• 교육시설
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• 제12권3호
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• pp.22-32
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• 2005

This paper is to propose a design possibility that incorporates participatory process and also to emphasize the participatory process applied to the planning of outdoor playground space open to the neighboring community. Community design based on the participation method can be understood as an attitude about a force for change in the creation and management of environments for people who are the major users of them. Planning for outdoor space is an integral part of school education and a vital component of child development. For the design of outdoor space of Samyang Elementary School it first needs to examine the current and emerging needs of students, teachers and parents as community residents through the participatory design method. A series of workshops and interviews are taken to identify dreams and ideal spaces of each group. An assessment of existing school spaces and design possibility of reprogrammed outdoor spaces are proposed to match the major demands of participants. Selected outdoor places are chosen and designed to accommodate options for various play settings and to make the school pleasant places where members of the neighborhood can gather for relaxation in restful surroundings.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2008년도 학술대회 2부
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• pp.405-410
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• 2008

There is always a rhythm in our language and speech. As soon as we speech out, even just simple words and voice we make are edited as various emotions and information. Through this process we succeed or fail in our communication, and it becomes a fun communication or a monotonous delivery. Even with the same music, impression of the play can be different according to each musician' s emotion and their understanding. We 'play' our language in the same way as that. However, I think, people are used to the variety, which is, in fact, the variation of a set format covered with hollow variety. People might have been living loosing or limiting their own creative way to express themselves by that hollow variety. SPACIAL POEM started from this point. This is a new type of 'real-time visual interaction' expressing our own creative narrative as real-time visual by playing a musical instrument which is an emotional human behavior. Producing many kinds of sound by playing musical instruments is the same behavior with which we express our emotions through. There are sensors on each hole on the surface of the musical instrument. When you play it, sensors recognize that you have covered the holes. All sensors are connected to a keyboard, which means your playing behavior becomes a typing action on the keyboard. And I programmed the visual of your words to spread out in a virtual 3D space when you play the musical instrument. The behavior when you blow the instrument, to make sounds, changes into the energy that makes you walk ahead continuously in a virtual space. I used a microphone sensor for this. After all by playing musical instrument, we get back the emotion we forgot so far, and my voice is expressed with my own visual language in virtual space.

• 한국진공학회지
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• 제8권4A호
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• pp.482-489
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• 1999

AC PDP(P1asma Display Pane1)s use the mixture of inert gases to generate a discharge inside the display pixels. Impurities such as CO, $CO_2$ and OH inside discharge region may deteriorate the characteristics of PDP operation during long life time of PDP. Electro-negative gas such as CO can cause the sustain pulse amplitude to rise by attaching electrons which will play an important role in the earlier stage of the discharge. MgO film is used to protect the dielectric layer in AC PDP, and is in contact with the free space of display pixel where it is filled with the inert gas mixture. So, MgO film can be a main source of impurities. In this experiment, we observed the change of impurity generation of various MgO films which were deposited by different methods, by using QMS. (quadropole mass spectrometer) The main impurites were $H_2$, CO and $CO_2$. And with the comparison of the TPD (temperature programmed desorption) result, it can be understood that impurity gases are generated by sputtering of MgO surface not by outgassing. Deposition method had effects on the characteristics of the impurity generation. The MgO film manufactured by e-beam evaporation generated more amount of impurity gases than the MgO films manufactured by sputtering or ion-plating. And also heat treatment of MgO film after deposition decreased the magnitude of impurity gas generation.

• 디자인학연구
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• 제19권6호
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• pp.27-32
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• 2006

본 작품 TYME 은 프로그래밍 언어인 프로세싱(Processing)으로 디자인된 인터랙티브 타이포그래피 프로그램으로서, 순간적인 시간의 속성을 타이포그래피적 표현으로 형상화한 미디어 기반의 컴퓨터 아트 작품이다. 어두운 발표장 실내 공간에서 사용자가 컴퓨터 키보드로 문자를 타입하면, 스크린의 오선지 위에 흰 연기 형태의 알파벳들이 나타나 흐르고, 연기처럼 수 초내에 스크린 속으로 사라져간다. 또 각 키들의 알파벳에 연결된 사운드들로 인해 재즈와 같은 실시간 즉흥 연주를 만들어낸다. 관객들은 스크린을 통해 시간 속에 사라지는 텍스트들이 만들어내는 영상 시(詩) 연주를 감상한다. 현대 미디어 환경에서 예술과 기술이 통합 되어 실험되고 있는 컴퓨터 아트의 맥락을 타이포그래피에 도입하여, 디지털 미디어 환경 속에 구현될 수 있는 타이포그래피적 시간과 공간을 디자인하고자 하였다. 잡을 수 없는 순간적인 시간 속에 사라지는 것들에 대한 감성과 미적 경험을 타이포그래피의 유희적 특성에 연결시켜 표현 개발하였다. 시간 속에 고정 되어 있지 않고 변화하는(unfixed) 디지털 타이포그래피의 속성을 반영하는 작품으로서, 또한 프로그래밍 코드에 의한 인터랙티브 타이포그래피의 디자인 방법으로서, 한 모델이 될 수 있다고 보고 작품과 함께 그 디자인의 경향을 정리하였다.