• Fashion & Textile Research Journal
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• v.1 no.1
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• pp.34-42
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• 1999

The purpose of this study was to change practical korean costume in 20C. In the early 20C, inflow of western civilization started to change korean costume. Since then gradually changes to be simple in Korean costume. Results of this study can be summarized as follows: Traditional jacket (jeo-go-li) gradually began to be long to waist line. This jacket length was to be long and it sleeve is to be short in early 2OC. Traditional skirt (Chi-rna) length was short to the calf of the leg. Traditional wide skirt was gradually to be narrow and pleats shape look as if it in go-gu-Ryeo Dynasty. The width of pleats was about 3~5 cm, be one-sided, look as if it western style in today. But pleats skirt already existed on a women's of the upper classes in go-gu-Ryeo Dynasty. Women's long Coat (do-lu-ma-gi) length was short to under hip line in late 20c. In this way, the practical idea, the factor of design was because of western idea in civilization ages, early 20C. Since then gradually reformed to be simple in Korean costume. Assuming that the trend of simplification in Korean costume is related to the idea of practical. Therefore Korean costume of living or a reformed Korean costume to be design of practical, functional, convenient, economically. And it must have to traditional idea, it is only beauty of shape, pattern, line, fabric in Korean costume.

• Journal of the Korean Home Economics Association
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• v.46 no.2
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• pp.127-135
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• 2008

The study purpose was to increase Han-bok's convenience by changing materials while maintaining keep the traditional Han-bok style. For this purpose we surveyed actual Han-Bok wearers about the inconveniences of its form and design by combining knit with Han-bok. On the basis of this survey, we present a practical design for use in daily fife. Responding to the question about Jeo-Go-Ri(jacket), most respondents preferred a Han-bok which stressed elasticity by utilizing knit on Jeo-Go-Ri's front and back body line(JD1, JD4). For the question about ann holes, most respondents liked a design which substituted knit materials for Sam-hoi-jang(colorful strips) to ensure ease of use and shorten both the width and length of the breast-tie(JD2, JD3). For the sleeve edge, they preferred a design which solved the difficulties of rolling up the sleeve when working ($JD2{\sim}JD5$). Regarding the most inconvenient aspect of wearing Chi-mas(skirts), the respondents indicated tightening of the breast and an uncomfortable feeling due to the skirt length. This suggested that the waist of the vest should be lengthened to avoid the feeling of pressure(CD2, CD5). Regarding changes to the skirt shape the respondents preferred buttons and hooks rather than using skirt strings(CD4, CD5).

• Journal of the Korean Home Economics Association
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• v.18 no.4
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• pp.31-39
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• 1980

The basic pattern of skirt should be functional in addition to be fit the body. The author paid special attention to the expansion and contraction of the shell which were made the lower trunk and thigh caused by sitting motions. The replicas of the shell were taken by using a gypsum method on 1 female under 4 standardized motions; standing motion, (basic motion), sitting on the chair with flextion 90' at the hip and the knee joints sitting with dropping knees, and sitting with benting legs side wards. Those replicas obtained were developed to the patterns and changes in shape and area of those were measured. Typical displacement and transformation of the shell surface patterns were showed geographycally fig 5-1 to 5-4. mean values of expansion and constriction were obtained by measuring the shell surface on 60 female under the 4 motions. the mean values of it were showed numerically in Table 1-1 to 1-3. The following results were obtained; 1. Vertical constriction of front of the shell were observed near sulcus in guinalis, and vertical extension were near the knees. Horizontal extension were observed near the thighs and the knees. 2. Vertical constrictions of the back of the shell were observed near the knees. It seemed to be influnced the flexion angles of knee points. vertical extension were near gluteus and thighs. Horizontal constriction were small, and horizonlal extension were near gluteus. 3. The high rates of constriction and extension were found near sulcus in guinalis, glutes, and knees. 4. The rates of constriction and extension on the waist line were very low. 5. The highest values of constriction and extension were found in hip and knees.

• Journal of the Korean Society of Clothing and Textiles
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• v.21 no.8
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• pp.1275-1286
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• 1997

The purpose of this study is to investigate how the shape of the lower body influences an individuals' ease in fitting skirts. Subjects in this study consisted of 188 adult females categorized into two groups(the first group were subjects 18∼33 years of age and the second group 34∼59 years of age), whose measurements were taken and then compared between the two groups. The subjects were also categorized into 5 different lower body types. The following are the results; (1) The comparative analysis of the ease from the two a9e groups showed a bigger value of waist girth in the young age group. And thereverse results were found when measuring hip firth. (2) The correlation analysis between the ease and the anthropometric data showed a weak statistical correlation in the older group, and showed no statistical correlation in the younger group. However, there was correlation between the ease and the body measurements as well as between the differences of waist girth and hip girth. (3) The most appropriate average ease of skirt in the young age group was 1.03 cm for waist and 5.71 cm for hip; the most appropriate average ease of skirt in the older age group was -0.76 cm at the waist and 4.10 cm at the hip. (4) Analysis of variance with a special emphasis on the ease of waist girth and hip girth according to the anthropometric data of the lower body revealed a statistically significant correlation.

• Fashion & Textile Research Journal
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• v.7 no.1
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• pp.63-69
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• 2005

The purpose of this study is to evaluate the differences of visual effects by variations in the location of the waistline and the width of the round belt of the basic skirt. The stimuli are 21 samples: 7 variations of the location of the waistline and 3 variations of the width of the belt. The data has been obtained from 43 fashion design majors. The data has analyzed by frequency, factor analysis, anova, scheffe's test and the MCA method. The results of this study are as follows. The visual effects by variations of the location of the waistline and the width of the belt are composed of 3 factors: the shape of the front part of the abdomen, the shape of the side part of the abdomen, and the length of the upper body. The visual effects by variations of the width of the belt have partial significant differences. The visual effects by variations in the location of the waistline have significant differences in all factors. The interaction effects between the location of the waistline and the width of the belt have not significant differences in all factors.

