• 한국의류산업학회지
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• 제16권4호
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• pp.532-542
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• 2014

This study developed a practical knitwear design with applying the pattern of Queen Yeong's pearl pouch. The ume flower pattern of pearl pouch was simplified to be one repeat pattern, and four simulated knit pattern samples of G-A, G-B, R-A, and R-Bwere made with cable, cross, and two background colors of gray and red using Texpro V.11.0. The items of design application were selected after an interview with a panel of university students in their twenties and knit samples were produced by hand knitting. The small sized G-A for the partial ornament of hat, sweater, skirt, kitchenware case and accessories; the long sized G-B for the tuck of sleeves, hem of skirt and one-piece dress, partial ornament of sweater, scarf, and curtain decoration: the small sized R-A was preferred for point ornament of pouch, boots, hat, partial ornament of children's fashion products and accessories: the long sized R-B for table runner, leg warmer, tuck of sleeves, skirt hem, necktie, and scarf. The knit samples were formulated with partial ornaments attached on dress and props or connected each other. Colors of pastel and navy were also presented to meet the demands of panels. The study placed a limit on the slight difference between the simulation samples and knit samples due to the characteristics of threads and hand tension. The color variation for multiple coordination and activation to reduce the piece rate for young customers remains to be discussed in the near future.

• 건축역사연구
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• 제32권1호
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• pp.61-72
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• 2023

Korean architecture classifies Banja (the decorated flat of the ceiling visible from the inside) of Royal Palaces into two types: Woomul(water-well, 井) banja, which inserts rectangular wooden board into lattice frame, and paper banja, which applies paper to the flat ceiling. Such classification was established in the 19th century. Before that, Banja was classified according to what was inserted into the lattice frame, either wooden or paper board. At first, the banja that used paper board was widely installed regardless of the purpose or nobility of the building. However, since the 17th century, the use of paper board banja became mostly restricted to Ondol (Korean floor heating system) rooms which are characterized by private usage and the importance of heating, and it was considered inferior to wooden board banja in terms of rank or grace. The contemporary paper banja was mainly installed in low-rank ondol rooms until the late 19th century to early 20th century, when roll-type wallpaper was introduced from the West and the paper banja came to decorate the King's and Queen's bedrooms. The traditional paper board banja benefits heat reservation, reduces the weight of the ceiling, and allows the adjustment of the lattice frame size. Furthermore, it can feature unique artistry if covered with blue, white, or red Neung-hwa-ji (traditional flower pattered paper).

• 아시안잔디학회지
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• 제12권3호
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• pp.195-214
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• 1998

낙엽조경수목의 계절별 엽색 특성을 파악하여 식재계획 및 설계의 기초자료로 제공하고, 나아가 식재계획의 질적 향상을 도모하고자 낙엽조경수목 60과 211종을 대상으로 1992년 1월 1일부터 1993년 3월 20일까지 수목의 외형적 주요특성인 잎 특성을 조사한 결과는 다음과 같다. 1. 낙엽조경수목의 잎의 감상은 귀룽나무가 3월 20일 개엽한 후 붉은인동덩굴이 낙엽한 12월 17일까지 9개월여 동안 가능하였으며, 잎의 지속기간이 8개월 이상인 수종으로는 왕보리수, 능수버들, 쥐똥나무, 찔레나무, 붉은인동덩굴, 클레마티스가 있었다. 2. 단풍전 잎이 빨강색계 수종은 꽃자두, 자주일본매자, 자주색노르웨이단풍, 수양단풍, 블랙검, 홍단풍의 7수종이 있었고, 노랑색계는 노란매자나무, 중산국수나무, 황금개나리, 황금쥐똥나무의 4 수종이 있었는데 이중 황금개나리와 황금쥐똥나무는 반엽수종이었다. 3. 단풍감상은 화살나무가 9월 6일에 단풍든후 붉은인동덩굴이 12월 17일 낙엽할 때까지 3개월 10일정도 가능하였고, 단풍색은 노랑색계가 60.7%, 빨강계가 37.4%이었다.

