• Title/Summary/Keyword: Sartre

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Research on Free Will in Religious Film - Focusing on the dialectical relationship between free will and responsibility in Film Dekalog: Eight (종교영화에 나타난 자유의지에 대한 연구 - 영화 <데칼로그 8편 : 어느 과거에 관한 이야기 Dekalog : Eight> 중 자유의지와 책임 간의 변증법적 관계를 중심으로)

  • SIKONG, Qianang
    • Trans-
    • /
    • v.4
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    • pp.65-86
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    • 2018
  • In this paper, I chose one of various agenda for life in a philosophical film world view and explored the core of dialectical relation between free will and responsibility. Freedom and responsibility, Existential and inferiority, etc, The conflict of humanity on the crisis of faith have been A comparative study based on the discussions of East Asian religious philosophy and Western philosophy. Including compare the three commonalities and differences with Jean Paul Sartre's 'subjectivity ideology due to the existence of free will' on existentialism in contemporary Western philosophy and The theory of the 'moral autonomy originating in the good will' of the Enlightenment philosopher Immanuel Kant and Concept of 'consciousness' of the life essence of Keiji Nishitani Based on the analysis of the film. In addition, the problem of free will in the viewpoint of nature, along with the individual's point of view, is comprehensively supplemented by the idea of the "nothingness" of the philosopher Zhuang Zhou. A selection of the Polish film Dekalog: Eight and make a basic conclusion of the final by argumentation and analysis as a case of the dialectical relation between the free will and responsibility.

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