• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2003년도 봄 학술발표대회논문집
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• pp.12-13
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• 2003

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2002년도 봄 학술발표회 논문집
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• pp.250-251
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• 2002

• 디자인학연구
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• 제15권4호
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• pp.169-176
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• 2002

All kinds of artwork, including multimedia and digital image that has been subliminated into an af mediating two numbers 0 and 1 in recent age, are self-sufficient and autonomous in themselves. Nevertheless, each of those artworks can be realized as a real entity only if its appreciator is capable enough to explore some potential meaning out of it through his or her own perceptual work. According to Mikel Dufrenne, an artwork is composed of three existential tiers: "le sensible" or the sensible material; "fe representation" or the subject(le sujet), and "1′expression." Dufrenne contends that our esthetic perception can be realized by way of three steps that are comparable to those three tiers: perception of the presence of the body("le sensible"), contemplative perception by way of imagination("le representation"), and reflective perception ("1′expression") as a result of dialectics of sense and sensibility. This paper argues on the aesthetic perception with regard to digital image expressed by two numbers 0 and 1, putting focus on the epistemological role of sensibility(감) that explores "1′expression" a la Dufrenne.

• 한국의상디자인학회지
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• 제17권3호
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• pp.85-98
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• 2015

Modern fashion shows the trend of various styles and the period focusing on only product functions is changed to the period focusing on consumer's sensibility. Consumers show different sensitivities and preference by individual at the stage cognizing and recognizing the stimulation of given image and the method of objective measurement based on the fashion sensible vocabularies is necessary to measure fashion sensibility. Therefore, this research is significant to examine differences of preference to classic fashion by generation and awareness for sensible vocabularies and suggest methodology of design sensible evaluation research through the quantitative evaluation objectifying subjective sensibility. For the method of research, precedent theses related to classic, concept and characteristics of classic in books and definition and characteristics by generation were examined, the best 3 domestic portal sites were selected and adjective vocabularies and images related to classic were collected from 2010 to 2014. Among the 206 adjectives collected, vocabularies whose average is more than 3.5 were drawn by 5-point Likert scale for fashion expert group. And, among the total 306 images collected, 21 representative images were selected by preliminary investigation of fashion expert group. For the classic images and vocabularies selected, frequency analysis, factor analysis and variance analysis were conducted by SPSS 19.0. The results of analysis are as follows. Preference to classic fashion image by generation was analyzed. As a result, both of two generations selected classic fashion as the most classic one. The images of the next orders were analyzed. As a result, Y generation selected basic classic fashion image which is casual with high activity as a classic one. Baby boom generation selected ancient classic fashion image, so there were differences in preference for classic by generation. As a factor analysis on classic adjective vocabularies, they could be divided into 5 factors such as basic form, attractive form, traditional form, vintage form and active form and they verified that credibility of all measuring variables for classic sensible vocabularies was achieved. Differences of classic sensible vocabularies by classic fashion image and generation were examined. As a result, generation and classic fashion image made a significant effect on five factors. Therefore, there were differences of the awareness on classic fashion images and sensible vocabularies among the generations and this thesis can be a fundamental material which objectifies subjective sensibility and suggests the methodology of new research.

• 감성과학
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• 제7권2호
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• pp.123-131
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• 2004

본 연구는 하회탈이 갖고 있는 감성적 요인에 대해 알아보고 문화상품과 관련한 제품디자인 개발에 도움이 되고자 시도되었다. 하회탈 이미지 평가를 위해 감성 형용사 어휘 32개를 추출하여 분석한 결과 첫째, 32개의 감성 평가 어휘로 하회탈 이미지에 대해 알아본 결과, '매력성', '향토성', '흥미성', '역동성', '정교성'의 5개 요인이 나타났다. 둘째, 하회탈 종류에 따라 향토성과 흥미성에서 감성 차이가 있었다. 특히 양반탈이 초랭이탈보다 향토성이 강하며, 중탈, 백정탈 및 부네탈보다는 흥미성이 더욱 높은 것으로 나타났다. 셋째, 하회탈 상품의 재질에 따라 정교성에서 감성 차이가 있었고, 특히 유리 재질에 대해 정교한 이미지를 가지고 있었다. 넷째, 하회탈의 감성이미지는 인구통계학적 특성(나이, 성별, 학력)과 제품 특성(재질, 탈 종류)에 영향을 받고 있었다. 본 연구를 토대로 향후 하회탈 관련 문화상품 개발시 5가지 감성적 요인을 고려한다면 소비자의 니즈에 부합하는 제품 디자인 개발이 이루어질 것이다.

