• Title/Summary/Keyword: Silla Great Bell

Search Result 5, Processing Time 0.02 seconds

Vibration and sound of Silla Great Bell (신라대종의 진동과 음향)

  • Kim, Seockhyun;Lee, Joong Hyeok;Byeon, Jun Ho
    • The Journal of the Acoustical Society of Korea
    • /
    • v.36 no.3
    • /
    • pp.186-193
    • /
    • 2017
  • Silla Great Bell was manufactured in order to ring for the new millennium in succession to King Seongdeok Divine Bell. This study investigates how Silla Great Bell is similar to King Seongdeok Divine Bell in respect of structure and sound. First, design and manufacturing processes are introduced and dimensions of the two bells are compared and the similarity is estimated. Three main characteristics of the sound of a Korean bell are magnificent and harmonic striking sound, dynamic beat, and long lasting hum tone. These three features are compared and objectively estimated using physical parameters. The purpose of the study is to provide useful information to manufacture Korean bell which has beautiful appearance and excellent sound.

Structural Design of a Large Silla Bell Considering Vibration and Sound (진동과 음향을 고려한 신라대종의 구조설계)

  • Kim, Seock Hyun;Lee, Joong Hyeok;Byeon, Jun Ho
    • Proceedings of the Korean Society for Noise and Vibration Engineering Conference
    • /
    • 2014.10a
    • /
    • pp.604-607
    • /
    • 2014
  • The Seongdeok Divine Bell(nicknamed "Emile Bell") represents the bell of the Silla dynasty. However, ringing it was stopped since 2003 for the safety of the bell. Currently, Kyungju city is performing a project casting a new great bell(tentatively named "Great Bell of Silla") that inherits the beautiful appearance and the sound of the Seongdeok Divine Bell in order to ring a new coming millenium. The new bell is designed to be almost same as the Seongdeok Divine Bell in terms of size, weight and shape as well as its sound. In this study, we investigate the problems occurring in the design of the bell structure and propose the design strategy for the reconstruction of the traditional large bells.

  • PDF

Beat tuning of Silla Great Bell (신라대종의 맥놀이 조절)

  • Kim, Seockhyun;Lee, Joong Hyeok
    • The Journal of the Acoustical Society of Korea
    • /
    • v.36 no.3
    • /
    • pp.194-201
    • /
    • 2017
  • Silla Great Bell was made to reproduce King Seongdeok Divine Bell and it was restored to have the same structure and patterns. The most difficult problem was to reproduce the magnificent striking sound and dynamic hum tone with strong beat like in King Seongdeok Divine Bell. Especially, beating sound is attributed to the uncontrollable asymmetry occurring in the casting process, so it can not be predicted or controlled before casting. In this study, we introduce the method and process to make Silla Great Bell have a strong beat with a proper period. Position conditions of mode pairs and striking point for a strong beat were identified. Bell thickness was locally decreased to make proper period of beat. The process was performed according to the simulation result of an equivalent bell model. As a result, the original weak and long beat was made to a strong beat with a proper period.

The Spatial Analysis and Acquistion of Precision digital data due to Cultural Properties using the Photogrammetry (영상분석기법에 의한 문화재의 정밀 수치자료 획득과 공간분석 - 성덕대왕신종에 대해 -)

  • Kang, Joon-Mook;Bae, Yeoung-Sung;Bae, Sang-Ho;Lee, Seung-Son
    • Journal of Korean Society for Geospatial Information Science
    • /
    • v.6 no.1 s.11
    • /
    • pp.65-74
    • /
    • 1998
  • The acquisition and analysis system of accurate geometrical digital data is very important in side of maintaining the traditional culture for the preservation of cultural properties. This study is on the construction and shape analysis of precise digital data to manage more successfuly using the CRP method and 3D Mono Mobile System. Also this study could acquisite 3D geometrical digital data, make such various space analysis and section, projection, and calculation of bias, area and volume and modeling by rendering technique on the misterious bell of great king of SungDuck, one of the greatest bells in periods of TongIl Silla. So, We suggest utilization of image analysis method to safety diagnosis for the maintenance of cultural properties, archeological and artistic research.

  • PDF

Paragon of people circling the pagoda of Woljeongsa Temple and performance of its cultural inheritance (월정사 탑돌이의 전형과 공연문화)

  • Lee, Chang-sik
    • (The) Research of the performance art and culture
    • /
    • no.36
    • /
    • pp.751-781
    • /
    • 2018
  • Task of circling the pagoda of Waljeongsa(Woljeongsa Tabdori) is the major intangible cultural heritage with representativeness and historical meaning as a Buddhism culture, one of the Buddhism folk plays, which was firstly played after the liberation. Woljeongsa Tabdori holds significant designation importance in terms of Buddhism folklore heritage with Korean unique tradition and identity of Gangwon-do province. Temples are demonstrating Tabdori nationwide but Woljeongsa Tabdori is the unique case that systematically inherits the culture based on the designation of being intangible cultural heritage. That is why it is needed to focus on the cultural and internal value of Woljeongsa Tabdori. Tabdori is the integrated symbol of Buddhism respect and worship to the Buddha and pagoda. It is hard to presume the originality of Woljeongsa Tabdori: given the history of Woljeonsa temple, it lies into Goguryeo traditional play and Bokhui(Pagoda circling folk play) in Silla era. It fits into the courtesy of Circumambulating Stupa considering Moon in Goguryo mural, background of Odaesan Hwaeom thought/tripitaka and essence of Octagonal 9-story stone pagoda. At the first stage of Tabdori, Buddhist musical instruments such as Buddhism temple bell, singing bowl, cloud-shaped gong and wooden-fish. However, later, Samhyeon Yukgak has been added and then, Boyeom and Bakpaljeongjinga were singing: it could be interpreted that it was a pure Buddhist ceremony but it has become to have traditional aspect and been spread to the public. The origin of Woljeongsa Tabdori is related to the explanation of Circumambulating Stupa that experiences the glory of the ending ceremony. When a temple has a rite, the Buddhists make an offering to the Buddha. At that time, Buddhist prayer, sermon and chant are followed. After the rite, the Buddhists are circling the pagoda with the monks while praying for Buddhist charity and making their own wishes. It prays not only going after death to Nirvana of the one but also national prosperity and the welfare of the people for peaceful reign. As the temple holds bigger rites, many Buddhists gather and the Tabdori was a success. The scene of circling the pagoda and making own wishes in line with the Buddhist sermon was solemn. The idea on changes and convergence of Woljeongsa Tabdori requires strategic inheritance to promote the transmission while maintaining the paragon and purpose of designating the cultural heritage and reviving its identity. Korean Tabdori was held in Buddha's birthday in April and the mid-autumn day. Tabdori is a memorial service type Buddhist ceremony that once the monk holds the Buddhist rosary, circles the pagoda and sings the great mind and charity of the Buddha, Buddhists follow the step, lighting the lantern, circling the pagoda and praying for the gentle and easy death. Transmission education of the successor, diversified approach of the expert's advice and discourse on the revival of the origin should be reinforced in phases.