• 펄프종이기술
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• 제47권5호
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• pp.120-126
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• 2015

In this study, we used various dyes from natural pigments such as tumeric, goldthread, indigo, pagoda tree flower, sappanwood, and safflower to make the Hanji wallpaper with super eight colors of yellow, orange, green, turquoise, violet, red, blue, and magenta. As a result of measuring the lightfastness, magenta dyed with sappanwood showed the worst effect, but blue dyed with only indigo showed the best effect. In terms of the spot test by water, red wallpaper dyed with safflower showed the clear spot, but blue, turquoise, and green dyed with indigo resulted in a little spot. The orange, violet, and magenta dyed with goldthread and sappanwood showed antibacterial activity, and the turquoise, green, and blue also has a little antibacterial activity. However, yellow and red didn't show the some result as expected. In the experiment for efficiency of formaldehyde removal, all Hanji wallpapers dyed with natural pigments showed the significant removal effect of formaldehyde, especially turquoise and red were the highest.

• 한국자원식물학회지
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• 제13권3호
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• pp.213-218
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• 2000

홍화의 새로운 품종육성을 위하여 국내외에서 수집된 홍화의 외관상 나타나는 형태적인 특성을 조사한 결과를 요약하면 다음과 같다. 1. 수집된 홍화의 16계통중 단간(90∼110cm)인것이 6계통, 중간(111∼130cm)인 것은 5계통, 장간(131cm이상)인것은 5계통이었으며 장간은 국외 도입계통이었다. 2. 국내 수집 종 2계통은 주당 분지수가 11∼13개의 소분지형이었으며 도입종들은 50개이상의 다분 지형이었다. 3. 잎의 형태는 장타원형이 3계통, 피침형이 10계통, 넓은 선상형은 3계통으로 피침형이 가장 많았으며 잎의 가장자리 거치형태는 파도 물결 모양의 둔거치가 7계통으로 가장 많았고 4계통은 거치가 있었으며 깊게 찢어진 심열거치는 5계통이었다. 4.꽃의 색깔은 백색 1계통, 황색 13계통, 주황색 2계통이었으며 두장화의 형태는 원뿔형이 대부분이며(14계통)편형이 2계통이었고 화두 포엽의 끝은 가시형이 11계통이었고 무가시형은 5계통이었다. 5. 종자의 형태는 원뿔형이 11계통, 타원형은 5계통으로 국내 수집계통은 모두 원뿔형이었으며 도입계통은 타원형으로 대립이었다.

• 대한가정학회지
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• 제46권10호
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• pp.1-9
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• 2008

The purpose of this study was to increase uv-cut ability of cotton, ramie, and rayon fabrics dyed with safflower red colorants. For this purpose, samples treated with uv-cut agent and tannic acid were compared with the untreated samples after ultraviolet(uv)-light exposure in terms of K/S value, color changes(${\Delta}E$), SEM, and tensile strength retention. K/S value rapidly decreased with increasing exposure time, but K/S value of the samples treated with both uv-cut agent and tannic acid decreased less than that of untreated samples. As increasing exposure time, $L^*$ and $b^*$ increased, $a^*$ decreased, and so ${\Delta}E$ increased, indicating less red character and more yellow character in color. This leads to change hue, value and chroma value. But color change of samples treated with both uv-cut agent and tannic acid was less than that of untreated samples. SEM pictures showed a severe degradation by uv exposure in all samples. Tensile strength slowly decreased for 21 days. And after this point, the decreased proceeded more rapidly. Tensile strength retention of the samples treated with uv-cut agent and tannic acid was higher than that of untreated samples.

• 식물병연구
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• 제9권3호
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• pp.159-161
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• 2003

잇꽃 잎점무늬병이 2000년 경북 의성군 일대의 잇꽃재배농가포장에서 발생하였다. 조사지역의 발병엽율은 30% 내외였다. 병징은 발아 후에 떡잎에 갈색의 반점을 만들어 완전히 전개하지 못하여 갈변하여 갈라지는 증상과 생육중기이후 잎에 갈색의 반점과 주위에 노랗게 탈색되는 병징이 생기고 이후 중앙부위는 회색 또는 검은 색으로 확대되면서 주위의 노란 변색부위도 확대되었고, 심해지면 전체가 갈색으로 고사하여 낙엽 되었다. Alternaria alternata의 균학적 특징은 분생자경의 길이는 20~110${\mu}m$; 포자의 크기가 10~20 ${\times}$ 30~60 ${\mu}m$이었으며, 격벽수는 3~8개; beak의 길이는 5~35 ${\mu}m$로 짧은 형태의 포자가 연쇄상으로 붙어 있었다. A.carthami는 분생자경의 길이는 40~80${\mu}m$; 포자의 크기가 10~15 ${\times}$40~100 ${\mu}m$ 이었으며, 격벽수는 4~10개; beak의 길이는 30~65 ${\mu}m$로 대부분의 포자는 하나씩 분리되어 있었다. 잇꽃의 점무늬 병징에서 분리한 병원균의 균학적 특징을 Joseph(1994)의 보고와 비교해본 결과 생육중기에 분리된 균은 A. carthami이었으며, 떡잎과 노쇄한 잎의 병반에서 분리한 병원균은 A. alternata로 동정되었다. 그러므로 이 병을 A. carthami와 A. alternata에 의한 잇꽃의 잎점무늬병으로 명명할 것을 제안한다.