• 원예과학기술지
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• 제19권1호
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• pp.54-59
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• 2001

포도 노균병 저항성 품종육성에 필요한 포도 품종간 저항성 검정체계를 확립하고 품종간의 저항성을 비교하고자 본 시험을 수행하였다. 포도 노균병에 대한 품종간 저항성 검정에는 $10^4-10^5spores/mL$의 포자현탁액을 분무접종하여도 큰 차이는 없었으나 $5{\times}10^4spores/mL$로 조절된 포자현탁액을 분무접종하는 것이 효과적이었다. 포도 노균병균을 온실에서 분무접종한 결과 Campbell Early, Niagara 등의 품종은 저항성, Sheridan, 청수(淸水) 등의 품종은 중도저항성, Kaiji, Red Queen, Ruby Okuyama 등의 품종은 감수성을 나타내었다. 포장에서의 저항성은 V. vinifera에 속하는 포도 품종이 V. vinifera-labrusca hybrids, V. vinifera-labrusca-aestivalis hybrids, V. vinifera-labrusca-aestivalis에 V. riparia, V. rupestris, V. lincecumii 등이 단독 또는 복합적으로 추가된 hybrids에 비해 감수성이었으며, 특히 V. vinifera-labrusca hybrid에서는 4배체 품종이 2배체 품종에 비해 감수성이었다. 온실 내에서 병원균 포자의 분무접종을 통한 품종간 저항성 검정 결과와 포장상태에서의 저항성 결과는 유사한 경향을 나타내었으므로 온실 내에서의 저항성 검정방법이 포도 노균병 저항성 검정에 이용될 수 있을 것이다.

• 박물관보존과학
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• 제15권
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• pp.66-77
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• 2014

국립중앙박물관에 소장되어 있는 은조사 구장복은 조선 말기에 고종이 착용하였던 것으로 기록된 구장문이 그려진 대례복의 하나이다. 이 장문은 왕이 나라를 통치함에 있어 필요한 덕목을 상징적으로 표현한 것으로, 적색·황색·청색·녹색, 회색의 안료로 채색되어 있다. XRF 분석 결과, 적색 안료는 진사/주, 황색 안료는 금·황동, 청색 안료는 청색 유기안료와 연백, 녹색 안료는 구리-비소로 구성된 합성안료인 양록, 회식 안료는 은으로 판단되었다. 또한 유사한 시기에 제작된 국립중앙박물관 소장 적의본과 폐슬본의 안료 성분을 비교 검토한 결과, 차이점과 유사점을 확인할 수 있었다. 이러한 분석 결과는 19세기 말 궁중에서 사용된 안료에 대한 기초적인 자료로 활용할 수 있을 것으로 기대된다.

• 복식
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• 제60권6호
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• pp.48-61
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• 2010

Pearl gowns(Jeanju-eui)' of Princess Jekukdaejang which were imported from Yuan to Goryeo in 13'th century, but correct shape and detail were unkown. Princess Jekukdaejang was a queen of Goryeo and a daughter of Kublai Khan of early Yuan period, and pearls were the most precious jewel in Mongolia of medieval time. It is possible that the shapes of Jeanju-eui were nomadic mogolian women's costume or very new style yet in early Yuan just like sleeveless long vest. In the period of Yuan, pearls were beaded on the stiff thin fabric for summer or ornaments of ladies. Big pearls were made use of point spot of pattern or line of pattern, and small pearls were usually used to fill up devided parts or to bind outline. The shapes of deducted pearl gown are five kinds of women's deel and four kinds of long vest, and deducted parts for pearl decoration are golden band from shoulder to wrist and on the knees of gown, cloud shape collar, patches on the breast and on the back, slant collar, and patterns of fabric. Red color(the favorite color of Yuan ladies), artifical pearls, ramie, and golden brocade with the gloss of satin are selected as stuffs for sample of pearl gown, but 'reproducting old fabrics' was the most important problem in making correct pearl gowns. Suggested is a cooperation with fabric makers to develop alternate fabircs with patterns just like Yuan's.

• 복식
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• 제54권5호
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• pp.59-70
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• 2004

Tea has influenced the basis of Korean culture in history for a long time. The dissertation aims to establish the history of the costumes for the tea ceremony based upon historical data. During Thee Kingdom Period. there was a ceremony called Tea Offering Ceremony In Silla times, there were Tea Offering Ceremony and Royal Shrine Tea Ceremony: In Corea age, they served Tea Presenting Ceremony: In Chosun age. tea ceremony was a part of Tea Presenting and was held during official greeting feasts for foreign envoys and during feast ceremonies at the court. The costumes for the tea ceremony by period are as fellows : In Corea times, king and all the government officials wore official court attire for Enthronement Ceremony (Ka-Rye). For Official Guest Reception Ceremony (Bin-Rye), king wore official costume, but in case the envoy was not carrying an Official King＇s Letter, king wore Ordinary Costume. In Chosun times, both king and prince crown wore ordinary costumes of winged silk crowns and royal robes (with golden dragon patterned segment) for Envoy Reception Tea Ceremony. In time of royal feast ceremony, king and prince crown wore ordinary costumes of winged silk crowns and royal robes, while queen wore red purple silk robe (red purple embroidered segment). Chosun＇s royal court occasionally held tea ceremonyat royal feast ceremonies during which king also wore ordinary costume of winged silk crown and royal robe as a costume to attract good fortunes. In case of ceremonies for bad occasions, a tea ceremony was included in Royal Inquisition procedures (joong-hyung-ju-dae-eui) during which king wore simple costume (Pyun-Bok).

