시하였다. 설문은 PC공사에 대한 충분한 경험을 가진 전문가들을 대상으로 심층면접방식으로 실시하였다. 분석결과, HPC공법은 비용에 비해 편익의 가치가 더 크며 현장에 적용할 경우, 하프슬래브공법과 비교하여 충분한 경쟁력이 있을 것으로 판단된다.