• Title/Summary/Keyword: Prehistoric petroglyphs

Search Result 7, Processing Time 0.02 seconds

Textile Design for Children Applying Korean Prehistoric Petroglyphs (한국 선사시대 암각화를 응용한 아동용 텍스타일 디자인 연구)

  • Jang, Kyung Ah;Park, Eun Kyung
    • Journal of the Korean Society of Costume
    • /
    • v.64 no.2
    • /
    • pp.135-149
    • /
    • 2014
  • This study attempts to adapt and develop Korean prehistoric petroglyphs into textile design for children. For this purpose, literature review was conducted to understand the plasticity and symbolism expressed in Korean prehistoric petroglyphs. Also this study conducted textile design development as follows: First, the figures and faces in petroglyphs were selected because children can easily recognize them. Second, two groups of different ages (7-9 and 10-13) were allowed to freely draw the selected motifs. Third, some of the motifs created by the children were selected that show children's individuality and also keep the features of the original motifs. The children's motifs were developed into textile design using Texpro and Photoshop. Then digital textile printing and 3D mapping program were used to make pajamas (5 types), umbrellas (3 types), and simulate bedding sets (2 types) for children. This research's results are as follows: First, petroglyphs are symbolic language of human's oldest art form, and related to religious and mythical belief. Korean petroglyphs have plasticity showing the development steps in technique and expression, with various shapes such as animals, human figures, faces, masks and abstract figures. Third, children showed their interests in various human figures and faces of the petroglyphs, and it was easy to draw those motifs in their own way. Fourth, 10 design motifs were selected from the children's work and used to create textiles considering materials and colors for children. Total 10 items were made and presented. This study confirmed the usefulness of applying prehistoric petroglyphs to children's textiles designs. These designs may grow as a kind of cultural product for children who know about and like petroglyphs. They can be a niche market items too, made to order for children with individuality and who favor originality.

The Role of Geomorphology·Geology in Prehistoric Petroglyph Research - Hadong Mukgyeri's Stone Monument as an Example - (선사 암각화 연구에서의 지형·지질학의 역할 - 하동 묵계리 석물을 사례로 -)

  • Yang, Dong-Yoon;Han, Min;Kim, Seong-Won
    • Journal of The Geomorphological Association of Korea
    • /
    • v.27 no.3
    • /
    • pp.105-121
    • /
    • 2020
  • There has been a lot of controversy over the claim that ancient characters were engraved on a stone plane collected near the Samsin Mountain in Hadong-gun, and that it was used as an altar based on the contents on the stone. The importance of the role of geoscience in prehistoric petroglyph research was presented through analysis and comparison with representative domestic petroglyphs. First, by examining the geological formation process of the collected stone objects, it proved that prehistoric actions were not applied. Second, as a result of comparative analysis from the viewpoints of human geography and topography with representative petroglyphs in Korea, it is unreasonable to argue that the stone was made for an altar. Third, it is considered that among the ancient characters under debate, the straight line indicates a cleavage of carbonate minerals, and the curved shape results from the growth of lichens. Finally, we propose that reproducing the lines found on the stone was impossible by using ancient techniques, and that there was no trace of any artificial actions applied to the spots considered to be curved characters. As shown in such research cases, the results of petroglyph research will have high reliability, if research by experts in each field continues after the geoscientific basis is secured. In this respect, the contribution of Earth science to cultural assets and archeology is expected to increase in the future.

A Study on The Application of VR Technology for The Contents of Petroglyph Museum (VR기술을 활용한 암각화 박물관의 콘텐츠 개발 연구)

  • Kang, Young-Hwan
    • The Journal of the Korea Contents Association
    • /
    • v.16 no.10
    • /
    • pp.443-453
    • /
    • 2016
  • The Petroglyph is a drawing on the rock which reflects the art, religion, myth, and life style of prehistoric society. Recently lots of researches have been studied to develop the contents applying the petroglyphs in the fields of exhibition, education, entertainment, and commercial. This research aims to find some possible VR contents based on the petroglyphs text. The review on the Ulsan petroglyph museum which is the first and the only petroglyph museum in Korea was the first step. Some limitation and problems were found in the current contents which could be overcome by using VR technology. The next step was the overall review of VR system and devices, and then I analyzed five cases of VR contents which specifically applied to the cultural heritages. Based on the analysis of case studies I propose some possible VR contents more immersive and interactive covered with whole range of petroglyphs context, environmental, social, cultural, technical and artistic.