• Toxicological Research
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• 제17권
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• pp.117-125
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• 2001

Envenoming by Russells viper causes a broad spectrum of renal impairment. Renal failure is an important complication in patients bitten by Russells viper. Experimental work in animals and in vitro has elucidated pathophysiological mechanisms that contribute to life threatening complications and have suggested possibilities for therapeutic intervention. The evidence in experimental animals regarding mechanisms of venom action in relation to changes in either extrarenal or intrarenal factors is presented. The cardiovascular system and renal hemodynamics are affected by venom. Reductions of renal function including renal hemodynamics are associated directly with changes in general circulation during envenomation. Possible endogenous mechanisms for releasing the hormone inducing renal vasoconstriction after envenomation are evident. Hormonal factor such as the catecholamine, prostaglandin and renin angiotensin systems induce these changes. Direct nephrotoxicity of venom action is studied in the isolated per-fused kidney. Characteristic polarization of the cell membrane, changes of mitochondrial activity and Na-K ATPase in renal tubular cells are observed. Changes in renal function and the cardiovascular system are observed of ter envenomation and are reversed by the administration of Russells viper antivenom (purified equine immunoglobulin, $Fab_2$ fragment). The neutralizing effects are more efficient when the intravenous injection of antivenom is given within 30 min after the envenomation.

• 복식문화연구
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• 제12권3호
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• pp.455-467
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• 2004

The purpose of this study is reviewing and researching the symbolic meaning and classifying the types of the style of the Costume in classical novel 'Shimchungjun' focusing on the woman's costume through the antique records and tombs bequests. Titled ladies for royal family put on 'Wooimkyoryong' and 'Sungun' as a petticoat when the ladies of Song period rode on horses. The underskirt played a part to swell a skirt for ladies. 'Bakjueui' and 'Hwangsangi' were ordinary clothes ranging from ladies of loyal family to women. The red color was limited to royal family. The ordinary clothes of women were white ramie clothes commonly and floral patterned clothes were prohibited to the ordinary clothes for women. 'Ko', a breast-tie (breast ribbon) of a Korean coat, was made of silk and women wear as an outer garment. The common people will wear 'Ko' of white ramie clothes which was very active items. The ladies of royal family and women put on shoes made of white ramie clothes, but the full dress of queen wore blue boots made of leather. The noble women wore 'Suk'(boots) made of deer skin and common people wore straw shoes regardless of gender and age. Sometimes they wore 'Woopihye' made of cowhide. In the first of Koryo era, the styles of dress were consisted of 'Monso', 'Eui', 'Po', 'Dae', 'Koh', 'Sang', 'Sungkun' and 'Kangnang'. The structure of costume for women made little difference and there was a great difference with decoration.

• 복식
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• 제59권9호
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• pp.87-96
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• 2009

Dangui is a formal dress of the wives of high officers and royalty in Chosun Dynasty and it was worn as a day dress in palace and a semi-ceremonial dress in upper-class households. Among the remains of Dangui a double-layered Dangui was found in which two sets of Dangui were combined to be worn as a single piece. The double-layered Dangui consists of an Over-Dangui and an Under-Dangui. The results of the examination of the remains for the Over-Dangui are as follows. As lone as the colors of the remains are identifiable, all of the Over-Dangui were green, whereas the Under-Dangui and lining materials were red. The textile was mostly in woven silk with pattern and it was frequently decorated with golden wefts or foils. A breast embroidery with phoenix and a dragon embroidery were also found. Such Dangui was worn mostly by the high members of the king's palace including the queen, crown princess, bastard princess, and monarch. There were two exceptions of wearing Dangui outside the king's palace. A simple Under-Dangui was made to enable a comfort fit of the two sets of Dangui and the suture was partially sewn. With three doth strings and cuffs, two pieces of Dangui were eventually assembled into one piece of clothing. Differences between the remains and the documents were also found in regards to textile and wearers of Dangui.