• 한국주거학회논문집
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• 제13권4호
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• pp.43-52
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• 2002

This study explores the types of lifestyle of females living in urban areas, and examines the relationship between the types of lifestyle and the preference for interior design images. The research sample is 301 adult females in Kwangju City, Korea. The sample is divided into two groups by employment status. Based on eight lifestyles by related factors, four major lifestyle types are classified: traditional type, private and sensible type, passive and private type, and environment-oriented and sensible type. The portions of these types are 32.6% of passive and private type, 21.6% of environment-oriented and sensible one, 21.6% of active and sensible one, and 16.6% of traditional one. The research of the lifestyle types reveals that they differ by age, marital status, education, and dwelling types. There are negligible differences among four types in preference for three interior design images.

• 한국의류산업학회지
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• 제6권6호
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• pp.715-722
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• 2004

The social culture critics say that the current situation of the boom in pretty men happened because stereotyped notions of sex roles have changed. However, no scientific study has been done as yet to support this theory. Therefore, this study analyzed the present situation and examined it from many different points of view. I asked 600 men to fill out the questionnaire: 300 from Daegu and the other 300 from Seoul. I analyzed four 461 of them. The inner/outer image of Korean males in their 20s was analyzed into seven factors, a positive image, a progressive image, an affirmative image, a sensible image, an exemplary image, a conscious image, and an active image. The demographic result based on the inner/outer image factors showed a significant difference in ages for a sensible image, a conscious image, and an active image.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2008년도 학술대회 2부
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• pp.18-23
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• 2008

과거의 전통적인 마케팅 방법론들과 그 이론을 믿어온 기업의 경영자들은 소비자의 사고 과정을 합리적이고 이성적인 행위라고 규정하였다. 하지만 최근 발표되는 다양한 연구결과들에 의하면 소비자의 사고 과정은 무의식적 영역에서 감성에 의해 일어나는 행위에 가깝다. 이러한 소비자의 사고 과정은 제품을 구매하는 과정, 즉 소비자의 구매 결정 과정에도 영향을 미친다. 소비지는 제품 구매 시, 가격, 성능, 품질 등의 다양한 이성적 기준에 의해 제품을 판단하지만 결국 구매는 제품에 대한 좋고 나쁨의 감성적 기준에 의해 결정된다. 브랜드 이미지는 소비자의 무의식적 영역에서 형성된 브랜드에 대한 심상으로 감성적 가치를 갖으며 소비자의 제품 구매에 영향을 미친다. 따라서 긍정적인 감성의 결합을 통한 제품 개발은 감성적인 제품 이미지의 구축으로 연결되는 제품의 판매와 브랜드 이미지 강화의 중요한 요소이다. 이러한 관점에서 본 연구는 브랜드 이미지 강화의 한 요인으로써 효율적이고 감성적인 의사 전달 방식인 스토리텔링을 적용한 제품 개발 프로세스의 제안을 목표로 하여 내용을 구성하였다.

• 한국의류학회지
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• 제35권11호
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• pp.1362-1376
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• 2011

This study examines the effect of the structural properties of F/W wool knit fabrics for woman's knitwear on the perceptions of textures and sensible images of consumers and present basic data for textile designing by analyzing the relationship among the structural properties, mechanical properties, objective hand measurements and preferences. A total of 12 kinds of knit fabrics were prepared and investigated in terms of the differences in the subjective, mechanical properties and objective hand measurements according to the structural properties of knit fabrics. The data were analyzed by t-test. The subjective hand attributes of wool knits through factor analysis are categorized into 6 factors. In particular, the 'active/comfort' factor is a meaningful result that reflects the unique characteristics of knit fabrics compared to woven fabrics. Mechanical properties and objective hand measurements have a greater effect on textures than on sensible images; in addition, the structural properties, 'gauge' was the most important factor to influence the subjective evaluation.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2010년도 추계학술대회
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• pp.649-650
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• 2010

본 논문에서는 12색상환을 바탕으로 한 28색의 감성을 추출하여 감성 데이터베이스를 구축한다. 그리고 입력 영상을 K-Means알고리즘을 이용해 클러스터링 하여 방대한 컬러 값들을 그룹화 시킨 후에 데이터베이스와 매칭을 시켜 감성을 추출해 내도록 한다. 또한 아동이 그린 그림에서 컬러 분포도를 이용하여 아동의 색채 감성 심리를 알아보도록 한다.