Oak Forests of the Daegok-cheon Petroglyphs Area in Ulsan, South Korea (울산 대곡천 암각화 유적지 일대의 참나무림 다양성과 분포 특성)

  • Lee, Gyeong-Yeon;Kim, Jong-Won
    • Korean Journal of Ecology and Environment
    • /
    • v.50 no.1
    • /
    • pp.126-136
    • /
    • 2017
  • We describe characteristics of diversity and distribution of oak forests on the Daegok-cheon gorge of the Southeastern Korean Peninsula, the oldest prehistoric site, in view of a sort of food resources of acorns. The $Z{\ddot{u}}rich$-Montpellier School's method was adopted for field investigation on the oak dominant stands. A total of 20 phytosociological $relev\acute{e}s$ composed of 193 taxa were analyzed by syntaxonomy and ecological flora. The Daegok-cheon's oak forests occupied 36.9% ($513,374m^2$) of the surveyed area, and its 99% ($507,677m^2$) was Quercus variabilis and Q. serrata stands. Oak forests of the Daegok-cheon gorge are a kind of regional vegetation type characterizing by the high relative net contribution degree (r-NCD) of Platycarya strobilacea and Sapium japonicum, which are an edaphic type of the xerophilous and thermophilic oak forests. The region of the Daegok-cheon petroglyphs is defined as an ecoregion with rich acorn supply and abundant water resources, and the warmer environment, which attracts prehistoric man.

Development of 3D Petroglyph VR Contents based on Gesture Recognition (동작인식기반의 3D 암각화 VR 콘텐츠 구현)

  • Jung, Young-Kee
    • The Journal of the Korea institute of electronic communication sciences
    • /
    • v.9 no.1
    • /
    • pp.25-32
    • /
    • 2014
  • Petroglyphs is an essential part of the worldwide cultural heritage since it plays a key role for the comprehension of prehistoric communities previous to writing. nowadays 3D data are a critical component to permanently record the form of important cultural heritage so that they might be passed down to future generations. Recent 3D scanning technologies allow the generation of very realistic 3D model that can be used for multimedia museum exhibitions to attract the users into the 3D world. In this paper, we develop the 3D petroglyph VR contents based on a novel gesture recognition method. The proposed gesture recognition method can recognizes the movements of the user using 3D depth sensor by comparing with the pre-defined movements. Also this paper presents new approaches for 3D petroglyphs data recording using 3D scanning technology as accurate and non-destructive tools.

Disaster : Concepts and Responses in Prehistoric Times from the Viewpoint of Analytical Psychology (선사시대 원시인의 재난과 대처양식에 대한 분석심리학적 연구 : 신화와 암각화를 중심으로)

  • Chan-Seung Chung
    • Sim-seong Yeon-gu
    • /
    • v.32 no.2
    • /
    • pp.73-121
    • /
    • 2017
  • Disaster is externally an incident that causes enormous damage to society and humanity. Disaster also internally stimulate a variety of personal and collective complexes in the human mind. The sinking of Sewol Ferry in 2014 was a disaster that took away countless lives. People not only in South Korea but around the world were deeply affected by the incident. While directly taking part in disaster mental health support and meeting with people who were sunk in sorrow and helplessness and feeling the collapse of conceit against modern technological civilization, I realised the need to conduct study and research on the conscious and unconscious response from the viewpoint of analytical psychology. This research investigates the response and management of disaster in prehistoric times mainly through myths and petroglyphs. This study aims to consider the problems and improvements of disaster response in the modern times by finding the distinct cultural characteristics and the universal, fundamental, and archetypal human nature inherent in the concepts of disaster and responses to disaster and discovering their meaning and wisdom. Creation myths around the world show that in the beginning there was a disaster as part of the universal creation. Humanity has understood disaster as a periodic renewal of the world by the oppositeness between destruction and creation and had the idea that violation of taboo to be the cause of disaster since prehistoric times. Disaster could be interpreted as the intention of the Self that renews the fundamental consciousness through the externally appearing destructive action. Various rituals performed by man on earth renovates the human consciousness during a mental crisis situation, such as a disaster, and corresponds with the unconscious to create an opportunity for psychological regeneration that seeks harmony. Modern society has neglected the importance of internal dealing and the suffering human soul and concentrated on the external, technological and administrative actions related with disaster response. We cannot determine the occurrence of a disaster, but we can determine how to deal with the disaster. While developing external disaster response, we need to ponder on the meaning of disaster and conduct internal disaster response that care for human mind. Through this, we will understand the meaning of pain and have renewed mature psyche.

The Study on the World Cave Painting and Kalabera Cave Painting (세계 동굴벽화와 칼라베라동굴의 벽화에 대한 연구)

  • Yoon, Jung-Mo
    • Journal of the Speleological Society of Korea
    • /
    • no.92
    • /
    • pp.1-7
    • /
    • 2009
  • The Altamira Cave painting which Spain which is a world-wide cave painting will know, France Grotte de Lascaux painting, observes the France Chauvet Cave and sees and about Choungryongdo with the Sangyoungchong which are an ancient tomb mural of Korea introduces. This paper provides an overview of the rock art of the Northern Mariana Islands and particularly as the rock art discovered to date predominantly pertains to ancestor worship within the Chamorro cultural group. For centuries, the Western world has categorized the ancient Chamorro inhabitants of the Marianas Archipelago as a "prehistoric" people; a people without a written history. In addition to providing an overview of the rock art of the Northern Mariana Islands, this paper also emphasizes the fact that the ancient Chamorros did indeed have a recorded history and that this chronological record exists in the pictographs and petroglyphs that they painted and carved.