• 제목/요약/키워드: Sewing Method

검색결과 143건 처리시간 0.03초

중학생의 창의적 문제해결력과 협업 능력 함양을 위한 바느질실습 프로그램 개발 및 적용 (The Development and Application of Sewing Practice Program for Improvement of Middle School Students' Creative Problem Solving Ability and Collaborative Ability)

  • 김상미;권영숙
    • 한국가정과교육학회지
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    • 제30권3호
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    • pp.195-213
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    • 2018
  • 본 연구의 목적은 바느질실습 프로그램을 개발하고 적용하여 중학생의 창의적 문제해결력 및 협업 능력에 미치는 효과를 검증하는 것이다. 본 연구 대상은 중학교 1학년 학생들이고, 연구 설계는 사전-사후 통제 집단 설계를 사용하였다. 본 연구의 결과는 다음과 같다. 첫째, 창의적 문제해결력의 하위 요소인 확산적 사고력과 설득력에서 실험 집단의 학생이 통제 집단의 학생에 비해 사후검사 점수가 유의하게 높게 향상을 보여, 이 연구에서 개발한 프로그램이 부분적이나마 중학생의 창의적 문제해결력 함양에 미치는 효과를 입증하였다. 질적 분석 결과, 창의적 문제해결력은 '다양한 아이디어 생성', '창의적 아이디어의 재탄생', '자기주도적 학습', '능동적인 문제 해결', '즉각적인 피드백'의 학습 경험과 연관이 높은 것으로 확인되었다. 둘째, 실험 집단의 학생이 통제 집단의 학생에 비해 협업 능력에서 사후검사 점수가 유의하게 높게 나타나 이 연구에서 개발한 프로그램이 중학생의 협업 능력 함양에 미치는 효과를 입증하였다. 질적 분석 결과 협업 능력은 '긍정적인 모둠 분위기 형성', '모둠원과의 지속적인 상호작용', '함께 활동하기'의 학습 경험과 연관이 높은 것으로 확인되었다. 이상의 결과로 이 연구에서 개발한 프로그램이 연구의 목적을 달성하는 데 적합함을 알 수 있었다. 본 연구는 학생 중심의 바느질실습 수업을 설계하여 수업의 효과를 양적 분석방법과 질적 분석방법을 혼합하여 심층적으로 살펴보았다는 점에서 의의가 있다.

현대 패션에 나타난 개더에 관한 연구 (A Study of Gather in Modern Fashion)

  • 정희경;이명희
    • 한국의상디자인학회지
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    • 제6권3호
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    • pp.1-8
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    • 2004
  • The purpose of this study was to investigate gather as decoration techniques of clothes. In this study, we defined 21st century as the modern fashion. And analyzed design that applied gather concerned with Milan, New York, London, Paris, Tokyo Woman's Collections. Data were used from Fashion News and Gap Press Magazine (2001-2004). The results of this study were as follows: 1. Gather was the most original techniques among decoration techniques of clothes and formed three-dimensional space. 2. There were many kinds of gather such as cluster gather, all gather, shirring, smoking, frill, flounce, ruffle. and it gave a different impression with Fabrics, cutting method, sewing method, parts that were used. 3. Gather had practical functions providing enough space in activity and was presented as new shape by three-dimension body motion when it was put on. 4. After analyzing design that applied gather showed in collections, there were various appearance according to designer's sensitivity.

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Dynamic Elastica에 의한 유연매체의 거동해석 (Analysis of Flexible Media Behavior by Dynamic Elastica)

  • 홍성권;지중근;장용훈;박노철;박영필
    • 한국소음진동공학회:학술대회논문집
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    • 한국소음진동공학회 2004년도 추계학술대회논문집
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    • pp.600-605
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    • 2004
  • In many machines handling lightweight and flexible media such as magnetic tape drives, xerographic copiers and sewing machines, the media must transit an open space. It is important to predict the static and dynamic behavior of the sheets with a high degree of reliability. The nonlinear theory of the dynamic elastica has often been used to a nonlinear dynamic deflection model. In this paper, the governing equation is derived and simulated by the finite differential method. The parametric cubic curve is applied for defining the guide shape. The dynamic contact conditions suggested by Klarbring is used to predict the direction of the flexible media according to the initial velocity and the friction coefficient. The analysis is also compared to the conventional model, showing that after contacting a $45^{\circ}$ wall, the directions of flexible media of two models are different.

