• 한국실내디자인학회논문집
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• 제24권5호
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• pp.3-11
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• 2015

The human instinct toward nature is biophilia as a psychological term. There have been a number of empirical evidences confirmed that natural features in buildings enhance human's comfort focusing on biophilia. However, the evolution of society, science, and industry has separated modern buildings from nature. Therefore, this paper addresses the assumption that the admiration for historical buildings in contemporary society is attribute to the qualities of biophilic design. Prospect and refuge, one of the strategies for biophilic design, ultimately provides the opportunity to recover from stress and tension. The purpose of this study is to figure out elements of prospect and refuge based on the design theory of biophilia for psychological healing. This study explores the Gyeongbokgung Palace with the design elements of prospect and refuge in biophilia. It also measures these elements quantitatively with the contrast using Adobe Photoshop CS6, and the area ratio of prospect and refuge. The results of this research verify that the conflicting characteristics of prospect and refuge are identified simultaneously, it is significant to attract people. Gangnyeongjeon Hall and Gyotaejeon Hall, the living quarters for the king and queen, propose the intense pattern of refuge characteristics more than other areas. The mathematical properties of the area ratio show that the pattern of prospect-refuge characteristics change in particular design elements.

• 한국철학논집
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• 제27호
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• pp.255-292
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• 2009

이 글은 1990년대 등장한 당대 중국신자유주의 지식인의 현실인식과 그 이론에 대한 고찰이다. 역대 중국자유주의자들이 정치자유주의와 문화 자유주의에만 관심을 두고 경제자유주의를 소홀히 했기 때문에 중국에서 자유주의가 제대로 정착하지 못했다. 그러므로 당대 중국의 사회문제의 원인은 시장경제 자체에 있지 않고 시장이 구 권력체제의 통제에서 벗어나지 못해서 성숙하지 못하고 규범화하지 못한데 있다. 즉 중국의 사회관계의 성격은 아직 자본주의가 아니다. 중국이 현대화하기 위해서는 순환적 점진적 노선을 걸어야 한다. 개량과 혁명의 중간인 refolution적 방법과 속도로 중국사회의 개혁을 추진해야 한다. 새로운 가치체계의 발명과 제정이 아니라 일상윤리를 거듭 천명하고 고수하며, 또한 세계의 보편가치와 일치하는 중국의 가치체계를 발굴하고 견지하면 현대사회의 정신문화 문제를 해결할 수 있다. 현대화는 전통을 훼손하는 방식으로 추진해서는 안 되고 전통의 조정, 지속 그리고 재건설의 방식으로 추진해야 한다. 그리고 농업적 전제사회에서 현대적 민주사회로 단번에 진입할 수 없다. 시장경제를 중개자로 삼아 경제적 물질적 기초를 제공해야만 민주의 실행이 가능하다. 그러므로 유가전통을 출발점으로 하고 시장경제를 중개자로 하여 민주정치를 지향할 때만이 그 목표를 달성할 수 있다.

• 한국농촌건축학회논문집
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• 제23권1호
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• pp.19-26
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• 2021

We have lived in a highly dense environment since the rapid urbanization of the industrial age. The COVID-19 pandemic has increased the need for individual spaces for telecommuting or non-face-to-face classes in residential spaces. In metropolitan cities in Korea, where there are many housing types for one-person, the sense of social isolation is increasing more than ever due to COVID-19. This study explored problems in residential spaces and the solutions to relieve the sense of social isolation in this pandemic era. The development process of the courtyard housing in France was examined as an example. Based on the case study, the meaning of threshold of contemporary architecture was reinterpreted, and the characteristics of the healing community space in this pandemic era were proposed by applying prospect and refuge theory.

• 대한지리학회지
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• 제47권4호
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• pp.471-473
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• 2012

이 특집호는 2012년 독일 쾰른에서 개최되는 제32차 세계지리학대회를 맞이하여 전 세계에 한국의 지리학을 소개하기 위해 마련한 것이다. 대한지리학회는 2000년 서울대회를 계기로 하여 한국 지리학의 연구 성과와 동향을 소개한 바 있다. 이 특집호는 2000년대 초반까지 정리된 한국 지리학의 학술적 연구 성과를 바탕으로 하여, 특히 지난 10여 년 동안의 한국 지리학의 학문적 성취와 연구 동향을 새롭게 살펴보고, 이와 아울러 향후 지리학의 미래 전망을 검토하고자 시도하였다.

• 한국실내디자인학회논문집
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• 제20권2호
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• pp.10-19
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• 2011

This study is to predict the possibilities of phenomenological spatial design, by recognizing that a phenomenological spatial design brings about a change in the type, regime, role and materials of a spatiality due to the effect of contemporary digital technology and by analyzing their characteristics. Therefore, the study is based on the phenomenology of perception of Morris Merleau Ponty, which has the same concept to contemporary out-of-material and out-of-hierarchical paradigm. The case study has been carried out by selecting some of all works since 1980s, which were influenced by Merleau-Ponty. The analyses were performed by substituting the cases into the spatiality of Situation, spatiality of participation and creation, spatiality of retrospect and prospect, and the spatiality of unpredictability, which were the concept of phenomenological space of Merleau-Ponty for the analyses of features of type, regime, role and material of a spatial design. This article has a great significance in expecting the possibilities of changes of phenomenological spatial design by examining the characteristics of phenomenological spatial design.

