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온수지에 의한 관개용수의 수온상승 효과에 관한 연구 (A Study on the Effects of Temperature Rise of Irrigation Water Passed Through the Warm Water Pool.)

  • 연규석;최예환
    • 한국농공학회지
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    • 제19권1호
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    • pp.4323-4337
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    • 1977
  • The study was to estimate the effect of the rise of water temperature in the warm water pool and to make contribution to the establishment of reducing to a damage of cool water as well as to the planning for warm water pool. This observation was performed in Wudu warm water pool located at Wudu-Dong of Chuncheon for two years from 1975 to 1976. The results were showed as follows; 1. The daily variation of water temperature was the least for inset (No.1; 0.6$^{\circ}C$) the second for middle overflow (No2: 3$^{\circ}C$, No.3; 2.3$^{\circ}C$) and another for outflet (No.4; 3.6$^{\circ}C$, No.5; 3.8$^{\circ}C$) And the highest reaching time of water temperature in each block was later about 1 hour than the time at which air temperature happend in the daytime. So, the variation of water temperature was sensitive to the variation of air temperature 2. The monthly variation of water temperature at each measuring point was plotted to be increased with increase in air temperature till August (Mean monthly rising degree; No.1; 1.15$^{\circ}C$, No.2; 1.7$^{\circ}C$, No.3; 1.73$^{\circ}C$, No.4; 2.08$^{\circ}C$, No.5; 2.0$^{\circ}C$), and expressed gradually descended influence upon water temperature after August. 3. The mean temperature of inflow folwed in warm Water pool was 7.5∼12.5$^{\circ}C$, and outflow temperature was described as 13.4∼22.5$^{\circ}C$ to be climbed. And So, the rising interval of water temperature was shown as 6.7∼10.4$^{\circ}C$. 4. The correlation between the rising of water temperature and the weather condition was found out highly significant. As the result, their correlation coefficents of water temperature depending on mean air temperature, ground temperature, wind velocity and relative humidity were to be 0.93, 0.90, - 0.83 and 0.71 respectively. But there was no confrimation of the correlation on the clouds, sunlight time, volume of evaporation, and heat capacity of horizontal place. 5. The water temperature of balance during the period of rice growing in Chuncheon district was shown as table 10, and the mean of whole period was calculated as about 23.7$^{\circ}C$. 6. The observed value of the outflow temperature passed through the warm water pool was higher than that of computed, the mean difference between two value was marked as 1.15$^{\circ}C$ for blockl, 1.18$^{\circ}C$ for block2, and 0.47$^{\circ}C$ for block3, respectivly. Therefore, the ratio on the rising degree between the observed and computed were shown as 53%, 44%, and 18%, mean 38% through each block warm water pool (referring item $\circled9$ of table 11,12, and 13). Accordingly, formula (4) in order to fit for each block warm water pool was transfromed as follow; {{{{ { theta }_{w } - { theta }_{ 0} =[1-exp LEFT { { 1-(1+2 varphi )} over {cp } CDOT { A} over { q} RIGHT } ] TIMES ( { theta }_{w } - { theta }_{ 0}) TIMES C }}}} Here, correction coefficinent was computed 1.38, and being substituted 1.38 for C in preceding formula, the expected water temperature will be calculated to be able to irrigate the rice paddy. As the result, we can apply the coefficient in order to plan and to construct a new warm water pool.

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19세기 강남(江南)에서 재해석된 사왕풍(四王風) 산수화의 유입 안건영(安健榮)의 <산수도> 6폭 병풍을 중심으로 (The Influx of Four Wangs' Landscape Style Reinterpreted in Jiangnan Circle(江南) in the 19th Century Focused on An Geon-yeong(安健榮)'s Six-fold Landscape Screen)

  • 최경현
    • 헤리티지:역사와 과학
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    • 제41권2호
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    • pp.79-97
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    • 2008
  • 18세기 전반 북경에서 형성된 사왕산수화풍은 19세기에 한국과 일본으로 널리 전파되어 각국의 새로운 시대 화풍을 발전시키는데 중요한 밑거름이 되었다. 이러한 화풍은 청 문사들과 교유했던 신위나 김정희에 의해 본격적으로 전래되기 시작하였고, 그들의 영향을 직간접으로 받았던 신명연, 이한철, 유숙, 장승업, 안중식, 조석진 등이 사왕풍으로 그림을 그리면서 한국 화단의 주요한 화풍으로 자리매김하게 되었다. 이들이 그린 사왕풍 산수화에서 공통으로 보이는 특징은 고원법으로 자연 경물을 가까이에서 포착하고, 화면의 오른쪽이나 왼쪽 하단부에 배치된 키가 큰 나무를 기점으로 계류(溪流)를 건너 주산이 펼쳐지는 것이다. 하지만 최근 공개된 화원화가 안건영이 그린 <산수도> 6폭 병풍은 19세기 후반 유행했던 사왕풍을 근간으로 하면서도 경물포착이나 필법 및 색채감각 등에서 이들과는 차별화된 면모를 보여주고 있어 주목된다. 안건영의 현전 작품들은 대개 소품인데 이 병풍은 6폭의 산수화로 꾸며진 대작에 해당된다. 특히 산수의 여러 경관을 윤묵(潤墨)의 가는 필선으로 섬세하게 묘사하여 고요하면서도 차분한 분위기를 조성한 것이라든지 일부 화폭에서 조감법(鳥瞰法)으로 경물을 포착하여 거시적인 시점을 보여주는 것, 연운(煙雲)을 통해 화면에 생동감을 부여하는 것 등에서 새로운 면모를 읽을 수 있다. 이러한 화풍은 19세기 전반 강남(江南) 화단에서 사왕풍을 근간으로 하면서도 중국의 실제 명산을 돌아다니며 익힌 사생(寫生)을 절충하며 산수의 기운이나 생명력을 전달하려고 했던 왕학호, 탕이분, 대희 등의 화풍과 연관이 있는 것으로 판단된다. 따라서 안건영의 <산수도> 6폭 병풍은 19세기에 북경 화단과는 차별화된 양상을 나타냈던 강남 화단의 사왕산수화풍이 전래 수용되었다는 사실을 알려주는 보기 드문 사례로 중요하다고 할 수 있다.