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의류산업의 생산 자동화 현황과 그에 따른 생산기획 및 관리에 관한 연구 (A Study on the Production Planning and Management for Automated Clothing Manufacture)

  • 박진아;조진숙
    • 한국의류학회지
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    • 제21권1호
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    • pp.19-34
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    • 1997
  • The goals of this study are to suggest the guidance for automated clothing manufacture by analysis the technology of the automated manufacturing facilities and to propose how improve the efficiency of the production planning and management for automated clothing manufacture In this study, the research about the automated clothing manufacturing machines and the analysis about the modules and functions of apparel information systems were performed. In order to understand the factory automation of the larger clothing firms, the case study method was used. The case study samples were 3 clothing firms. The results and suggestions are as follows: 1. An information technology for automated clothing manufacture has enabled the computer integrated manufacturing system to connect production planning and management part with each work station on the factory floor. 2. The apparel information system to integrate and manage manufacturing informations from each workstation and the apparel CAD system are used in the department of production planning. At the cutting room, there are automated manufacturing machines like an automatic spreading system and an automatic cutting system. Sewing room has the computer controlled unit production system and semi-automated sewing machines. In addition, in the finishing room, an automatic packing machine and a press system are used and besides a warehousing system has been developed. Considering these available technology, for better product efficiency, it is necessary to consider and utilize the specific character of these automatic manufacturing machines and computer system whether they proper to each product style. 3. Most of the clothing manufacturers are in the stage of semi-automated manufacture. In order to improve the manufacturing environment, it is needed to gradual procedure of manufacturing automation with considering the firm's financial condition, existing facilities and staffs operating machines. The case study sample firms are in the high degree of manufacturing automation. They can accomplish the flexible manufacturing system to link the information system with each work station menufacturing system by computerized control. For the case of the firm having already used the computer integrated manufacturing and managing system, it is necessary that the function to deal with drawing information is added to the retaining module of the apparel system.

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의류제품에 대한 소비경험이 상표태도에 미치는 영향 (The Bisects of Clothing Consumption Experiences on Brand Attitude)

  • 김은영;이영선
    • 한국의류학회지
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    • 제21권1호
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    • pp.104-118
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    • 1997
  • Consumers experience various cognitive and emotional contents of clothing through postpurchase process. These experiences may affect consumer satisfaction as well as brand attitude toward clothing products. The purpose of this study was to examine the effects of consumption experiences on the brand attitude toward clothing products. The research questions for accomplishing the purpose of this study were to investigate 1) the dimension of consumption experiences, 2) relationships among consumption experience, satisfaction and brand attitude toward clothing. The sample of this study was consisted of 431 females. The survey method, and factor analysis and regression were utilized for this study. The results were as follows; First, it was found out the consumption was composed of two dimensions such as cognitive and emotional experiences. According to the result of factor analysis, the cognitive experiences through consumption process were composed of 6 factors, that is, the suitability, fitness, utility/economy, sewing, deformation, and management. And emotional experiences were composed of 5 factors, that is, unpleasure, activeycomfort, inter-oriented pleasure, extra- oriented pleasure, tension. Also emotional experiences could be composed of two dimensions, that is, positive and negative emotion. The positive emotions were included pleasure and active/comfort. The negative emotions were included unpleasure and tension. Second, the result of path analysis showed that consumption experiences were related to satisfaction and brand attitude. A satisfaction influenced on brand attitude more strongly than others. And sewing, activejcomfort, extra-oriented pleasure out of cognitive and emotional experience factors affected to brand attitude directly. Satisfaction was also influenced by cognitive and emotional factors, and was the important mediator in forming brand attitude toward clothing through consumption experience. Above results imply that consumer experience multidimensional cognitive and emotional aspects of clothing through consumption process. The cognitive and emotional aspects consisting of consumption experiences, satisfaction, and brand attitude are interrelated causally. Therefore, experience related variables could be the antecedents of satisfaction and brand attitude. The satisfaction and positive emotion could be also important factors in brand attitude toward clothing.

