• Title/Summary/Keyword: Shape-from-shading

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Breeding of A New Saxifraga fortune Cultivar (Hybrid) 'Crystal' with Light Pink on a White Green Ground Colored Petals for Pot Flower (연한 녹색 바탕에 밝은 핑크색 꽃의 분화용 바위떡풀 신품종 '크리스탈' 육성)

  • Suh, Jong-Taek;Hong, Su-Young;Yoo, Dong-Lim;Nam, Chun-Woo;Ryu, Seung-Yeol;Lee, Eung-Ho
    • Horticultural Science & Technology
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    • v.30 no.2
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    • pp.224-228
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    • 2012
  • A new $Saxifraga$ $fortunei$ cultivar 'Crystal' was bred by crossing 'Dotaerang' with light pink and light Green (RP 58D) colored petals and 'Rocksun' with light pink and light green white (RP62A + GW157A) colored petals. The selection and flower characterization were conducted from 2004 to 2007 in a greenhouse of the National Institute of Highland Agriculture. The flowering of 'Crystal' occurred from September 21 for 31 days. The number of flowers per plant was 279.0 with many flowering habit. The flower coloration was mixed light pink and green white (RP62D + GW157B) at the opening. The number of petals were 7.0, with a width of 2.1 cm and length of 1.8 cm. The plant height was 15.3 cm and number of leaves was 133.7. 'Crystal' cultivar can be used for pot flower. Fifty percent shading is a good cultural practice against direct sunlight and soft rot disease would occurs usually by over-irrigation. 'Crystal' cultivar was registered as a new variety with No. 3466 at Korea Seed and Variety Service in April of 2011 year.

Shading Effects on the Growth and Physiological Characteristics of Osmanthus insularis Seedlings, a Rare Species (희귀 식물 박달목서 유묘의 생장 및 생리적 특성에 대한 차광 효과)

  • Da-Eun Gu;Sim-Hee Han;Eun-Young Yim;Jin Kim;Ja-Jung Ku
    • Journal of Korean Society of Forest Science
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    • v.113 no.1
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    • pp.88-96
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    • 2024
  • This study was conducted to determine the optimal light conditions for the in situ and ex situ conservation and restoration of Osmanthus insularis, a rare plant species in South Korea. Evaluations included the growth performance, leaf morphological features, photosynthetic characteristics, and photosynthetic pigment contents of seedlings grown from April to November under different light conditions (100%, 55%, 20%, and 10% relative light intensity). The shoot lengths and root collar diameters did not differ significantly with relative light intensity. The dry weights of leaves, stems, and roots and the leaf number were highest at 55% relative light intensity. The leaf shape showed morphological acclimation to light intensity, with leaf area decreasing and thickness increasing as the relative light intensity increased. Several leaf parameters, including photosynthetic rate and stomatal conductance at light saturation point, net apparent quantum yield, and dark respiration, as well as chlorophyll a, chlorophyll b, and carotenoid contents, were all highest at 55% relative light intensity. Under full light conditions, the leaves were the smallest and thickest, but the chlorophyll content was lower than at 55% relative light intensity, resulting in lower photosynthetic ability. Plants grown at 10% and 20% relative light intensity showed lower chlorophyll a, chlorophyll b, and carotenoid contents, as well as decreased photosynthetic and dark respiration rates. In conclusion, O. insularis seedlings exhibited morphological adaptations in response to light intensity; however, no physiological responses indicating enhanced photosynthetic efficiency in shade were evident. The most favorable light condition for vigorous photosynthesis and maximum biomass production in O. insularis seedlings appeared to be 55% relative light intensity. Therefore, shading to approximately 55% of full light is suggested for the growth of O. insularis seedlings.

Breeding of a New Saxifraga fortunei Hybrid 'Pinkle' with Dark Pink-Colored Petals as a Pot Flower (분화용 진한 핑크색 바위떡풀 신품종 '핑클' 육성)

  • Suh, Jong-Taek;Hong, Soo-Young;Yoo, Dong-Lim;Nam, Chun-Woo;Ryu, Seung-Yeol;Lee, Eung-Ho
    • Korean Journal of Plant Resources
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    • v.25 no.1
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    • pp.152-155
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    • 2012
  • A new Saxifraga fortunei 'Pinkle' was bred by crossing 'Juno' with 'Hongoan', both with light pink (RP-N66A)-colored petals. The selection of promising lines and characterization of flowers were conducted from 2004 to 2008 year in greenhouses of the Highland Agriculture Research Center, NICS, RDA. The flowering of 'Pinkle' starts on October 7 and lasted for 27 days. The number of flowers per plant is 99.7 with many flowering habits. The flower show mixed dark pink (R-P N66C) colors at opening. The flower have 5.0 petals, each have the size is 2.9 cm in width and 3.2 cm in length. Mean plant height is 15.8 cm and number of leaves are 44.3 ea. 'Pinkle' can be used as a pot flower. Fifty percent shading of the sunlight is recommended and soft rot disease occurs caused by over-irrigation. 'Pinkle' was registered as a new cultivar in Korea Seed and Variety Service in April 2011.

A Study on the Development of Visual Arts Convergence Education Model with the Formless Concept (비정형 개념에 따른 시각예술 융합교육 모형 개발)

  • Cho, Hyun Geun
    • Korea Science and Art Forum
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    • v.37 no.2
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    • pp.275-292
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    • 2019
  • This study was initiated with the attention of demanding new and diverse approaches, we're talking familiar with imitations in the design process like a way to draw a image. So I studied a convergence of humanities and visual arts with the understanding and conceptual approach of the formless. The purpose of this study is to develop formless languages and to organize practical courses which are to enable deeper research and design expression on theoretical approaches and explanations of outcomes required before and after the process when we practice in connection with the formless. The method of this study is to draw detailed items from selected words through advanced researches, work and author researches and practice teaching. The results of the study I proposed the formless language that is related to the horizontality in spatial positioning system, and pulse in the separation of space and time, and entropy in structural orders of the system, and base materialism in the limitation of matter as the operating mechanism and parent item of formless. And those elements are related with shape, size, shading, color, texture, space, structure as visual elements of formative elements and those have various adjectival meanings as the subordinate concept. So I presented an education materials of basic design which is to enable understanding and expressing the formless language in the overall process of formless visual art(theoretical approach, practice course, presentation, etc.). Based on these study results, I hope that this educational materials will be used as educational contents that makes them express and understand different new beauties, and a role that reveals social identity, and a reference for research on a formless visual arts.