• Journal of the Institute of Convergence Signal Processing
• /
• v.4 no.3
• /
• pp.7-14
• /
• 2003

MPEG-1 audio standard is the algorithm for the compression of high-qualify digital audio signals. The standard dictates the functions of encoder and decoder pair, and includes three different layers as the complexity and the performance of the encoder and decoder. In this paper, we implemented the real-time system of MPEG-1 audio layer III decoder(MP3) with the TMS320C541 fixed point DSP chip. MP3 algorithm uses psycho-acoustic characteristic of human hearing system, and it reduces the amount of data with eliminating the signals hard to be heard to the hearing system of human being. It is difficult to implement MP3 decoder with fixed Point DSP because of it's broad dynamic range. We implemented realtime system with fixed DSP chip by using weighted look-up tables to reduce the amount of calculation and solve the problem of broad dynamic range.

• Journal of Broadcast Engineering
• /
• v.21 no.6
• /
• pp.889-898
• /
• 2016

Virtual Bass System (VBS) is widely used to extend the lower frequency limit of small loudspeakers, which generates harmonics of a fundamental frequency. The perceptual quality of the VBS is highly dependent on the harmonic weighting strategy. There have been several weighting methods, including exponential attenuation and timbre matching. However, it is essential to match phases between harmonics in the original signal and generate harmonics to precisely convey the weighting strategy. This paper shows the limitations of the previous harmonic weighting schemes and proposes a new harmonic weighting scheme. The proposed weighting scheme proposes phase matching between the original and generated harmonics and varies the slope of the attenuation weighting dynamically according to the missing fundamental frequency. Objective and subjective tests show that the proposed harmonic weighting scheme provides more natural and effective bass perception in a limited situation than the conventional schemes, which implies that the phase matching is essential for the high quality bass enhancement.

• Journal of the Institute of Electronics Engineers of Korea SP
• /
• v.41 no.2
• /
• pp.99-108
• /
• 2004

This thesis deals a method to deliver more realistic sound by cancelling the cross-talk which is inherent to the 5.1 channel speaker system. The acoustical model for cross-talk cancellation is the free field model. This model minimizes distortion of sound. I used the bark scale sound quality compensation which based on psycho-acoustic. For the surround channels, band-limited sound quality compensation is performed in the frequency domain. I also performed the sound quality assessment test on the traditional 2 channel stereo and 5.1 channel system. This test is performed in the test chamber which satisfies the ITU-R specifications. I uses the IACC(Inter-Aural Cross-Correlation) to determine the preferences of the amateur and the golden ear experts to asses the trans-aural filter. According to the result from the proposed method, I got more the 38㏈ separation rates with the Dolby standard speaker array. The results on the diffusion by the subjective test with the experts shows 0.4 point increased then before.