• 생명과학회지
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• 제20권12호
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• pp.1764-1771
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• 2010

홍화(Carthamus tinctorius L.)는 세계 여러 나라에 분포하고 있는 초본류이다. 이 종은 경제적으로 중요한데 홍화는 약용, 적색소, 노랑 색소로 이용된다. RAPD 기법으로 홍화의 26 집단 간 유연관계와 유전적 다양성을 조사하였다. 모든 집단에서 123개 밴드를 얻었으며 시발체(primer) 당 평균 9.5개 밴드를 나타내었다. 홍화의 유전적 다양도는 집단 내에 대부분 귀속되며 높은 집단 간 분화를 나타내었다. OPC18-01 밴드는 시리아 그룹에 특이 밴드였으며 다른 나라 집단에서는 발견되지 않았다. 이런 7개 특이 마크(SCAR)를 발견하였다. 비록 홍화의 분석한 개체 수가 적고 각 나라의 대표성을 의미하지 않지만 본 연구 결과 지중해의 지역(모로코, 시리아, 터키)이 인도를 제외한 다른 지역보다 변이가 높았다. 단순히 RAPD만으로 단정하기 어렵지만 홍화의 기원 센터의 후보군으로 지중해 연안으로 추정된다. 인도 역시 홍화의 2차 센터의 후보군이다. RAPD 마커는 홍화의 자연 집단을 분류하는데 효과적이었다.

• 복식
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• 제4권
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• pp.13-24
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• 1981

The color yellow was considered from ancient time to the Chosun Dynasty as the central color. Thus, this color became the royal color for the costumes in the palace. It is generally known to usthat the color yellow was controled in use both for the general public and in the royal palaces. However, in the later part of Chosun Dynasty, the color yellow was used not only for the king's costumes but also used for women's tops and for the linings of clothing. Especially, in some of the costumes that belonged to the later period of the Chosun Dynasty, we can still see lots of bright yellow tops. Also there are many green dyed official robes and various costumes for women. It is a true fact that people could not derive the color green from the plants as they did with yellow. The only way they could make the color green was to mix indigo and yellow together. By repeating the difficult process of making various dyes constantly during many centuries, the Korean people developed the marvelous technique of making natural color. Those plants used to make the color yellow are ; Gardenia, Phellodendron amurense, Turmeric, Coptis, Safflower, Arthraxon hispidus, Styphnolobium japonicum. While synthetic dye causes pollution, natural coloring by plants is as safe and useful as the color itself is lovely. Yet it is tragic to know that this traditional culture of making beautiful natural colors was cut off. There is no way to know today the traditionally correct method to derive colors from the plants. Therefore, it is our aim and challenge to find out the original way to dye and develop it and preserve it as our non-polluted folk art. In regard to natural dyeing, we must say that is very difficult to prepare and preserve natural dyes. In the first place, people had to get the right plants at an appropriate time. Then they could not keep those plants too long. Finally, much depended upon the mordant as well as various conditions and dyeing procedures. All those things influenced greatly the quality of color, some times producing a very pretty color and other times a very dull one. It is very appropriate that the natural dye art should be recognized and appreciated anew by Korea since it provides satisfaction to historical and folk artistic demands as well as to those of fashion conscious modern society for high quality consumption items. We propose two stages of development. The first stage is to explore native dye plants and encourage their cultivation. The second stage is to extract from the plants desirable dye which will enhance national culture.

• 한국의류학회지
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• 제21권5호
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• pp.911-921
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• 1997

Recently the interest in natural dyeing has been increased because of the color clarity, natural grace and reactionism in fashion. Indigo dyeing, safflower dyeing and Gal-ott in Cheju-Do become generally known, so the study about the natural dyeing is continued with national intrust and support. In this study, 1 used artemisia for various dyeing tests because we can get it easily. 1 tested the dyeability in wool as well as cotton and silk with wormwood in natural dyeing material. I also dyed nylon with the same material for the comparison of the molecular structure. The mercerization and the chitosan treatment were done in cotton to improve the low dyeability in the natural dyeing. The result of this study are as follows; We have to dye repeatedly to get deep color in natural dyeing, and mordant treatment brought good result in color difference and dyeing fastness. 1. Compared with silk, wool and nylon, the dyeability of cotton was the worse. The color difference of cotton was 18.81 without mordants , and 24.05 with mordant. The dyeability of cotton was much increased by mordants such as potassiumdichromate, copper sulfate, iron sulfate and salt water. The color of cotton was turned into yellow-green in potassium dichromate and yellow-green with deep green in copper sulfate. The mercerization and the chitosan treatment of cotton made the improvement in color, dyeability, laundering fastness, abrasion fastness. 2. The color difference of silk was 3 times as high as cotton. It showed the similar degree with the chitosan treated-cotton. That is to say, silk had good dyeability because it contains amino group and carboxyl group. The dyebility of silk was increased by a mordant such as iron sulfate, potassium dichromate and salt water, Drycleaning fastness showed 5 grade, abrasion-fastness was high over 4~5 grade and sunlight fastness showed 1 grade in all case. 3. The color difference of wool was the best among four fabrics because of 18 kinds of amino acids. It is considered that the sulfate of wool has the polarity and help metal- mordants get the better dyeability such as potassium dichromate, iron sulfate, copper sulfate, and aluminum chloride. The color was reddish-green in potassium dichromate, yellow.greenin iron sulfate and copper sulfate, and yellow in the rest mordants. Drycleaning fastness of wool showed over 4~5 grade, abrasion fastness 5 grade. Sunlight-fastness 1 grade. 4. The dyeability of nylon was almost same because of the similar molecular structure with silk. The clarity of color was poor. The color was yellow-green in copper sulfate and yellow in the rest mordants. Laundering fastness and abrasion-fastness of nylon was good. Sunlight- fastness represented 1 grade.