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스트레치소재(素材) 의류제품(衣類製品)의 생산실태(生産實態) 연구(硏究)(II) (A Study on the Conditions of Apparel Products of Stretch Material (II))

  • 박진영;손희순
    • 패션비즈니스
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    • 제2권2호
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    • pp.77-84
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    • 1998
  • As a result of surveying the process for sewing, the problems involving the outlook of sewn apparels were error off the standard dimensions and uneven sizes, which verifies the need for urgent technological guidance and development. On the other hand, the majority of the businesses were operating their sewing machines at the speed of 2,000 rpm or higher. Such a conventional working method may not well reflect the properties of the stretch fabrics, causing poorer quality products. Moreover, most of the businesses were using the ball-point needles which should be replaced with appropriate ones for stretch fabric. The types of feed dog which were used most were Drop feed, Union feed, Confound feed, Differential feed in their oder. Anyway, the automatized dog should urgently replace these inefficient ones for stretch fabric. Meanwhile, the types of presser foot which were used most were Plain foot, Teflon foot, Roller foot, Ring foot in their order, which also necessitates their replacement which Teflon foot. 2. As a result of surveying the process for finishing and inspection, while the causes scores less than 3 points, those due to pressers scored more than 3 points. This results suggests that a technological guidance is needed for the pressing work. Lastly, the causes of defect due to poor outlook attributable to such notions as button or zipper and those due to the uneven sizes scored more than 3 points, which suggests that the entire of needle works should be reformed through scientific research and technological guidance.

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조선중기 일상복의 구조와 구성 - 16.17C 출토복식중심 - (A Study on the Daily Clothes of the Middle Years of the Chosun Dynasty - Based on the Excavated Costume -)

  • 장인우
    • 복식
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    • 제35권
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    • pp.343-366
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    • 1997
  • Most of the recently-exhumed excavat-ed costume is the garment for the dead which is one of the costume of funeral rite Investigating the birth and death years of the dead reveals that the excavated cos-tume was mostly used in the 16th and 17th centuries, . The study on the change of clothes in-cludes two aspects; one is manifestication of the structure of clothes and the other is elucidation of the constructure of clothes through examining constructure compo-nents and constructure compo-nents and construction method. This study investigates the costume of the midddle years of the Chosun dynasty in these aspects by examining the excavated Costume of 16th and 17th centries and Ryesu. This study also aims to assist to comprehend the constructure of costume by comparing actual excavated clothes with chronological standards through in-specting diverse clothes in a specified pe-riod. The construction of the clothes of the middle years of the Chosun dynasty is different depending on the purpose of theclothes and the principle of sewing is set up on the bases of mentality and body That is the Costume stands for the individual social and men-tal world of the people at that time since the external construction of the clothes represents their social rank and the inter-nal construction of sewing symbolizes their mentality. The characteristics features of the clothes of the middle years of the Chosun dy-nasty coexistence of diverse sorts and patterns indicates a change in clothes. This suggests that the clothes of a partic-ular class last and change in role corre-sponding to formation lasting and extinc-tion of the class. Thus diversityof the sort of general costume advancement of pattern and the change of clothes de-pending on the change of the class signify that the middle years of the Chosun- dy nasty is a period in which the general costume is actively developed and a turn-ing point for transforming the traditional clothes into new ones, . In other words the middle years of the Chosun dynasty is characterized as an era during which a castume native to Korea is formed with respect to the structure and constructure of clothes.

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의류생산 정보의 커뮤니케이션 (A Study on the Communication of Clothing Manufacturing Information)

