• 한국실내디자인학회논문집
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• 제16권2호
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• pp.105-114
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• 2007

As a result of imminent recognition on nature from modern world, the need for the combination between architecture and nature has been raised as another topic in architectural arena, and this kind of work is being conducted under the notion of Landscape. As the term 'Landscape' emerges as the key word in contemporary architecture, 'Landscape' begins to transcend the mere meaning of landscape architecture(gardening). The word, Landscape, has gone beyond the meaning of mere landscape, or rural vista one-dimensionally, and, after having introduced the attributes of nature into building activities, has emerged as a notion trying to form 'the architecture as landscape.' Together with these, 'Landscape' is expanding as a notion having various layers. The notion's, 'Landscape', occupying the significant position in contemporary architecture has been a recent phenomenon over 1980-1990s, and its category of practice has not certain limitation, rather it has started simultaneously from various areas. This study, before reviewing the architectural notion of Landscape by studying the Landscape notion and its various embodying methods being shown in contemporary architecture. As a result of examining the features of Landscape notion shown in various directions(ways), being influenced by the four Landscape types presented by Eduard Bru and the currents of the times, we can see that, though the features are somewhat similar, they are classified and explained as different types respectively. So, we are able to recategorize the features into 6 domains in this study.

• 한국실내디자인학회논문집
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• 제17권4호
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• pp.32-41
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• 2008

It has been a recent phenomenon over 1980-1990s that the notion of Landscape has had significant position in contemporary architecture. And the execution range isn't limited to a certain area but is extended to various areas. Under such influence of trend of the times, various architectural attempts in which landscape notion is applied have been tried by the group of architects of our country which are mainly composed of young architects. This study aims to derive the features of landscape appearing in our contemporary architecture by analyzing how Landscape notion is embodied in our Landscape architecture which are claiming the expression of Landscape notion as nature, human beings and view. The purpose of the study is to suggest the limitation and the direction to go through of Korean Landscape architecture through the analysis of such features. Through the recategorization of the Landscape notion, this study reviews the features in detail shown in buildings in Heyily Art Valley which were built strongly based on the expression of the Landscape notion, the art works in Paju City of Publishing Industry and other Landscape buildings. The findings of the review show that Landscape architectural notion has been attempted not only in a certain facilities but also in various genres of architecture. And also it shows that the expression of Landscape notion is performed not by various ways but by only limited ones which are preferred.

• 기록학연구
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• 제64호
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• pp.157-186
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• 2020

1999년 공공기록물 관리법이 제정되고 국내 기록관리는 주로 공공기록 관리 중심으로 이루어져 민간기록물 수집과 관리는 상대적으로 미흡하게 진행되어왔다. 본 연구는 1985년에 재야 여러 단체의 연합조직으로 창립되어 정권에 대항하여 활동하는 등 역사적 가치가 있지만 기록관리 및 이관 등이 제대로 이루어지지 않은 민주통일민중운동연합(이하 민통련)의 기록물을 바탕으로 민간 기록물의 생산자 중심의 단체컬렉션 분류체계를 개발하고자 하였다. 이를 위해 문헌연구, 기록물 내용 분석 및 재조직, 분류체계 개발, 전문가 평가를 실시하였는데 구체적인 연구방법은 다음과 같다. 첫째, 선행연구와 이론적 고찰을 통해서 매뉴스크립트 컬렉션에 적합한 분류 방법을 알아보고 민주화운동기념사업회 디지털 아카이브인 오픈아카이브의 분류체계를 분석하여 단체컬렉션 구성의 의의를 밝혔다. 둘째, 민통련의 설립배경, 활동 등을 분석하고, 기록의 생산적 특징인 시기, 유형, 내용을 분석하였다. 셋째, 전명혁(2004)의 민주화운동 단체를 바탕으로 나눈 범주를 기본으로 연관이 없는 주제 영역은 제외하거나 재정의하고, 새롭게 필요한 영역은 추가하였다. 넷째, 민통련 단체컬렉션의 분류체계를 생산자(조직), 생산 시기, 주제, 유형으로 만들고 전문가 평가를 받은 후, 이를 반영해서 민통련 분류체계의 최종안을 완성하였고 민통련 기록물에 적용하였다. 본 연구의 결과는 다양한 출처의 민통련 생산 기록을 재분류하여 해당기록으로의 접근과 활용이 용이한 분류체계를 개발함으로써 민통련 자료의 검색 효율성을 증진시킬 수 있을 것이다. 또한 단체 컬렉션 구성에 대한 하나의 사례로서 생산자 중심 분류의 기본 구조를 제시할 수 있을 것이다.