• Journal of the Korean Society of Clothing and Textiles
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• v.47 no.2
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• pp.215-231
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• 2023

This study classifies short front long back skirts from the Joseon Dynasty by style type, identifies their formative characteristics based on their external morphological properties and internal composition, and examines their correlation with Korean thought. A literature review and empirical research were conducted for this study. The style of short front long back skirts is classified as inverted "b"-shaped, lower lip, wavy, trapezoid with a raised center hem, or half-circle. As such, this skirt possesses the formative properties of imbalance, variability of shape, intentional three-dimensionality, and confluence. In other words, with an imbalance resulting from the difference in length between the front and back, these skirts are characterized by variability in shape created by intentional three-dimensionality expressed as intentional three-dimensional beauty, the confluence of planes and dimensions, as well as of materials and colors. These properties are correlated with Korean ways of viewing the world. This study contributes to the development of Korean designs.

• Journal of the Korean Society of Costume
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• v.23
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• pp.211-223
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• 1994

It was aimed to study the costume of Koryo dynasty based upon the one hundred and ten pictures of the writtened Budist scripture. The costume to study were made about 400 years during the King Mok-jong(1006) to the first year of the king Kong-yang based upon the Avatamaka Sutra and the Sutra of the Lotus. 가) Men's wear : 1. Hair style and hair dress : 1) Man bored a hair and put on the hat such as a Kuan, Kun, and Mo. The young boys binds his hair up one, two, and three knots, and tied up with a hair ribbon. A kinds of hats were Tung-t'ien-kuan(Yuan-yu-kuan) and Chin-hien-kuan and as a court dress. The man wore pok-여 as an official uniform and wore a pok-du , kun-mo as an everyday dress and wore a helmet as a solidier's uniform. 2. Clothes : 1) They wore Yuan-yu-kuan and Chin-hien -kuan as a court dress, and wore belt, boots, pleated decorated ling skirt also. They wore round shape collor big sleeve jacket, small sleeve long coat, belt , boots as an official dress. 2) the soldiers wore helmet, scarf, yangdang-kap , hung-kap, bak-kap, we-yo-kap, kun-kap and jok-kap and carries arms. 3) The young boys bind his hair up one, two and three angle shape an tied up a hair ribbons. 나) Women's wear : 1. Hair Style and hair dress : high rank ladies made their hair top knot (one, two, or more knots) and tied with hair ribbons , and decorated with precious stone, pan shape head dress , wheel shape head dress. 2. Clothes ; 1) high rank ladie's wore kun -kyun attached jacket , and jacket sleeves decorated pleats and pleats decorated on skirt, apron, back apron, knot belt, scarf.

• Journal of electromagnetic engineering and science
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• v.1 no.1
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• pp.83-87
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• 2001

Many communication systems require bandpass filters with sharp skirt frequency characteristics in order to avoid the interferencce, which results in more order in the filter design. However, because of the limited Q values bandpass filters made of small sized ceramic resonators suffer from relatively large ripples at the band edges as the order of the filter increases. In order to compensate the large ripples while maintaining the sharp skirt frequency we propose a new RF amplitude equalizer. The equalizer made of two pole bandpass filter and an amplifier whose amplitude characteristics are the reverse of those of the bandapss filter. At the cellular band 9-pole bandpass filter with 10 MHz bandwidth exhibits 3 dB ripple when 8mm*8mm ceramic coaxial resonators are used. We added the RF equalizer to this filter and the flatness is improved as less than 1 dB.

• Journal of the Korean Society of Costume
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• v.58 no.5
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• pp.71-86
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• 2008

The Purpose of this article is to study the excavated women's costume of the Joseon Dynasty, and to help identify the period of those costumes with the time of the burial unknown. The excavated women's costume is concentrated in 16th to 17th century, and the reason is due to the method of the burial. The characteristics of costumes from each period is as follows. The special features about 15th century costumes are the women's Dan-ryeong(round-collared jacket), Dae-gum style shirt(shirt with the squared collar facing each other), and skirt with horizontal dart. The 16th century costumes are the women's Dan-ryeong, wide Jegori with various length, skirt with horizontal dart, skirt with its hem folded, and pants with shoulder strap. In the 17th century, the formal dress changes to Won-sam from Dan-ryeong. The collar changes from the squared shape to the cut Dang-ko collar, and the skirt with its hem folded is not seen after the early 17th century. The long jacket changes to Dang-ui and gets settled, and the clothes becomes smaller and tighter. In the 18th century, the women's formal dress gets settled to Won-sam and Dang-ui, and the pants with shoulder strap is no longer seen. Jegori becomes shorter and smaller compared to those from the 17th century, and again gets wider and bigger in the late 18th century, and it leads to the change of making a big sized shroud.

• Journal of the Society of Naval Architects of Korea
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• v.29 no.2
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• pp.48-59
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• 1992

In this paper, the effects of a skirt deformation on the responses of an Air Cushion Vehicle in waves are investigated. The air in the bag and in the plenum chamber is assumed to be compressible and to have a uniform instantaneous pressure distribution in each volume. The free surface deformation is determined in the framework of linear potential theory by replacing the cushion pressure with the pressure patch moving uniformly with an oscillating strength. And the bag-finger skirt is assumed to be deformed due to the pressure disturbance while its surface area remained constant. The restoring force and moment due to the deformation of bag-finger skirt from the equilibrium shape is included in the equations of hearse and pitch motions. The numerical results of motion responses due to various ratios of the bag and cushion pressure or bag-to-finger depth ratios are shown.