• Korean Institute of Interior Design Journal
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• v.19 no.5
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• pp.3-10
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• 2010

In the history of art and architecture, there are different characteristics in relationship between light and space. Among them, two characteristics seem to be fundamental : The first is that contrast between light and darkness is more articulated. Direct sunlight penetrates into the dark interior space made by heavy masonry structure. This is generally found in the traditional western religious buildings. The second is that light is mixed with darkness and becomes shade. Shade is different from shadow that is usually perceived as the opposite of light. Sunlight is filtered under through the big horizontal roof and rice paper walls in the traditional far-east Asian architecture and becomes weak ambient light. In this shade, there is no strong contrast between light and darkness. This difference is not only originated from the architectural differences, but also originated from the conceptual differences about light, space, and the world in two cultures. This paper tries to study the philosophical, aesthetical backgrounds as well as case examples in art and architecture of two characteristics. Based on the case studies, this paper aims to analyze the main perceptual structure. Finding the relationship between light, space, and human body by making three dimensional models is the crucial analysis method of this research. Although in real life and experiencing the world, these two characteristics are not clearly separated, comparative study based on different cultures gives opportunity to think of diverse perspectives on light and space.

• Journal of Environmental Science International
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• v.19 no.5
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• pp.585-590
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• 2010

This study attempted to facilitate various groundcover plants, related to phytoremediation material, and advance shade plants with a heavy metal tolerance to contaminated soil in an urban shade space. Saxifraga stolonifera, which has commonly been used a landscape shade plants, was evaluated to determine its heavy metal tolerance to different concentrations(Control, $100mg{\cdot}kg^{-1}$, $250mg{\cdot}kg^{-1}$ and $500mg{\cdot}kg^{-1}$ treatment) of Cd, Pb and Zn in soil. The growth of Saxifraga stolonifera showed no significant tendency after the initial transplantation, but showed distinct changes with the respective treatment heavy metal types and concentrations over time. Especially, severe chlorosis, with more yellowish green leaves, was observed, with inhibition at Cd concentrations greater than $100mg{\cdot}kg^{-1}$. Conversely, no external symptoms or growth retardation were observed with Pb and Zn concentrations less than $500mg{\cdot}kg^{-1}$. Therefore, Saxifraga stolonifera can be applied as a long term phytoremediation species in soil contaminated with low concentrations of heavy metal in urban shade spaces.

• Journal of Technologic Dentistry
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• v.10 no.1
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• pp.177-183
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• 1988

This paper aims to examine ceramic shade prescriptions for work authorizations in all its aspectclincal information, recording information, technical considerations, extended application, practical applications. The results are as follows : 1. The basic application provides essential data for ceramic veneer fabrication. 2.Three-dimensional information divides the space for body and enamel components. 3. The second body shade selection improves shade matching in the middle one-third of the tooth and enhences the appearance of the enamel component. 4. Ceramists are encouraged to recognize the influence each component has upon the total shade composition. 5. A format is established for recording clinical information. 6. The use of available ceramic systems is seemingly unlimited. The method presented provides flexisility for recording the most detailed shade information in simple graphic and verbal terms. 7. Technical simplification is a by-product of complete, precise work information.

• Korean Institute of Interior Design Journal
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• v.14 no.2 s.49
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• pp.188-196
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• 2005

The light has been considered as a main character that can not be omitted in architecture since ancient time. The recognition of space by light means that light makes the fictional space recognizable concretization. Light and shade make emptiness and substance can be easily recognized. Also reiteration and location of light and shade change the degree of acknowledgement. The character of light can strengthen or weaken the power of recognition concerning territory, direction and location. Also it can broaden, close, and segregate the domain and eventually strengthen recognition. In this study, I will try to find how space can be recognized with the help of light in architectural territories in terms of actual states. Also the main aim of my study will be the study of the light application in real space with the architectural example of space recognition by light and possible opportunity of it in space plan.

• The Journal of Korean Academy of Prosthodontics
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• v.38 no.2
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• pp.147-159
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• 2000

The purpose of this study was the evaluation of spectral transmission of the commercial three shade guides and the relationship of hue, value, and chroma according to the transmission rate. The spectral transmittance of three shade guides - Vita Lumin Shade Guide, Vintage and Unibond Shade Guide, and Vitapan 3D-Master Shade Guide - were measured. For direct transmission measurements, each shade tabs were placed at the entrance port of the 1mm diameter intergrating sphere. The intensity of the light source passing through the shade tabs to the right angle was continuously recorded for wavelength from 400 to 700 nm. A transmission spectrum and digital data were obtained for each measurement and they were evaluated using Microcal Origin program. The obtained results of this study were as follows : 1. In Vita Lumin Shade Guide, sum of the transmission rate of the shade tabs at the wavelength 400-700nm was decreased in agreement with the arrangement order at each A, B, C, D group, except D4 shade tab. However, there were no relationships between the transmission rate of the shade tabs and the value-oriented. 2. In Vintage and Unibond Shade Guide, sum of the total transmission rate of the shade tabs was decreased in agreement with the arrangement order at each A, B, C, B group. When all shade tabs arranged in value-oriented, transmission rate was accord with the order, except D4 shade tab. 3. When shade tabs of the Vitapan 3D-Master Shade Guide have the same value and hue, sum of their total transmission rate decreased in accordance with the chroma-oriented. When the shade tabs have the same value and chroma, there were no differences from the order of the transmission rate to the various hue type. However, in the 'R' tabs of reddish hue type, the transmission rate increased at the long wavelength range area. In conclusion, we need the quantitative analyzing instruments in transmission determination. Vitapan 3D-Master Shade Guide covers the tooth color space taking into account the parameters of the systematic value, chroma, hue oriented, and the transmission rate relatively accorded with that sequence.