  • 허은영;조진숙
    • 복식
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    • 제38권
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    • pp.289-304
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    • 1998
  • In Korean clothing industry, most of the manufactures produce garments by subcon-tractors partially or entirely. It is very often that the design part is remote from production part and there is miscommunication between these two parts resulting dissatisfaction to both. Therefore it is very important to communicate the manufacturing information clearly and quickly to produce garments exactly the design part intended. Also to automate the clothing out how to produce and use the information objectively and efficiently. As a first step of moving to automation, the purpose of the research is to find out how manufacturing information and data are communicated in clothing manufacturing at present. In order to follow the information flow of a cer-tain manufacturer, the case study method was used. The case study samples were 12 clothing firms of 13 brands. The results and suggestions are as follows :- 1. A manufacturing information is communicated through paper documents such as“Production Order”, sample and patterns. At present, a production order sheet is the most efficient communication media, which comprises most of the information being communicated. 2. A manufacturing information comprises control information on the product, design in-formation, pattern information, cutting information, material information, sewing information, production schedule information, quality control information, costing information and information about the subcontractors. 3. A manufacturing is not quite objective except pattern information and cutting information which is presented by CAD systems. The communication of design information and sewing information should be somehow more objective. 4. There is not much information from a subcontractor. Considering that a subcontractor is the other partener of the communication, more information from the subcontractor is required for both benefit. 5. A designer produce most of the manufacturing information, but the information is communicated through a production manager to the subcontractor. The difference between the information maker and information communicator can cause any miscommunication. In future automated manufacturing, it will be possible for the designer to communicate to the manufacturer directly from the early stage of designing.

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이세이 미야케의 패션에 표현된 친환경적 디자인 특성 (Characteristics of Eco-friendly Design Expressed in Issey Miyake's Fashion)

  • 하승연;이연희
    • 복식
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    • 제62권3호
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    • pp.57-72
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    • 2012
  • Interest in the environment is rising in all the sectors of industry and culture. Even in the fashion industry, fashion designers have recently begun delivering messages on the environment. In particular, $Issey$ $Miyake$ has been constantly interested in environmental issues, and has been deemed as a designer who values practicality and universality in clothing. This study seeks to examine Issey Miyake's fashion from the perspective of an eco-friendly design. This research analyzed collections of $Issey$ $Miyake$ from 1980 to 2010 through photo works and www.firstview.com. The research method was to study 8 people who have professionalism in fashion design and have analyzed 201 works of $Issey$ $Miyake$ from 1980s to 2000s that have the characteristics of eco-friendly design. The results showed the following characteristics of eco-friendly design in Issey Miyake's fashion : naturality, simplicity, sustainability and transformability. First, $Issey$ $Miyake$ preferred natural materials and used Japan traditional dyeing that integrated modern techniques for naturality. Second, he expressed simplicity in his fashion by applying the least cutting and sewing in geometric panels. Third, he pursued sustainability with comfortable clothing that anyone could wear regardless of trend, age and body shape. Finally, he developed the A-POC system that eliminated the usual needs for cutting and sewing and tried transformability on clothing using buttons, strings, belts, zippers, and layered styling.

실물제작을 통한 의상연구 - 1913~14년 애프터눈 드레스(Afternoon Dress)의 설계 및 디자인 분석- (The Study on Dress Through Rehabilitation - The Analsis of Design of 1913~14 Afternoon Dress-)

  • 김문숙
    • 복식
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    • 제27권
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    • pp.163-171
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    • 1996
  • As the current stage of the fashion begins to follow the styles of the past the study on he past costume is getting more importance and as the methodology of the study the accurately ap-proached study through the rehabilitation of the past costume is more needed than the simple re-arrangement of the historical documents. By this methodology this study can be positioned as a re-creation activity. The results of the study are as follows. 1) Style: The S-line silhouette remains be-cause of the straight silhouette or the blossom style bodice. This dress has various types of sil-houette but generally it forms one silhouette and is one-piece. 2) color and Material: The material varies hile the color is divided as the main color of ivory and the stress color of brown. This shows not only that the material has been varied but also that they tried to reduce the monotony. 3) Pattern and Sewing: The simple external figure and the previous stage typically shows the movement to the simplicity of the contemporary and the num-ber of patterens is plenty and the sewing method is also complex. 4) Detail. To overcome the simplicity of the style and to show the characteristics of the afternoon dress the skunk fur the net the sash, and the bow are used. 5) Structural Characteristics: The front open-ing the back opening and the side opening coexists in one-pieced dress and this forms unique structure and complex fastening device. The ribbon tape and casing not only finish the seam but also fix the shape of the dress. Synthetically the 1913-14 afternoon dress has the characteristics of transitional stage in which the characteristics of the costume of 1910s and the remnants of the characteristics of the pre-vious costume style and shows the character-istics of afternoon dress well in terms of the ma-terial the structure and the detail.

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