• 한국식품과학회지
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• 제33권6호
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• pp.664-668
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• 2001

전통 천연 색소원인 홍화 꽃잎으로부터 추출한 적색소인 carthamin을 식품색소로 활용하기 위한 기초연구로 carthamin의 여러 가지 이화학적 안정성을 분해속도와 반감기를 구하여 조사하였다. Carthamin은 산성에서는 매우 불안정하여 반감기가 pH 3.0에서는 5.26시간, pH 5.0에서는 4.9시간으로 매우 짧았으며 중성(pH 7.0)에서는 11.1시간, 알칼리 조건(pH 11.0)에서는 45.1시간으로 조금 더 안정했으나 적색에서 각각 주황색과 노란색으로 변화하였다. 온도가 증가함에 따라 색소 분해속도가 급격히 증가하였다. 많은 식품들이 약산성이므로 첨가물에 의한 안정성은 pH 5.0과 3.0에서 조사하였는데 무기이온들을 첨가하였을 때 큰 변화는 없었으나 $Al^{3+}$ 첨가 후에 농색화 현상과 함께 분해속도가 감소하여 안정화효과를 나타내었다. 빛에 의해(20,000 lux) 색소 분해가 촉진되어 대조구에 비해 2-3배 단축된 반감기를 나타내었다. 단당류와 이당류에 의해서는 변화가 거의 없었고 다당류를 첨가한 경우 약간의 안정화 효과가 관찰되었으며, 특히 CMC(carboxymethylcellulose)에 의해 pH 5.0의 조건에서 증가된 반감기를 나타내어 앞으로의 안정화 기술 개발의 가능성을 보여주었다.

• 한국의류산업학회지
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• 제14권4호
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• pp.669-676
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• 2012

This study aims to compare the properties of natural dye stuffs, such as color, dyeability, fastness, and marketability, to analyze the differences noted by expert groups regarding the properties of the stuffs, and to make a positioning of the stuffs. A survey of experts in academia, business, and the art of natural dyeing was conducted, with an evaluation of 23 types of the stuff's properties. There is a correlation between the properties of the stuffs, and evaluating dye stuffs differs according to the group to which it belongs. X-axis relates to color and Y-axis refers to fastness in the positioning of the stuff. There are different relationships between properties according to their group. Color is significantly associated with marketability in art experts however, fastness is closely connected with marketability in business. The stuffs can be divided into five clusters. Cluster I includes indigo and persimmon, and is marked by excellent color, dyeability, fastness, and marketability, Cluster II contains safflower and sappan wood, which are excellent colors, yet suffer from low marketability on account of their medium to low fastness. Cluster III includes red, purple, and brown dyes, and onion and rhubarb, and has medium properties. Cluster IV is mugwort and yellow dyes, except onion and rhubarb, and features low properties. Cluster V is loess, featuring medium color and low fastness.

• 문화기술의 융합
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• 제6권1호
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• pp.105-110
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• 2020

본 연구에서는 다양한 천연염색 재료로 염색한 한지직물을 활용하여 모자 두 개와 노트북 가방을 문화상품으로 개발·제작하였다. 그를 위하여 첫째, 우수한 내구성과 기능성을 가진 우리나라의 전통 한지로 만들어진 한지직물을 문화상품 개발을 위한 소재로 선택하고, 둘째, 그것을 천연염색 재료인 쪽으로 푸른 색, 떫은 감물로 갈색, 홍화에 의하여 붉은 색, 황벽으로 노란 색 그리고 자근으로 자주색으로 염색하였다. 셋째, 문화상품으로 개발하고자 하는 모자와 노트북 가방을 디자인하였다. 넷째, 디자인한 모자와 노트북 가방의 패턴을 제작하고, 그것에 따라 다양한 색으로 천연염색한 한지직물을 재단·봉제하여 완성한 두 개의 모자와 노트북 가방을 제시하였다.