• Restorative Dentistry and Endodontics
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• v.22 no.2
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• pp.622-636
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• 1997

Glass ionomer cements, which had been developed in 1972, were widely used as an agent for cementation, base, pit and fissure sealant, and esthetic filling material with the advantages of excellent biocompatibility, anti-cariogenic fluoride release. Specimens were made to evaluate the color change of Glass ionomer cement with a newly developed improved Fuji II Le. Specimens for color change study with cement thickness of 1, 2, 3mm were made and those for the study of color shift pattern were made with the assumption that new mid-shade can be made by mixing of equal amount of both shades in 2mm thickness. After 24 hours in a $37^{\circ}C$ incubator, CIELAB color spaces were evaluated with a spectrophotometer. The results were as follows ; 1. All specimens discolored to dark and blue with an increased thickness in all shades (p<0.05). 2. There were significant $a^*$ space (red-green direction) changes in every A, B, C, D shade series except the relationship between 1mm and 2mm thickness groups in B shade series. But the changes were irregular, i.e., each shade series has its own pattern. 3. Each shade series showed its own specific color shift pattern in all $L^*$, $a^*$, $b^*$ spaces. 4. B shade series showed less amont of changes in ${\Delta}{\pm}E$ than those of A and C shade series (p<0.05), but there was no significant difference in ${\Delta}E$ within each shade series.

• Restorative Dentistry and Endodontics
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• v.22 no.2
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• pp.769-781
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• 1997

The tristimulus values of 180 extracted maxillary and mandibular anterior teeth were measured by colorimeter. And it were colnverted to Munsell color order system(Hue, Value, Chroma) and CIE $L^*a^*b^*$ color coordinates. The commonly used Vita, and Bioform shade guides, 2 composite resin shade guides(Prisma APH and Z-100), and a glass-ionomer shade guide(Fuji II) were compared with these teeth. At the middle facial surface, color distributions of teeth were Hue(0.56YR to 9.77Y), Value(2.46 to 7.9), and Chroma(0.14 to 2.02). And the aberaged values and standard deviations for $L^*a^*b^*$ were $63.18{\pm}10.44$, $1.11{\pm}1.66$, and $5.79{\pm}2.36$. The shade guide did not match well with the color space of the human teeth. Especially, the lacks of the Yellow-red Hues and higher values were prominent. Compare with other measurements, the Hues of the teeth measured in this study were broadly distributed(most of ranges in Y and YR were included), while the Value and chroma were shown to the lower.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.16 no.8
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• pp.5619-5626
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• 2015

The zenithal light is the one that is entered down into the interior space or the spaces such as the inner court, through windows high located in the wall or openings of the roof. The aim of this study is to analyze the types of mechanism for the zenithal light by studying some examples related to the zenithal opening, and to investigate those characteristics. One of the most important features is a structural unit of the skylight entering the room. In this study, according to the structural unit, the direct light type, the duct-type and the shade type was distinguished, and each type can be divided into several modified types. Precisely, the direct light type is divided into an unexposed type and an exposed type of the source of light. The duct type is also divided into an intensive duct type and a distributed duct type. The shade type is classified into a ceiling surface shade, a reflections objet shade, a double ceiling shade and a wall shade.

• Proceedings of the Korea Society of Design Studies Conference
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• 2004.05a
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• pp.126-127
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• 2004

• Restorative Dentistry and Endodontics
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• v.49 no.1
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• pp.7.1-7.11
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• 2024

Objectives: This study aimed to evaluate the impact of substrate color and interface distance on the color adjustment of 2 single-shade composites, Vittra APS Unique and Charisma Diamond One. Materials and Methods: Dual disc-shaped specimens were created using Vittra APS Unique or Charisma Diamond One as the center composite, surrounded by shaded composites (A1 or A3). Color measurements were taken with a spectrophotometer against a gray background, recording the color coordinates in the CIELAB color space. Illumination with a light-correcting device and image acquisition using a polarizing filter-equipped cell phone were performed on specimens over the same background. Image processing software was used to measure the color coordinates in the center and periphery of the inner composite and in the outer composite. The color data were then converted to CIELAB coordinates and adjusted using data from the spectrophotometer. Color differences (ΔE₀₀) between the center/periphery of single-shade and outer composites were calculated, along with color changes in single-shade composites caused by different outer composites. Color differences for the inner composites surrounded by A1 and A3 were also calculated. Data were analyzed using repeated-measures analysis of variance (α = 0.05). Results: The results showed that color discrepancies were lowest near the interface and when the outer composite was whiter (A1). Additionally, Charisma Diamond One exhibited better color adjustment ability than Vittra APS Unique. Conclusions: Color discrepancies between the investigated single-shade composites diminished towards the interface with the surrounding composite, particularly when the latter exhibited a lighter shade.