• Title/Summary/Keyword: Salleung-dogamuigwes

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A Study on the Change of the Terms and the Structure of the Pungpanbu in the T-shaped Wooden Shrines in Royal Tombs in the Later Joseon Period (조선후기 왕릉 정자각의 풍판부 용어와 구조의 변화)

  • Lee, Sang-Myeong
    • Journal of architectural history
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    • v.26 no.1
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    • pp.105-116
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    • 2017
  • The purpose of this study is to comprehend the change of the terms and the structure of the Pungpanbu in the T-shaped wooden shrines in the later Joseon period through the Salleung-dogamuigwes. Following conclusions have been reached through the study. First, the terms in the Salleung-dogamuigwes were similar to Yeonggeon-dogamuigwes but timing difference was verified. The word about the frame of Pungpanbu was different from the current. Second, in accordance with the extended of Pungpanbu, the members of frame of Pungpanbu had been increased and it had been changed to the lattice. The members of Pungpanbu used as plan dimensions and the size of the members had been gradually increased. Third, the Pungpanbu had been extended to protect the side of T-shaped wooden shrines. At the same time, the range of Chukjungbang had been extended. This was the result of the efforts of the era to reduce the range of plaster. This affected the overall elevation change of T-shaped wooden shrines.

A Study on the Selection Process of Quarry and the Quarry Jogyedong in Royal Tombs in the Late Joseon Period (조선후기 왕릉 부석처(浮石處)의 선정 과정과 부석처 조계동)

  • Lee, Sang-Myeong
    • Journal of architectural history
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    • v.26 no.3
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    • pp.51-62
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    • 2017
  • The purpose of this study was to comprehend the selection process of quarry and the quarry Jogyedong through the Salleung-uigwes in royal tombs constructions in the late Joseon period. Especially, it is to comprehend about the effect by difference of use of stone between Daebuseokso and Sobuseokso. Following conclusions have been reached through the study. First, the quarry of Daebuseokso had been selected very carefully through the quality check process. Second, the quarry of royal tombs around the capital was located at Mt. Bulam in the east and Mt. Bukhan in the west. This is because the nature of the procurement of stone, which is important for transportation, is that it is necessary to prepare the mountains close to the royal tombs. Third, the locations of quarry of between Daebuseokso and Sobuseokso were differently selected. The quarry of Daebuseokso was located at a distance of three times distant from Sobuseokso. Forth, the epigraph related to quarry is located in Sareung construction in the valley of Jogyedong. This is a very important data to confirm the location of royal tombs construction.

A Study on the Assignment and the Procurement Method of Wood Works' Craftsman in Royal Tombs Constructions in the Late Joseon Period (조선후기 왕릉 조성 시 목공사 장인의 배정과 조달 방식)

  • Lee, Sang-Myeong
    • Journal of architectural history
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    • v.26 no.4
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    • pp.19-34
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    • 2017
  • The purpose of this study was to comprehend the assignment and the procurement method of wood works' craftsman through the Salleung-dogamuigwes in royal tombs constructions in the late Joseon period. Following conclusions have been reached through the study. First, Carpenter and other nine craftsmen were introduced in carpentry works. The craftsmen were put in by occupation to maintain the quality of the government building construction by wood processing area. It was distinguished by frame member, Sujangjae, window framing wood, decorative member. Second, sawyer showed a sharp increase in the latter half of the 18th century and declined since the middle of the 19th century. This is closely related to the increase in demand for building materials and the growth of civilian wood products. As a maximum of 300 people have been assigned to the craftsmen in the woodwork, it can be seen that the work has been divided by the process. Third, the national carpenter was difficult to procure from the 17th century to the beginning of the 18th century. From the middle 18th century, the system procuring national carpenter was stabilized. In the 19th century, the input ratio of the national craftsmen seems to have decreased significantly and seems to have kept it at the minimum level. Forth, sawyer were procured through Seongonggam from the late 18th century through the mid 19th century. That means that the role of the sawyer had become important. Since Jogakjang is not a necessary manpower, it usually has civilian artisans.

A Study on Strengthening Hwaban Design in the Two-ikgong Style Government Buildings in the Late Joseon Period -Focused on the T-shaped Wooden Shrines and Salleung-dogamuigwes- (조선후기 이익공식 관영건축에서 화반의 의장성 강화 -정자각과 산릉도감의궤를 중심으로-)

  • Lee, Sang-Myeong
    • Journal of architectural history
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    • v.26 no.2
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    • pp.15-29
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    • 2017
  • The purpose of this study is to comprehend strengthening Hwaban(flower-shaped support) design in the Two-lkgong style government buildings in the late Joseon period through the T-shaped wooden shrines, the architectures of royal palace and royal ancestral shrine. Following conclusions have been reached through the study. First, Janghwaban(the long plate carved with flower-shaped support) was installed in Injeongjeon(1805) for the first time. It took 40 years to introduce Janghwaban to the government building of Two-lkgong style compared with Injeongjeon. Second, the quantity of Hwaban had been increased from 1 to 5 for 300 years in the government building of Two-lkgong style. This had been steadily increased with the aim of strengthening design. Third, there was a limit to the increase in the quantity of Hwaban. The first reason was to control the rhythm between the Hwaban and the Pobyeok(the wall between Hwabans). The second reason was that if the Pobyeok was too narrow, it was difficult to plaster. The latter was solved by introducing the Janghwaban. Fourth, in attempting to stylize differently from Jusimpo(simple bracket system), the quantity of Hwaban increase played a very important role in the government building of the Two-lkgong style. Since the reconstruction of Gyeongbokgung Palace, Hwaban combined style with Ungong served as the norm of the royal palace architecture in the last Joseon period.