• 건축역사연구
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• 제21권3호
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• pp.93-108
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• 2012

This study is one that estimates the architectural composition as well as the location of guest house of Haemi Eupseong on the basis of the analysis of modern and contemporary data related to Haemi Eupseong. It is significant that this study has presented an opinion that can become a practical basis for the historical research of the prototype of Haemi Eupseong of the late Chosun Dynasty through the analysis of modern and contemporary data that had been unsatisfactory among the fruition of studies conducted in relation to Haemi Eupseong. The outcomes achieved by this study are as follows. Firstly, it was verified that the guest house of Haemi Eupseong that has been restored is one that has different architectural composition than the prototype of the late Chosun Dynasty and is restored in a different location. Secondly, in respect of architectural composition of guest house found by the analysis of the picture, it was confirmed that the government office has one step higher than the double-wing house in the form of the roof. Thirdly, the location of the guest house of Haemi Eupseong of the late Chosun Dynasty is judged to be the periphery area where the current restored guest house is located, which is where the teachers' building of Haemi elementary school was located. Fourthly, the prospect of the guest house of Haemi Eupseong is decided to be similar direction to the current restored guest house with the greatest possibility of having the same direction with the arrangement of teachers' building of Haemi Eupseong elementary school.

• 의료ㆍ복지 건축 : 한국의료복지건축학회 논문집
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• 제22권2호
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• pp.15-23
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• 2016

Purpose: Planning space of the house is important as a universal place to relieve stress of contemporary people. Void space is easy to perform mental and cultural programs in aspect of affording the healing behavior. The "Interface" accommodates healing behaviors through mutual interchange between void space and solid space as the edge of the solid space around void space. This study presents a efficient theory of healing space through combining space theory with the Kitwood's theory of psychiatry used for the art therapy. Methods: Spatial elements based on Kitwood's theory converges towards 2 behavioral elements; Meditation(-), Sense of Community(+). Balancing with reciprocal complement between behaviors of passive and stable "Meditation(-)" and active and released "Sense of Community(+)" was analysed. Results: "Faciliation" can be used in combination with "Flow(+)" as active factor. "Validation" is combined with "Prospect(+,-)", and divides into 2 factor ; "Recognition-Refreshment(-)", "Reaction-Social Exchange(+)". "Holding" is combined with "Refuge(-)" as passive factor. Implications: This study established concept of spatial healing elements in connection with theory of Psychiatry about Alzheimer that is extreme situation of stress. This study is expected to enhance the validity and efficiency in analysis of healing space.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2004년도 추계 종합학술대회 논문집
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• pp.121-124
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• 2004

현대 애니메이션 스타일은 기술에 기반한 여러가지 형식의 중요성과 의미를 재생산함으로써 그 범주와 장르에 있어서 다양해지고, 그에 따라 과학의 지속적인 발전과 그에 따른 대중문화의 파급을 함께 해온 컴퓨터 애니메이션은 현대시각미술생산에 중요한 위치를 점하고 있다. 본 연구는 매트릭스 세계에 대한 서로 다른 9개의 에피소드로 구성되어 있는 <애니 매트릭스>를 사실주의 미학의 관점에서 재현과 리얼리티라는 문제와 연관지어 그 표현방식을 기술성의 미학적 측면과 전통적인 영화표현기법 측면으로 분석한다. 또한 포스트모더니즘의 영향으로 제기되는 리얼리티에 대한 재해석과 <애니 매트릭스>가 담고 있는 철학적 메시지와 애니메이션 스타일과의 상호연관성을 분석하여 컴퓨터애니메이션 영상장르의 미학적 구조와 효과, 그리고 그에 따르는 애니메이션 스타일 형성에 대해 조망하고자 한다.

• 한국산업융합학회 논문집
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• 제1권2호
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• pp.31-40
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• 1998

The aim of this study is to examine the expression of the meaning of tradition and the archetype of korean image in it in order to find out korean image on reflection of the meaning of tradition. The results are as follows. 1) The nature of tradition illuminates the past, and lights up the present. It cannot be a portrait which enable to have a future prospect and also a cornerstone a tutore pave the way for of the better direction. 2) It's meaning like to say that korean style it self is considered as an expression of tradition. But it korean tradition has a tradition course in a dialectical way, new creation will be possible, 3) The social and cultural aspects change as time goes by through the tendency of society and it's culture we can get some imformation about the inner spirit of human being. The inner spirit of human being is the spirit of our nation so that we can get oringinality from the culture of our nation. 4) On the aspect of idea oganic system must be visualized on the basis of scale whichs accustomed to our emotion. 5) We can also find out the growing tendency that architects are willing to express the typological image as spacial arrangement and ideology of the Korean image to their works recently. It can be defined that it is a progressive tendency for the expression of Korean image in contemporary architecture. This study is needed to have move practical and concrete examination in order to approach more ideologically the expression of the sense of tradition.

• 한국가구학회지
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• 제22권1호
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• pp.42-53
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• 2011

This article aimed at identifying the concept of 'artistic-quality' of furniture and presenting the concept of 'artistic-quality based furniture creation' as the future direction of furniture design. For this, the authors approached to the theoretical background of the concept of artistic-quality, and then examined the prospect of practical application of the concept by analyzing the tendencies in today's art furniture. In this light, 'artistic-quality' of furniture could be understood as a quality that triggers the designer's venturous spirit throughout the process of furniture creation, so that the designer keeps seeking for the novelty and innovation in his experimental design and process. The feature of the current tendencies of art furniture in terms of the expression and effect, which could explain this venturous spirit of artistic-quality based furniture creation, could be summarized as follows; first, High-touch: Furniture that exemplifies the artistic-quality by specific texture of handmade quality, second, High-feeling: Furniture that arouses the new feelings and new concepts of furniture structure & function by experiments on new abstract forms of furniture, and third, High-mentality: Furniture that leads us to the sphere of subtle aesthetic recognition and mentality with its specific poetic expression and sensibility.